Dorothy Dehner

Nickle Drawing

1982

The Dead Tiger Ink and watercolor on paper, 1955 Signed and dated in ink (see photo) Condition: Aging to the entire sheet (it's 78 years old) Image/Sheet size: 18 1/4 x 23 inches On...

Signed lower center edge Annotated verso: “5 Juin 1966 _____ et de soleil, de et d’oseille” Image: 6 3/4 x 4 5/8" Frame: 14 1/2 x 12 3/4" Finishe...

Black and White Cat Ink and watercolor on paper, c. 1970 Unsigned Provenance: Estate of the artist (Estate No. 737) Condition: Excellent Image/Sheet size: 4 3/4 x 6 1/4 inches Sam Spanier (1925-2008) Born in Brooklyn New York, Sam Spanier studied painting with Hans Hofmann (1949–50) and also at the Taos Valley Art School (1951). His formative years as a working artist were spent in Paris (1951–52), where he also became involved with the work of G. I. Gurdjieff, through his disciple, Mme. Jeanne de Salzmann. By 1953, Spanier’s work had already begun to meet with critical acclaim. That year, he had his first solo gallery show, and was selected by Milton Avery and Hans Hofmann to receive the prestigious Lorian Fund Award. His second solo exhibition, in 1955, was curated by renowned museum director, Gordon Washburn. Spanier’s early work was reviewed by Dore Ashton, Donald Judd, Fairfield Porter, Stuart Preston, and Irving Sandler, among other significant critics of the period. Spanier’s spiritual path increasingly became the central focus of both his life and his art. In 1960, he was introduced to the teachings of Sri Aurobindo, which led to visits to the Sri Aurobindo Ashram in Pondicherry, India, in 1962 and 1964, during which he was inspired to leave New York City and found Matagiri (in 1968)—a spiritual center in Woodstock, New York—with his lifelong partner, Eric Hughes. The work he embarked upon there bifurcates his life as an artist, separating him from New York’s art world, and radically altering the trajectory of his career. From that point forward, it would be difficult, perhaps impossible, to consider his artistic endeavor apart from the life of dedication he had undertaken, and to which he remained committed. As early as 1954, Dore Ashton had recognized in Sam Spanier a “haptic visionary;” in 1960, Irving Sandler wrote that the people in Spanier’s paintings “seem to have witnessed some transfiguring event.” In his later paintings—usually worked in oil pastel on panel or paper—made during intermittent creative periods, from the mid-1970s to the final years of his life, the artist’s inner life remains always apparent in his subject matter; and from the portraits and abstract Buddha-like figures and heads, to the fantasy landscapes, the paintings are redolent with a rich intensity of color and light that can only be described as inspired. Sam Spanier’s works are in the collections of the Historical Society of Woodstock Museum, and the Woodstock Artists Association & Museum. He received the Woodstock Artists Association Lifetime Achievement Award in 2007. Selected Solo Exhibitions: Urban Gallery, New York (1954, 1955, 1956); Wittenborn Gallery, New York (1958); Gallery Mayer, New York (1958, 1959, 1960); Unison Gallery, New Paltz (1986, 1995, 2009); Limner Gallery, New York (1988); Fletcher Gallery, Woodstock, New York (1999). Selected Group Exhibitions: Salon des Comparaisons, Musée d’Art Moderne, Paris, France (1952); October Exhibition of Oil Paintings, New York City Center Gallery, New York (1954); Salon de Mai, Musée d’Art moderne de la ville de Paris, Centre Culturel de Saint-Germain-en-Laye, Paris, France (1954); Carnegie International, Carnegie Institute, Pittsburgh, Pennsylvania (1955); Les Plus Mauvais Tableaux, Galerie Prismes, Paris (1955); Première Exposition Internationale de l’Art Plastique Contemporain, Musée des Beaux-Arts de la Ville de Paris (1956); Recent Paintings USA: The Figure, The Museum of Modern Art (1960); Winter’s Work, Woodstock Artists Association, Woodstock, New York (1985); Juried Group Show, Woodstock Artists Association, Woodstock, New York (1986); Woodstock Artists, Self-Portraits, Historical Society of Woodstock Museum, Woodstock, New York (1988); Portraits, Albert Shahinian Fine Art, Poughkeepsie, New York (2003); The World We Live In, Upstate Art, Phoenicia, New York (2003); Show of Heads, Limner Gallery, Phoenicia, New York (2004). Selected Writings on the Artist: Dore Ashton, “Sam Spanier,” Art Digest (May 1, 1954) and “Sam Spanier,” The New York Times (March 16, 1960); Cassia Berman, “Sam Spanier: A Divine Calling,” Woodstock Times (February 7, 2008); Lawrence Campbell, “Sam Spanier: Exhibition of Paintings at Urban Gallery,” Art News...

Bach Cello Suite No.3 in C Major - III Courante Watercolor and mixed pigments on paper, c. 1960's Signed and titled recto (see photos) A masterful example of the artist's series of music inspired works of art. Haas had the condition known as synesthesia. Condition: Excellent Archival framing with OP3 acrylic Image size: 17 3/4 x 13 3/4 inches Frame size: 27 1/4 x 21 inches Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia, as defined by Wikipedia, is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including Vincent Van Gough, Duke Ellington, Billy Joel, and Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used...

Abstract Composition (c.2022) by Robert Somerton, British, born 1972. ink/ watercolor on art paper, unframed size: 9.5 x 12.5 inches condition: excellent

Abstract by Josine Vignon (French 1922-2022) signed pastel/watercolor on paper, unframed painting: 13 x 19.5 inches good condition provenance: from the artists estate, France Josin...

Abstract Composition (c.2022) by Robert Somerton, British, born 1972. ink/ watercolor on art paper, unframed size: 9.5 x 12.5 inches condition: excellent

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) gouache painting on paper/ card unframed: 9 x 9 inches condition: very good and impressive provenance: all the paintings we have for sale by this artist have come from the artists studio and are all featured in the artists Catalogue Raisonne. Jacques, Paul, Firmin Coulais is a French painter born on March 22 , 1955 in Fenioux ( Deux-Sèvres ) and died at the age of 56, the June 25 , 2011 in Niort (Deux-Sèvres). Born into a farming family, he was the seventh of eight children. Suddenly becoming a quadriplegic at the age of six following poliomyelitis, he overcame this handicap by building with determination an independent life centered on artistic practice and an intense social life. For more than thirty years his house and his workshop have been the center of attraction for many artists, art lovers or simply friends of Niort and all of France. Coulais began to paint with his mouth, as an autodidact. In 1978, he made the acquaintance of a plastic art teacher who advised him and engaged him on the path of watercolour. The freedom granted to him by this technique as well as the flexibility of its application fascinate him. This meeting and the friendship shared with his teacher, lead him and very quickly direct his work from figurative to abstraction in a way that he explores and that he will then find in the works of Kandinsky and Paul Klee. Admitted to the School of Fine Arts in Angoulême, he studied there from 1981 to 1984 and obtained the National Superior Diploma in Plastic Expression at the age of 31. A few years later, Jacques Coulais exhibited at the Museum of Niort and since then, his career has been punctuated by his participation in numerous exhibitions organized very regularly in various French cities as well as abroad. In the 1990s, the AAPBP, Association of Mouth and Foot Painting...