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17th Century Brussels Tapestry Pillow Beautiful design and color. Vibrant

Portrait Of Haman From the Book Of Esther, 19th Century School of REMBRANDT VAN RIJN (1606-1669) Large 17th Century Dutch School biblical depiction of Persian court official Haman,...

Set of Eight Apostles each oil on panel each framed (different as some are golden, some are not, please view the photos) So far there is no certain attribution. The style of the ser...

Good Condition, Original Design Modified.

Portrait of Oliver Cromwell (1599-1658), 17th century circle of Robert WALKER (1599-1658) Large 17th Century English Civil War portrait of Oliver ...

17th century Dutch Old Master painting with provenance, Barnyard with farm animals and peasants. This Dutch oil on canvas painting is a jewel among the g...

This fantastic Flemish 17th century Old Master oil painting is by Thomas Van Apshoven. It was painted circa 1650 and depicts a village with figures outside a tavern, eating, drinking and dancing. Beyond are more dwellings, villagers and animals, all under a blue summer's sky. The detail, brushwork and vibrant colouring are superb. This is an excellent example of Apshoven's work and a typical subject he loved to paint. Provenance. Leominster estate. Wax stamp verso. Condition. Oil on panel, 22 inches by 17 inches and in good condition. Frame. Housed In beautiful gilt frame, 30 inches by 25 inches and in good condition. Thomas van Apshoven (1622– 1664) was a Flemish painter known for his landscapes with peasant scenes and genre scenes in interiors. His genre scenes depict village festivals, the interiors of taverns, village scenes or landscapes with peasants engaged in various activities, singeries, guardroom scenes and laboratories of alchemists. Some still lifes have also been attributed to him. His themes and style are close to that of David Teniers the Younger. He was born on 30 November 1622 in Antwerp as the eldest son of Ferdinand van Apshoven the Elder and Leonora Wijns. His father was a painter who had studied with Adam van Noort and had become a master of the Antwerp Guild of Saint Luke in 1596. No paintings by his father are known. His younger brother Ferdinand van Apshoven the Younger became also a successful painter. Thomas studied under his father. Some sources state that he became a pupil of the prominent genre painter David Teniers the Younger. It is more likely, however, that he was an imitator of Teniers. He was registered as a 'wijnmeester' [son of a master] in the Guild of St. Luke of Antwerp in the guild year 1645–1646. He married Barbara Janssens on 22 March 1645. The couple had four children. The godfathers of the children included the painters Victor Wolfvoet...

Antique print titled 'Vaisseau Royal de l'Angleterre, Konincklyke Schip van Engeland'. Beautiful hand-coloured engraving of the Royal Flagship of the English Fleet. Originally publis...

Large rare vase painted with petal-shaped panels of 'Landscapes and Flowers' pattern. Period : Qing Dynasty, Kangxi Period Production Date : 1690-1699 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Vung Tau ship Size : 51cm (Height), 20cm(Diameter), 12cm(Mouth Diameter) Condition : Excellent Reference : Double checked with reference to the original catalogues 1) Christies Paris 30 NOV – 14 DEC 2023 - Art of Asia - Lot 618 2) Christies Amsterdam 1992 - Vung Tau Cargo / Christies 3) Qing Dynasty Export Blue and White(淸代外销靑花瓷) - Vung Tau Cargo Catalogue / Guangxi Fine Art Publishing House 4) Asian Ceramic Found along Maritime Silk Route / National Maritime Museum of Korea * Vung Tau Cargo Porcelain...

This superb Dutch Old Master portrait oil painting is attributed to circle of Nicolaes Maes. Painted circa 1670, the painting is of a lady, sat by a classical fountain with statue an...

Title: "Ritual Dance in Brazil" Description: This original copper engraving from Arnoldus Montanus' "Die Unbekannte Neue Welt oder Beschreibung des Welt-teils Amerika und des Sud-La...

Title: "Salsta Castle in Pastoral Uppland: A Dahlberg Engraving, 1710" Description: This original hand-colored engraving from 1694, entitled 'SAALSTAD,' presents a stately view of S...

