Early 2000s Abstract Drawings and Watercolors
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Period: Early 2000s
Tanga
Located in New York, NY
Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Oil Pastel
The Colors of Happiness
Located in New York, NY
Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Oil Pastel
Imagination Meets Reality 1
Located in New York, NY
Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Oil Pastel
Untitled
Located in New York, NY
LA II (Angel Ortiz)
Ink on paper
12 x 18 inches
$1,500
Category
Contemporary Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Ink
Tanga
Located in New York, NY
Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Oil Pastel
Untitled
Located in New York, NY
LA II (Angel Ortiz)
Ink on paper
12 x 18 inches
$1,500
Category
Contemporary Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Ink
Cosmos, Abstract Painting by Eduardo Arranz-Bravo
Located in Long Island City, NY
Artist: Eduardo Arranz-Bravo, Spanish (1941 - )
Title: Cosmos 4
Year: 2003
Medium: Acrylic and Mixed Media on Paper, signed and dated
Paper Size: 15.5 x...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Acrylic, Pencil, Color Pencil
Happier You Are.. Happier You'll Be, Contemporary Ink Drawing by Julian Schnabel
Located in Long Island City, NY
Julian Schnabel, American (1951 - ) - Happier You Are... Happier You'll Be, Year: 2009, Medium: Archival pigment inks on 365 gsm fine art paper, Edition: AP, Size: 46 x 30 in. (1...
Category
Contemporary Early 2000s Abstract Drawings and Watercolors
Materials
Ink
Circle Spiral 02, Mandala Drawing, Cream, Brown, Abstract, Pattern, Monochrome
By Mary Judge
Located in Kent, CT
This reddish brown pigment drawing has was made with a perforated stencil laid on ivory rag paper, pounced with a sack of powdered pigment. The ordered symmetry of the shape in sienn...
Category
Contemporary Early 2000s Abstract Drawings and Watercolors
Materials
Rag Paper, Pigment, Stencil
Play of Angels, unique signed watercolor & gouache color field painting Framed
Located in New York, NY
Jules Olitski
Play of Angels, 2000
Watercolor and gouache on all-rag paper
Signed and dated 2000 by the artist on the front
Frame included (elegantly floated and framed in light wood...
Category
Color-Field Early 2000s Abstract Drawings and Watercolors
Materials
Mixed Media, Watercolor, Gouache, Rag Paper, Permanent Marker
Morgan O'Hara, Movement of the Hands Seiji Shimoda, Drawing, March 2004
Located in Darien, CT
Live Transmission
Morgan O'Hara's conceptually based performative drawing researches the vital movement of living beings, the human experience of time and space. It is culturally co...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Graphite
Abstract Watercolor Painting, 'Design for Sculpture', C. 2000 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Watercolor 9, Work on Paper, Colorful, Organic Shapes, Natural, Moving, Cosmos
Located in Riverdale, NY
Watercolor 9 is a 22" x 17.5" , watercolor on paper, by Melinda Hacket. It is white framed to 25" x 20.25. It is filled with rich earthy colors and organic moving shapes.
Melinda H...
Category
Contemporary Early 2000s Abstract Drawings and Watercolors
Materials
Watercolor
Contemporary Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Circle Series 30 One, Mandala Drawing, Spolvero, Sienna, Brown, Abstract, Dots
By Mary Judge
Located in Kent, CT
This reddish brown pigment drawing was made with a perforated stencil laid on ivory rag paper, pounced with a sack of powdered pigment. Pigment passes through leaving marks, patterns...
Category
Contemporary Early 2000s Abstract Drawings and Watercolors
Materials
Rag Paper, Pigment, Stencil
Circle Series 30 One, Mandala Drawing, Spolvero, Sienna, Brown, Abstract, Dots
By Mary Judge
Located in Kent, CT
This reddish brown pigment drawing was made with a perforated stencil laid on ivory rag paper, pounced with a sack of powdered pigment. Pigment passes through leaving marks, patterns...
