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The Annunciation Circle of Paolo De Matteis (Piano Vetrale, 1662 - Naples, 1728) oil painting on canvas (106 x 90 cm - with frame 118 x 103 cm.) The work,...

Handwoven in wool, this 8x10 Flemish Verdure tapestry from the late 17th Century is a rare and special new curation from Rug & Kilim—featuring a particularly popular aesthetic with l...

Odiot Rare French Louveciennes Sterling Silver Flatware Set Head of Mercure 1st titre on the dessert knives for 950/1000 French Sterling Silver Guarantee Head of Minerve 1st titre on...

Tuscan master (17th century) - Raising of the cross. 52 x 45.5 cm without frame, 69 x 62.5 cm with frame. Antique oil painting on wood, without frame. Co...

Rustic Antique Hand Carved Stone Birdbath Center Fountain Basin Sink Container . A beautiful 17th Century Hand Sculpted Benitier reflects t...

Good Condition, Original Design Modified.

This stunning French 17th century Old Master oil painting is by Baroque artist Laurent de la Hyre. It was painted circa 1645 and has excellent prove...

Huge 17th C. Regal Flemish baroque Historical tapestry Royal court Antique LA CA . The period followed Renaissance and preceded Rococo and Neoclassical styles. The movement exuberant...

Pier Francesco Cittadini (Milan, 1616-Bologna, 1681) "Jacob and his family go to Egypt" Oil on canvas, cm 109 x 190 (canvas only) The valuable painting, made in oil on canvas, depicts Jacob and his family go to Egypt and we believe it can be, given the high quality painting, autograph work of Italian Pier Francesco Cittadini (Italy Milan, 1616 - Bologna, 1681) made after 1647. The work, in excellent condition is accompanied by a coeval frame in wood finely carved and golden. The scene depicted, which was confused with the Flight to Egypt in the past years, is instead identified with the biblical episode of Jacob’s journey. In the foreground, reading the painting from left to right, we see a caravan composed of animals, including donkeys, dromedaries, goats, dogs and horses and people, women, men and slaves, who carry on their journey along the banks of a river, following a path that to the right, would seem to lead to the through of a bridge. In addition to the watercourse is described an environment characterized by large rocks and impervious come far to cover the entire verticality of the canvas. On the left, in the distance, we see the tail of the caravan that runs along the steep path. Large trees enliven and harmonize the environment, as well as white and grey clouds characterize the predominantly clear sky and illuminated on the right by sunlight. The story is told in the Bible, Book of Genesis, 30, 25, passage in which is described the flight of Jacob from Haran after the contrasts with Laban, father of his wife Rachel. Jacob is the third great patriarch of the Bible. From his descendants originate the twelve generations of the people of Israel. He is the son of Isaac and Rebekah, who led him to flee from the wrath of Esau to Haran to seek refuge from his brother, Laban. At his uncle’s house Jacob met his daughter Rachel. As soon as he saw his cousin, Jacob was taken. Jacob will stay seven years in the service of Laban to marry his beloved Rachel. But Laban, with a deception, will give him in marriage first Lia, the least beautiful eldest daughter, and only after another seven years the splendid Rachel. From his first wife he will have several children, while Rachel will give birth to the beloved son, Joseph, who will become viceroy of Egypt. After years of service, Jacob asked to be paid with every dark-coloured garment among the sheep and every spotted and dotted garment among the goats. Laban accepted and sent away from his sons all the leaders of that kind. So Jacob took fresh branches of poplar, almond and plane tree, and flayed them, and put them in the troughs. The optical suggestion induced the goats and the sheep to conceive and give birth to dark, striped and dotted garments. He also ensured that all the strongest and healthiest leaders of the flock of Laban would drink near the barked branches, thus assuring a genetic superiority to his part of the flock. His flocks grew numerous and strong and he became richer than his relative, arousing envy. It was clear that Laban would not respect him much longer. At the suggestion of the Lord, Jacob decided to return to Canaan. Trying to avoid any possible dispute, he left with his family while Laban was absent for shearing sheep. But when, three days later, his uncle returned home, he became angry, feeling offended because Jacob had gone secretly and had not allowed him to greet his daughters and grandchildren. In addition, his teraphim, statuettes, or idols, which depicted the family deities, had disappeared. After 7 days of pursuit, Laban and his men reached Jacob’s group on Mount Gilead, in the mountainous region west of the Euphrates River, where his uncle and grandson had a stormy conversation. The younger man was outraged at being accused of stealing idols and told Labano to rummage through his family’s tents at will. Neither of them could know or even imagine that it was Rachel who took the idols and hid them in the saddle of the camel. During the search, she sat down firmly on the saddle, apologizing for not being able to get up, «because I usually have what happens to women» (Gen 31:35). So the loot wasn’t discovered. The author of this work was inspired by the composition of an engraving by Stefano Della Bella (1610-1664) of circa 1647. The engraving by Stefano della Bella bears the title "Iacob sur ses vieux jours quitte sans fascherie pour voir son filz Ioseph, sa terre et sa patrie" and is signed on the bottom left "Stef. of the Beautiful In. et fe." while on the right it is declared "Cum privil. Regis", that is with license of the king. Stefano Della Bella (Italy - Florence, May 18, 1610-Florence, July 12, 1664) was born in a family of painters, sculptors and goldsmiths and was left early orphan of his father sculptor, he dedicated himself first to the art of goldsmith at the school of Giovanni Benedetto Castiglione and Gasparo Mola, then turning his attention to drawing and engraving. He soon began drawing figures and copying the etchings of Jacques Callot, which inspired his early works. Under the protection of the Medici, in particular of Don Lorenzo, cadet son of Grand Duke Ferdinand I, Della Bella has the opportunity to make study trips to Rome, where he stayed from 1633-1636; In Rome he met French engravers and publishers of prints such as Israël Henriet and François Langlois, who influenced his decision to move to Paris in 1639, four years after the death of Callot. In Paris he soon reached, thanks to the engravings commissioned by Cardinal Richelieu, the success also worldly; he frequented courtiers, theatre artists and writers, while refusing too oppressive honors. In 1646-1647 he continued his travels in the Netherlands to Amsterdam, Antwerp and Dordrecht. He returned to Florence in 1650 and resumed working under the protection of the Medici court, working for his patrons. In 1656 he became a member of the Academy of Apatists. The painting object of this study is reasonably attributable to Pier Francesco Cittadini, or Pierfrancesco Cittadini, called the Milanese or the Franceschino (Italy - Milan, 1616-Bologna, 1681) as some exemplary stylistic comparisons proposed to follow can prove. Pier Francesco Cittadini was an Italian baroque painter, mainly active in Bologna. His artistic training first took place with the painter Daniele Crespi...