Portrait Of Elizabeth Percy, Countess of Northumberland (1646-1690), 17th Century Studio of Jan MYTENS (1640-1670) Large 17th portrait of Elizabeth Percy Countess of Northumberland, oil on panel. Excellent quality and condition portrait of the daughter of the Earl of Southampton and granddaughter of the Earl of Chichester. Percy came to fame in the 1660's as one of the Windsor Beauties in the court of Charles II. Presented in its original antique hand carved frame...

Antique map titled 'Hellas seu Graecia Universa' Detailed map of Greece, with Crete, the Aegean Islands, and part of Turkey. With two cartouches, compass rose and scale. Carolus Alla...

This original engraving is referring depicting a detailed illustration of a fire ship, a type of naval vessel used as a weapon during the Eighty Years' War. Fire ships were essenti...

Flemish painter 17th-18th century Construction of the Tower of Babel Oil on canvas 51 x 64 cm Framed 66 x 78 cm If there is a subject in art that has been taken up several times t...

17thC Set of Three Boston Hallmark Sterling Silver Graduated Plates Measures- Small plate: 6.25" diameter x .5" deep; Medium plate: 6.75" diameter x .5" deep; Large plate: 7.5" dia...

17th Century Old Master, Figurative and Landscape Painting by Jan Van der Bent So far, little is known about the life and work of Jan van der Bent. He was...

Antique map titled 'Bingen'. Bird's eye-view of Büdingen, Germany. The view shows a city surrounded by vineyards and well fortified with walls and moats. On the right is the castle w...

The image is a historical copper engraving from 1673, taken from the German edition of Arnoldus Montanus' work, which is known for its depiction of the Americas and the Southern land...

Antique print titled 'Armand Cardinal de Richelien (..)'. Portrait of Cardinal Richelieu, bust-length directed to right, wearing biretta, mozzetta, insignia of the order of the Holy ...

A very nice water pot/jar for the Japanese market, Late Ming dynasty Kosometsuke. Mountain landscape scene. With matching storage box. Additional information: Material: Porcelain &...

European Master (17th-18th century) - Portrait of a nobleman. 81 x 65 cm without frame, 100.5 x 83.5 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden fr...

Antique print titled 'The Roÿall Banquet - t Koonincklyck Banket'. Original antique print of a feast for the Dutch embassy in the palace, China. This print originates from 'Gedenkwae...

Antique map titled 'Sara.' Map of Psara ( Psyra or Ipsera) Island (North East Aegean Islands), Greece. This map originates from 'Nauwkeurige Beschrijving der eilanden in de Archipel ...

An original antique engraving of the Battle of Oosterweel, which took place in 1567 during the Dutch Revolt. It is an early conflict leading up to the full-scale Eighty Years' War. T...

Renaissance-stained glass panel, 'Seven Men of Good Reputation' French or Flemish, 17th century or older A Renaissance stained glass panel, "Seven Men of Good Reputation," originating from France or Flanders, dates back to the 17th century or earlier. This exquisite 12.5-inch square window features seven vivid medallion portraits, believed to depict the Seven Deacons: Stephen, Philip, Prochorus, Nicanor, Timon, Parmenas, and Nicolas. Each portrait is intricately stained, enameled, and painted, capturing the rich colors and detailed expressions typical of Renaissance artistry. The Seven Deacons were pivotal figures in the early Christian church, chosen to minister to the community of believers in Jerusalem, allowing the Apostles to focus on prayer and the ministry of the word. This stained glass panel not only represents significant religious history but also showcases the exceptional craftsmanship of the period. Its vibrant imagery and historical context make it a rare and valuable piece for collectors and enthusiasts of Renaissance art and Christian history. Whether displayed in a home, church, or museum, this historically significant...

Antique map titled 'Dania Regnum'. Large, attractive map of Denmark, Sleschwig-Holstein and southern Sweden. Good detail throughout. Embellished with a title cartouche with the Danis...

Exceedingly Rare English Yorkshire Wainscot High back corner armchair, circa 17th century. Made of oak with an impressive hand carved back that features a whimsical figure along the...

