Paintings on Sale

Step into the realm of American abstract art with a remarkable piece that embodies the essence of the New York School and Minimalist movements. This captivating artwork is a testament to the groundbreaking creativity that emerged from the New York art scene during the mid-20th century. Its minimalist approach and bold, abstract expression are a striking reflection of the era's intellectual and artistic exploration. The composition is a study in reductionism, where every stroke and form serves a purpose, creating a symphony of simplicity that is both thought-provoking and visually engaging. The artist's meticulous attention to detail and the careful selection of shapes and colors result in a work that exudes a sense of timeless sophistication. The painting's abstract nature invites interpretation, allowing each viewer to find their own meaning within its elegant lines and shapes. It is a work that beckons you to explore, contemplate, and appreciate the power of artistic minimalism—a movement that forever changed the landscape of contemporary art. Embrace the minimalist elegance of this Vintage American School painting...

Antique American impressionist landscape painting. Nicely painted and in excellent condition. Housed in a valuable hand carved silver frame. Signed illegibly. Oil on board. Meas...

Medium: Oil On Board Painting Size: 24.25 x 16.25 inches Frame Size: 29.75 x 21.75 inches Condition: This artwork is in good overall condition for its age. Signature: Signed Artist...

With layers of bright oils and whisking brush strokes, the paint is able to shine and shimmer in a very unique pattern. The artist uses gold leaf with thick textured oils and glass t...

An engraving by Jerónimo Wierix after Marten de Vos's Saint Michael the Archangel (Iglesia de San Miguel, Córdoba) may have been a source f...

Original oil on canvas painting by the well known artist Jonas Gerard. Signed by the artist lower right “Gerard”. Condition is excellent. Strong, vibrant colors. Circa 1965. Bridg...

Title: Porcelain Medium: Oil on canvas Size: 23.5 x 15.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Title: Puppy's Family Series II Medium: Oil on canvas Size: 18 x 17.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Jiao Wang...

Antique American modernist signed abstract landscape oil painting. Oil on canvas. Signed. Framed.

Finely painted and highly detailed winter landscape painting. Oil on board. Framed. Signed.

Antique American impressionist still life oil painting. Oil on canvas. Framed. Signed illegibly. Image size, 20L x 24H.

Impressive early American impressionist forest interior landscape oil painting by William McKendree Snyder (1848 - 1930). Framed. Oil on board. Signed. Image size, 18H by 24L.

Impressive early American winter scene impressionist landscape painting. Oil on board. Framed. Signed. Image size, 18 by 24 inches.

Antique American modernist Maine landscape oil painting. Oil on canvas. Signed. Framed. Image size, 40L x 36H.

“In the Mood for Love”. Original painting, acrylic on canvas. 27.5x19.6x1in/ 70x50x3cm Ready for hanging, no need for frame, painted on the sides. Shipping stretched from New York. ...

Antique German oil painting by Christian Johannes Wilberg (1839 - 1882). Oil on canvas. Signed. Framed. Measuring 40 by 50 inches overall and 31.5 by 41.5 painting alone. A luminous...

Impressive early American modernist strawberry still life painting. Framed. Oil on canvas. Signed. Image size, 8H by 10L.

34 x 28 overall Canvas laid down on artist board Signed lower right Overall in gold leaf frame 30x24 inches R.W. Rowe Circa 1970’s

Wonderful English Victorian River Landscape during the Summer with horses, fields , trees etc Thomas O Hume was an English landscape painter who exhibit...

Modernist abstract oil painting. Oil on canvas, circa 1940. Unsigned. Image size, 37"L x 25"H.

Exquisite antique painting of terrier dogs by Jacques Cartier (1907 - 2001. Oil on board. Framed. Image size, 15H x 18L.

Antique American modernist abstract oil painting. Oil on canvasboard. No signature found. Framed. Image size, 24L x 18H.

