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Faceted Electric Blue Topaz Weight : 9.85 Carats Dimensions : 12.6x9.6x8.5 Mm Origin : Brazil Clarity : Loupe Clean Shape: Emerald Color: Intense B...

Antique map titled 'The Counti of Warwick the Shire Towne and Citie of Coventre described'. Map of Warwickshire, England. Includes inset town plans of Warwic...

This superb Dutch Old Master marine oil painting is attributed to the circle of Jacob de Heusch. Painted circa 1690 the setting is an Italian coast with fish...

This superb 17th century Dutch Golden Age oil painting has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. Painted circa 1640 it is an Italianate wooded river landscape with drovers and their herd crossing a river with a watchtower beyond. Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. It has Begeyn's characteristic brightly lit cattle and grouping of figures, similar to a comparable painting in the Lichtenstein Princely Collections. The brushwork and details are superb. One can see the influence of his teacher Nicholaes Berchem (1620-1683) and the typical golden glow of the Golden Age painters. This is a stunning 17th century Golden Age oil painting and an excellent example of Begeyn's work. Provenance: With Koetser Gallery, Zurich. Private Collection (Rhine region). Anon. sale, Dorotheum, Vienna, 22 June 2010, lot 357, as by Jacob de Heusch (€18,600). Anon. sale, Christie's South Kensington,18 November 2015, lot 432, as 'Follower of Nicolaes Berchem'; where purchased by the present owner. Note: Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. He is thought to have studied under Nicolaes Berchem (1620-1683), a pioneer of this genre of landscape painting, and travelled extensively to Italy, London and later to Germany in 1688, where he lived out his days as court painter to Frederick III, Elector of Brandenburg (later Frederick I, King of Prussia). The present work was previously thought to be the work of Jacob de Heusch (1656-1701), but has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. A comparable scene, which also includes Begeyn's characteristic brightly lit cattle and a similar figure group, was sold at Christie's Amsterdam, 18 November 2015, lot 110. Another can be found in the Liechtenstein Princely Collections (no.GE 290). Condition. Oil on canvas, image size 21 inches by 18 inches and in good condition. Frame. Housed in a beautiful gilt frame, 28 inches by 25 inches and in good condition. Abraham Begeyn (c. 1637 Leiden - 11 June 1697 Berlin), was a Dutch Golden Age painter. Begeyn was born in Leiden. Though perhaps known mostly for his Italianate landscapes and cattle in the manner of Nicolaes Pietersz Berchem, Begyn was a highly skilled painter active in many genres, who travelled widely. According to the RKD, Begeyn's earliest known work is from 1653, though he was first accepted into the Guild of St. Luke in Leiden in 1655. He stopped paying dues in 1667, because he set off for a trip to Italy. He is registered in Rome and Naples from 1659–1660. In the rampjaar or disaster year, of 1672, he is registered in Amsterdam, and after that he lived in London, where he painted at Ham House, Surrey, together with Willem van de Velde the Younger (1633–1707) and Dirck van Bergen...

Girolamo Bonini, called Anconitano (Ancona, circa 1600 - Bologna 1680) Annunciation (or Madonna of the Beautiful Angel) Oil on canvas (115 x 91 cm. - Framed 134 x 108 cm.) Work accompanied by the expertise of Prof. Emilio Negro The work, undoubtedly commissioned as an object of private devotion, shows the Annunciation to the Virgin Mary, a Gospel episode here set on the two figures portrayed in the foreground, the Archangel Gabriel with outstretched wings, a portrait of supernatural beauty, and the Virgin; We see her here absorbed in reading a prayer book with her eyes turned humbly downwards as a sign of devotion, while a small cherub hands her white lilies, a symbol of purity and chastity.   In the upper part of the composition is the austere image of God the Father, with the dove radiating with light, emblem of the Holy Spirit, surrounded by a flock of angels fluttering in the clouds charged with intense glow and play of light, in full Baroque style. It should also be noted that the image of the Saviour's mother in a delicately pious attitude, with her yellow veil, her broad blue mantle and her usual modest red dress from which the edges of her white blouse protrude, is to be interpreted as a kind of tender allegory of sacred love. The painting in question is an interesting replica with variants of the composition commissioned from Francesco Albani for the Fioravanti chapel in the ancient church...