Grand 17th C. Viennese Baroque Archway Wood Door Surround Architectural Element . Outstanding workmanship of the Masters of the Craft. Large Carved wood black, tone down red and Gilt...

The Announcing Angel Carlo Maratta (Camerano, 1625 – Rome, 1713)Workshop Oil on canvas 63 x 75 cm. - Gilded wood frame 89 x 75 cm. Excellent condition, restored, 19th century ...

This is a very good example of a late Jacobean carved oak Tavern table. The generous 30 inch round top is an unusual feature as the majority of tavern ta...

This evocative original copper engraving, featured in Arnoldus Montanus' "Die Unbekannte Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-Landes," presents a scene from...

Beautiful antique blanket chest in solid walnut wood, 1650s. The antique blanket chest also completely original and has great charm. Internally equipp...

Follower of Jacopo Da Ponte, called Jacopo Bassano (Bassano del Grappa, circa 1510 - Bassano del Grappa, 13 February 1592), 17th century Allegory of the Spring Measures: With frame: ...

Rare and important antique wardrobe in solid walnut made in the late seventeenth century in the seventeenth century Italian Baroque Louis XIV. The line is in fact typical of this per...

Title: 1632 Decorative Map of the Holy Land with Insets of Jerusalem and Biblical Artefacts Description: This richly detailed map of the Holy Land, published in 1632, offers a fa...

Great Italian painting from the second half of the 17th century. Oil artwork on canvas depicting the sacking of a seaside city by the Saracens, of good pictorial quality. We find cou...

Gorgeous hand-carved wooden lion head with a great patina due to its extreme high age. France circa 1650-1750 Weathered. measurements include the wooden base. H:32,5cm W:18,5cm D:1...

Gemstone Type : Peridot Weight : 10.10 Carats Dimension: 12.8x12.7x8.4 Mm Origin : Suppat Valley Pakistan Clarity : Included Certificate: On Demand Color: Green Treatment: Non Shape...

Follower of Titian (18th century) - Penitent Magdalene. 35.5 x 25 cm without frame, 48.5 x 38.5 cm with frame. Ancient oil painting on panel, in a carved and gilded wooden frame. ...

17th-century Genoese School Workshop of Valerio Castello (Genoa, 1624 - Genoa, 1659) Ecce homo Oil on canvas 117 x 99 cm. In frame 138 x 118 cm. The Ecce Homo, the subject of our ...

