Landscape Paintings on Sale

Sunlit Forest French School, 1970's signed by J.Bredeche ( French School) oil on canvas, unframed Canvas : 21 x 25.5 inches Inscribed verso Provenance: private collection, Paris Cond...

Texas Field contemporary oil landscape painting on canvas 30 x 40 painted in 2020 by Texan artist Steve Parker conveys his understanding of Texas landscapes and the use of native tr...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

Artist/ School: Huguette Ginet-Lasnier (French 1927-2020), signed lower front Ginet-Lasnier, the wife of the painter Jean Lasnier, was born in the Seine-Maritime region of France an...

The artist: Henri Aime Duhem (1860-1941) French *see notes below, signed Title: The River Path Medium: gouache on paper, loosely laid over card, unframed card: 9.75 x 12.75 in...

A large oil with impasto depicting the view across rooftops in a mountain village. Signed and dated to the lower-right corner. There is a label inscribed with the title on the verso....

Tranquil Pastures circle of Thomas Sidney Cooper (British 1803-1902) signed oil painting on board, framed framed: 10 x 14 inches board: 8 x 12 inches provenance: private collection,...

Henry John Livens was born in 1858, in St Pancras, London the direct descendant of Jan Liebens who had left his native Holland in the 1600’s to paint a portrait of the King and subse...

Summer Field 8 x 10 image unframed, 14.5 x 16.5 framed Summer Fields I is an oil painting on canvas that showcases the beautiful light of a summer day shinning on a beautiful field o...

Fisherman in Highland Landscape by James Mudd (English, 1821 - 1906) signed oil on canvas, framed framed: 28.5 x 41 inches painting: 24 x 36 inches provenance: private collection, En...

This painting by Lucien Durand is part of my private collection. It is signed by the artist.

3722 Japanese Woodblock on paper set in a vintage wood frame Image size 9x10.5"

Summer In Oxford oil/canvas 24 x 30 image unframed, 30.25 x 36.25 framed Summer in Oxford is a beautiful oil painting on canvas by award winning contemporary artist Michael Budden t...

Winter Stream oil on panel by Harry DeMaine. Image is 10 x 12 and 11.25 x 13.25 framed. art panel makers label on reverse. Harry DeMaine was born in Liverpool, England. He took his...

Colourful Abstract Landscape Painting of Bidean nam Bian, Ballachulish, Glencoe in the Scottish Highlands by Leading Contemporary British Artist, Angela Wakefield Art measures 24 x...

Richard Barrett Davis (1782-1854) Mr Ward on Quicksilver Oil on canvas Canvas Size - 25 x 30 in Provenance with Ackermann & Son, London; where purchased by the present owner. Born...

Title: Set of Four Miniature Watercolors of Maritime and Historic Bristol & Whitby by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measuremen...

Women Seated in Garden "Femmos Restant" New Hope Pennsylvania Artist Edna Gass Women Seated in the Garden 'Femmos Restant" by New Hope Artist Edna Gass (American, 1904–1993). Image, ...

Oil on canvas. Framed. Image size, 18H x 24L.

Title: Historic Miniature Watercolor of Bristol’s Historic Churches and Landmarks by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurement...

Title: Original Oil Painting of Istanbul’s Blue Mosque with Reflection and Bird Artist: Roland Pichard Medium: Oil on oil paper, mounted on c...

Farmyard Friends Continental School, second half 20th century oil on canvas, unframed Canvas: 20 x 24 inches Provenance: Private collection, Dorset, England Condition: very good cond...

A very interesting set of five mid-20th-century Italian oils on copper. All five are classical landscape subjects and are signed Roger, though we don't know which artist with the n...

Stunning mid 20th century French Expressionist oil painting on canvas. The work depicts this gloriously vibrant and colourful landscape in Provence - we are told by the former owner it represents the Luberon Valley region in Provence, in the fields around Cucuron. We acquired the painting from a private collector in the heart of Provence who had owned the painting for many years. The work is unsigned but very, very close in every respect to the Corsican born artist PIERRE AMBROGIANI (1907-1985) and further research in this direction could be fruitful. Condition and Size: The painting is in good condition. The paint has begun to split in places as one would expect with such thickly applied oil paint. The canvas, unframed is 38cm x 55cm. Pierre Ambrogiani was born in Ajaccio, Corsica, although he was brought up in Marseille, where he continued to live and work for the rest of his life. He was an Expressionist painter of Provençal landscapes...

An idyllic view across red poppy fields with hill ranges in the distance. Well-presented in a solid oak frame with a crisp white mount. Unsigned. On board.

Oil on board. Framed.

Notre-Dame de Paris with Bridge Over the Seine by Jean Fourie (1927-2015) French artist, painting in the Champagne region of France oil painting on board , unframed double sided b...

Dinton Church by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22.25 inches titled and dated 'April 82' *FREE SHIPPING ON THIS P...

Title: French Impressionist Oil Painting of Boats Floating on Turquoise Water by Fanch Lel (French b. 1930) Size: 10.5 inches (height) x 10.25 inches (width) Oil painting on card, un...

Impressive early American impressionist dog portrait landscape painting by James Henry Hagaman (1866 - 1946). Oil on canvas. Framed. Signed. Image size, 35 by 22 inches.

