Utah - More Prints

Time Will Tell Screen print 60 x 40 cm (23.6 x 15.7 in) Signed and numbered by the artist In support of CHOOSE LOVE Accompanied by a certificate by Always Art Materials 22-colour h...

4 color screen print. Signed by Shepard Fairey, Glen E. Friedman and Keith Morris. As a founding member of Black Flag and Circle Jerks, songwriter and vocalist Keith Morris was at t...

Tyler Stout MAD MAX Movie print Event: Spoke Art Mystery Movie @ Roxie SF & Clinton Street Portland. Run: 216/250 Technique: Screen Print with Gold Metall...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

TITLE Roy Lichtenstein Limited Edition of 1000 YEAR 2021 CLASSIFICATION Limited edition MEDIUM TYPE Jewelry MEDIUM/MATERIALS Silver an...

Medium: Print Condition: Print is in pristine condition and has been stored flat since purchase. Signature Hand-signed by artist Frame: Not included Publisher Stolen Space

"Based on one of my art pieces focused on peace and harmony included in my exhibition at the Straat Museum in Amsterdam. I have replicated many of the textures of the original art pi...

Hand Signed & Numbered by the artist himself Shepard Fairey, in pencil dated 2016. Benefit Silkscreen Print from 2016. YEAR: 2016 CLASSIFICATION: Limited edition MEDIUM TYPE: Fine ...

1983 Japanese pearlescent paper 27 × 20 in 68.6 × 50.8 cm Edition of 1000 2 colors printed matter on Japanese Kirabiki Paper

Wu-Tang Clan Washington D.C. Emek Silksrceen Print Contemporary Art Street Fine art pearlescent paper 24 × 18 in 61 × 45.7 cm Edition of 300 Categories Silkscreen / Outsider Art /...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

"Peace Guard 2 Stencil (Lisbon). 18 x 24 inches. Screen print on fine art cream speckletone paper. Signed by Shepard Fairey. Edition of 200/450." "For Peace Guard 2 I used the motif of the flower in the gun, a peace symbol inspired by war protesters putting flowers in the barrels of the National Guard...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin, as well as LA’s John ...

OKLA 2021 Catalog: Limited edition of 100 copies signed by artist Ed Ruscha This fully illustrated catalogue documents the landmark exhibition as installed at Oklahoma Contemporary...

A portion of the proceeds from this print will go to a, yet to be determined, common sense gun law advocacy group. We need to put pressure on the politicians! -Shepard Fairey This GOD SAVES & SATAN INVESTS print was inspired by the multiple school and mass shootings that have occurred in recent months. As many of you know from my 2nd Amendment...

Title: Pejac Forest Mini Print Numbered on Verso Lottery Card Street Art Year: 2018 Classification: Limited edition Medium Type: Print Medium/Materials: Very Thick Stock Inverkote Albatrous 350 gr. Categories: Lithograph / Pop and Contemporary Pop / Cultural Commentary / Graffiti and Street Art / Outsider Art Additional Info: Voted Art...

"I'm always creating new patterns to use in my street installs and fine art pieces. I used to buy discontinued wallpaper, but now I design and print my own. I think these look nice a...

Manufacturer: Obey Giant Edition Details: Year: 2021 Run: 309/450 Technique: Screen Print Paper: Fine Art Cream Speckletone Paper Size: 18 X 24 Markings: Signed & Numbered by Both ar...

Edition Details: Year: 2019 Class: Art Print Status: Official Released: 10/01/19 Run: 1,000 Technique: Fine Art Lithograph Paper: 80# archival qual...

Gears of Justice Screen print on thick cream Speckletone paper Released on February 1, 2024 Signed and dated to lower right Edition 152/550 Published by Obey Giant, Los Angeles 18 x ...

Fine Art Screen Print on Ilford 310 gsm cotton paper. 36 × 36 in 91.4 × 91.4 cm Edition of 27/100 Materials Fine Art Screen Print on Ilford 310 gsm cotton paper Size 36 × 36 in 9...

CB Hoyo’s irreverent multidisciplinary practice—which spans painting, sculpture, and installation—approaches art-world fraud, forgery, and hype with a sense of humor. The self-taught...

18 X 24 inch screen print on thick white cotton archival paper. Signed by Shepard Fairey and Jon Furlong. Manufacturer: Obey Giant Edition Details: Year: 2015 Class: Art Print Statu...

Drew Millward was born in 1981 in Coventry; he grew up in Bolton, studied and lived in Leeds for many years and now lives in a quarry in the Aire Valley. He has been drawing pictures...

"The 'Endless Power Petrol Palace' poster is both a celebration and critique of the seductive graphic propaganda used for the petroleum industry. I designed this print to feel like a vintage ad celebrating the abundance of America and the bright future of the American Dream. Though oil is finite, our reliance on it is so extreme that the power wielded by those who control oil is virtually unlimited. Though oil may have seemed initially to be endless, we now know the world’s oil reserves will run out eventually but more importantly, we know from thorough scientific research that the planet does not have the endless power to maintain a stable climate if oil and gas...

Edition Details: Year: 2019 Class: Art Print Status: Official Released: 10/01/19 Run: 1,000 Technique: Fine Art Lithograph Paper: 80# archival qual...

Mark Drew Mark Drew Screen print Jay-Z The Takeover “The Sun Don’t Shine, If Son Don’t Shine” Contemporary Street Art, 2023 Screen Print on fine art paper 16 1/2 × 11 7/10 in 41.9 ×...

Giclee on Hahnemuhle Matt Fine Art Rag 24 2/125 × 24 53/66 in 61 × 63 cm Edition of 704

Edgar Plans - YOU ARE MY HERO LIMITED EDITION AR + COA. Original drawing by Edgar Plans drawn in Pink Marker. From the surface, the artwork of Edgar Pl...

POST NO BILLS launches with a unique ten-year retrospective from the acclaimed Brooklyn-based artist collaborative− FAILE. Recognized for their bold graphic imagery gracing street, ...

Signed and dated to lower right Edition 303/450 Condition: Print is in pristine condition and has been stored flat since purchase. Signature: Hand-signed by artist, Obey publishing...

"I originally created this image in response to the terror attacks at the Bataclan and other parts of Paris in late 2015. At that terrible moment I wanted to create an image of suppo...

Sold exclusively at Beyond The Streets New York, in-Store only. "The Cut it Up - Do it Yourself print is an iteration of my Obey Icon Face inspired by my history of using an X-acto k...