Category
Contemporary Early 2000s Abstract Drawings and Watercolors
Materials
Rag Paper, Pigment, Stencil
Imagination Meets Reality 2
Located in New York, NY
Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Oil Pastel
Light, Series Drawing From Israel - Large Format, Charcoal On Paper
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Conceptual Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Charcoal
Contemporary Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Untitled, from the Lehman Brothers Art Collection unique signed framed monotype
By Andrea Belag
Located in New York, NY
Andrea Belag
Untitled, from the Lehman Brothers Art Collection, 2003
Watercolor monotype on paper
Pencil signed and dated on the front
Framed
Gorgeous ...
Category
Abstract Geometric Early 2000s Abstract Drawings and Watercolors
Materials
Watercolor, Monotype, Pencil, Graphite
Exotic Hex Series 12 01, Square Reddish Brown Circular Mandala Line Drawing
By Mary Judge
Located in Kent, CT
This reddish brown pigment drawing was made with a perforated stencil laid on ivory rag paper, pounced with a sack of powdered pigment. Pigment passes through leaving marks, patterns...
Category
Contemporary Early 2000s Abstract Drawings and Watercolors
Materials
Rag Paper, Pigment, Stencil
Abstract Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Colorful Abstract Painting by Robert Kautz
By Robert Kautz
Located in Long Island City, NY
Artist: Robert Kautz, Austrian
Title: untitled
Year: 2001
Medium: Acrylic and Mixed Media on Paper, signed and dated lower right
Size: 23.5 in. x 19.5 in....
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Acrylic
Contemporary Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Pink Song of Freedom - Drawing by Parimah Avani - 2022
Located in Roma, IT
Pink Song of Freedom is a Drawing realized by Iranian Painter and Poet Parimah Avani in 2022.
China ink and acrylic on ivory-colored paper.
Hand-sign...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, India Ink, Acrylic
Abstract Watercolor Painting, 'Design for Light', c. 2000 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Abstract Watercolor Painting, 'Design for Sculpture', C. 2005 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Contemporary Watercolor Painting, 'Design for Space, C. 2000's by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Mandorla - Large Format Charcoal On Paper, Black White Drawing
Located in Salzburg, AT
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
The artwork is unframed and will be shipped rolled in a tube
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Conceptual Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Charcoal
Allegory of Light - Drawing by Parimah Avani - 2022
Located in Roma, IT
Allegory of Light For Struggling Blossoms is a Drawing realized by Iranian Painter and Poet Parimah Avani in 2022.
China ink and acrylic on ivory-color...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, India Ink, Acrylic
Light, Series Drawing From Israel - Large Format, Charcoal On Paper
Located in Salzburg, AT
The artwork is unframed and will be shipped rolled in a tube
Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk.
Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video.
Artist Statement
In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...
Category
Conceptual Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Charcoal
Contemporary Watercolor Painting, 'Design for Space, C. 2000's by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Contemporary Watercolor Painting, 'Design for Sculpture', C. 2007 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
"Desert Days", Southwestern Geometric Abstract
Located in Soquel, CA
Bright, monochromatic abstract in warm, glowing desert tones by Marianne K. Brown (American, 1928-2019), 2000. The free flowing color field background is accented with areas of patterns evoking the Southwest. Signed "Marianne K. Brown" in the lower right and was acquired with a collection of Brown's work. Title "Desert Days" and date 2000 are written on verso. No frame.
Marianne K. Brown (American, 1928-2019) has taught watercolor and design for thirty years. Her work has been shown in many art magazines, including Watercolor Magic and The International Artist Magazine, and several books on watercolor painting. She was elected secretary of Orange County Art Association in 1964. Listed in the National Watercolor Society.
Author, Watercolor by Design
Member, East Bay Watercolor Society
1964 - 3rd Place, non-figurative exhibit of Orange County Art Association
1978 - Honorable Mention, Central California Art...
