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This 1601 engraving by Theodore de Bry, a master engraver and publisher of the late Renaissance period, depicts the flora of India with a remarkable degree of detail and artistry. The print is titled "DE ALGA SEV ARVNDINE INDICA, BAMBVS DICTA, ITEM DE arbore radicosa: & tandem de arbore Duryeons," which translates to "About the Seaweed or Reed of India, called Bamboo, also about the root tree: and finally about the Duryeons tree." In the illustration, we see a lush depiction of a bamboo grove, with its characteristic tall and slender form, showcasing the plant's extensive root system and dense foliage. To the left, there is a tree bearing large, round fruits, likely the durian, labeled here as "Duryeons." The durian is known for its distinctive size, unique aroma, and spiky husk. The image captures both the exotic appeal and the utilitarian value of these plants, which were of great interest to European audiences unfamiliar with such tropical vegetation. The visual composition conveys the tropical abundance and biodiversity of the Indian subcontinent. De Bry's engravings like this were highly sought after in Europe for their exotic subject matter and served to educate and fascinate the European public about the natural wonders of the world beyond their borders. As a historical document, this engraving provides insight into the botanical knowledge and the artistic conventions of the period, making it a valuable piece for both its historical significance and its aesthetic beauty. De Bry's work is renowned for its attention to detail, and this print is a testament to his ability to capture the essence of exotic lands and their natural abundance. His engravings were among the first visual records to reach Europe from the New World and the East, fueling curiosity and fascination with distant lands. This particular piece is not only a work of art but also a historical document, offering insight into the botanical wealth of India as seen through the eyes of early modern Europeans...

Set of 5 antique horse riding prints. Published circa 1680.

Good Condition, Original Design Modified, Some Imperfections

17th Century Flemish Tapestry Pillow Beautiful and vibrant color and design

The print titled "AMERIKENS ENTDECKER" is a striking antique copper engraving, crafted in 1673 during the 17th century as part of the German edition of Arnoldus Montanus' influential work, "Die Unbekante Neue Welt" ("The New and Unknown World"). The engraving was executed by Jacob van Meurs, a renowned Dutch engraver and publisher known for his detailed works on geography and history, and it was published in Amsterdam. Description of the Print: The engraving measures 17 x 13 cm (approximately 6.6 x 4.7 inches) and is set on a page that is 31 x 19.5 cm (about 12.2 x 7.4 inches). It depicts a vivid scene that illustrates the discovery of America...

Good Condition, Original Design Modified.

Antique map titled 'Royaume de Navarre (..)'. Decorative map of the province Navarre (Spanish: Navarra) in Northern Spain centered on the city of Pamplona. Published by N. Sanson, 16...

This etching and engraving is a portrait of Assan Aga, created by Elias Nessenthaler, a German artist, in the year 1687. The artwork features Assan Aga, identified as "Magnus Aleppo Bassa," which suggests he held a significant position in Aleppo, likely a high-ranking official or governor ("Bassa" being a variant of "Pasha", a high-ranking title). The text beneath the portrait indicates that he was a significant adversary ("Perniciem") to the emperor of the Turks, hinting at a historical narrative of conflict or betrayal ("Coniuratus hostis" suggesting a conspiratorial enemy). The portrait shows Assan Aga adorned in elaborate attire with a turban, indicative of his status and cultural significance during that period. The detail in the etching, from the facial features to the clothing, reflects the artistic skill of Elias Nessenthaler and the styles of portraiture common in the late 17th century. The framing of the image with decorative borders adds to its formal presentation and would have likely been intended for an audience interested in the political and military figures of the time. Assan Aga, also known as Magnus Aleppo Bassa, was likely a historical figure of significance in Aleppo, bearing the title of Pasha, which indicates a high-ranking official or governor in the Ottoman Empire. The detailed portrait by Elias Nessenthaler, housed in the Royal Collection, hints at his importance during his time. For further details on Assan Aga, you can visit the Royal Collection Trust...

17th Century Old Master, Figurative and Landscape Painting by Jan Van der Bent So far, little is known about the life and work of Jan van der Bent. He was...

Antique map titled 'Sara.' Map of Psara ( Psyra or Ipsera) Island (North East Aegean Islands), Greece. This map originates from 'Nauwkeurige Beschrijving der eilanden in de Archipel ...

