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The image is a colored print depicting a "Lady of Quality in Burgundy in 1577," as indicated by the title below the illustration. The lady is dressed in a fashion typical of the late...

Saint Anthony The Abbot In A Natural Landscape. Flemish School, Late 16th - Early 17th Century Technique: Oil on panel Period: late 16th - Early 17th Century School: Flemish Dimensi...

Girolamo Bonini, called Anconitano (Ancona, circa 1600 - Bologna 1680) Annunciation (or Madonna of the Beautiful Angel) Oil on canvas (115 x 91 cm. - Framed 134 x 108 cm.) Work accompanied by the expertise of Prof. Emilio Negro The work, undoubtedly commissioned as an object of private devotion, shows the Annunciation to the Virgin Mary, a Gospel episode here set on the two figures portrayed in the foreground, the Archangel Gabriel with outstretched wings, a portrait of supernatural beauty, and the Virgin; We see her here absorbed in reading a prayer book with her eyes turned humbly downwards as a sign of devotion, while a small cherub hands her white lilies, a symbol of purity and chastity.   In the upper part of the composition is the austere image of God the Father, with the dove radiating with light, emblem of the Holy Spirit, surrounded by a flock of angels fluttering in the clouds charged with intense glow and play of light, in full Baroque style. It should also be noted that the image of the Saviour's mother in a delicately pious attitude, with her yellow veil, her broad blue mantle and her usual modest red dress from which the edges of her white blouse protrude, is to be interpreted as a kind of tender allegory of sacred love. The painting in question is an interesting replica with variants of the composition commissioned from Francesco Albani for the Fioravanti chapel in the ancient church...

The image is an original antique copperplate engraving by Swidde, completed in 1695. The scene is a meticulous depiction of an elegant palace and its formal gardens, rendered in the ...

An original antique hand-colored print of a woman in an elaborate dress, which is described as the "Habit of a Lady of Quality in France." This suggests that the attire represented is that of an affluent or noble woman from France, possibly from the 18th century given the style of the dress and the method of printmaking. The dress itself features a rich blue gown with gold accents and what appears to be an underskirt or petticoat of a contrasting color, potentially gold or yellow. The woman is wearing a headdress, which also fits with the fashion of the European upper class of the period. Such prints were often part of fashion plates or costume books that depicted the latest styles and were used by tailors, dressmakers, and the fashion-conscious elite to stay up-to-date with the latest trends from various European courts and cities. It's a detailed representation of historical clothing...

17th Century Florentine Velvet Metallique Pillow

Circle Wouwerman, Horseman by a Tent, Riders Playing Cards (?), Old Master Dutch Art, Travellers or Riders resting by a tent and gambling

The image is an engraving titled “VEROVERINGE VAN RIO GRANDE IN BRASIL ANNO 1633.” This historical print depicts the Dutch conquest of Rio Grande in Brazil, known today as Natal, dur...

This superb Dutch Old Master marine oil painting is attributed to the circle of Jacob de Heusch. Painted circa 1690 the setting is an Italian coast with fish...

Set of 2 antique horse riding prints. Published circa 1680.

A group of eight Russian and Greek Orthodox icons painted over gold leaf and gesso laid on a wooden board. These are mounted on a Lucite panel and ...