Antique print titled 'Nicaea Civitas'. Original antique print with a view of the city of Nice, France. Rare in this edition. Source unknown, to be determined. Artists and Engraver...

17th Century Flemish Tapestry Pillow Beautiful and vibrant color and design

Unusual petite size Georgian ladies wingback chair. Out-scrolled arms supported by walnut cabriole legs. Newly upholstered in silk damask. See measurements below.

Antique print titled 'Tartarische Mannen'. Old print depicting three men from Tartary, Mongolia. The men carry various weapons. This print originates from 'Het gezantschap der Neêrl...

Beautiful 17th century of the period Louis XIV Italian antique rustic chair in solid walnut wood. The chair is very simple and essential. The legs...

Antique print titled 'Neapolis'. Bird's-Eye View of the city of Naples, Italy. Published by Matthäus Merian the Elder, circa 1650. Matthäus Merian sr. (the Elder; 1593-1630) was born in Switzerland but eventually settled in Frankfurt; he was trained as an engraver. He married Maria Magdalena de Bry, daughter Johann Theodore de Bry...

This original antique map titled "Le Gouvernement de l'Isle de France" represents the Île-de-France region, which historically was one of the provinces of France and contained the ci...

Marriage, Baptism, and Other Customs of the Sami People This print features four distinct scenes depicting various customs and rituals of the Sami people, an indigenous group from L...

Good Condition, Original Design Modified, Some Imperfections

Antique print of Don Vasco meeting Catual, who took him to Calicut. Also depicts various figures with drums and trumpets. This print originates from 'Naauwkeurige beschryvinge van Ma...

Adriaen de Gryef (Leiden 1657 - Brussels 1722) Signed ‘A Gryeff f’(ecit) - centre left Peasant in the courtyard with still life of animals and fruit Oil on canvas Dimensions (cm): ...

Great Spanish painting from the second half of the 17th century. Oil on canvas artwork depicting a religious subject, Pope Innocent III confirms the Franciscan Rule, of good pictorial quality. A large, impactful painting adorned with a 19th-century carved and gilded wooden and plaster frame. Artwork that develops horizontally, ideal for placing in an important hall or study, for antique dealers and interior decorators. A painting that shows various signs of aging and old restorations (see photo), in a beautiful patina. The perspective offered by the painter is pleasant. The main subject, in the foreground on the left, connects to the view with architecture and characters on the right through the checkerboard...

17th Century, Italian Baroque Walnut Chest of Drawers This chest of drawers was made in Lombardy in the Baroque period at the end of...

Handwoven in wool and originating from France, this 2x11 French Gobelins pictorial tapestry from the early 18th Century is a rare and special new curation from Rug & Kilim—"Mois Grot...

Wonderful hand forged Iron candleholder in Gothic style. Although the Gothic period was already over this style stayed popular for a long time in the French country side. Very beaut...

Good Condition, Original Design Modified.

This map, "Westmoria Comitatus; Anglice Westmorland", was created by the esteemed Dutch cartographer Willem Blaeu and was published around 1645 in 'Le Theatre du Monde ou Nouvel Atlas'. It provides a detailed look at Westmorland, a historic county in northern England, based on John Speed’s earlier map. The map features numerous place names, parks, and estates, including Brigster Park, Colnhead Park, Crosbye, and Midleton, along with a detailed depiction of Windermere (spelled Wynandermere) and the surrounding regions. Additional Features: - Hand-colored map, with vibrant and detailed colors that bring out the topographical and decorative features. - Includes intricate cartouches, such as the royal coat of arms, a decorative title cartouche topped with putti (cherubic figures), and six coats of arms (two left blank). - Depicts the region’s rich landscape, including the rolling hills and mountainous terrain of northern England. - French text on the verso, indicative of the publication period from 1645-1648, part of Blaeu’s highly sought-after atlases. - Map shows precise details of small towns, estates, and parks, such as Brigster Park, Colnhead Park, Crosbye, and Wynandermere (now Windermere Lake). This map would be of particular interest to collectors of English county maps, antique maps of northern England, 17th-century cartography, and the decorative works of Willem Blaeu. Blaeu's maps are renowned for their accuracy, artistic beauty, and historical significance. Keywords: Willem Blaeu, Westmorland map, northern England, 17th-century map, antique map, English county map, John Speed, Windermere, decorative cartography, hand-colored map, rare map, antique cartography...