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work included prints, paintings, sculpture, and found objects. He was born on May 12, 1925 in Shawnee, Oklahoma. He enlisted in the Air Force where he trained to become a fighter pilot. After leaving the militrary he studied design at the University of Oklahoma. His highly technical military training combined a mathematical intelligence with a love for physics and a daring embrace of new experience, all of which would soon be the tools for his evolution through art. Two major influences interacted on his early development at OU. Emelio Omero, a colleague and close friend of Diego Rivera, introduced him to the revolutionary art ideas of Mexico City, while teaching him a wide range of printing techniques that would culminate in a Masters Degree in Painting in 1952. During this time he met Bruce Goff, a renowned Wright disciple, who was teaching architecture at OU and befriended Hatchett, introducing him to the most avant-garde architecture of that time. He spent his summers while at OU designing for a small sign shop, which introduced him to new materials used for building neon, plastic, and metal signs. The use of new materials and a keen sense for design would soon become invaluable building blocks for future sculpture. During this time he met and married Mary Ellen Jeffries. They would spend their lives together and raise three children, David (me), my brother Dana, and my sister Jeffri. As children, they were immersed in art from childhood and benefited greatly from this loving art and domestic environment. Hatchett was always interested in the techniques of construction, often watching different tradesmen working, understanding how materials are put together to create the manmade environment that surrounded him. While teaching printmaking at Oklahoma City University from 1951 through ‘54, he began to build sculpture employing some of the materials and techniques that he saw workers using. He was beginning to draw the attention of architects and he became interested in their work-trade processes, moving from blue prints to construction. He accepted an invitation from Alexander Hogue...

"Colossi of Memnon, Egypt" Rare Orientalist Landscape Painting by Frederick Arthur Bridgman (American, 1847-1928) A wonderful oil on canvas painting by American orientalist painter Frederick Arthur Bridgman depicting The Colossi of Memnon - two large stone statues...

Impressive early American modernist forest landscape oil painting. Framed. Oil on board. Signed. Image size, 24H by 16L.

Vintage American modernist oil painting. Oil on canvas, circa 1970. Unsigned. Image size, 30L x 40H. Framing available.

Wonderful and rare early American modernist trompe l'oeil oil painting. Framed. Oil on canvas. Signed. Image size, 12H by 16L.

Charles Cobelle, French (1902 - 1994) - Paris Bridges 1. Year: circa 1950, Medium: Acrylic on Canvas, signed lower left, Size: 20 x 24 in. (50.8 x 60.96 cm), Frame Size: 30.5 x 34.5 ...

Antique American modernist abstract oil painting. Oil on canvas. No signature found. Framing is available.

In his 1993 series For Love of the Game, Canadian artist Dwight Baird pays tribute to America's beloved pastime with a vibrant depiction of 30 baseballs, each adorned with the insign...

Important framed 19th century Hudson River School landscape. Possibly estate stamped. Housed in an impressive period frame. Oil on canvas.

A beautiful Peter Keil original painting. Keil's signature style is shown in these Picasso inspired portraits. These portraits are characteristic of Keil's work in the 1980s when the...

Nicely painted mid century abstract oil painting. Great color and composition. Framed.

Up for sale here is a really impressive mid 19th century painting. Very fine quality and great color! Unsigned. Framed. Image size, 13 by 17.

Antique American modernist architectural iron gate oil painting. Oil on canvas. Signed. Framed.

Antique American modernist interior scene with two monkeys. Oil on canvas. No signature found. Framed. Image size, 39H x 26L.

Portrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...

Well painted and very interesting French or Belgium still life of flowers. Signed and inscribed, Jane Herbo, 1906, Ste Louise! / á Marraine. The ...

Antique American school seascape oil painting. Oil on canvas. Framed. Signed. Image size, 30L x 24H.

Vintage modernist abstract oil painting by Anton Sipos (Born 1938). Oil on canvas. Framed. Signed.

