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Drawings and Watercolor Paintings For Sale
Style: Post-Impressionist
Style: Post-War
Untitled, Woman in Costume
By Vincent Breton
Located in San Francisco, CA
This artwork "Untitled, Woman in Costume" c. 1960 is a watercolor and gouache on beige thin paper by French artist Vincent Breton, b.1919. It is hand ...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Watercolor
'Hamam Rigba'. Oil sketch on cardboard. Signed and titled on back.
Located in Paris, FR
'Hamam Rigba'. Oil sketch on cardboard. Signed and titled on the back.
This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation.
Jules...
Category
1930s Post-Impressionist Drawings and Watercolor Paintings
Materials
Oil
'Water Lilies', California Watercolor Society, SWA, Woman Artist, Zoltan Szabo
Located in Santa Cruz, CA
Signed lower right, 'Beverly Fields' (American, 20th century) and dated 1988.
Accompanied by a copy of the artist's poster from the same series.
This listed California artist has exhibited widely and with success and is the recipient of numerous medals and juried awards. Beverly Fields first studied with Zoltan Szabo and later with Charles Reid...
Category
1980s Post-Impressionist Drawings and Watercolor Paintings
Materials
Watercolor, Laid Paper
'Lighthouse at Point Pinos', Pacific Grove, California Woman Post Impressionist
Located in Santa Cruz, CA
Signed lower right, 'M. Backman' for Muriel Backman (American, 1902-1996); additionally signed verso, titled 'Pt. Pinos' and dated 1953.
A bright and fresh watercolor showing a view...
Category
1950s Post-Impressionist Drawings and Watercolor Paintings
Materials
Watercolor, Gouache, Paper
'Old Carmel Cottage', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with certification of authenticity.
A mid-twentieth century watercolor and graphite study of an early c...
Category
1950s Post-Impressionist Drawings and Watercolor Paintings
Materials
Paper, Watercolor, Graphite
Portrait of Woman - Pastel Drawing - Mid 20th Century
Located in Roma, IT
Portrait of Woman is an original drawing in colored pastel by an Anonymous Artist of the XX century.
A pastel drawing on paper skilfully depicted a portrait of a woman, expression o...
Category
Early 20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Pastel
Head of a Young Girl - Kiki de Montparnasse
Located in Miami, FL
Léonard Tsugouharu FoujitaFujita Tsuguharu?, November 27, 1886 – January 29, 1968) was a Japanese–French painter and printmaker born in Tokyo, Japan who applied Japanese ink techniq...
Category
1920s Post-Impressionist Drawings and Watercolor Paintings
Materials
India Ink
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Man
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 24.75 x 19 inches
Beautifully decorative, mid 20th century French ori...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Oil, Charcoal
'Cubist Kitchen Interior', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA
Located in Santa Cruz, CA
Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with certification of authenticity.
A Cubist derived still-life in an interior showing fruit in a bowl ...
Category
1950s Post-Impressionist Drawings and Watercolor Paintings
Materials
Paper, Gouache, Graphite
'Woman Seated', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with certification of authenticity.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the ...
Category
1950s Post-Impressionist Drawings and Watercolor Paintings
Materials
Paper, Graphite
'Standing Nude', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988), dated 1954 and inscribed with roman numeral, '4'; additionally stamped verso with certification of authenticit...
Category
1950s Post-Impressionist Drawings and Watercolor Paintings
Materials
Graphite, Paper
'Seated Nude', Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with certification of authenticity.
Winner of the Prix Othon Friesz, Victor di Gesu first attended th...
Category
1950s Post-Impressionist Drawings and Watercolor Paintings
Materials
Paper, Graphite
'Reclining Nude', Bay Area Figurative School, CSFA, San Francisco, California
Located in Santa Cruz, CA
Signed lower left, 'E. Bischoff' for Elmer Nelson Bischoff (American, 1916-1991) and dated ''64'".
Previously with:
Felix Landau Gallery, Los Angeles, California
Hackett Freedman Gallery, San Francisco, California
Framed Dimensions: 21.75 H x 18.5 W x .75 D Inches
This work is accompanied by a First edition volume of 'Elmer Bischoff: The Ethics of Paint' by Susan Landauer & Bill Berkson, University of California Press, 2001.