This antique print, titled *L'Eglise Cathedrale de S. Christophre à Ruremonde*, is an etching and engraving created by Jacobus Harrewijn around 1720. It offers a detailed view of S...

These set of original antique engravings are from Bernard de Montfaucon's "L'Antiquité expliquée et représentée en figures" (Antiquity Explained and Represented in Figures), which is a comprehensive collection of engravings illustrating various aspects of ancient life. This work was a significant contribution to the study of antiquity in the early 18th century. The specific volume these images are taken from likely deals with artifacts such as lamps, which were common in burial practices and other rituals of ancient cultures. This collage showcases three pages from Bernard de Montfaucon's seminal work "L'Antiquité expliquée et représentée en figures." Each page features detailed engravings of ancient lamps...

Hendrik Brouwer was a notable figure in the 17th century, particularly for his role in the Dutch East India Company (VOC) and his contributions to maritime navigation. Here's a summa...

Exceptional master tapisserie from Brocard Museum Royal collection, brought directly from the estate of the Museum; Vente collection brocard 1998; P.D... Silver thread tapestry origi...

Description: Antique print Indonesia titled 'Casteel Rotterdam op Maccassar - Macassaarsche Man en Vrouw'. Two engravings on one sheet depicting a Macassar Couple and the Fort on Rot...

Beautiful coin rare and very authentic, please look at the certificate for details. Will come with fast shipping and all the documents. WHAT YOU GET AT STAMPAR JEWELERS: Stampar Jew...

Original 17th century painting attributed to the Circle of Sir Peter Paul Rubens as confirmed by Christies London. This beautiful work of art i...

English oak refectory table with balustrade turned legs and stretcher base. Original finish with great patina. Maintains all the scratches, notches and wear of almost 350 years. See ...

Very nice two piece Osvaldo Borsani vintage bar. Bottom cabinet comes with the original key Beautifully made Top of Bar Measurements Height: 50.5" Width: 16.5"

This is an original antique print that features an intricate engraving from 1698, depicting Charles XI, the King of Sweden, titled "Carolus XI, Suecorum Gothorum Et Vandalorum Rex,"...

Gaspar van den Hoecke (Antwerp, 1585 - 1648) Herod's banquet Early 17th century oil on panel, with gold highlights (in the guise of Salome and in the curtains of the building in the background) 56 x 80 cm. framed 72 x 90 cm. Note: The painting probably dates from an original by Frans II Francken (1581 - 1642), which is shown under the number 0000344789 in the RKD. Valuable oil painting on panel depicting King Herod and the beautiful Jewish princess Salome according to the episode taken from the Gospel of Matthew (14.3-11), which sees her as the protagonist in the story of the martyrdom of John the Baptist. The event shown is a cross between history and legend, a myth faced for centuries by artists in every field: Caravaggio in painting, Oscar Wilde in theater, Richard Strauss...

Antique map titled 'Comitatus Marchia et Ravensberg'. This map depicts two historical counties of the Holy Roman Empire: Marks and Ravensberg. Major cities, towns, mountains, and riv...

Antique map titled 'The Countie of Nottingham (..)'. Map of Nottinghamshire, England. Includes an inset town plan of Nottingham. This map originates from 'Theatre of Great Britaine' ...

