Art

Studio 54. Iconic Disco. Neon Band Designs. One Color and b/w Mid Century. Rare Tony Walton (1934-2002) Studio 54 "Neon Band" Color and Black & White Print 12 1/4 x 18 inches Matted...

Still Life with Green Glass Bottle and Earthenware Jars in Soft Pastel Light by Laure Noetzin-Azam (French 1929-2024) pupil of André LHOTE oil on canvas, unframed canvas: 24 x 20 inc...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Hand-Finished with acrylic spray paint on Moab Entrada Bright 290 gsm paper Edition size: 1/1 Signed & Numbered with a Certificate of Authenticity

A unique American oil painting depicting two stylized interior views in neon colors.

"The Magic Trick" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. These painting, influenced by modernist artists of the 50's, 60's, and 70...

American Flag in Times Square rendered in Neon. Patriotic colors of Old Glory are described in vibrating neon. Cars in the foreground reflect the striped pattern, while faces and fi...

Tropic of the Pyrenees 13 is a photograph by French contemporary artist Xavier Dumoulin. This photograph is sold unframed as a print only. It is available in 2 dimensions: *60 cm ×...

Jung LEE (*1972, South Korea) Have You Ever Loved Me?, 2010 C-Type Print, Diasec Sheet 125 x 100 cm (49 1/4 x 39 3/8 in.) Frame 127,3 x 102,4 x 3,2 cm (50 1/8 x 40 3/8 x 1 1/4 in.) E...

Jung LEE (*1972, South Korea) I Still Remember, 2010 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist born i...

Jung LEE (*1972, South Korea) Only God Knows, 2010 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist born in ...

Jung LEE (*1972, South Korea) Why?#3, 2016 C-Type Print, Diasec Sheet 144 x 180 cm (56 3/4 x 70 7/8 in.) Frame 147,5 x 183,7 x 3,7 cm (58 1/8 x 72 3/8 x 1 1/2 in.) Edition of 5, plus...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects ...

Vestiges of a bygone era, a funky old original neon sign acts as a beacon to the thirsty. Chromogenic archival print. Signed and dated on lower r...

New York City Panoramic Street Scene with Limousine and Neon Lights in the Rain, by British Contemporary Urban Landscape Artist, Angela Wakefield. Entitled “Neon Limousine”, this uni...

A single neon-red bloom pops from the background in this lively still life by Jernnifer Hornyak. Known for her non-traditional florals and her inspired palette— Hornyak’s flowers sit...

Gloria Dudfield Neon Comet Abstract Expressionism 1960s Oil Pastel and Gouache on Paper 36"x25.5" unframed $1600 *Custom framing available for additional charge. Please expect framin...

ALTERATION ART . . .is a collaboration process between Rick Wolfryd, fin artist and art dealer with over 40 years experience, and various Mexican Huichol artists and mexican Huichol ...

Artist: Lucy Gregry Work: Original Painting, Handmade Artwork, One of a Kind Medium: Acrylic, Resin on Canvas 3D Neon Colors Year: 2024 Style: Abstract art, Title: New Galaxy of Mu...

ALTERATION ART . . .is a collaboration process between Rick Wolfryd, fin artist and art dealer with over 40 years experience, and various Mexican Huichol artists and mexican Huichol ...

Pete Kasprzak’s passion for city life is expressed in his dynamic urban artworks. Kasprzak’s artworks express energy and life with animated brush strokes. He adds dynamic movement an...

Jung LEE (*1972, South Korea) You Stole My Heart Away, 2017 C-Type Print, Diasec 160 x 200 cm (63 x 78 3/4 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist bor...

Jung LEE (*1972, South Korea) I Love You With All My Heart #2, 2020 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 166,8 x 206,9 x 3,5 cm (65 5/8 x 81 1/2 x 1 3/8 in...

Purple, yellow, neon pink, and white anaglyph painting by San Francisco-based artist Robert MacKenzie. This piece is included in a 2023 group exhibition, "Friend of a Friend," curate...

The classic view of Miami Beach's Ocean Drive with reflections is captured by veteran Color Photographer Mithcell Funk. The image overflows with soft bleeding colors that melt into...

Jung LEE (*1972, South Korea) Sanyuhwa (The Poem ‘Flowers on the Hills’ by Kim Sowol), 2012 C-Type Print, Diasec 148 x 185 cm (58 1/4 x 72 7/8 in.) Edition of 5, plus 2 AP – Biograp...