Makalös or De la Gardieska palace, from 1643. View from Jacob's church. Later function as an arsenal and armory chamber. Rebuilt as the Dramatic Theater in 1793. Destroyed by fire on November 24, 1825. Copper engraving in Suecia antiqua et hodierna, from about 1667. This print is from "Suecia Antiqua et Hodierna," which is a significant work depicting Sweden during its era as a great power. The collection of engravings...

Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base. Age: Burma, Shan Period, 17th Century Size: Height ...

Embrace timeless sophistication with our 17th Century Flemish Pillow. Measuring 16" x 14", its classic design and ample size make it a perfect accent for adding historic flair to you...

Title: "Rituals and Ceremonies in New Spain" Description: This striking copper engraving is extracted from Arnoldus Montanus' seminal work, "Die Unbekannte Neue Welt oder Beschreibu...

Guido Reni (Bologna 1575 - 1642) Workshop of Probably Gian Domenico Cerrini, the Cavalier Perugino (Perugia 1609 - Rome 1681) Saint Catherine of Alexandria Oil on canvas 65 x 5...

Monumental Museum tapestry/Gobelein 17th century Battle scene Alexander the Great and Darius III Persian King The characters are depicted in life size. An absolute museum unique. Dimension: 530x320 cm Description: Monumental tapestry...

Circle of Cornelius Johnson (1593-1661), a 17th century portrait of a lady, bust-length oval, wearing an ivory silk gown with blue silk bows and lace c...

This is a lovely bombe style ring by David Webb designed with blue enameled striped pattern and a touch of round cut diamonds on the top. Perfect cocktail ring to be out and about. Y...

17th C Louis XIV Hand Carved Stone Chateau Fireplace Mantle surround Los Angeles . Very rare 17th century Louis XIV carved stone fireplace from a Chateau in Bourgogne "Burgundy" the ...

Antique religious painting from the second half of the 17th century. Oil on canvas artwork, first canvas, depicting the Tribute Money. In fact, there was a tax for the maintenance of...

An original, very large Dutch Old Master oil on canvas which is attributed to circle of Jan Wijnants and was painted circa 1680. The huge canvas is in good clean condition and depicts a wooded landscape with travellers passing through. A delightful very large country house old master painting. Provenance. Private collection, Christies. Condition. Oil on canvas. Very large, image size is 53 inches by 41 inches and in good clean condition. Framed size is 63 by 51 inches. The carved original 17th Century wood frame...

Good Condition, Original Design Modified.

A Bartmann jug (from German Bartmann, "bearded man"), also called a Bellarmine jug, is a type of decorated salt-glazed stoneware that was manufactured i...

Good Condition, Original Design Modified.