The print titled "AMERIKENS ENTDECKER" is a striking antique copper engraving, crafted in 1673 during the 17th century as part of the German edition of Arnoldus Montanus' influential work, "Die Unbekante Neue Welt" ("The New and Unknown World"). The engraving was executed by Jacob van Meurs, a renowned Dutch engraver and publisher known for his detailed works on geography and history, and it was published in Amsterdam. Description of the Print: The engraving measures 17 x 13 cm (approximately 6.6 x 4.7 inches) and is set on a page that is 31 x 19.5 cm (about 12.2 x 7.4 inches). It depicts a vivid scene that illustrates the discovery of America...

Wonderful pair of two baroque gilt oak ornaments, France, circa 1650-1750. Weathered and small losses. Measurement here below of the largest one and includes the wooden base.

Late 17th century Italian Baroque lintel carved in triangular shape with acanthus scrolls, centered by a winged cherub face. Polychrome painted. Superb Italian craftsmanship. Previously refinished. Currently mounted to an upholstered headboard panel; could be remounted professionally to another substrate. Carved lintel...

"Cherubs" (B) Pen and Ink drawing of Putto Italian School Late 17th early 18th century. Pen and ink on paper 6 ½ x 17 ½ (22 ½ x 11 ½) inches Antique scenes of putto and a faun cele...

Antique print titled 'Il Monte avec la Main, les Eperons, et Gaule (..)'. Plate 4 from "La Methode et Invention Nouvelle de Dresser les Chevaux" by William Cavendish. This engraving shows William Cavendish, first Duke of Newcastle...

A Flemish tapestry panel from the 17th century, featuring a design of scrolling flowerheads and rosettes, with ribbon-ties and French fleur-de-lys motifs in the upper corners, and po...

A Flemish historical tapestry panel from the 17th century, featuring the famed Roman general, Gaeus Marcius, now called Coriolanus, returning triumphantly from the battle in which he captured the Volscian town of Corioli, arriving on horseback with his Volscian prisoners in tow, and greeted by his domineering mother, Volumnia, as well as the cheering Roman townspeople. Enclosed within a narrow monochrome border. Wool with silk inlay. Measures: 8’6” H x 7’10” W. Hanging: The tapestry comes ready for hanging, with linen backing and a strip of hook and loop tape at the top end, which can be connected to the opposite side of the supplied hook and loop tape, which could be tacked to your wall. For those who prefer the use of a tapestry rod...

Exquisite 1600 Ortelius Map of Artois, France: A Collector’s Piece with Rich Historical Detail Description of the Map: This map, titled "Atrebatum Regionis Vera Descriptio," create...

Antique map titled 'Accurata Scaniae, Blekingae et Hallandiae Descriptio per F. de Wit Amstelodami'. This map shows South Sweden with an inset of Halmstad and vicinity. Contemporary ...

Title: Asiae Peninsula sive Asia Intra Taurum by Christoph Weigel, Circa 1720 – Decorative Antique Map of Cyprus and Asia Minor Description: Thi...

This etching and engraving is a portrait of Assan Aga, created by Elias Nessenthaler, a German artist, in the year 1687. The artwork features Assan Aga, identified as "Magnus Aleppo Bassa," which suggests he held a significant position in Aleppo, likely a high-ranking official or governor ("Bassa" being a variant of "Pasha", a high-ranking title). The text beneath the portrait indicates that he was a significant adversary ("Perniciem") to the emperor of the Turks, hinting at a historical narrative of conflict or betrayal ("Coniuratus hostis" suggesting a conspiratorial enemy). The portrait shows Assan Aga adorned in elaborate attire with a turban, indicative of his status and cultural significance during that period. The detail in the etching, from the facial features to the clothing, reflects the artistic skill of Elias Nessenthaler and the styles of portraiture common in the late 17th century. The framing of the image with decorative borders adds to its formal presentation and would have likely been intended for an audience interested in the political and military figures of the time. Assan Aga, also known as Magnus Aleppo Bassa, was likely a historical figure of significance in Aleppo, bearing the title of Pasha, which indicates a high-ranking official or governor in the Ottoman Empire. The detailed portrait by Elias Nessenthaler, housed in the Royal Collection, hints at his importance during his time. For further details on Assan Aga, you can visit the Royal Collection Trust...