An antique 17th century Flemish mythological tapestry, size 9'1 H x 12'8 W, envisioning The Courtship of Apollo, with the Greek deity Apollo at left with his lyre and laurel garland,...

This atmospheric 18th century portrait oil painting is attributed to a Scottish artist. Painted circa 1790, The painting is a half length portrait of a seated gentleman. He is wearing a blue bonnet, the badge of a Scottish country gentleman and smoking a clay pipe. The way the light catches his hand and face and gleams on his buttons is lovely. The frame is super in that it echoes the button on his jacket. This is an excellent example of an 18th century Scottish portrait...

Eastern European young woman in traditional dress with silver lacings and jewelry holding an open book. This portrait pose is in the Renaissance period Mannerist style, and the young...

An antique late 17th century Flemish Biblical tapestry, size: 9'5 H x 6'5 W, envisioning the Old Testament Biblical conflict between Cain and Able, with ...

Seminal guide to the East and West Indies, with 42 double-page and folding plates, including 6 maps, all engravings beautifully coloured by a contemporary hand LINSCHOTEN, Jan Huygh...

The Martyrdom Of Saint Barbara, 17th Century SCHOOL OF GUERCINO (1581-1666) Large 17th Century Italian Old Master of the Martyrdom of St Barbara, oil on canvas. After being impriso...

17th century Antique Flemish Tapestry Wool & Silk Verdure Art Nouveau 4x6ft 122cm x 178cm "This is a very fine high quality rare authentic Antique Frenc...

Amazing 17th century hand forged iron candleholder. A wonderful example of primitive folk art. A perfect balance between utility and aesthetics. France, Spain, 17th century. Weathe...

Lane Accent 991-05 Mid Century Walnut Side End Table Rare and hard to find vintage Lane table with a great unique design. Has condition issues as sh...

Royal House Antiques Royal House Antiques is delighted to offer for sale this very rare and highly important, Museum quality, extra large framed, Documented English oak Tester bed...

17th century monumental sized French Gothic firedogs made of wrought iron.

Wonderful and unique small hand carved oak lion fragment. Beautiful weathered. France circa 1650-1750 Weathered. measurements include the wooden pedestal. H:11cm W:6cm D:5,5cm

Antique map of Italy titled 'Carta Nova accurata del Passagio et strada dalli Peis Bassi per via de Allemgna per Italia et per via di Pesi Suizeri a Geenea, Lione et Roma (..)'. Detailed trade route and shipping map...

Follower of Jacopo Da Ponte, known as Jacopo Bassano (Bassano del Grappa ca. 1510 - Bassano del Grappa 1592) - Christ Mocked. 38.5 x 47 cm without frame, 48 x 58 cm with frame. Ant...

Featured is an extremely rare 17th century Dutch William & Mary Chinoiserie style coffer trunk on stand. This gorgeous piece was constructed of oak in the traditional William and Mary style. The trunk is japanned with red lacquer and was hand painted with Chinoiserie scenes of life in China. There are two iron straps that mount the top to the case. There is also one iron lock, although the key is absent the latch closes and holds the top securely in place. The lacquer is 90% complete with only small losses around the edges and in various places. The top has been reinforced with oak straps underneath to prevent the jointed board from moving. The lacquer has a warm patina throughout and shows very well. The lower stand is fitted with a pair of drawers that are also japanned and hand-painted with Chinoiserie scenes on the drawer fronts. Both drawers are fitted with Dutch style brass tear drop pulls. The stand itself is built of oak with turned legs that are pinned together with traditionally carved Jacobean Influenced leg stretchers on both the right and left sides as well as one main lower center stretcher. If you are looking for a very rare and well preserved piece this is the one. This item was almost surely on a Dutch East India Trading company...

Silver coin with rare history please read the certificate of authenticity as this is a rare piece of history to own. WHAT YOU GET AT STAMPAR JEWELERS: Stampar Jewelers, located in t...

Called portière, these antique wall hanging tapestries were handwoven in Aubusson, France in the late 17th Century (c 1680s). They both feature floral and foliage decor in a beige pa...

The African Kuba Bwoom tribal mask is the oldest known mask, the Kuba bwoom mask. The materials used for the realization of the Mask are: Wood, colors and vibrates plants, caures, beads, animal hair. In dance it expresses exuberance and joy. The style is similar to that of the middle Kasai. This mask is a helmet with animal hair, carved with a very wide forehead and hollow cheeks that are announced by motifs or dashes and beads. The mouth of the mask is very pronounced carved in wood and then applied on the mask. To distinguish the forehead in different areas are used black and white beads to draw attention to other aspects of the face such as the nose and chin. The entire edge of the chin is surrounded by beads of various colors. The person wearing the mask cannot look because there are no holes for the eyes present; the mask must create the feeling of being blind. Some masks similar to the bwoom mask include the funny mask, the ram mask and initiation masks such as Nnup. The real Kuba masks...