Category
Abstract Geometric Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor, Gouache
Summer Set 8, watercolor monoprint (unique) on Dieu Donne handmade paper, signed
By Arlene Shechet
Located in New York, NY
Arlene Shechet
Summer Set 8, 2005
Watercolor monoprint on dieu donné hand made paper
21 × 27 1/2 inches
Signed and dated in graphite on the front
Exquisite watercolor monoprint on di...
Category
Contemporary Early 2000s Abstract Drawings and Watercolors
Materials
Watercolor, Handmade Paper, Monoprint, Mixed Media, Graphite
Abstract Red Pink Blue Flowers on Yellow Background by British Landscape Artist
Located in Preston, GB
Painting of Abstract Red, Pink, Orange & Blue Wild Flowers on a Yellow Background by British Landscape Artist, Angela Wakefield. From the 'Spring Burst' Interior Design Series. Frame...
Category
Abstract Impressionist Early 2000s Abstract Drawings and Watercolors
Materials
Gesso, Watercolor, Acrylic, Mixed Media, Cotton Canvas, Paint, Canvas
Colors - Figurative Abstract
By Kelvin Curry
Located in Soquel, CA
Colorful abstract work by Bay Area artist Kelvin Curry (American, 20th Century). Signed "Kelvin Curry" lower left. Unframed. Image size, 15"H x 11.25"W.
Born in Oakland, California Kelvin Curry's creative destiny was clear early in life. Initially using black and white graphite as his medium and later expanding into mixed media to bring about multi-dimension; as well as a sense of rhythm and grace in the abstract female figure. Kelvin Curry studied fine arts at San Jose State University and has been making and exhibiting art all his life. Curry has a keen understanding of the arts, particularly the black arts movement in and around the Bay Area. Kelvin has exhibited his work in hundred of juried festivals, exhibits, and galleries throughout the country. Visitors from countries such as South Africa, Japan, Australia, France, the United Kingdom, and China have chosen his work to adorn their homes in their native lands. Collectors include Randy Crawford, Nancy Wilson...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Oil Pastel
Test Pattern 6 (Grey study)
By Tom McGlynn
Located in London, GB
Ink, gouache and acrylic on Fabriano paper - Unframed.
Test Pattern series sets up a generic template as a poetic prompt to consider how behavioural responses to color and form stim...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Ink, Acrylic, Gouache
In A Spin (Unique)
By Damien Hirst
Located in Boston, MA
Artist: Hirst, Damien
Title: In A Spin (Unique)
Series: in a spin
Date: 2002
Medium: acrylic, crayon, printers inks & pencil on paper
Unframed Dimension...
Category
Contemporary Early 2000s Abstract Drawings and Watercolors
Materials
Acrylic
Pink Song of Freedom - Drawing by Parimah Avani - 2022
Located in Roma, IT
Pink Song of Freedom is a painting realized by Iranian Painter and Poet Parimah Avani in 2022.
China ink and acrylic on ivory-colored paper.
Hand-signed and dated.
Excellent condit...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, India Ink, Acrylic
Colourful Abstract Flowers on White Background by Contemporary British Artist
Located in Preston, GB
Colourful Painting of Abstract Flowers on a White Background by Contemporary British Artist, Angela Wakefield. This original is from the 'Spring Burst' Interior Design Series. Framed...
Category
Abstract Impressionist Early 2000s Abstract Drawings and Watercolors
Materials
Gesso, Canvas, Paint, Cotton Canvas, Mixed Media, Acrylic, Watercolor
"Codicis Liber", Contemporary Monotype with Chine Colle and Watercolor
Located in Soquel, CA
Contemporary abstract painting and collage composition of stamps, various types of paper, and watercolor by Michael Pauker (American, b. 1957), 2009. Titled "Codicis Liber", which is...
Category
Contemporary Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Colorful Abstract Painting by Robert Kautz
By Robert Kautz
Located in Long Island City, NY
Artist: Robert Kautz, Austrian
Title: untitled
Year: 2001
Medium: Acrylic and Mixed Media on Paper, signed
Size: 25.5 in. x 19.5 in. (59.69 cm x 49.53 cm)
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Acrylic
Urban Calligraphy
By Jonone
Located in Paris, FR
Framed work
On a white background, JonOne interprets dense, modern calligraphy in black. The repetition of free-form shapes and the dripping effect create a dense, expressive motif....