This superb 17th century Dutch Golden Age oil painting has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. Painted circa 1640 it is an Italianate wooded river landscape with drovers and their herd crossing a river with a watchtower beyond. Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. It has Begeyn's characteristic brightly lit cattle and grouping of figures, similar to a comparable painting in the Lichtenstein Princely Collections. The brushwork and details are superb. One can see the influence of his teacher Nicholaes Berchem (1620-1683) and the typical golden glow of the Golden Age painters. This is a stunning 17th century Golden Age oil painting and an excellent example of Begeyn's work. Provenance: With Koetser Gallery, Zurich. Private Collection (Rhine region). Anon. sale, Dorotheum, Vienna, 22 June 2010, lot 357, as by Jacob de Heusch (€18,600). Anon. sale, Christie's South Kensington,18 November 2015, lot 432, as 'Follower of Nicolaes Berchem'; where purchased by the present owner. Note: Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. He is thought to have studied under Nicolaes Berchem (1620-1683), a pioneer of this genre of landscape painting, and travelled extensively to Italy, London and later to Germany in 1688, where he lived out his days as court painter to Frederick III, Elector of Brandenburg (later Frederick I, King of Prussia). The present work was previously thought to be the work of Jacob de Heusch (1656-1701), but has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. A comparable scene, which also includes Begeyn's characteristic brightly lit cattle and a similar figure group, was sold at Christie's Amsterdam, 18 November 2015, lot 110. Another can be found in the Liechtenstein Princely Collections (no.GE 290). Condition. Oil on canvas, image size 21 inches by 18 inches and in good condition. Frame. Housed in a beautiful gilt frame, 28 inches by 25 inches and in good condition. Abraham Begeyn (c. 1637 Leiden - 11 June 1697 Berlin), was a Dutch Golden Age painter. Begeyn was born in Leiden. Though perhaps known mostly for his Italianate landscapes and cattle in the manner of Nicolaes Pietersz Berchem, Begyn was a highly skilled painter active in many genres, who travelled widely. According to the RKD, Begeyn's earliest known work is from 1653, though he was first accepted into the Guild of St. Luke in Leiden in 1655. He stopped paying dues in 1667, because he set off for a trip to Italy. He is registered in Rome and Naples from 1659–1660. In the rampjaar or disaster year, of 1672, he is registered in Amsterdam, and after that he lived in London, where he painted at Ham House, Surrey, together with Willem van de Velde the Younger (1633–1707) and Dirck van Bergen...

Very nice two piece Osvaldo Borsani vintage bar. Bottom cabinet comes with the original key Beautifully made Top of Bar Measurements Height: 50.5" Width: 16.5"

Good Condition, Original Design Modified.

Faceted Mandarin Citrine Weight : 10.55 Carats Dimensions : 14.4x14.4x10.2 Mm Clarity : Loupe Clean Origin : Brazil Color: Orange Shape: Round Certificate: On Demand Month: Novembe...

Title: "Vibyholm Castle: A Baroque Gem in Dahlbergh's Collection" Description: This splendid hand-colored engraving from the 1670s features Vibyholm Castle, a notable example of Swe...

Antique map titled 'Le Duche de Pomeranie divise en ses Principales Parties (..)'. Large map of Pomerania. Pomerania is a historical region on the southern shore of the Baltic Sea in...

Great Spanish painting from the second half of the 17th century. Oil on canvas artwork depicting a religious subject, Pope Innocent III confirms the Franciscan Rule, of good pictorial quality. A large, impactful painting adorned with a 19th-century carved and gilded wooden and plaster frame. Artwork that develops horizontally, ideal for placing in an important hall or study, for antique dealers and interior decorators. A painting that shows various signs of aging and old restorations (see photo), in a beautiful patina. The perspective offered by the painter is pleasant. The main subject, in the foreground on the left, connects to the view with architecture and characters on the right through the checkerboard...

This original copper engraving hails from Arnoldus Montanus' seminal work, "Die Unbekannte Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-Landes," a comprehensive depiction of the Americas published in 1673. It presents a vivid scene set in colonial New Mexico, showcasing a moment of interaction—possibly a ceremonial or everyday event—between indigenous people and European settlers or explorers. The detailed attire and adornments of the figures suggest a narrative rich in cultural exchange and complexity. This piece is not only a reflection of the artistic style and engraving techniques of the 17th century but also serves as a historical document capturing the early encounters between different worlds. Published in Amsterdam by Jacob Meurs, this rare German edition offers a unique glimpse into the perceptions and imaginations of European society regarding the New World during the Age of...

Genoese school of the second half of the seventeenth century Circle of Domenico Piola (Genoa 1627-1703) The Holy Family Oil painting on canvas 83 x 68 cm. - in an antique frame 99 x...

Adriaen de Gryef (Leiden 1657 - Brussels 1722) Signed ‘A Gryeff f’(ecit) - centre left Peasant in the courtyard with still life of animals and fruit Oil on canvas Dimensions (cm): ...

Portrait Of Mary Wither Of Andwell, 17th Century Jacob Huysmans (1633–1696) to $750,000 Large 17th Century portrait of Mary Wither of Andwell, oil on canvas by Jacob Huysmans. Exce...