Francesco Aviani (Italy - Venice, 25-11-1662 / 1715) att. Couple of paintings depicting Capricci Oil on canvas, 135 x 183 cm, without frame The two large and fine paintings depict two illusionistic architectural renderings, with views of colonnades and arched buildings, animated by figures. The compositions are characterized by the harmony with which the painter introduces the sumptuous architectural monuments, the mirrors of water, the buildings in the distance and the views of the landscape. Dominates with a color on the tones of brown and ochre that stands out on the blue sky, marked by some cloud of steam. The insertion of the figures to enliven the architectural views also balances with the set. The Capriccio, an artistic genre that has made its way into Italian painting since the 17th Century, is characterized by the representation of fantastic architectures or prospective inventions, sometimes combined with elements drawn freely from reality. The two paintings are an example of this type and they are a very interesting and Fine artwork. The remarkable pictorial quality emerges both from the composition of the ensemble and from the way in which the artist describes the views with great attention to detail, highlights and refined, perfectly realistic, chiaroscuro. The same must be recognized for the figures: these are described with a wise brushstroke, quick and quick touches give the dynamism of the moment that is captured, as if time had stopped to show and narrate what is happening. The painting on the right represents a large Baroque building in stone and paved with marbles, two floors, with moving façade, large columns with corinthian columns, a large portal with a staircase with large footsteps, a balustrade with string, from which some figures appear, and two equestrian monuments in bronze. The sumptuous building overlooks a large POOL of water, with a gushing fountain, around which some characters sit. In the second floor is described a white palace from which rises a tower crowned by a structure with wrought iron loggia. In addition there is a bridge and some architectural ruins behind which some mountainous reliefs fade towards the horizon. On the staircase is described a particular scene. The people seem to be part of a very precise story. A woman, in the shadow of a parasol supported by a servant, would seem to drive out of the palace a man, who, taken under his arm by two maidens with a determined attitude, is led to a boat. The scene could be identified with the biblical episode of the parable of the prodigal son (Luke 15,11-32), at the moment when the prodigal son is robbed and driven away by the harlots. The episode tells of a man with two children. The youngest said to his father: “Father, give me the part of my inheritance”. And the father divided the substances. After not many days, the youngest son, collected his things, left for a far country and there he lost his substances with prostitutes and living as a debaucher. When he had spent everything, there came a great famine in that country and he began to find himself in need. Reduced to hunger, he was forced to be a pig herder to survive. He therefore meditated in his heart to go to his father and ask for his forgiveness and to be welcomed anew, even as a servant. While still on the road, however, the father saw him and ran towards him, receiving him with open arms. He then ordered his servants to prepare a great feast for the occasion, killing for the purpose the "fatty calf". The firstborn did not understand why his brother was given such treatment, and reminded the parent that he, who had always obeyed him, had never received a single kid to celebrate with his friends. The father answered him: «Son, you are always with me and everything that is mine is yours; but it was necessary to celebrate and rejoice, because this brother of yours was dead and came back to life, was lost and was found». The parable of the prodigal son was often portrayed in painting and the scene he finds most is certainly that of returning home in his father’s arms. Among the many is a canvas by the famous painter Giovanni Paolo Pannini (or Panini) (Italy – Piacenza, 1691– Rome, 1765) kept at the Hallsborough Gallery in London. Rather rare, however, is the scene of the prodigal son driven and robbed by harlots. There is an engraving by Hans Collaert II (1561-1620) in which this moment is described in the background compared to the moment, narratively later, in which he is penitent among the pigs. The second painting, certainly pendant of the first, represents a similar palace, with some characters overlooking the balustrade marcapiano and other figures around the large bathtub quadrilobata. In the foreground is described a monument with two large stone sculptures. In the distance some architectural elements and, beyond, the mountains are lost on the horizon. The studies related to the numerous painters of architectural views and caprices, active in Italy, and the archival documents found, which could better clarify commissions, biographies and certain works, are scarce and sporadic. Therefore there are still many difficulties in reconstructing a catalogue of autograph works for each author. Through paintings in private collections, in museums and paintings passed on the antique market it is however possible to advance some attributions in order to better delineate the various artistic figures. The style of the works studied here leads to a dating that runs between the 17th and 18th Centuries, with obvious influences dictated by the perspectives of the brothers Galli Bibiena. The analysis of the architectures and the chromatic palette suggests that we are in the presence of a northern Italian and Venetian author. Observing the decorations and the volutes, the brightness and the perspective disposition in fact, we find several analogies with those used by the Vicenza painter Francesco Aviani, excellent in pictorial perspective and architectural views. The biographical profile of Francesco Aviani (Italy - Vicenza, 1662-1715) was essentially traced in 1956 by Andreina Ballarin, then re-visited by Federica Spadotto in 2014 and Giancarlo Sestieri in 2015. Certain documents about his life are scarce, as are the documented works. He was born in Venice, probably on 25 November 1662, to Bernardo and a Magdalene whose surname is unknown, and was baptized on 3 December 1662. Between 1701 and 1703 he worked, together with his brother MarCo, sculptor, for the fresco decoration (now illegible) of the church villa in Soella (Vicenza). On October 16, 1703 he married Isabella Carcano. On March 26, 1715 he made a will and died on April 3 of the same year, in Vicenza. The frescoes in the refectory of the sanctuary of Monte Berico in Vicenza are considered authentic works by Aviani, probably made in 1708; the paintings preserved in the Civic Museum of Vicenza: “Landscape with Lazzaro and the rich Epulone”; “Christ among the doctors”; “The miraculous fishing”, works not datable but with attribution corroborated by style. In addition, the frescoes in the east and west corridors of the Villa La Rotonda, near Vicenza; the fresco in the apse basin of the chapel of the church S. Croce, Vicenza, now destroyed; the frescoes of the central hall of Villa Camerini a Montruglio (1714) and a painting of a “Porto Regio”, of which we have a print engraved by Dall'Acqua. From his works emerges the artistic background that animated the Venetian culture in the early eighteenth century. The scenic grandeur with which Aviani treats the architecture also suggests a stay in Emilia of the painter, in which he could have come into contact with the environment of the Bibiena. These contacts would be confirmed by the press of Cristoforo Dall'Acqua (Vicenza 1734-1787), “Il porto regio”, after a painting of Aviani. The press was part of a group of engravings, representing royal buildings, reproducing paintings of the Bibiena. In the eyes of Dall’Acqua, therefore, Aviani’s work was not foreign among those of the Emilians. Inside the sumptuous architectural whims, Aviani often depicts biblical scenes, in which the characters share the space and the narrative rhythm, along with figures drawn from everyday scenes, memories of the Veronese and Bassano heritage. Also in the works covered by this study the author does not seem to want to give up a biblical subject, though the purpose of the paintings appears to be clearly a staging scenography-architectural within which the characters are relegated to the role of extras. From the examination of the architectural Capriccio gathered under the name of Aviani then emerge common elements. The comparison between these works and the works in question highlights the proximity of the compositions. The imposing and scenic architectures are in fact equally characterized by the perspective-scenographic ability diffused in emilian “quadraturisti” and in Bibiena work. In fact, you can see the spectacular slender architecture in the lower part, the loggias that create chiaroscuro games with arches and binate columns placed on massive bases and overhung by projecting cornices. Significant also the comparison with two paintings with architectural whims in a night vision attributed to Francesco Aviani. In Aviani’s works it is possible to find a certain knowledge of the Roman Codazzi paint nd its early development of the eighteenth century, developed with the Locatelli, the Pannini and the less known Domenico Roberti. To Roberti have been recently attributed two works that have some compositional affinity with the canvases in question. The same can be done for a work on the antique market, attributed to Pietro Francesco...