A key figure in the California Bay Area abstract and figurative movement following World War II, Elmer Bischoff graduated in 1939 from the University of California. As an art student there, he had been strongly influenced by Margaret Peterson...
Category
1960s Post-Impressionist Drawings and Watercolor Paintings
Materials
Paper, Ink, Pen
'Pot-Bellied Stove', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Painted circa 1955 by Victor Di Gesu, (American, 1914-1988). Stamped verso with certification of authenticity.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Lo...
Category
1950s Post-Impressionist Drawings and Watercolor Paintings
Materials
Watercolor, Graphite, Paper, Gouache
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Women
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 24 x 19 inches
Beautifully decorative, mid 20th century French origin...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Oil, Charcoal
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Women
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 25 x 19 inches
Beautifully decorative, mid 20th century French origin...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Oil, Charcoal
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Women
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 24.5 x 18.5 inches
Beautifully decorative, mid 20th century French or...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Oil, Charcoal
Bezalel School Jerusalem Israeli Judaica Etching - Chassid
Located in Surfside, FL
YITSKHOK LIKHTENSHTEYN (ISAAC LICHTENSTEIN) (1888-1981) (Icchok, Izrael) was born in Lodz, Poland. Initially he was studying at Yehuda Pen school in Witebsk. In the same school where young Marc Chagall started to paint his shtetl Jews, Jewish neighbourhoods and personages. As many young Jewish children who decided painting to be their passion Isaac moved to Paris where he was one of the co-founders of Machmadim - a group of Jewish artists (mostly émigré from Eastern Europe) who dedicated their art to traditional Jewish themes. Later Isaac Lichtenstein studied with Boris Schatz and painted at Bezalel, Jerusalem. Until age seven he was raised in Warsaw; later, when his father received a position with Poznański, he lived with his parents in Lodz. There he studied in a state public school. He demonstrated talent for painting while still quite young, and in 1906 he began to attend the Cracow art academy, before going on to study painting in Rome, Florence, and Munich. In 1908 he entered the Bezalel Art School in Jerusalem. In 1910 he returned to Cracow, lived for a short time in Munich, 1911 in Paris, 1912-1913 again in the land of Israel, and in 1914 he returned to Paris, that very year setting off for the United States. He lived in New York during WWI, where he became part of Jewish literary and artistic circles, and contributed as a graphic artist to a variety of Jewish publications, among them: M. Basin’s Antologye (Anthology), the collection Velt ayn, velt oys (World in, world out), and designed frontispieces, little vignettes, and letters for Yiddish-language books. In 1916 he also began to write and published articles on the plastic arts in: Tsukunft (Future) in New York; the collection Shriften (Writings), vol. 6; Onheyb (Beginning), edited by Z. Vaynper; Morgn-zhurnal (Morning journal); Der amerikaner (The American); Forverts (Forward); and Di tsayt (The times). He did journalistic work also for M. F. Seidman’s correspondence bureau in New York. In 1918 he departed with the Jewish Legion for Israel. In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Morris Meyer. In 1924 he returned to Poland, exhibited his drawings in Warsaw, Lodz, Vilna, and other cities, gave speeches on art (general and Jewish), and published work in: Haynt (Today), Moment (Moment), Folkstsaytung (People’s newspaper), and Literarishe bleter (Literary leaves)—in Warsaw; Unzer lebn (Our life) in Grodno; Voliner lebn (Volhynia life); Nayer folksblat (New people’s newspaper) in Lodz; and elsewhere. He also published impressions from his travels and memoirs of the Jewish Legion in Haynt. In 1927 he founded with the Parisian publisher Triangle a series entitled “Yidn-kinstler, monografyes” (Jewish artists, monographs), for which he wrote: Mark shagal...
Category
Early 20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Etching
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Women
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 25 x 19 inches
Beautifully decorative, mid 20th century French origin...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Oil, Charcoal
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Women
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 24.5 x 19inches
Beautifully decorative, mid 20th century French origi...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Oil, Charcoal
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Women
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 24.5 x 18.5 inches
Beautifully decorative, mid 20th century French or...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Oil, Charcoal
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Man
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 25 x 19 inches
Beautifully decorative, mid 20th century French origin...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Charcoal, Oil
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Women
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 25 x 18.75 inches
Beautifully decorative, mid 20th century French ori...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Oil, Charcoal
'Woman in a Kimono', Paris, Louvre, Salon d'Automne, Ac. Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Created circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with certification of authenticity.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the ...