Original exhibition poster printed on the occasion of Jim Dine's 1971 exhibition at Kunsthalle Bern, featuring Saw, 1971. Against a sea of electric blue, Dine has written “saw” in lo...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed Size: painting: 13 x 19 inche...

Jung LEE (*1972, South Korea) I Want To Be Your Love, 2012 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean artist ...

Jung LEE (*1972, South Korea) How Could You Do This To Me?, 2011 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean a...

Philip Vaughan Hach Ni 2024, 2024 Kinetic sculpture: neon, electronics, sintra 54 x 12 x 4.6 in (137.16 x 30.48 x 11.68 cm)

Lisa Schulte’s neon creation “The Path of Least Resistance” redefines the concept of art as illumination, infusing any space it inhabits with a vibrant ra...

Chris Bracey (1954-2014) Is This The Real Life (2014) Found lettering and signs constructed with new neon lettering Size: 36 x 48 in (91.4 x 121.9 cm) Hand signed on the side === ...

racey Emin, in full Tracey Karima Emin, (born July 3, 1963, Croyden, Greater London, England), British artist noted for using a wide range of media—including drawing, video, and installation art, as well as sculpture and painting—and her own life as the subject of her art. Her works were confessional, provocative, and transgressive, often portraying sexual acts and reproductive organs. Critics were seldom lukewarm in their response to her. Like Damien Hirst and Sarah Lucas, she was considered one of the YBAs (Young British Artists; also known as the BritArtists) who came to prominence in the 1990s. Emin and her twin brother, Paul, were born to an unwed mother. Their father, who was married to someone other than their mother, was a Turkish Cypriot. Emin grew up in the seaside resort town of Margate. She dropped out of school at age 13 and moved to London at 15. Two years later she attended Medway College of Design (now part of the University for the Creative Arts), Rochester, where she studied fashion. She was accepted without a secondary-school certificate at nearby Maidstone College of Art (also now part of UCA) and earned a fine-arts degree in 1986. Thereafter she obtained a master’s degree in painting (1989) from the Royal College of Art in London. In 1993, in the former London borough of Bethnal Green, Emin and fellow artist Lucas opened a store where they sold their own handmade items. One of Emin’s earliest exhibitions took place in 1993–94 at the influential White Cube gallery on Duke Street (1993–2002). That show, ironically titled “My Major Retrospective,” gave a hint of things to come. It displayed personally significant artifacts from Emin’s life, such as a hospital bracelet and personal correspondence, in addition to a quilt on which she had stitched the names of family members and notes to them. In 1994 Emin undertook a U.S. tour of performance art for which, sitting in her grandmother’s chair...

Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. Whit...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Esmeralda Kosmatopoulos Whose?, 2014 neon, wire, transformers, flasher 16 × 65 × 1/2 in (40.6 × 165.1 × 1.3 cm) Edition 1/3 + 2AP whose? explores the definition of ownership,...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. Whit...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Mary Jo designs all the neon as a unique piece of artwork. Each piece is hand blown glass and assembled to create a one-of-a-kind piece, which comes completely ready to install. Whit...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

Rod Lathim’s Euphonic Flame transforms a repurposed trombone into an illuminated sculpture that blurs the boundaries between object, sound, and spirit. Rising vertically like a ritua...

Rod Lathim’s Glowgrass transforms a vintage wooden dobro into a fusion of sculpture, sound, and spirit. Rooted in the traditions of American folk, country, and bluegrass, the dobro h...

Her soft lips touched mine and everything became hard By Tracey Emin Tracey Emin is a prominent British artist and one of the leading figures of the Young British Artists (YBAs) mo...

Mirrors, 2016 Neon, flasher, plexi mirror, wires Size Variable Mirrors is a 8-foot long chandelier made of dozens of colorful neons hanging on top of a large mirror rectangular box....

IDK, 2017 Neon, transformer 40 x 30 in (102 x 72 cm) Edition 1 of 3. = (equal by definition) is a body of works that explores in a whimsical way, how language is formed, transfor...

TTYL, 2017 Neon, transformer 68 x 30 in (173 x 72 cm). Edition 1 of 3 := (equal by definition) is a body of works that explores in a whimsical way, how language is formed, transf...

Series: Neon 18.5" x 57.5" x 6" - Edition of 9 Disarmingly blunt and intensely intimate, David Drebin's neon light installations illuminate hidden aspirations and secret thoughts of...

ESMERALDA KOSMATOPOULOS SOMEW#HERE #2, 2016 Neon, transformer 16 x 62 in (41 x 157 cm) Edition 1 of 3 SOMEW#HERE is a body of neon works that invite the viewer to revisit the ...