This map, created by Giacomo Cantelli da Vignola in 1695, represents the "General Government of Guyenne and Gascony" in southwest France. Cantelli da Vignola was a renowned Italian c...

This antique map, titled 'Les Etats de la Couronne de Castille', represents the southern regions of the Crown of Castile, specifically the territories of Andalusia, Granada, and Murc...

Antique map titled 'Imperii Sinarum Nova Descriptio'. Beautiful map of China and Korea, much detail troughout the map. Including the Islands of Formosa (Taiwan) and Hainan. The Great...

Carte de l'Isle de la Barbade by Jacques-Nicolas Bellin (1703–1772), Circa 1759 This rare antique map of Barbados, titled Carte de l'Isle de la Barbad...

A Mughal ivory inlaid wood Cabinet Noord-West Indie 17th century 27 x 40,2 x 30 cm Cites number : 2023/BE00124/CE Of rectangular form with...

Antique Italian painting from 18th century. Framework oil on canvas, on the first canvas, depicting a view with characters, animals and ruins of good pictorial quality. Large size fr...

Gaspar van den Hoecke (Antwerp, 1585 - 1648) Herod's banquet Early 17th century oil on panel, with gold highlights (in the guise of Salome and in the curtains of the building in the background) 56 x 80 cm. framed 72 x 90 cm. Note: The painting probably dates from an original by Frans II Francken (1581 - 1642), which is shown under the number 0000344789 in the RKD. Valuable oil painting on panel depicting King Herod and the beautiful Jewish princess Salome according to the episode taken from the Gospel of Matthew (14.3-11), which sees her as the protagonist in the story of the martyrdom of John the Baptist. The event shown is a cross between history and legend, a myth faced for centuries by artists in every field: Caravaggio in painting, Oscar Wilde in theater, Richard Strauss...

A copper engraving of Hypericum plants, commonly known as St. John's Wort, from Philip Miller's influential work, *Figures of the Most Beautiful, Useful and Uncommon Plants Described...

This dramatic painting, attributed to Paul de Vos, captures a nocturnal assault on a chicken coop. At the center of the composition, an owl has already seized a hen in its powerful t...

Set of Eight Apostles each oil on panel each framed (different as some are golden, some are not, please view the photos) So far there is no certain attribution. The style of the ser...

Antique portrait titled 'Iacobus IIII dei Gratia Scotorum Rex'. Portrait of James IV of Scotland. This print originates from 'Tooneel der keyseren ende coningen van christenryck sede...

A Highly Important pair of Museum Quality Louis XV Period 18th century Meissen Porcelain filigree openwork vases with a medially of flowers and vined leaves. This is truly an excepti...

A very beautiful plate, rare monochrome blue ground. Great study material. Condition Overall Condition; 2 large crackle line in central plate, 1 running out in a hai...

Helge Borge Mortensen Desk. Front with four drawers with carved circular handles. H. 72 cm. L. 160 cm. D. 80 cm. Provenance: Made as apprenticeship tes...

Engraving of the burning at the stake of a Franciscan friar. Here is a detailed analysis, including a description and a translated version of the text: The text at the bottom reads:...

Beautiful coin rare and very authentic, please look at the certificate for details. Will come with fast shipping and all the documents. WHAT YOU GET AT STAMPAR JEWELERS: Stampar Jew...

Good Condition, Original Design Modified.

The engraving shows the Duke of Bedford's stables, alongside a newly constructed tennis court and riding house at Woburn Abbey in Bedfordshire, England. This architectural depiction ...

Original 17th century painting attributed to the Circle of Sir Peter Paul Rubens as confirmed by Christies London. This beautiful work of art i...

Antique miniature map titled 'Illyricum'. Original small map of Illyricum. The Roman province of Illyricum stretched from the Drilon River (the Drin, in...