Category
1950s Post-Impressionist Drawings and Watercolor Paintings
Materials
Ink, Paper
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Women
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 26 x 19 inches
Beautifully decorative, mid 20th century French origin...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Oil, Charcoal
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Women
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 25 x 19.5 inches
Beautifully decorative, mid 20th century French orig...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Oil, Charcoal
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Man
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 25 x 18.75 inches
Beautifully decorative, mid 20th century French ori...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Oil, Charcoal
Mid 20th Century French Charcoal Drawing - Portrait of a Standing Nude Man
Located in Cirencester, Gloucestershire
"The Portrait"
by Geneviève Zondervan (French 1922-2013)
pencil/ charcoal on thick paper, unframed
paper size: 25 x 19 inches
Beautifully decorative, mid 20th century French origin...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Oil, Charcoal
Bezalel School Jerusalem Israeli Judaica Etching
Located in Surfside, FL
YITSKHOK LIKHTENSHTEYN (ISAAC LICHTENSTEIN) (1888-1981) (Icchok, Izrael) was born in Lodz, Poland. Initially he was studying at Yehuda Pen school in Witebsk. In the same school where young Marc Chagall started to paint his shtetl Jews, Jewish neighbourhoods and personages. As many young Jewish children who decided painting to be their passion Isaac moved to Paris where he was one of the co-founders of Machmadim - a group of Jewish artists (mostly émigré from Eastern Europe) who dedicated their art to traditional Jewish themes. Later Isaac Lichtenstein studied with Boris Schatz and painted at Bezalel, Jerusalem. Until age seven he was raised in Warsaw; later, when his father received a position with Poznański, he lived with his parents in Lodz. There he studied in a state public school. He demonstrated talent for painting while still quite young, and in 1906 he began to attend the Cracow art academy, before going on to study painting in Rome, Florence, and Munich. In 1908 he entered the Bezalel Art School in Jerusalem. In 1910 he returned to Cracow, lived for a short time in Munich, 1911 in Paris, 1912-1913 again in the land of Israel, and in 1914 he returned to Paris, that very year setting off for the United States. He lived in New York during WWI, where he became part of Jewish literary and artistic circles, and contributed as a graphic artist to a variety of Jewish publications, among them: M. Basin’s Antologye (Anthology), the collection Velt ayn, velt oys (World in, world out), and designed frontispieces, little vignettes, and letters for Yiddish-language books. In 1916 he also began to write and published articles on the plastic arts in: Tsukunft (Future) in New York; the collection Shriften (Writings), vol. 6; Onheyb (Beginning), edited by Z. Vaynper; Morgn-zhurnal (Morning journal); Der amerikaner (The American); Forverts (Forward); and Di tsayt (The times). He did journalistic work also for M. F. Seidman’s correspondence bureau in New York. In 1918 he departed with the Jewish Legion for Israel. In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Morris Meyer. In 1924 he returned to Poland, exhibited his drawings in Warsaw, Lodz, Vilna, and other cities, gave speeches on art (general and Jewish), and published work in: Haynt (Today), Moment (Moment), Folkstsaytung (People’s newspaper), and Literarishe bleter (Literary leaves)—in Warsaw; Unzer lebn (Our life) in Grodno; Voliner lebn (Volhynia life); Nayer folksblat (New people’s newspaper) in Lodz; and elsewhere. He also published impressions from his travels and memoirs of the Jewish Legion in Haynt. In 1927 he founded with the Parisian publisher Triangle a series entitled “Yidn-kinstler, monografyes” (Jewish artists, monographs), for which he wrote: Mark shagal...