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Silk
Early Abstract Painting Red Yellow Orange on White Background by British Artist
Located in Preston, GB
A rare early career experimental abstract artwork using Red, Yellow & Orange on a White Background, by leading Contemporary British Artist, Angela Wakefie...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Canvas, Acrylic, Watercolor, Cotton, Wood, Cotton Canvas
Contemporary Watercolor Painting, 'Design for Sculpture, C. 2005 by David Ruth
By David Ruth
Located in Oakland, CA
This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
'Amalfi ' Italy. Coastline' original mixed media , signed , c2005
Located in Frome, Somerset
Fine piece by Gradwell on his exenstive tour of Italy.
'Amalfi Caostline' c 2005 signed original painting
mixed media on paper 49cmx 50cm
Glazed frame 68cm x 83cm
Considered one of...
Category
Impressionist Early 2000s Abstract Drawings and Watercolors
Materials
Mixed Media
Original Drawing Painting Abstract Biomorphic Art Phoenix Bird Michele Oka Doner
Located in Surfside, FL
This is mixed media. I am not positive of the materials. it is a translucent, vellum, parchment type of paper. with either charcoal or ink, hand signed in pencil lower right.
It is not titled on it.
Michele Oka Doner (born 1945, Miami Beach, Florida, United States) is an American artist and author who works in a variety of media including sculpture, lithograph and woodcut prints, drawing, watercolor painting, functional objects and video. Her workes is based on flora, fauna, DNA and all sorts of exotica. She has also worked in costume and set design and has created over 40 public and private permanent art installations, including her best known artwork is "A Walk on the Beach" (1995, 1999), and its extension, "A Walk on the Beach: Tropical Gardens" (1996–2010) at the Miami International Airport. It is composed of over 9000 bronzes embedded in terrazzo with mother-of-pearl. At one and quarter linear miles, it is one of the largest artworks in the world.
Born and raised in Miami Beach, Oka Doner is the granddaughter of painter Samuel Heller. Oka Doner's father, Kenneth Oka, was elected judge and mayor of Miami Beach during her youth (1945–1964). The family lived a public and politically active life. In later years, Oka Doner co-authored, with Mitchell Wolfson Jr. Miami Beach: Blueprint of an Eden, an intimate portrayal of Miami Beach from the 1920s to the 1960s using their families as prisms to reflect the times. Reviewed as classic of social history, with material that was part of the public record of its time, it was used as a textbook in Human Geography at George Washington University in 2008.
In 1957, age 12, Oka Doner began a year-long independent project studying the International Geophysical Year (IGY). She assembled a book of drawings, writings and collages that became a template for projects realized in later years. In 1963, Oka Doner left Florida for the University of Michigan, Ann Arbor. Her art instructor Milton Cohen...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Gold Leaf
"Cubist Figure Lounging" Original Ink Drawing South West Artist John Rosa
Located in Arp, TX
John Rosa
"Cubist Figure Lounging"
2000
Ink on paper
11"x8" unframed
Signed and dated in ink lower left
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Ink
Ichtios - XX Century, Contemporary Abstract Watercolor Painting, Bright Colors
Located in Warsaw, PL
WOJCIECH SADLEY (born in 1932)
Painter, graphic and fabric artist. He studied at the Music Academy in Lublin, then at the Academy Of Fine Arts in Warsaw (where he works as a profess...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
'Pompeii' original signed painting circa 2005.
Located in Frome, Somerset
'Pompeii', a study plein air. signed original work 2005.
watercolor on paper 45cm x 55cm.
Painted wood glazed frame 72cmx87cm
Gradwell focuses on been in the space and time and ma...