Royal House Antiques Royal House Antiques is delighted to offer for sale this important, Museum Quality German safe circa 1680-1720 attributed to Johann Gottlied Dittman and Sigmund Gatchen Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price Where to begin, if you are looking at this listing then the chances are you know something about antique safes, if you do, then you will recognise just how rare this piece is, I have in all my online research only found one other that was in a terrible condition, it sold in the Sotheby’s Carlton Towers sale on the 4th November 2009, the sale price was £73,250 plus commission which at the time was 30% making the final sale amount £95,225 This example was missing the original key, all the silver finish had polished off and it was rusty, mine by comparison is in absolutely sublime order throughout The original key is present, it operates the exceptionally heavy top lock which has 22 separate locks, each lock works independently so if a thief tried to force one open, it would have no affect on the remaining 21 locks The front of the safe depicts a bird possibly an eagle, the top has a medieval locking plate cover which splits down the middle to reveal the entrance to the lock, it looks similar to a fleur de lis, it springs closed when the key is removed and has its own lock, it has a secret to unlock it, if you don’t know it, you can never fit the key. The sides have oversized handles as they need to be, the safe must weight in excess of 100kgs, the rear has a similar medieval crest The finish is sublime, truly exquisite, this is a work of art and will be the centre piece and pride of any collection, I have absolutely no desire to sell it whatsoever, if it stays in my collection forever so be it, I will never have the chance to own such a piece again and it is an absolute pleasure to see it each day For a similar strong box signed to the interior by Dittman and Gatchen and worthy of comparison see a very fine example from The Alphonse de Rothschild Collection which was sold on the 26th of March 1973 at the De Rede sale in Monaco as lot 167. The Rothschild box...

This painting depicts a pastoral scene that is attributed to the artist Jan Frans Soolmaker, an artist known for his Italianate landscapes and scenes that often feature equestrian and Arcadian elements. The painting is not signed but is attributed to Soolmaker, relating it to a known signed work by the artist that was sold at Sotheby’s London in 1999. The scene is suffused with the warm glow of a setting or rising sun, casting a soft light that is characteristic of Soolmaker’s landscapes. It shows a shepherd guiding a group of cattle across a shallow stream, with the animals taking center stage in the composition. The animals are rendered with careful attention to their forms and the play of light on their bodies, which is a hallmark of Soolmaker's work. The landscape is composed of a rocky terrain with trees and shrubbery, creating a sense of depth and natural beauty that invites the viewer to explore the scene further. The background suggests a vast, open landscape with distant mountains, which adds to the Italianate feel of the painting. The sky is dramatic, with clouds catching the light of the sun, contributing to the overall serene yet dynamic atmosphere of the work. The provenance of the painting is notable, having been in the possession of significant historical figures such as Swedish Prince Fredrik Adolf, and later The collection of Pär Ulmgren, The collection of Gösta Stenman, and Engineer and politician Gustaf Henry Hansson. Potential buyers have the option of choosing between a newly made gold frame or an older brown frame, which allows for personalization in how the work is presented. Soolmaker’s work is often compared to that of Dutch painter Nicolaes Berchem, whose style he emulated. Soolmaker's landscapes reflect a similar sensitivity to light and composition, making his works sought after for their beauty and historical significance. Despite the smaller body of work left by Soolmaker, due to his short career, his paintings are valued for their craftsmanship and the legacy of the artist’s brief but impactful contribution to the Dutch Italianate landscape genre. Information: Jan Frans Soolmaker (Flanders 1635‑1685) Shepherd with Sheep...

Royal House Antiques Royal House Antiques is delighted to offer for sale this very rare, original circa 1650 William III hand carved Jacobean Tester four poster...

Attributed to Juan Bautista Martínez del Mazo (Castile 1611 - Madrid 1667) pupil and collaborator of Diego Velázquez Portrait of Charles II, King of Spain, as a child (1661 -1700) Spain, c. 1670 Oil on canvas 68 x 49 cm. - In antique frame 96 x 75 cm. The analysis of this portrait, and in particular the style with which its features have been outlined, brings us back to the great tradition of the 17th century Spanish school. The portrait depicts the young King Charles II of Spain, dressed in typical Spanish fashion, the youngest and only son of Philip IV of Spain and his second wife Maria Anna of Austria, as well as the last of the Habsburg dynasty to rule Spain. which portrayed the young ruler in full length at the age of four (dated 1665), dressed in a black suit and cape, and a large feathered...