Category
Early 20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Etching
Bezalel School Jerusalem Israeli Judaica Etching
Located in Surfside, FL
YITSKHOK LIKHTENSHTEYN (ISAAC LICHTENSTEIN) (1888-1981) (Icchok, Izrael) was born in Lodz, Poland. Initially he was studying at Yehuda Pen school in Witebsk. In the same school where young Marc Chagall started to paint his shtetl Jews, Jewish neighbourhoods and personages. As many young Jewish children who decided painting to be their passion Isaac moved to Paris where he was one of the co-founders of Machmadim - a group of Jewish artists (mostly émigré from Eastern Europe) who dedicated their art to traditional Jewish themes. Later Isaac Lichtenstein studied with Boris Schatz and painted at Bezalel, Jerusalem. Until age seven he was raised in Warsaw; later, when his father received a position with Poznański, he lived with his parents in Lodz. There he studied in a state public school. He demonstrated talent for painting while still quite young, and in 1906 he began to attend the Cracow art academy, before going on to study painting in Rome, Florence, and Munich. In 1908 he entered the Bezalel Art School in Jerusalem. In 1910 he returned to Cracow, lived for a short time in Munich, 1911 in Paris, 1912-1913 again in the land of Israel, and in 1914 he returned to Paris, that very year setting off for the United States. He lived in New York during WWI, where he became part of Jewish literary and artistic circles, and contributed as a graphic artist to a variety of Jewish publications, among them: M. Basin’s Antologye (Anthology), the collection Velt ayn, velt oys (World in, world out), and designed frontispieces, little vignettes, and letters for Yiddish-language books. In 1916 he also began to write and published articles on the plastic arts in: Tsukunft (Future) in New York; the collection Shriften (Writings), vol. 6; Onheyb (Beginning), edited by Z. Vaynper; Morgn-zhurnal (Morning journal); Der amerikaner (The American); Forverts (Forward); and Di tsayt (The times). He did journalistic work also for M. F. Seidman’s correspondence bureau in New York. In 1918 he departed with the Jewish Legion for Israel. In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Morris Meyer. In 1924 he returned to Poland, exhibited his drawings in Warsaw, Lodz, Vilna, and other cities, gave speeches on art (general and Jewish), and published work in: Haynt (Today), Moment (Moment), Folkstsaytung (People’s newspaper), and Literarishe bleter (Literary leaves)—in Warsaw; Unzer lebn (Our life) in Grodno; Voliner lebn (Volhynia life); Nayer folksblat (New people’s newspaper) in Lodz; and elsewhere. He also published impressions from his travels and memoirs of the Jewish Legion in Haynt. In 1927 he founded with the Parisian publisher Triangle a series entitled “Yidn-kinstler, monografyes” (Jewish artists, monographs), for which he wrote: Mark shagal...
Category
Early 20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Etching
Bezalel School Jerusalem Israeli Judaica Etching - Street
Located in Surfside, FL
YITSKHOK LIKHTENSHTEYN (ISAAC LICHTENSTEIN) (1888-1981) (Icchok, Izrael) was born in Lodz, Poland. Initially he was studying at Yehuda Pen school in Witebsk. In the same school where young Marc Chagall started to paint his shtetl Jews, Jewish neighbourhoods and personages. As many young Jewish children who decided painting to be their passion Isaac moved to Paris where he was one of the co-founders of Machmadim - a group of Jewish artists (mostly émigré from Eastern Europe) who dedicated their art to traditional Jewish themes. Later Isaac Lichtenstein studied with Boris Schatz and painted at Bezalel, Jerusalem. Until age seven he was raised in Warsaw; later, when his father received a position with Poznański, he lived with his parents in Lodz. There he studied in a state public school. He demonstrated talent for painting while still quite young, and in 1906 he began to attend the Cracow art academy, before going on to study painting in Rome, Florence, and Munich. In 1908 he entered the Bezalel Art School in Jerusalem. In 1910 he returned to Cracow, lived for a short time in Munich, 1911 in Paris, 1912-1913 again in the land of Israel, and in 1914 he returned to Paris, that very year setting off for the United States. He lived in New York during WWI, where he became part of Jewish literary and artistic circles, and contributed as a graphic artist to a variety of Jewish publications, among them: M. Basin’s Antologye (Anthology), the collection Velt ayn, velt oys (World in, world out), and designed frontispieces, little vignettes, and letters for Yiddish-language books. In 1916 he also began to write and published articles on the plastic arts in: Tsukunft (Future) in New York; the collection Shriften (Writings), vol. 6; Onheyb (Beginning), edited by Z. Vaynper; Morgn-zhurnal (Morning journal); Der amerikaner (The American); Forverts (Forward); and Di tsayt (The times). He did journalistic work also for M. F. Seidman’s correspondence bureau in New York. In 1918 he departed with the Jewish Legion for Israel. In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Morris Meyer. In 1924 he returned to Poland, exhibited his drawings in Warsaw, Lodz, Vilna, and other cities, gave speeches on art (general and Jewish), and published work in: Haynt (Today), Moment (Moment), Folkstsaytung (People’s newspaper), and Literarishe bleter (Literary leaves)—in Warsaw; Unzer lebn (Our life) in Grodno; Voliner lebn (Volhynia life); Nayer folksblat (New people’s newspaper) in Lodz; and elsewhere. He also published impressions from his travels and memoirs of the Jewish Legion in Haynt. In 1927 he founded with the Parisian publisher Triangle a series entitled “Yidn-kinstler, monografyes” (Jewish artists, monographs), for which he wrote: Mark shagal...
