Paintings on Sale

Gorgeous tonalist oil painting woman walking in field by pond with home in background by Willis Seaver Adams (American, 1844-1921), circa 1880. Trees and an amazing sky in the background add depth and interest to this beautiful piece. Signed "W. S. Adams" lower right corner. Condition: Previous restoration includes relining of canvas. Frame is vintage gilt molded and wood frame and shows previous repair of molding losses. Image size: 20"H x 24"W. Auctions records for the artist exceed $6,000. Willis Seaver Adams was known for his landscapes of the Connecticut River Valley. A relative recluse for much of his artistic life, his loneliness can be seen in much of his works. Oil miniatures were the focus for almost all of his later works. He is credited with over 425 oils, watercolors, and drawings. Willis Seaver was born in 1844 on a farm in Suffield, near the Connecticut River. He intermittently attended the Suffield Academy, and always wanted to be a painter. A wealthy doctor became his patron, and financed his studies in 1868 at the Royal Academy in Antwerp. When the doctor passed away, Adams returned home and struggled to make a living painting. After working for a photographer for three years, he opened his own studio. Adams helped organize Cleveland's first watercolor exhibit in 1876. Soon thereafter, he completed a portrait of Rutherford B. Hayes, then governor of Ohio, prior to his becoming President of the United States. This portrait enhanced Adams notoriety. In 1878, Adams traveled to Italy where he opened a studio in Venice, and became friendly with neighbor James Whistler. Prior to returning to Springfield, Adams lived in Florence, Italy for three years. He returned to became an instructor for the Springfield Art Association, and began to exhibit his works at the galleries of James D. Gill. His first one-man exhibit was held there in 1894. Other successful exhibitions took place in Chicago, New York, and Boston. Although his works garnered respectable prices and reflected his success, Adams felt he was due more recognition. In 1906, he moved to Greenfield, Massachusetts and converted a barn into a studio. There, he fell into relative obscurity, accompanied mainly by his dog, Collie. In 1921, Adams passed away. Examples of Willis Adams works can be seen at the Kent Memorial Library, the Wadsworth Atheneum, and the Suffield Academy. Several Suffield residents are thought to own Adams paintings.

A unique abstract expressionist pastel drawing by an unknown artist. Depicting a mans face as the focal point with what appears to be chu...

Rebecca Jack "Sundance" Acrylic on Canvas 40 x 40 in. __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative works that highlight the beauty of...

Vibrant with riotous color, a floral garden still-life titled "Spring Mix" by Gabriel Portoles Ascaso (Spanish, b. 1930). Presented in a wood frame. Signed "G. Portoles A." lower rig...

A late 19th Century impressionist oil painting of the creek near Glen Annie Meadows, Santa Barbara by a student of and in the style of Henry Chapman Ford...

A beautiful 1930's landscape titled "Trail into California Mountains" by Oklahoman artist Sidney Lorenzo Brock (American, 1869-1943). Presented in ...

Rebecca Jack "Heatwave" Acrylic on Canvas 48 x 80 in. __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative works that highlight the beauty of...

Beautiful figurative oil on canvas of a woman seated in her boudoir by Monterey California-area artist Patricia Gillfillan (American, 1924-2016). Signed "Gillfillan" lower left. Unfr...

Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W. Military History Prior to 1865 The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864. From the Albany Evening Journal, July 20, 1864: Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received. Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer. During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age. When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863. It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion. City Point, Va., July 7, 1864. General R. E. Lee, Commanding Confederate Army, Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...

Mid Century fauvist style landscape of California Gold Country home by an unknown artist (American, 20th Century) c.1960. Unsigned. Presented in ru...

Pacific Coastal Seascape in Oil on Canvas Dynamic seascape by Evelyn Webb Meck (American, 1915-2011). Waves are crashing in around large rocks that a...

Colorful and idyllic impressionist oil painting of an old wooden barn surrounded by trees by Redwood City, California artist, Irma "Edy" Caprini (American...

Whimsical depiction of the artist's kitchen by Jon Joaquin (American, b. 1944). Titled, initialed, and dated on verso. New; acquired directly from the artist. No frame, but the edges...

Wonderful California landscape of foothills with stream, Birch and Oak trees. Unsigned. Unframed. Image size: 12"H x 18"W.

Gorgeous landscape of Sierra Mountains and lake in autumn by Oliver Glen Barrett (American, 1903 - 1970), circa 1940. Signed lower right corner; ti...

Rebecca Jack "Boogie Wonderland" Acrylic on Canvas 40 x 60 in. __________________________ Rebecca Jack, an intuitive painter, creates vibrant, figurative works that highlight the ...

America Martin "Flowers Red And White" Oil & Acrylic on Canvas 49.5 x 27.5 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspira...