Pierre Mignard, known as Le Romain (Troyes 1612 - Paris 1695), attributed Portrait of 'Louise Renée de Penancoët de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734) as MADDALENA Oil on canvas 97 x 88 cm In an important gilded frame 132 x 122 cm. Provenance: Private collection, Naples The young and attractive noblewoman portrayed in this painting is Louis Renée de Penancoet de Keroualle, Duchess of Portsmouth and Aubigny (Brest 1649 - Paris 1734), known to have been King Charles II's favourite mistress for over fifteen years, from whose relationship Charles Lennox, 1st Duke of Richmond, was born, but above all to have gone down in history as one of Louis XIV's French informants at the English court. The duchess was a very influential figure at court, promoting French interests and often acting as an intermediary between the king, his ministers and French ambassadors. After the death of Charles II this influence quickly came to an end, forcing her to hastily leave London and renounce all her possessions to return to her homeland, between Aubigny-sur-Nère and Paris, where she died in 1734, always remaining in the sovereign's good graces. The peculiarity of the portrait, probably executed after her return to her homeland, is that the noblewoman takes the form of a charming Mary Magdalene, depicted here following her renunciation of earthly possessions, her rich robes and jewellery, in order to aspire to heavenly riches; We see her immortalised with her long hair loose on one breast, her intriguing but serene gaze directed at the observer, as she rests her crossed hands, as if in prayer, on the ampulla of perfumed ointments and the open book, both iconographic symbols. The custom of being portrayed in the guise of Magdalene was in vogue for powerful women of the great European courts as early as the 16th century, as it represented the most appropriate image to justify the union of female power and virtue. It must be said that court culture exalted only the positive characteristics of her personality, glossing over or downplaying all references to her sinful past and dissolute life. The work, whose style fits perfectly into 17th century French portraiture, suggests the pertinent attribution to the Baroque painter Pierre Mignard (Troyes, 1612 - Paris, 1695), whose works were highly praised and earned him a great reputation as a portrait painter for the demanding Parisian aristocracy at the time of Louis XIV, and who portrayed the Duchess de Kérouaille on numerous occasions. His first important artistic training took place in Simon Vouet's studio, and he then moved to Italy for over twenty years before returning to Paris, blending his own with the influence of Roman classicism. The elegant looseness of touch and sensual refinement typical of Mignard, combined with a very accurate chiaroscuro rendering, inherited from his artistic training in Rome (which he looked up to the examples of Ferdinad Voet), and the exceptional sweetness of the drawing, the floridity of the complexion and the almost enamelled surfaces, and finally, the peculiar pose of the figure portrayed (the beauty of the two intertwined hands...

17th Century English carved oak corbel “The Green Man”. Rare antique decorative architectural ornament of the enigmatic Green Man. Images and carvings ca...

Antique map titled 'Comitatus Marchia et Ravensberg'. This map depicts two historical counties of the Holy Roman Empire: Marks and Ravensberg. Major cities, towns, mountains, and riv...

This piece was created in Japan presumably during the second half of the 17th century, with two archaic-style kanji characters, "酬酬" (shu shu), engraved on the bottom. A identical piece is housed in the National Museum of Warsaw. Period : Edo Period, Japan Date : 17th century Provenance : Acquired in late 1990s from Hongkong Reference : National Museum of Warsaw - Inventory Number SKAZsz 1230 MNW (Type : Highly related) * Japanese Edo Period Kraak The Japanese 17th...

Title: Map of Groningen from "The Genealogy of the Illustrious Counts of Nassau" (1615) Description: This antique map, titled "Gronenga," offers a detailed depiction of the forti...

Andrea Scacciati (Florence 1642-1710) Composition of flowers within embossed vase (2 of 3) oil on canvas 130 x 90 cm In antique frame 145 x 105 cm. Work with expertise by Prof. Emi...

Title: "Ritual Dance in Brazil" Description: This original copper engraving from Arnoldus Montanus' "Die Unbekannte Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-La...

Alberto Carlieri (Italy-Roma 1672-1720), "Christ and the adulteress", Oil on canvas, with frame cm H 115 x L 151 x 6.5, only canvas H 98.5 x L 135 cm...

Exquisite 1600 Ortelius Map of Artois, France: A Collector’s Piece with Rich Historical Detail Description of the Map: This map, titled "Atrebatum Regionis Vera Descriptio," create...

This is an original antique map titled 'Valentiae Regni olim Contestanorum Si Ptolemaeo, Edentanorum Si Plinio Credimus Typus'. This is a historical map of the Kingdom of Valencia in...

Franz Werner Von Tamm known as Monsieur Daparait (Hamburg 1658-Vienna 1754) Attributed to Still life of fruit with lizard Oil on canvas, 58 x 74 cm. Framed 76 x 92 cm. This magnifi...