Category
Early 20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Etching
French Neo-Impressionist Pointillist Abstract Mid 20th Century Signed Painting
By Louis Bellon
Located in Cirencester, Gloucestershire
Pointillist Large Abstract Design
by Louis Bellon (French 1908-1998)
signed lower left in the image
gouache painting on paper, unframed
measurements: 16.5 x 10 inches (overall the sh...
Category
Mid-20th Century Pointillist Drawings and Watercolor Paintings
Materials
Watercolor, Gouache
Bezalel School Jerusalem Israeli Judaica Etching - Beggars
Located in Surfside, FL
YITSKHOK LIKHTENSHTEYN (ISAAC LICHTENSTEIN) (1888-1981) (Icchok, Izrael) was born in Lodz, Poland. Initially he was studying at Yehuda Pen school in Witebsk. In the same school where young Marc Chagall started to paint his shtetl Jews, Jewish neighbourhoods and personages. As many young Jewish children who decided painting to be their passion Isaac moved to Paris where he was one of the co-founders of Machmadim - a group of Jewish artists (mostly émigré from Eastern Europe) who dedicated their art to traditional Jewish themes. Later Isaac Lichtenstein studied with Boris Schatz and painted at Bezalel, Jerusalem. Until age seven he was raised in Warsaw; later, when his father received a position with Poznański, he lived with his parents in Lodz. There he studied in a state public school. He demonstrated talent for painting while still quite young, and in 1906 he began to attend the Cracow art academy, before going on to study painting in Rome, Florence, and Munich. In 1908 he entered the Bezalel Art School in Jerusalem. In 1910 he returned to Cracow, lived for a short time in Munich, 1911 in Paris, 1912-1913 again in the land of Israel, and in 1914 he returned to Paris, that very year setting off for the United States. He lived in New York during WWI, where he became part of Jewish literary and artistic circles, and contributed as a graphic artist to a variety of Jewish publications, among them: M. Basin’s Antologye (Anthology), the collection Velt ayn, velt oys (World in, world out), and designed frontispieces, little vignettes, and letters for Yiddish-language books. In 1916 he also began to write and published articles on the plastic arts in: Tsukunft (Future) in New York; the collection Shriften (Writings), vol. 6; Onheyb (Beginning), edited by Z. Vaynper; Morgn-zhurnal (Morning journal); Der amerikaner (The American); Forverts (Forward); and Di tsayt (The times). He did journalistic work also for M. F. Seidman’s correspondence bureau in New York. In 1918 he departed with the Jewish Legion for Israel. In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Morris Meyer. In 1924 he returned to Poland, exhibited his drawings in Warsaw, Lodz, Vilna, and other cities, gave speeches on art (general and Jewish), and published work in: Haynt (Today), Moment (Moment), Folkstsaytung (People’s newspaper), and Literarishe bleter (Literary leaves)—in Warsaw; Unzer lebn (Our life) in Grodno; Voliner lebn (Volhynia life); Nayer folksblat (New people’s newspaper) in Lodz; and elsewhere. He also published impressions from his travels and memoirs of the Jewish Legion in Haynt. In 1927 he founded with the Parisian publisher Triangle a series entitled “Yidn-kinstler, monografyes” (Jewish artists, monographs), for which he wrote: Mark shagal...
Category
Early 20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Etching
Bezalel School Jerusalem Israeli Judaica Etching
Located in Surfside, FL
YITSKHOK LIKHTENSHTEYN (ISAAC LICHTENSTEIN) (1888-1981) (Icchok, Izrael) was born in Lodz, Poland. Initially he was studying at Yehuda Pen school in Witebsk. In the same school wh...