Charming 1930's impressionistic seascape of blue waves crashing on a rocky shore with distant sail boats on the horizon by Charles Morris (American, b-1889) c.1930. Signed lower left...

Midcentury seascape of the Pescadero, California coast by Helen Skelton (American, 20th Century). Titled "Pescadero Coast" and signed "Helen Skelton" on verso. Unframed. Image size: ...

Telopa, the father and son of artists, paints women in an elegant Mannerist style that combines classic beauty and mythological, symbolic allegory. A...

Blue Lake in the Rockies and Hunter - Oil on Linen Cascades and snow capped mountains over look a blue lake with a successful hunter carrying his trophy deer by Vern Byers (American...

Wonderful mid-century impressionistic landscape of Ogden, Utah mountain foothills by Grace H. Peterson (American, 20th Century), 1944. Signed and dated...

Wonderful pulp art figurative portrait of a brunette woman in formal yellow evening gown with gloves by unknown California artist, circa 1960s. Unsigned. Acqu...

Canyonland - Western Plein Aire Landscape Acrylic on Board Expansive Western landscape by California Plein Aire artist Nick White (American, 1943-2009). The desert stretches out tow...

Beautiful mid century watercolor of a little store in Aptos, California by listed artist Jon Blanchette (American, 1908-1987). Signed "Jon Blanchette" lower right. Presented in a new...

"Blackberries Are Red When They Are Green" - Trompe L'Oeil Still Life Hyper realistic still life by Alexis Pencovic (American, 1921-1987). A still life arrangement of blackberries w...

A Cowboy And His Horse - Gouache On Paper Gouache on paper painting depicting a cowboy and his horse by a campfire by Reinaldo Manzke (Brazilian, 1906-1980). A cowboy is seen sittin...

Spheres and Cubes - Geometric Surrealist Landscape in Acrylic on Canvas Bright and lively surrealist landscape by Randy Dunham (American, b. 1961). Six spheres float above a minimalist landscape with mountains and a body of still water. Some of the spheres are transparent and others are opaque, with three cubes partially obscuring the transparent ones. There are streams of water hitting the shapes and splashing into the body of water below. Signed and dated "Randy Dunham © Nov 04" in the lower left corner. No frame. Canvas size: 36"H x 48"W Randy Dunham (American, b. 1961) was born in Troy New York...

GREG MILLER "Time" Acrylic, Collage 48 x 48 in. Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his relationship with the spa...

Seated Nude Woman American Figurative School 1940s Mid-century American impressionist painting of a woman by American artist Frederick "Fred" Yost (American/Swiss, 1888-1968). He studied: at Mt. Union Col., Alliance, OH; American Students League, New York, and with Homer Boss, John Sloan, Robert Henri, R. Lahey. The painting gleans much form his studies with John Sloan and Robert Henri in the French post-impressionist style. Image 24"H x 18"W Frame, 30"H x 24"W x 1.5"D Signed "Yost" lower right Painter, lithographer, teacher, lecturer About Fred's life: by Hal Fry of the Herald “Fred Does Whatever He Likes” was a title given to a biography written about Fred Yost by Hal Fry of the Herald. The following is taken directly from this column: “Fred Yost’s living style is like his painting style. He has fun with it. Fred John Yost was born in Switzerland, he’ sure, on November 6, 1889, he thinks. His father John brought the family to his country when Fred was about a year old—first to New York and later to Canton, Sebring and finally Alliance, where Yost Sr. loaded freight for a railroad. Fred like drawing and painting so far back he can’t remember how or when it started—it was always that way. But through the public schools in Alliance he didn’t think of this as a career possibility. He wanted to be a newspaperman. He worked his way through Mt. Union College, finishing, he thinks, about 1912. Then he beat it for New York and after kicking around for a time got a job as a proofreader for the Wall Street Journal. He combined this and art school until World War I took him into the Army. In infantry, field artillery and ordnance duties he served with the 27th New York Division through St. Mihiel and the Argonne and the rest—in the process getting his hearing clobbered by blasts from his outfit’s own guns. Coming out a Sergeant in 1919, he went back to the Wall Street Journal briefly—then caught on as a staff artist for the (New York) Herald. For several years, when he felt like it, Yost would take a bus to the Mexican border and switch to a Mexican bus to carry him way down south, then make it any way he could to the places he wanted to see. On these trips he virtually becomes a peon, disappearing totally from those who know him—living with, like and clearly thoroughly liked by the people among whom he moves.” Yost was a graduate of the Art Students League and past president of the Ohio Watercolor Society. Fred Yost, a man who eminently loved the Mexican landscape, Exhibited: S. Indp. A., 1928, 1930-33; MMA, 1945; AIC; Butler AI, 1947-1951; Ohio WC Soc.; PAFA, 1948-1950; Akron AI, 1947-1951, 1958; Fla. Southern Col., 1952; Ohio Univ., 1950; Columbus Gal. FA, 1947-50; AWCS, 1958; Salons of Am.; 3 solo: Canton AI; Akron AI, Springfield Mus. A. Contributor to Ford Times, 1958-59. Awards: prizes, Massilon Museum, 1944; Ohio Watercolor Society, 1944, 1948; Indianapolis, Ind., 1944; Tri-State Pr. M., 1945, 1946; Butler AI, 1946; Youngstown Pub. Schools, 1946 (prize); Ohio Univ., 1950; Ethel Printz award, 1950; Fla. Southern Col., 1952; Akron AI, 1952, 1956-1958; Canton AI, 1961, 1963; medal, Phila. Pa., 1950 Member: Ohio Watercolor Society (president) Work: Massillon Mus.; Youngstown Pub. Sch. Coll.; Butler AI; Akron AI; Kennedy & Co., NY; Beaver Col., Beaver Falls, Pa.; Block Gal., Indianapolis; Prospect Park, NY; murals, Sioux City Steak House; Sioux City A. Center; City Hall, Sioux City; Akron AI; Evangelical Church, Akron; Rockefeller Center; Radio City, NY; Brooklyn Zoological Park. Affiliated with NYC Park Dept. Mural Projects. Comments: Came to U. S. in 1889. Position: teacher, Butler AI; Akron AI; instr., Akron AI, Akron, Ohio; cur. Historical House of Refuge...

