Abstract Geometric Art

Kandinsky at Galerie Karl Flinker - 1977 Exhibition Poster - in Ink on Paper Poster with a reproduction of "Merry Structure" by Vassily Kandinsky (Russian, 1866-1944). This posted i...

This monumental outdoor sculpture is rendered in a contemporary geometric form. Amin Sadraei Tabatabai creates arresting sculptural work that embraces tradition and re-imagines it i...

ANGELO TESTA (1921 - 1984) Untitled, ca. 1940's. Watercolor on paper; Sight: 23 1/2" x 17.5"; Matting size: 22 x 18 inches. Minor loss and staining of paper sheet. Unframed. Un...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Brandon Neher is a California artist whose original paintings on canvas embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Drawing inspiration from his coastal upbringing in California, Neher's art reveals layered references to his surroundings, merging physical and subconscious energies to create captivating shapes and patterns. > Large-scale, exceptional abstract artwork, 68 inches square. > Using acrylic and oil pastel on canvas, the artist meticulously crafted a uniform grid of 1156 circles. > The seemingly random arrangement of colors on the squares and circles creates a diffuse yet stimulating overall effect, inviting the viewer to explore every captivating detail. > The artwork's sides are painted, eliminating the need for framing. It comes wired and ready to hang. > Neher signed the back of the painting, ensuring its authenticity. > Convenient delivery in the local Los Angeles area. Affordable worldwide shipping for US and international art collectors. > Certificate of authenticity issued by the art gallery included. Born in Burbank, California, in 1983, Brandon Neher's artistic journey began after studying at the Brooks Institute of Photography for three years. His artistic prowess extends across a diverse range of mediums, including 16mm film, watercolor, oil, sculpture, charcoal, photography, mixed media collage, and print transfers. Neher finds inspiration in German expressionist painters, admiring their ability to convey narratives on canvas. His own creative process often involves carefully considering his images before bringing them to life, layering colors in a way that invites viewers to perceive familiar elements in a fresh and enlightening manner. Brandon Neher's artwork has garnered attention and acclaim, with exhibitions and collectors spanning the United States. His creations have even graced television productions such as ABC Family's Secret Life of the American Teenager, HGTV's Design on a Dime...

No.061222 is an abstract sculpture in wood by French sculptor Thierry Martenon. This large-scale sculpture weaves together richly textured geometric forms, establishing a dynamic int...

Vista No 1 by Murray Duncan is a striking abstract composition that merges bold gestural lines with an earthy, textured surface. Rendered in a muted, organic palette, the piece evoke...

Untitled #905 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

"Last Thoughts" (2024) by Murray Duncan Mixed Media on Canvas Triptych Size : 30" x 40" each panel "Last Thoughts" is a striking three-panel abstract geometric composition by conte...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Wave III, is an exclusive handmade cyanotype horizontal diptych that captures the gentle curl of an organic mid-motion wave. Rendered in deep Prussian blues and ethereal whites, the...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Collage has always been a part of the artist's work. The idea of reusing, recontextualizing, and even resurrecting parts of the painting. From an economic standpoint the materials ar...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Abstract geometric, minimalist, three dimensional wall sculpture in light grey Precision board, Venetian Plaster, pigments, and beeswax Despite it's stone-like appearance, the scul...

Created by a contemporary French artist recognized for his refined approach to material and abstraction, this painting reflects a deep exploration of memory, silence, and time throug...

Anita Johnson Untitled (Architectonic Blues), c. late 1960s–early 1970s Oil on canvas Framed dimensions: 46 in. H × 35 in. W Contemporary black floater frame A luminous exploration ...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

No.201022 is an abstract sculpture in wood by French sculptor Thierry Martenon. This large, shield-shaped sculpture presents a graceful alternation between curved lines and open spac...

Sophie Dumont is a contemporary painter who explores the intersection between abstraction and landscape, blending energy and serenity. Her intuitive and subtle approach is inspired b...

Untitled #542 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

This "Homage to the Square" print was created by Albers for the occasion of an exhibition at Grippi Gallery in Manhattan in 1973. It is in an excellent white contemporary frame. Art...

Dimensions outside frame: 60 x 60 x 2 cm (23.62 x 23.62 x 0.79 in) Dimensions with frame: 67 x 67 x 3.5 cm (26.38 x 26.38 x 1.38 in) Sophie Dumont is a contemporary painter whose w...

This print was created by Albers for the occasion of an exhibition at Goethe House in Manhattan in 1973. It is in an excellent white contemporary frame. Artist: Josef Albers, German...

This piece titled "residence" is an original artwork made from pencil, maker, acrylic paint collage on panel by Miriam Singer. This piece measures 8"h x 8"w. Miriam Singer grew up i...

Untitled #545 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray Dunc...