Category
Early 20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Etching
Fisherman and Family on Boat
Located in Miami, FL
Walt Lauderback like Dean Cornwell represents the pinnacle of the Golden Age of American Illustration. Based on the signature, this watercolor of a family with dog on boat appears ...
Category
1910s Post-Impressionist Drawings and Watercolor Paintings
Materials
Watercolor
Village - Watercolor by French Master - Mid 20th Century
Located in Roma, IT
Village is an original painting in watercolor by an anonymous French artist of the XX century. The state of preservation is good and aged with signs of time on it, with two small hol...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Watercolor
'Seated Nude' Paris, Louvre, Salon d'Automne, Académie Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Painted circa 1955 by Victor Di Gesu, (American, 1914-1988). Stamped verso with certification of authenticity.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Lo...
Category
1950s Post-Impressionist Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Bezalel School Jerusalem Israeli Judaica Etching
Located in Surfside, FL
YITSKHOK LIKHTENSHTEYN (ISAAC LICHTENSTEIN) (1888-1981) (Icchok, Izrael) was born in Lodz, Poland. Initially he was studying at Yehuda Pen school in Witebsk. In the same school wh...
Category
Early 20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Etching
Bezalel School Jerusalem Israeli Judaica Etching
Located in Surfside, FL
YITSKHOK LIKHTENSHTEYN (ISAAC LICHTENSTEIN) (1888-1981) (Icchok, Izrael) was born in Lodz, Poland. Initially he was studying at Yehuda Pen school in Witebsk. In the same school where young Marc Chagall started to paint his shtetl Jews, Jewish neighbourhoods and personages. As many young Jewish children who decided painting to be their passion Isaac moved to Paris where he was one of the co-founders of Machmadim - a group of Jewish artists (mostly émigré from Eastern Europe) who dedicated their art to traditional Jewish themes. Later Isaac Lichtenstein studied with Boris Schatz and painted at Bezalel, Jerusalem. Until age seven he was raised in Warsaw; later, when his father received a position with Poznański, he lived with his parents in Lodz. There he studied in a state public school. He demonstrated talent for painting while still quite young, and in 1906 he began to attend the Cracow art academy, before going on to study painting in Rome, Florence, and Munich. In 1908 he entered the Bezalel Art School in Jerusalem. In 1910 he returned to Cracow, lived for a short time in Munich, 1911 in Paris, 1912-1913 again in the land of Israel, and in 1914 he returned to Paris, that very year setting off for the United States. He lived in New York during WWI, where he became part of Jewish literary and artistic circles, and contributed as a graphic artist to a variety of Jewish publications, among them: M. Basin’s Antologye (Anthology), the collection Velt ayn, velt oys (World in, world out), and designed frontispieces, little vignettes, and letters for Yiddish-language books. In 1916 he also began to write and published articles on the plastic arts in: Tsukunft (Future) in New York; the collection Shriften (Writings), vol. 6; Onheyb (Beginning), edited by Z. Vaynper; Morgn-zhurnal (Morning journal); Der amerikaner (The American); Forverts (Forward); and Di tsayt (The times). He did journalistic work also for M. F. Seidman’s correspondence bureau in New York. In 1918 he departed with the Jewish Legion for Israel. In 1920 he came to London, was demobilized there, and was a contributor to the journal Renesans (Renaissance), edited by Leo Kenig, and to the daily newspaper Di tsayt, edited by Morris Meyer. In 1924 he returned to Poland, exhibited his drawings in Warsaw, Lodz, Vilna, and other cities, gave speeches on art (general and Jewish), and published work in: Haynt (Today), Moment (Moment), Folkstsaytung (People’s newspaper), and Literarishe bleter (Literary leaves)—in Warsaw; Unzer lebn (Our life) in Grodno; Voliner lebn (Volhynia life); Nayer folksblat (New people’s newspaper) in Lodz; and elsewhere. He also published impressions from his travels and memoirs of the Jewish Legion in Haynt. In 1927 he founded with the Parisian publisher Triangle a series entitled “Yidn-kinstler, monografyes” (Jewish artists, monographs), for which he wrote: Mark shagal...
Category
Early 20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Etching
French Neo-Impressionist Still Life Pointillist Mid 20th Century Painting
By Louis Bellon
Located in Cirencester, Gloucestershire
Neo Impressionist Still Life
by Louis Bellon (French 1908-1998)
signed lower right
gouache painting on paper, unframed
measurements: 10 x 12.75 inche...