Antique print titled 'Lewarden.' A bird's eye view of Leeuwarden (Friesland, the Netherlands). Views of Jollain are scarse and sought after by collectors. Artists and Engravers: Mad...

Title: "Aromatic Treasures of the Indies: The Enchanting Scents of De Bry’s Exotic Collection" Description: This intricate 1601 engraving from Theodore de Bry’s collection showcases...

Finely painted landscape scenes in vertical panels, depicting mountains, rivers, pavilions, arched bridges, and scholar figures in flowing robes. The scenes are rendered in varying d...

Rare and fine quality Italian Tuscany 1680s antique nightstand in carved solid walnut. On the front one comfortable drawer. Geometric decorations on the door panels and sides. Origin...

Antique print titled 'Gaspard Conte de Colligny (..)'. Portrait of Gaspard III de Coligny, half-length directed to right, looking to front, holding a baton, with moustache, small bea...

Good Condition, Original Design Modified.

Good Condition, Original Design Modified.

Charles d’Agar (1669-1723) (attrib.) Portrait of a lady in widow’s weeds, three-quarter-length, seated in an architectural setting Oil on canvas In an original carved and gilded Le...

Antique print titled 'Louys XIII du Nom Roy de France'. Engraving of Louis XIII, King of France. Half length with curled hair, moustache, lace collar, a...

Title: "Venngarn Castle, Uppland: A Dahlbergh and Swidde Masterpiece, c. 1695" Description: This enchanting hand-colored copper engraving from circa 1695 captures the grand Venngarn...

Good Condition, Original Design Modified.

Plate 'Covorden.' (Plan of the fortified city of Coevorden, The Netherlands.) This attractive original old antique print / plate originates from: 'Ausführliche und grundrichtige Besc...

Study Of Farm Birds, 17th Century attributed to Melchior DE HONDECOETER (1636-1695) Huge 17th century Dutch Old Master still life of various farm bir...

Antique print titled 'Jean Budes Conte de Guebriant (..)'. Portrait of Jean Baptiste Budes, Comte de Guébriant, half-length directed to right and looking to front, with shoulder-leng...