Title: Miniature Watercolor Paintings of Bristol Cathedral and School from Canons Marsh by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measu...

Provence Landscape signed by Josine Vignon (French 1922-2022) ...

Traveller in Landscape French School style, late 20th century oil on canvas, unframed canvas : 36 x 24 inches provenance: private collection, Cornwall, England condition: very good a...

Vintage modernist expressionist sunset oil painting. Oil on canvas. Image size, 27.5L x 20H. Signed.

Title: French Impressionist Oil Painting of Small Boats Anchored by the Shore By Fanch Lel (French b. 1930) Size: 8.75 x 10.75 inches (height x width) Signed: Yes Oil painting on boa...

The French Cathedral French School, 1970's oil on canvas, unframed Canvas : 24 x 29 inches Inscribed verso Provenance: private collection, Paris Condition: very good condition Descr...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

This painting by Boris Major depicts a serene Venetian canal scene with gondolas moored near rustic buildings. The architecture features warm, earthy tones, with worn stone walls and...

Antique American modernist abstract painting. Watercolor, and pastel on paper. Framed. Signed. Image size, 6.5H by 10L

Collioure, France by Bernard Labbe (French mid 20th century) original gouache on artist paper, unframed size: 13 x 19.5 inches condition: very good and ready to be enjoyed. provena...

Edmund Bristow (1787-1876) A bay hunter in a landscape, Windsor castle beyond Signed with initials lower left Oil on canvas Canvas Size 22 1/2 x 27 1/2 in Framed Size 27 x 32 in Pro...

Loch Lomond, View of the Jetty, Antique Scottish Oil Painting Sunset, Signed by F. E. Jamieson (British 1895-1950) signed, lower corner left hand corner oil painting on canvas, fram...

Nude Figures in Wooded Landscape French School, 17th century oil on wood panel, framed framed: 25.5 x 21.5 inches board: 20 x 15.5 inches provenance: private collection, France condi...

The Village Duck Pond by W. Cartwright (British exhibited between 1875-1899) signed and dated 1860's oil on canvas, framed framed: 18 x 14.5 inches canvas: 15.5 x 12 inches provenanc...

Pair of Rococo-Inspired Paintings watercolor on artist paper, stuck on blue paper painting: 12.75 x 10 inches provenance: private collection condition: very good and sound condition

Incredible and rare early American impressionist cityscape painting by Alice Y. Hirsh (1888 - 1935). Oil on canvas, lain to board. Framed. Signed. Image size, 8L x 10H.

. This surrealist desert painting by Gozo is a striking acrylic composition on 400gsm Fabriano paper, measuring 70 × 50 cm and housed in a bespoke hand-painted wooden frame that is f...

Austrian Landscape Oil on Linen 1905 Goetheanum Designer Hand Carved Wood Frame Historically significant wood work and wonderful landscape celebrating the Austrian landscape and for...

David Arnold Burnand (Swiss artist 1888-1975) 107 auctions in Switzerland. Oil paint on cardboard with frame Total size with frame 40x50 cm One...

View of Venice with the Island of San Giorgio Maggiore Follower of Canaletto (Venice, 1697 – Venice, 1768) Venice - 19th century oil on canvas 29 x 39 cm. - Framed 40 x 50 cm. Wel...

Artist/School: G. Lefevre, French School (20th Century), signed Title: Fishing Ports Moored In A Southern Port, wonderful blue sea and sky colours with rising mountain beyond and gr...

Antique French impressionist landscape oil painting by Leon Richet (1847 - 1907). Oil on canvas. Signed. Framed. Measuring 22 by 29 inches overall and 15 by 20 painting alone.

John Thomas Serres (1759-1825) Fisherfolk unloading the days catch Oil on canvas Canvas Size - 17 x 25 in Framed Size - 22 x 30 in John Thomas Serres, a luminary in the realm of mar...

"PaperLandscape" is an original 2024 artwork (100x100 cm) created with oil paint and hand-painted paper collage on canvas. The unique combination of textures and tones reflects the a...

The Italian Landscape English artist, early 19th century circle/ follower of Joseph Mallord William Turner (British 1775-1851) oil on wood panel, framed in a delightful antique walnu...

Title: Impressionist Seascape Painting of the Chausey Islands with Boats and Rocks By Fanch Lel Signed: Yes Size: 19.75 x 25.5 inches (height x width) Oil painting on board, unframed...

ChatGPT Plus Title: Park in a Catalan City Artist: Sebastià Congost Pla (1919–2009) Technique: Oil on canvas-mounted hardboard Dimensions: 24 x 33 cm Framed dimensions: 34 x 43 cm Si...

Impressive American impressionist winter landscape oil painting. Framed. Oil on board. Signed. Image size, 9H by 11L.

Provence Jean La Forgue (French 1901-1975) signed watercolour, ink on paper, mounted in a card frame inscribed verso card frame: 17 x 22 inches painting: 12 x 17 inches provenance: ...

Vivid abstracted landscape in vibrant fauvist hues of birch trees in green field by Libby Beth Seligman (American, b. 1958), 1977. Signed and dated lower right corner. Presented in r...