Beautiful dish in blue and white, with added copper red. This is a Jingdezhen made dish made for the Japanese market. Kosometsuke. With a floral and bird decoration. Base with a che...

Lovely detailled engraving of the old city of Arakan in Myanmar, in good condition. This illustration is from "De Oost-Indische Voyagie van Wouter Schouten", published by Jacob Meurs...

The composition repeats that of a large altarpiece designed by Annibale Carracci for the church of San Francesco a Ripa, Rome (now in the Louvre, Par...

Pontefract Castle, 17th Century after the engraving by Joris Hoefnagel (1542-1601) Large 17th Century view of Pontefract Castle, West Yorkshire, oil on canvas taken from the 16th C...

Anthoon van Dyck (Antwerp 1599 - London 1641) workshop Christ Carrying the Cross - 17th century Oil on canvas (120 x 94 cm - framed 140 x 112 cm). This remarkable canvas, depic...

River Boat Landscape, 17th Century Jan Jozefsz VAN GOYEN (1596-1656) Large 17th century Dutch landscape of figures boating on the river, oil on canvas. Excellent quality and condit...

Wonderful 17th/ 18th century baroque hand carved stone head ornament. lovely folk art style. France circa 1650-1750. Weathered and some small losses. H:24cm W:16cm D:20cm

This rare 17th century panel, carved in high relief, is museum quality and without doubt the work of an important Flemish master carver. It represents the biblical scene of Mary and Joseph in Bethlehem for the census. Multiple figures surround the center in a well balanced setting. Rich, deep color and great patina, which developed over about 400 years, make this piece of art exceptional. The panel is mounted on a later dusty rose velvet backing. Condition: Small part of backdrop on right is missing. Joseph’s left hand is missing. Measurements: Image size - 8 ½” W x 12 ¼” H x 2” D Back panel - 10 ¼” W x 14” H x ½” D Entire piece - 10 ¼” W x 14” H x 2 ½” D Weight: 2 lbs. 8 oz.  

Christ Wearing The Crown Of Thorns, 17th Century circle of Carlo Dolci (1616-1686) Large 17th Century Italian Old Master of Christ wearing the Crown of Thorns, oil on canvas. Excel...

Andrea Scacciati (Florence 1642-1710) Composition of flowers within embossed vase (1 of 3) oil on canvas 130 x 90 cm In antique frame 145 x 105 cm. Work with expertise by Prof. Emi...

Hand Carved Stone Wellhead center Fountain Basin Antique Fire Pit planter LA CA . A nice hand carved Stone 17th/18th Century well head Octagon shape ...

Hand-knotted in wool, an antique 8x11 European rug originating from Ireland circa 1920-1930 - inspired by Persian rugs of the same and preceding periods On the Design: The design e...

Christ surrounded by angels in the desert Circle of Pietro da Cortona, born as Pietro Berrettini (Cortona 1597 - Rome 1669) Oils on canvas (66 x 50 cm. - in frame 80 x 64 cm.) The ...

Rare Engraving "Cabane Des Hold, Terres Artiques, Fig CII," 1st edition "Description de l’Univers, page 281 This rare image depicts the Willem Barentsz expedition of 1597 to Novaya Zemlya, Russia. The engraving, with later hand-coloring, shows the cabin and ship of the Dutch arctic expedition of Barentsz on Novaya Zemlya (Nova Zembla), with the party being attacked (and in some cases apparently eaten) by bears and wolves. Dutch explorer, Willem Barentsz, reached the west coast of Novaya Zemlya in 1594, and in a subsequent expedition of 1596 rounded the northern point and wintered on the northeast coast. Barentsz died during the expedition, and may have been buried on the northern island. This artwork is a page from a book by 17th century cartographer and engineer, Allain Manesson Mallet (French, 1630-1706), "Description de L'Univers, contenant les differents systêmes du monde, les cartes générals et particulières de la géographie ancienne et modern." Paris: Denys Thierry, 1683. Presented in an cream colored mat. Text on verso shown in images. Mat Size: 11.5"H x 9.07"W Paper Size: 8.25"H x 5.44"W Image Size: 5.63"H x 3.75"W Alain Manesson Mallet (French, 1630-1706) was a 17th century cartographer and military engineer. He started his career as a musketeer in the army of Louis XIV, became a Sergeant-Major in the artillery and an Inspector of Fortifications. He later served under Alfonso VI, King of Portugal...