Oil on canvas painting "Madonna and Child". Blacklight scan show there has been a touch up covering the baby Jesus's genitals done over the centuries. In the original ornate gold fra...

17th Century, Italian Baroque Walnut Chest of Drawers This chest of drawers was made in Lombardy in the Baroque period at the end of...

Portrait Of Elizabeth Percy, Countess of Northumberland (1646-1690), 17th Century Studio of Jan MYTENS (1640-1670) Large 17th portrait of Elizabeth Percy Countess of Northumberland, oil on panel. Excellent quality and condition portrait of the daughter of the Earl of Southampton and granddaughter of the Earl of Chichester. Percy came to fame in the 1660's as one of the Windsor Beauties in the court of Charles II. Presented in its original antique hand carved frame...

This is a superb Italian Old Master portrait oil painting attributed to circle of Guido Reni. It is a half length portrait of the penitent Mary Magdalene...

Beautiful and rare Dutch Renaissance two-door cabinet. This cabinet stems from an era in Dutch history that is called "the golden age'. This cabinet has the typical arched panelled doors and is called a 'poortkast' or portal cabinet. It is made in the best quality solid oak. It stands on ebonized bun feet with an ajour cut skirt. The panelled doors have a hand-carved arched top. The top corniche has beautiful hand-carved elevated panels depicting cupids holding garlands. The whole cabinet is enriched with inlaid parts of ebony...

'Master of the parrot' (a painter active in Antwerp in the early 16th century, whose name refers to the parrot who always occurs in his paintings) - follower of Madonna on the throne with child (With the coat of arms of the client family in the upper part of the composition) Oil on the table 101 x 62 cm. - In frame 114 x 76 cm. The beautiful proposed work explains the typical iconographic characters of the painter called 'Master of the parrot', a conventional name used by critics to define an anonymous Dutch author of the 16th century. More precisely, it is a painter of the southern Netherlands, active in Antwerp around 1530-50, so defined for the unmistakable parrot who often appears in his works of him. In religious iconography the parrot has often been used as a Marian symbol, as it was widespread that its most common verse was "Ave", that is, the greeting of the Archangel Gabriele to Mary at the time of the Annunciation. Today the idea according to which the name 'master of the parrot' has not referred to a single painter, but rather a group that, based on the stylistic characters, carried out their training at the workshop of Pieter Coecke Van Aelst (Aalst (Aalst is widespread. 1502 - Brussels 1550), creating devotion paintings intended for a bourgeois client and concentrating their activity on a specific topic particularly requested by the contemporary market. By way of example we can mention the Virgin with the San Diego Museum of Art child where the figures, like our own, are in line, With the mannerist taste for the elegant body proportions that exceed reality, with elements such as tapered finger, wide face and thin nose. These characters also betray the influence of active artists in the region such as Joos Van Cleve...

This original engraving titled "'t Huys van Niel" (also known as "Praetorium de Niele") depicts a historic building located in the province of Antwerp, Belgium. This copperplate engr...

A French Aubusson mythological tapestry from the late 17th century. This tapestry describes the myth of Pan and Syrinx after Ovide’s Metamorphoses. The God Pan pursues the nymph of t...

Lombard School of the 17th century St. Joseph with Flower Stick Oil on oval canvas 92 x 70 cm. In antique frame 106 x 85 cm. The work shows us an intense image of St. Joseph, portrayed according to the classical iconography that sees him as a mature man holding in his hands a staff from which lilies bloom, symbol of the Virgin's purity. This iconographic attribute also alludes to his figure as God's chosen one as Mary's future husband. According to the apocryphal gospels, the Virgin had grown up in the Temple of Jerusalem, following a monastic lifestyle, and when she reached marriageable age, each of the suitors was given a dry branch...

Exceedingly Rare English Yorkshire Wainscot High back corner armchair, circa 17th century. Made of oak with an impressive hand carved back that features a whimsical figure along the...

Hand Carved Stone Wellhead center Fountain Basin Antique Fire Pit planter LA CA . A nice hand carved Stone 17th/18th Century well head Octagon shape ...

The image is a historical copper engraving from 1673, taken from the German edition of Arnoldus Montanus' work, which is known for its depiction of the Americas and the Southern land...

This print is an illustration from Richard Blome’s The Gentleman's Recreation, published in 1686, showing a group of people engaged in making music, with one person playing an organ....