Category
Mid-20th Century Pointillist Drawings and Watercolor Paintings
Materials
Gouache
Miarka, the Mulatto
Located in London, GB
EMILE OTHON FRIESZ 1879-1949
Le Havre 1879-1949 Paris (French)
Title: Miarka, the Mulatto, 1924
Technique: Original Stamp Signed Charcoal and pen...
Category
1920s Fauvist Drawings and Watercolor Paintings
Materials
Pencil
“Schooners, Fowey Harbour, Cornwall”
Located in Southampton, NY
Beautiful watercolor on archival paper by the British artist, Eyres Simmons. Signed lower left. The scene is of Fowey Harbour in Cornwall, England with schooners moored in harbor. ...
Category
1910s Post-Impressionist Drawings and Watercolor Paintings
Materials
Archival Paper, Watercolor
The Tree-Lined Avenue - Original Watercolor on Paper by Pierre Segogne - 1930s
Located in Roma, IT
Mountain Landscape Northern in France is an original modern artwork realized in the 1930s by the French artist Pierre Segogne (1890-1958).
Original colored watercolor on paper.
Han...
Category
1930s Post-Impressionist Drawings and Watercolor Paintings
Materials
Watercolor
Color in Motion - Pointillist Abstract
By Ben Black
Located in Soquel, CA
Highly detailed pointillist watercolor and ink drawing featuring dynamic form and color in motion by Ben Black (American, 1922-2003). Unframed. Signed "Ben Black" lower right. Image,...
Category
1980s Pointillist Drawings and Watercolor Paintings
Materials
Paper, Ink, Watercolor
Salzberg, Chateau Mirabell
By Jean Dufy
Located in Belgravia, London, London
Pen on paper
Paper size: 10.75 x 16 inches
Framed size: 22.75 x 27.75 inches
Signed and inscribed lower right
Provenance: Private collection, France
Category
20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Paper, Pen
'Main Street, Port Costa', California Woman Post Impressionist, Crocker Museum
Located in Santa Cruz, CA
Signed twice, lower right, 'Muriel Backman' (American, 1902-1996); additionally signed verso, titled 'Main Street, Port Costa' and dated May, 1968.
Muriel ...
Category
1960s Post-Impressionist Drawings and Watercolor Paintings
Materials
Watercolor, Paper
Interior with Figure - Pastel and Watercolor Drawing - Early 20th Century
Located in Roma, IT
Figure in an Interior is an original modern artwork realized by a French artist in the first decades of the XX Century.
Original colored watercolor and pastels on paper.
Very goo...
Category
Early 20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Watercolor, Pastel
'Tropical Lagoon', Impressionist Landscape with Palm Trees and Bougainvillea
Located in Santa Cruz, CA
Signed lower center, 'B. Metcalf'; additionally signed verso and painted circa 1975.
An idyllic tropical landscape showing palm trees and scarlet bougainvillea in the foreground wit...
Category
1970s Post-Impressionist Drawings and Watercolor Paintings
Materials
Watercolor, Laid Paper
'Seated Nude', Musee d'Art Moderne, Paris, SFAA, LACMA, California Woman Artist
Located in Santa Cruz, CA
Signed lower right, 'Ament' for Janet Ament De La Roche (American, 1916-2000) and titled, 'Helene'; additionally bearing artist's estate stamp verso.
Winner of the Prix Othon Friesz...
Category
1950s Post-Impressionist Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Countryside - Watercolor by French Master - Mid 20th Century
Located in Roma, IT
Countryside is an original painting in watercolor by an anonymous French artist of the XX century. The state of preservation is good and aged with signs of time on it, with two small...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Watercolor
"Wares"
By Paul Neri
Located in Southampton, NY
Excellent watercolor by Italian orientalist artist Paul Neri. Selling chickens in the market. Circa 1950. Watercolor on heavy cardboard. Signed low...
Category
1950s Post-Impressionist Drawings and Watercolor Paintings
Materials
Paper, Watercolor
French Neo-Impressionist Pointillist Reclining Nude Mid 20th Century Painting
By Louis Bellon
Located in Cirencester, Gloucestershire
Pointillist Female Reclining Nude
by Louis Bellon (French 1908-1998)
signed lower right
gouache painting on paper, unframed
measurements: 11 x 7...