Large rare vase painted with petal-shaped panels of 'Landscapes and Flowers' pattern. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 51cm (Height), 20cm(Diameter), 12cm(Mouth Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Paris 30 NOV – 14 DEC 2023 - Art of Asia - Lot 618 2) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 3) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 4) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

Carlo Ceresa (San Giovanni Bianco 1609 - Bergamo 1679) attributable Full-length portrait of Giacomo Pesenti Oil on canvas (206 x 121 cm - in frame 212 x 133 cm.) This fascinating portrait, portraying a full-length gentleman and datable to the 17th century, illustrates the stylistic and compositional details typical of the pictorial production of the Lombardy area, Bergamo in particular. This reference is reflected in elements such as the natural light, the sober and austere setting and, above all, the subtle psychological characterisation of the face. We are inclined to identify the hand of portrait painter Carlo Ceresa, one of the most illustrious Bergamasque figure painters of the 17th century, capable of developing a style of intense realism and acute psychological investigation. In his works, and our portrait perfectly reflects his canons, an extraordinary naturalistic imprint, great realism and remarkable essentiality are evident. Those traits of severity, moral rigour and austerity typical of his portraiture find a perfect balance here: never courtly or rhetorical, his portraits are profoundly linked to the concept of counter-reform. Immortalising the main personalities of the time, he established himself as a point of reference for the Bergamasque aristocracy, from the Vertova to the Pesenti to the Secco Suardo. The subject of the portrait is Giacomo Pesenti, here immortalised life-size in a rigorous black suit, his left hand resting on a table, on which is placed the necessities for writing and a manuscript, and his right hand, with a sealed ring on his little finger, abandoned along his side while he holds his gloves. He wears a suit of incredible rigour, dressed as befits a man of his high social standing, while the sharp light focuses on his face, with an intensity that seems to be accentuated by the reflection of the white collar, with its sharp profile. For Ceresa, it is not the richness of the garment that gives value to the person portrayed, it is the need to give feeling and bring out the character of the person, and this he succeeds in marvellously, aided by his ability to capture the essence of the person and return it to us in painting through the face and light used as a strong expressive element. In fact, the image highlights that 'counter-reformed' composure typical of the portraiture of painters active in this area and era, adhering to a verism...

Antique print titled 'Lubecca, Lübeck'. A bird's eye view of Lubeck, the northern German city in Schleswig-Holstein. This print originates from 'Topographia Saxoniae Inferioris'. Ar...

Jesus Feeding The 5000, 17th Century School Of NICOLAS POUSSIN (1595-1665) Fine huge 17th Italian Old Master of Jesus Feeding The 5000, oil on canvas. Stunning panoramic early and ...

These images are rare but fine examples of original 17th-century European engravings, displaying characteristics that might point to an Italian origin based on stylistic analysis. Th...

A fantastic bracelet with matching ear clips from Schiaparlli from 1950s Italy. The bracelet consists of 5 links, each with 2 ice rock glass stones, 2 handcra...

"Cherubs" (B) Pen and Ink drawing of Putto Italian School Late 17th early 18th century. Pen and ink on paper 6 ½ x 17 ½ (22 ½ x 11 ½) inches Antique scenes of putto and a faun cele...

The print is a historical depiction of the Siege of Bergen (also known as Mons) in Hainaut in 1572, during the Eighty Years' War. This event is significant as it involved Count Lou...

Good Condition, Original Design Modified.

Beautiful 17th century of the period Louis XIV Italian antique rustic chair in solid walnut wood. The chair is very simple and essential. The legs...

This engraving, titled "Witwen aus Florida, die Ihre Haare auf das Grab Ihrer Manner streuen" (Native American widows from Florida who scatter their hair on the graves of their dead ...

Portrait of Oliver Cromwell (1599-1658), 17th century circle of Robert WALKER (1599-1658) Large 17th Century English Civil War portrait of Oliver ...

A Flemish tapestry panel from the 17th century, featuring a design of scrolling flowerheads and rosettes, with ribbon-ties and French fleur-de-lys motifs in the upper corners, and po...

Attractive and early map of the area around Venice, Italy. With South-Tirol in the North, areas of Krain (Slovenia), Croatia, Ferrara, Modena and Piacenza. In the east with areas aro...

This map, titled "Novam Hanc Territorii Francofurtensis Tabulam," is an exquisite hand-colored engraved map from around 1663, created by the renowned cartographers J. and C. Blaeu of...

Faceted Electric Blue Topaz Weight : 9.85 Carats Dimensions : 12.6x9.6x8.5 Mm Origin : Brazil Clarity : Loupe Clean Shape: Emerald Color: Intense B...