Mid Century Modern, American Abstract Expressionist Painting on artist board. This wonderful work combines delicate shades of pink and blue and comes house in a contemporary natural...

George Sotter Bucks County Landscape, 1908 Signed Lower Right: Sotter 08; signed on the reverse: G. W. Sotter Oil on artist board 12 x 9 inches Born in Pittsburgh in 1879 to Nicholas and Katherine Sotter, George William Sotter painted the rivers and mills of that city in his early youth. He apprenticed with several stained-glass studios there prior to becoming a partner in the studio of Horace Rudy in Pittsburgh around 1901. He took leave from the studio and came to Bucks County in 1902, to study at the Pennsylvania Academy of the Fine Arts as well as with Edward W. Redfield, the premier painter of the New Hope School. In 1903, he participated in the annual exhibition at the Pennsylvania Academy of the Fine Arts. He continued his studies at the Academy from 1905 – 1907 under William Merritt Chase and Thomas Anshutz. George William Sotter lived in Holicong, Pennsylvania, near New Hope, in a converted 19th Century stone barn. There, in his studio, he painted landscape scenes of Bucks County, which link Sotter to the New Hope School of American Impressionism...

Nicely framed early American modernist cityscape painting. Oil on canvas. Framed. Signed. Image size, 16 by 20 inches.

Very impressive antique American flower still life oil painting. Stunning and unique original frame. Oil on canvas. Painting size, 18H by 14L. Exceptional quality. Signe...

Briseus- Achilles Prize is a contemporary abstract oil painting by David Richardson. It is part of his Trojan War series, inspired by Homer’s Iliad. I...

Vintage American modernist landscape oil painting. Oil on canvas. Framed. Signed.

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Very impressive American impressionist landscape by Alexis Matthew Podchernikoff (1886 - 1933) . Great colors and nicely painted. Housed in a period giltwood frame. Oil on canvas....

Circa 1865 marketplace painting by the American artist, George Washington Nicholson. Signed lower left. Oil paint on wooden panel. Condit...

Very rare and well painted Formula Two racing painting. Oil on canvas. Unsigned. Nicely framed.

Original oil on canvas painting of a lavish interior dinner party scene by Venancio Zolla. Signed lower right. Condition is excellent. Bibliography printed label on frame verso. O...

Wonderful double sided oil on heavy fiber board paintings done by the well known North Fork Peconic Bay artist Caroline Bell. The coastal sailing painting is signed lower left. The haystack painting verso is signed in pencil lower right. The sailing painting is in good condition; the haystack painting is in good condition. Both done circa 1930. In a period but not original gold leaf over wood frame. Framed measurements are 19 by 23.75 inches. Provenance: A Long Island, New York estate. (1874-1970) Caroline Bell was the leader of a group of artists known as the Peconic Bay Impressionists...

Charles Henry Miller (American, 1842-1922) Untitled (Watermill), c, 1885 Oil on panel 10 x 14 in. Framed: 16 x 20 x 2 in. Signed lower left: Chas. H. Miller, N.A. Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

Oil on canvas. Condition is very good. Signed lower left. Inscribed Paris and dated 1904. Overall with gold leaf over wood frame frame 28 1/2 x 34 1/2 inches. There is a second f...

6005 Vintage oil painting of an exotic plumed bird set in a bed of colorful flowers. Canvas set on wood board . Set in a vintage hand painted red wood frame' Image size 10.5x1...

Nicely painted mid century hard edge abstract by Gabrielle Roos. Oil on canvas. Signed verso.

Antique American modernist abstract oil painting. Oil on canvas. Framed. Signed. Measuring 35 by 47 inches overall and 27 by 39 painting alone. In excellent original condition. Hands...

Very finely painted early 1900s American impressionist portrait painting by Alexander Oscar Levy (1881 - 1947). Oil on canvas, lain to board. In excellent original condition. Hand...