Category
Mid-20th Century Pointillist Drawings and Watercolor Paintings
Materials
Watercolor, Gouache
'Woodland Stream in Spring', San Francisco Bay Area, Monterey, California
Located in Santa Cruz, CA
Signed lower right, "Phillips" for James March Phillips (American, 1913-1981) and painted circa 1965.
A profusion of autumn-tinged, California flora is shown growing beside the lush banks of a forest stream.
Born in California, James March Phillips first studied in San Francisco at the Jean Turner Art Academy and, later, under Alfred Owles...
Category
1960s Post-Impressionist Drawings and Watercolor Paintings
Materials
Watercolor, Archival Paper
Colorful Goat, Multicolor Pointilist Pastel
By Karen Druker
Located in Soquel, CA
Charming pastel of a brightly colored goat, composed in the pointilist style with thousands of tiny multicolor dots, by Karen Druker (American, 1945). Signed "K. Druker" on verso. Pr...
Category
21st Century and Contemporary Pointillist Drawings and Watercolor Paintings
Materials
Pastel, Paper
French Watercolour Ecole de Paris Mid 20th Century White Flowers
By Henri Miloch
Located in Cirencester, Gloucestershire
White Flower Display in a Glass Vase
by Henri Miloch (1898-1979)
signed lower right
watercolour painting on artist's paper, unframed
sheet: 18 x 12 inches
Charming still life pain...
Category
1940s Post-War Drawings and Watercolor Paintings
Materials
Watercolor
Provence Summer Landscape Post-Impressionist Signed 1947 Painting
By Louis Bellon
Located in Cirencester, Gloucestershire
Provence Summer Landscape, Village Tree Against Summer Sun
by Louis Bellon (French 1908-1998)
Initialled lower right, dated 47 (1947)
watercolour painting on paper, unframed
measurem...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Gouache, Watercolor
Provence Rowboats Landscape Post-Impressionist Signed 1947 Painting
By Louis Bellon
Located in Cirencester, Gloucestershire
Provence Landscape, Rowing Boats Pulled Up Amid Trees
by Louis Bellon (French 1908-1998)
Initialled lower right, dated 47 (1947)
watercolour painting on paper, unframed
measurements:...
Category
Mid-20th Century Post-Impressionist Drawings and Watercolor Paintings
Materials
Watercolor
Practical Advice on Waiting, bright colors, domestic, Latin objects
Located in Brooklyn, NY
Works
Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10]
Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand.
The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel.
Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12]
She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...
Category
Early 2000s Fauvist Drawings and Watercolor Paintings
Materials
Pastel
Drawings and Watercolor Paintings
Revitalize your interiors — introduce drawings and watercolor paintings to your home to evoke emotions, stir conversation and show off your personality and elevated taste.
Drawing is often considered one of the world’s oldest art forms, with historians pointing to cave art as evidence. In fact, a cave in South Africa, home to Stone Age–era artists, houses artwork that is believed to be around 73,000 years old. It has indeed been argued that cave walls were the canvases for early watercolorists as well as for landscape painters in general, who endeavor to depict and elevate natural scenery through their works of art.
The supplies and methods used by artists and illustrators to create drawings and paintings have evolved over the years, and so too have the intentions. Artists can use their drawing and painting talents to observe and capture a moment, to explore or communicate ideas and convey or evoke emotion. No matter if an artist is working in charcoal or in watercolor and has chosen to portray the marvels of the pure human form, to create realistic depictions of animals in their natural habitats or perhaps to forge a new path that references the long history of abstract visual art, adding a drawing or watercolor painting to your living room or dining room that speaks to you will in turn speak to your guests and conjure stimulating energy in your space.
When you introduce a new piece of art into a common area of your home — a figurative painting by Italian watercolorist Mino Maccari or a colorful still life, such as a detailed botanical work by Deborah Eddy — you’re bringing in textures that can add visual weight to your interior design. You’ll also be creating a much-needed focal point that can instantly guide an eye toward a designated space, particularly in a room that sees a lot of foot traffic.
When you’re shopping for new visual art, whether it’s for your apartment or weekend house, remember to choose something that resonates. It doesn’t always need to make you happy, but you should at least enjoy its energy. On 1stDibs, browse a wide-ranging collection of drawings and watercolor paintings and find out how to arrange wall art when you’re ready to hang your new works.
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