Mid century still life of bronze chrysanthemums with yellow draping backing. This piece is rendered in warm tones, as if flooded by later afternoon summe...

"Pilgrimage", a mid century figurative landscape by Carmel, California artist Mary Miller (Klepich) (American, ? - 1957). Presented in a rustic giltwood frame. Signed "Mary Miller" lower right. Titled "Pilgrimage," dated "1952" and signed "Mary Miller" on logo on verso, with Santa Cruz Art League Twenty Third Statewide Art Exhibition Label. Image, 18"H x 24"L. Framed size: 22.5"H x 28.5"W. Mary Miller (Klepich) exhibited in the Twenty-Third Annual Santa Cruz State-Wide Art Exhibition. She and her husband Fred Klepich studied at Bellas Artes, San Miguel de Allende in Mexico. Fred and Mary Owned Carmel Craft Studios, later (SAS) Studio Art Supplies...

Lesley Anne Spowart (American, born 1957) "Beautiful Blue" 2020 Acrylic Paint, Mixed Media, Wood Panel, Wood The artist signed the bottom left and back of the painting. "Beautiful B...

Turn of 20th Century American Impressionist Chicago Landscape -- Frost Bound Luminous turn of the century American Impressionism landscape of Chicago in winter titled "Frost Bound" by Henning Ryder (Swedish/American, 1869-1939), circa 1900. Signed lower right corner. Exhibited in the 1915 Panama Pacific...

America Martin "The Striped Orange Cat" Oil & Acrylic on Canvas 62.5 x 33.5 in. 64 x 35 in. Framed Exploring the identity of both her namesake and country, LA-based America Martin ...

Maura Petersen (American, born 1956) "Bath Scene" 2023 Acrylic paint, Canvas, Stretcher bars The artist signed the bottom right of the painting. Maura Petersen's 'Bath Scene' is a v...

Portrait of a clown in three quarter view, with expressive brushstrokes and use of color by Marjorie Blake (1920-1994). Unsigned, but was purchased with...

America Martin "Wait Till The Lion Goes Away" Oil & Acrylic on Canvas 48 x 48 in. Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration...

Red Thumbprint - Abstract Expressionist Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). This piece i...

"Israeli Road Block" - 1980 Original Abstract Rich 1980's abstract oil painting titled "Israeli Road Block" by Bay Area artist Helen Konkoff (American, 1912-1988). Hues of browns, g...

Mid-century figure study of an African American man by American Impressionist artist Genevieve Rogers. Unsigned, but acquired with a collection of her...

Gorgeous late 19th century Tonalist landscape painting of foothills and oak trees in the style of Willard Leroy Metcalf circa 1900. Inscribed "M" in circle monogram lower left corner and on frame verso. Presented in original rustic giltwood frame. Image size: 6"H x 8"W. Framed size: 8.5"H x 10.5"W. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...

Retro counterculture meets retro mainstream culture in this vibrant painting by Santa Cruz, California artist Russell Brutsche (American, 20th Century). The "Magic Bus" - a counterculture icon - is hooked up to jumper cables by the side of the road. Wrapped canvas sides are also painted - a continuation of the scene. Unframed. Image, 24"H x 30"W. “I’ve been painting since early childhood. I attended San Jose State University, studying under Eric Oback, Robert Freimark (student of Henri Matisse) and Sam Richardson...