Category
Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Watercolor
La Dulce Aqua Vita (large signed carborundum etching on hand made paper)
Located in Aventura, FL
Carborundum etching on hand made paper. Hand signed lower front by Roberto Matta. Edition 111/125. Published by Nordstamp.
Artwork is in overall excellent condition. Certificate...
Category
Contemporary Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Etching
Untitled - XXI Century, Gouache Painting, Figurative, Portrait
Located in Warsaw, PL
ALEKSANDER GRZYBEK He was born in Białystok. He studied artistic education in the studio of painting of prof. Marian Bogusz and Andrzej Kołodziejek. He graduated in 1979. His works c...
Category
Other Art Style Early 2000s Abstract Drawings and Watercolors
Materials
Gouache, Cardboard
Pions (Abstract work on paper)
Located in London, GB
Pions (Abstract work on paper)
Watercolour on paper - Unframed.
Artwork exclusive to IdeelArt.
French abstract artist Jérémie Iordanoff blends the visual languages of Western Mode...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Santi Moix, Brazilian artist, Consilience, unique signed work on paper, Framed
By Santi Moix
Located in New York, NY
Santi Moix
Consilience, 2009
Crayon and pencil on paper
Signed and dated 2009 in crayon on the front
Unique
Frame included
Provenance: the Artist and Kasmin Gallery
This exquisite, u...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Crayon, Pencil, Color Pencil
Effloresce (Abstract painting)
Located in London, GB
Effloresce (Abstract painting)
Oil on paper - Unframed
Framed on request
Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at ...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Oil
Conference of the birds no 40 (Abstract painting)
Located in London, GB
Oil on paper. Unframed.
Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet comple...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Oil
Effloresce (Abstract painting)
Located in London, GB
Oil on paper - Unframed
Framed on request
Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion.
Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work.
Her use of reds and pinks link to flesh and blood...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Oil
Pions (Abstract work on paper)
Located in London, GB
Watercolour on paper - Unframed.
Artwork exclusive to IdeelArt.
French abstract artist Jérémie Iordanoff blends the visual languages of Western Modernist Abstraction with earlier, ...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Watercolor
Untitled 2006
Located in London, GB
Pen on tracing paper - Unframed.
Richard Caldicott drawings have a minimal esthetic, an architectural character, created with only one or two lines. Pastel tones, softened colors, a...
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Pen
Conference of the birds no 40
Located in London, GB
Oil on paper. Unframed.
Natural and mystical processes inspire Ostovany. Informed by a variety of different cultures, Ostovany feels a connection to multiple separate and yet complementary mystical traditions.
He looks toward elements of Western and Eastern art, literature, spirituality, poetry and music to create an environment and a mindset conducive to his process, which is connected to Abstract Expressionism and Color Field painting.
Conference of the Birds...
Category
Abstract Expressionist Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Oil
Original flower drawing on Rockefeller Center Puppy print, Hand Signed by Koons
By Jeff Koons
Located in New York, NY
Jeff Koons
Original flower drawing on Rockefeller Center Puppy poster (Hand Signed), 2000
Drawing done in silver marker on offset lithograph
Hand signed by Jeff Koons in marker on t...
Category
Pop Art Early 2000s Abstract Drawings and Watercolors
Materials
Permanent Marker, Lithograph, Offset
A20 - Make it sexy
Located in London, GB
Acrylic on paper - Unframed.
The artist created this series shortly afterward arriving in NY.
His interest was to see what responses the paintings evoke.
Category
Abstract Early 2000s Abstract Drawings and Watercolors
Materials
Paper, Acrylic
Wavy lines original signed Minimalist ink drawing on card with Andy Warhol stamp
By Sol LeWitt
Located in New York, NY
Sol LeWitt
Wavy lines, original signed Minimalist ink drawing on card with Warhol stamp, 2004
Drawing in black felt tip pen on postmarked (franked) postcard with Warhol postage stamp...
Category
Minimalist Early 2000s Abstract Drawings and Watercolors
Materials
Postcard, Felt Pen