Sean Scully Munich 1996 (Hand Signed), 2001 Offset Lithograph print Hand signed and dated by Sean Scully in 2018 Boldly signed in black marker on the recto. Hand signed by Sean Scull...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Kyohei Inukai Life Forces - 1978 Print - Silkscreen   30'' x 22½'' in Edition: signed in pencil and marked 128/200 Since the 1940s, Kyohei Inukai has created his own brand of illusi...

Delphinium by Giles Revell is a dynamic, abstract archival pigment print. Available in this size of 50cm x 50cm in an edition of 25. Larger prints are available, please contact the ...

Contemporary Abstract geometric painting in vivid shades of yellow, greys, white, and black "Ospedale III" painted by Hudson Valley, NY based painter, Anthony Finta, in 2019 36 x 24...

**ANNUAL SUPER SALE UNTIL JUNE 15TH ONLY** *This Price Won't Be Repeated Again This Year-Take Advantage Of It* **IMPORTANT: This is a limited edition print on canvas> ...

Title: Captivated Art Deco, Modern, Abstract, Colorful, Minimalism, Invest, Bold, Joy This series connects to that around as well as that within. Captivated takes the viewer to a ...

Title: White And Blue World Medium: Oil on canvas Size: 22 x 26 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2...

"Upsurge" is a minimalist, abstract pedestal sculpture in fabricated bronze. It was conceived in 1989 and can be considered a Mid-Century Modern artwork. It is finished with Clement ...

Raoul DUFY (1877-1953) Orchestra : Intermission Lithograph (Mourlot workshop) Printed signature in the plate On vellum 30 x 24 cm (c. 11.8 x 9.4 in) Excellent condition

Anita Johnson Untitled (Monochrome Construct), c. 1960s Oil on illustration board Framed dimensions: 21 in. H × 16 in. W Presented in a contemporary black frame In this striking bla...

Abstract Geometric Composition with Handmade Paper, Fibers and Acrylic on Canvas (Red) Whimsical abstract composition by an unknown artist (20th Century). Red acrylic paint makes up...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 17 Year: 1986 Medium: 40 x 60 in. (101.6 ...

Mexican artist Heny Steinberg’s mid-century modern inspired abstract artworks invite us to travel from the map to the localized event. She is suggesting that the spatial memory guid...

Note: This is a unique text variant which Albers titled in pencil "Blue Reminder" instead of "Blue Reminding". The authenticity of this work has been kindly confirmed by Brenda Danil...

In this intriguing sculpture by Ryan Van Der Hout, a multitude of mirrors reflect the images of sky and land that surround it. Forged from powder-coated steel, each lens is mounted o...

The Orchestra, 1950, oil on canvas, signed and dated lower left, 21 1/2 x 25 3/4 inches, labeled verso “Brown University, Trustee, The Walter Feldman Trust for Artwork” titled verso,...

Abstract geometric three-dimensional wood wall sculpture in pale grey, light blue, light taupe, and beige, with accents of stormy blue "In, Out, Over, and About", hand-carved woode...

Vista No 2 by Murray Duncan is a striking abstract composition that merges bold gestural lines with an earthy, textured surface. Rendered in a muted, organic palette, the piece evoke...

Lithograph Optical Pop Art Attrib. Victor Vasarely, 1970s with frame

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Lilly Muth's geometric abstractions are colourful works full figures that of space such as the distance, shape, size, and relative position of figures. Her use of colour is bold yet ...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

No.090924 is an abstract sculpture in wood by French sculptor Thierry Martenon. This large, oval-shaped sculpture subtly intertwines wooden geometric forms, evoking a sense of moveme...

Anita Johnson Untitled (Red Construct), c. 1960s Oil on canvas Framed dimensions: 31 in. H × 25 in. W Original artist-selected silver-toned floater frame In Untitled (Red Construct)...

"Die Segen" (Sins/Blessing) - 1986 Collograph On Paper Original 1986 Collograph on paper titled "Place Setting" ("Sins/Blessing") by Patricia Pearce (Am...

Paisaje Apilado, 2023 Contemporary Mexican Art, Abstract Painting Acrylic on canvas 86x86cm Signed and dated Yumnia's artistic journey is deeply rooted in the landscapes of Nayarit...

Désert (artist inventory no. 121) is a unique medium size contemporary modern abstract geometric painting on canvas by French artist Charles Bézie. The painting is an early career wo...

Anita Johnson Untitled (Red Theater), c. late 1960s Oil on canvas Framed dimensions: 21 in. H × 41 in. W Contemporary black floater frame With its cinematic horizontality and comman...

The illusion of intimacy, 2020, 70x100 cm

Larry Zox (1937-2006) Three Square Composition, 1978 Print, Silkscreen, on Arches archival paper - 1978 52 " x 25 " inches Signed in pencil and marked VIII/LV Unframed.  Larry Zox i...