"Southern Beach" Coastal Landscape in Oil on Canvas Oil painting of the a beach landscape by Max Flandorfer (American, b. 1962). A sandy path winds towards the beach through some gr...

Lovely small scale contemporary impressionist landscape of a trail winding up a hillside through oak trees, with a dense green tree line at the top, by an unknown Bay Area artist (Am...

A gorgeous mid century landscape of boats sailing along the Monterey, California coastline by Virginia Shackles (American, 1921-2020). Boats on the w...

A sweeping skyline sets a gentle tone for this late 19th century Scottish pastoral scene titled on verso "The Ingathering, Rowan-Tree Hill, Kilmalcol...

"Sunset Pt. Lobos, CA" Coastal Landscape in Oil on Linen Oil painting of a coastal landscape by Max Flandorfer (American, b. 1962). Large trees along a path are at the edge of a cliff overlooking the water. The cliff is covered in green grass. Below, there is a dark blue ocean...

Lush watercolor landscape by unknown artist Erazo (20th Century). In a small village, a lone figure walks down the street, away from the viewer. A large, snowcapped mountain rises dr...

GREG MILLER "Defender" Acrylic, Collage, Resin on Surfboard 132 x 25 in. Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his ...

"Shoreline", Modern Coastal Landscape Eucalyptus Trees, Sunset Coastal Landscape Watercolor by Kipp Stewart (American, b. 1928), late 20th century. This vivid scene uses a soft and dreamy polychromatic palette of golden rod yellow, subdued purple, and dark green. Acrylic on natural edge paper. Signed in the lower right, "Stewart". Tag on verso with title ("Shoreline"), artist's name, size, and materials. Presented in a light wood frame, mounted on a white background. Image size: 12.75"H x 17.5"W. Paper size: 23"H x 30"W. Framed size: 30.5"H x 38"W x 1.25"D. Kipp Stewart (American, b. 1928) is an artist, architect, and designer from Pennsylvania. Known to furniture obsessives for the Declaration series he codesigned for North Carolina’s Drexel Furniture, Stewart is most commonly associated with mid-century design movements of his adopted home state of California. There, in 1972, Stewart designed the Ventana Big Sur, a luxury resort near Montecito for which he oversaw architecture, planning, furniture and interior design across 160 acres of land. By the time Stewart spearheaded the Ventana, he was already well versed in furniture design. After briefly serving in the U.S. Navy as a teenager, Stewart enrolled at the Chouinard Art Institute (present-day Cal Arts) in Los Angeles. By the time he graduated, he was steeped in the world of modern seating design, experimenting with new chair models that bridged form and function. Charles and Ray Eames were important influences on his early work, which included a chrome-framed lounge chair whose reclined shape bears a striking resemblance to the Eames iconic lounge. In the late 1950s, Stewart partnered with another West Coast furniture designer, Stewart MacDougall, on a line of modern furniture for Drexel. (The pair were also producing case pieces and more for Glenn of California.) Drexel soon unveiled Stewart and McDougall’s Declaration line, which was constructed entirely of natural walnut and featured the choice of white porcelain or brass drawer pulls and cabinet door handles...

A vivid contemporary street art style painting of an abstracted tree with two embracing figures creating the trunk by Santa Cruz, California artist Elliott Bliss (American, b.20th Century). Bright colors and bold patterns add interest and depth to this visionary piece, which pops with yellow and green against a bright sky blue background. Signed and dated "Elliott Bliss / Dec 2013" lower right. Unframed. Canvas size: 16"H x 20"W. Elliott Bliss is a contemporary Santa Cruz, California based artist. He is known for using bright colors to capture the spirit of living in Santa Cruz in his visionary paintings...

Eagle Creek Trail, Columbia River Gorge, Oregon - Stylized Landscape in Acrylic Stylized landscape by Central Oregon artist Tirzah Lane (American, 20th Ce...

1880s Century Original California School Oil Painting of Native Americans Fishing in Sierras by Ransome Gillet Holdredge Wonderful landscape of Sierra Mountains in Hudson River Scho...

Lesley Anne Spowart (American, born 1957) "Dogs Play Ball in Heaven" 2024 Oil paint, Oil sticks, Mixed Media, Canvas, Stretcher Bars The artist signed the bottom left and back of the...

Compelling figurative abstract of the silhouette of a figure in white, in a minimalist monochromatic background by Jean Wallin (American). Signed “Wallin” in bottom right corner. Pre...

Female nude figure at the beach by listed artist Jon Blanchette (American, 1908-1987). Presented in a wooden frame. Signed "Jon Blanchette" verso. Image size, 24"H x 18"W. Jon Blan...

Figural abstract inspired by Chinese art and calligraphy featuring a large totem-like form in textured earth tones with black Chinese characters in bold, black brushstrokes by Anna Wu Weakland...