Late 17th century Italian Baroque lintel carved in triangular shape with acanthus scrolls, centered by a winged cherub face. Polychrome painted. Superb Italian craftsmanship. Previously refinished. Currently mounted to an upholstered headboard panel; could be remounted professionally to another substrate. Carved lintel...

This is a lovely bombe style ring by David Webb designed with blue enameled striped pattern and a touch of round cut diamonds on the top. Perfect cocktail ring to be out and about. Y...

17th Century Brussels Tapestry Pillow Beautiful design and color. Vibrant

Beautiful and rare 17th century French oak trestle / refectory dining table with 19th century restorations. A refectory table is a very elongated table originally for dinner in mona...

This very busy oil on panel is a Dutch Old Master painting dating to around 1620 by artist and poet Willem van Nieulandt. It is an incredibly detailed and colourful scene composed of...

Ludolf Bakhuizen 1631 - 1708 Dutch Men oWar Setting Sale in a Fresh Breeze Provenance Christies 1998 Pen and Grey Ink and Grey Wash. Image 5 x 7.25". Fr...

Antique print titled 'Armand Cardinal de Richelien (..)'. Portrait of Cardinal Richelieu, bust-length directed to right, wearing biretta, mozzetta, insignia of the order of the Holy ...

Title: "Salsta Castle in Pastoral Uppland: A Dahlberg Engraving, 1710" Description: This original hand-colored engraving from 1694, entitled 'SAALSTAD,' presents a stately view of S...

Great piece; In good condition. Chrysantemum flowers. Great piece; In good condition. A very nice and rare bowl with central scene of a bird in a landscape. Condition Ove...

Antique print titled 'Lewarden.' A bird's eye view of Leeuwarden (Friesland, the Netherlands). Views of Jollain are scarse and sought after by collectors. Artists and Engravers: Mad...

Marvelous and stunning German midcentury Sputnik chandelier. This chandelier was designed and manufactured during the 1970s in Germany. This chandelier is composed by 10 units of clear glass balls...

Painting oil on canvas measuring 67 x 45 cm without frame and 82 x 60 depicting a vase of flowers by the painter Niccolò Stanchi ( Rome 1626 - 1690 ). The Stanchi brothers (Giovanni...

Architectural Capriccio Of Ancient Rome, 17th Century school of Viviano CODAZZI (1604-1670) Huge 17th Century Italian Old Master view of an Architectural Capriccio with figures out...

An original antique engraving of the Battle of Oosterweel, which took place in 1567 during the Dutch Revolt. It is an early conflict leading up to the full-scale Eighty Years' War. T...

A set of three coordinating 17th century Italian 'Florence Fragments' all topped with varying collections of selenite rock crystal and naturally free-forming copper. These fragment...

Makalös or De la Gardieska palace, from 1643. View from Jacob's church. Later function as an arsenal and armory chamber. Rebuilt as the Dramatic Theater in 1793. Destroyed by fire on November 24, 1825. Copper engraving in Suecia antiqua et hodierna, from about 1667. This print is from "Suecia Antiqua et Hodierna," which is a significant work depicting Sweden during its era as a great power. The collection of engravings...

Title: "Rituals and Ceremonies in New Spain" Description: This striking copper engraving is extracted from Arnoldus Montanus' seminal work, "Die Unbekannte Neue Welt oder Beschreibu...

We present this elegant antique Italian chest of drawers dating back to the 17th century, Louis XIV period. An extremely refined chest of drawers, whose characteristics suggest its c...

This stunning French 17th century Old Master oil painting is by Baroque artist Laurent de la Hyre. It was painted circa 1645 and has excellent prove...

Portrait Of General George Monck, 1st Duke of Albermarle (1608-1670), 17th Century by Jacob Huysmans (1633-1696) Huge 17th Century British Old Master portrait of General Monck, 1st...

This lovely 17th century Old Master religious oil painting is from the Italian School. The subject is Joseph in prison interpreting the dreams of Pharoah's Baker and Butler. The bars...

Antique print titled 'Louys XIII du Nom Roy de France'. Engraving of Louis XIII, King of France. Half length with curled hair, moustache, lace collar, a...

Antique print titled 'The Roÿall Banquet - t Koonincklyck Banket'. Original antique print of a feast for the Dutch embassy in the palace, China. This print originates from 'Gedenkwae...

Antique print titled 'Gaspard Conte de Colligny (..)'. Portrait of Gaspard III de Coligny, half-length directed to right, looking to front, holding a baton, with moustache, small bea...