Antique print titled 'Vitzliputsli (..)'. Old print of the Aztec deities Vitzliputsli, Tlaloch or Tescalipuca. Also depicted are Mexican priests. Originates from 'Ceremonies et coutu...

This is an original antique map titled 'Valentiae Regni olim Contestanorum Si Ptolemaeo, Edentanorum Si Plinio Credimus Typus'. This is a historical map of the Kingdom of Valencia in...

This map, titled "Novam Hanc Territorii Francofurtensis Tabulam," is an exquisite hand-colored engraved map from around 1663, created by the renowned cartographers J. and C. Blaeu of...

Antique map titled 'Ducatus Uplandiae cum Westmanniae Sudermanniae (..)' This map shows parts of Finland and Sweden. Originally published by Frederick de Wit in the late 1600's. ...

This original engraving titled "'t Huys van Niel" (also known as "Praetorium de Niele") depicts a historic building located in the province of Antwerp, Belgium. This copperplate engr...

Antique map titled 'Nova Totius Germaniae Descriptio'. Uncommon map of the German Empire including the Netherlands, Germany, Switzerland, Austria, Bohemia,...

Mattheus Terwesten (The Hague, 1670 - 1757) Portrait of a young woman with palette and brushes, as Allegory of the art of Painting Oil on canvas 160 x 91 cm. - In frame 178 x 107 cm...

17th century, painted in underglaze blue with eight figures including officials in a garden landscape, marked on the bottom with a sitting rabbit(blue hare), Transitional period(Late...

A fine Japanese pictoral style lacquer cabinet with gilt-metal mounts Kyoto, Edo period, 1670-1690 Decorated in Japanese relief lacquer work, black lacquer ground decorated...

Antique map titled 'Barbariae et Biledulgerid nova descriptio'. Old map of coastal North Africa and the Mediterranean. The map extends from Morocco and the Sahara to Libya and sh...

Sharing with you this very nice edo period, 1680-1700, example. With a garden floral scene. Marked at base: made in the Hua Qing period of the great Ming Dynasty Arita ware, also known as Arita-yaki, has its origins in 1616, when a Korean farmer, Yi Sam-pyeong, discovered white clay kaolin in Arita and used it to create Japan’s first porcelain. Arita was the first place to produce ceramics in Japan. After the discovery, a number of kilns opened in the area and it soon became a source for Japanese export porcelain...

This 1601 engraving by Theodore de Bry, a master engraver and publisher of the late Renaissance period, depicts the flora of India with a remarkable degree of detail and artistry. The print is titled "DE ALGA SEV ARVNDINE INDICA, BAMBVS DICTA, ITEM DE arbore radicosa: & tandem de arbore Duryeons," which translates to "About the Seaweed or Reed of India, called Bamboo, also about the root tree: and finally about the Duryeons tree." In the illustration, we see a lush depiction of a bamboo grove, with its characteristic tall and slender form, showcasing the plant's extensive root system and dense foliage. To the left, there is a tree bearing large, round fruits, likely the durian, labeled here as "Duryeons." The durian is known for its distinctive size, unique aroma, and spiky husk. The image captures both the exotic appeal and the utilitarian value of these plants, which were of great interest to European audiences unfamiliar with such tropical vegetation. The visual composition conveys the tropical abundance and biodiversity of the Indian subcontinent. De Bry's engravings like this were highly sought after in Europe for their exotic subject matter and served to educate and fascinate the European public about the natural wonders of the world beyond their borders. As a historical document, this engraving provides insight into the botanical knowledge and the artistic conventions of the period, making it a valuable piece for both its historical significance and its aesthetic beauty. De Bry's work is renowned for its attention to detail, and this print is a testament to his ability to capture the essence of exotic lands and their natural abundance. His engravings were among the first visual records to reach Europe from the New World and the East, fueling curiosity and fascination with distant lands. This particular piece is not only a work of art but also a historical document, offering insight into the botanical wealth of India as seen through the eyes of early modern Europeans...