Robert O'Meara

Abstract Composition

21st Century

Robert O'Meara (American, XX-XXI), Abstract Expressionist Compositions, Charcoal on Paper, signed lower right, wood frame. Image: 13" H x 10" W; frame: 20.5" H x 16.5" W x 1.25" D. P...

Robert O'Meara (American, XX-XXI), Abstract Expressionist Composition, Charcoal on Paper, signed lower left, wood frame. Image: 13" H x 10" W; frame: 20.5" H x 16.5" W x 1.25" D. Pro...

Robert O'Meara (American, 1957-2024), Abstract Composition, Oil on Canvas, pastel purple and green, signed to verso, unframed. 36" H x 36" W. Provenance: From a 333 East 75th Street ...

Robert O'Meara (American, 1957-2024), Abstract Composition in purple and lime green, Oil on Canvas, signed to verso, unframed. 36" H x 36" W. Provenance: From a 333 East 75th Street ...

Untitled (Abstraction) Ink on textured paper, c. 1958 Signed lower right "Scarlett" (see photo) Condition: Excellent Archival framing with OP3 Acrylic Sheet size: 21 3/4 x 30 inches Frame size: 28 1/2 x 36 1/2 inches Note: A rare mid to late 1950s example of the artist's abstract expressionist style. Provenance: estate of the artist Private Collection, Hudson River Valley, New York Rolph Scarlett B. 1889, GUELPH, ONTARIO; D. 1984, WOODSTOCK, NEW YORK Born on June 13, 1889 in Guelph, Canada, and into an artistic family, Rolph Scarlett spent his teenage years as an apprentice in his uncle’s jewelry firm and briefly studied at the Art Students League, New York. While working in the jewelry industry, Scarlett found time to paint and design theatrical sets in his free time, including one for the 1928 world premiere of Eugene O’Neill’s drama Lazarus Laughed (1926). In 1923, while on a business trip to Switzerland, Scarlett had met the artist Paul Klee and soon after abandoned his figurative painting style in favor of an abstract language that suggested more universal, cosmic truths. In 1937, after permanently settling in New York, Scarlett became acquainted with the artist and curator Hilla Rebay, the first director of the Museum of Non-Objective Painting (renamed the Solomon R. Guggenheim Museum in 1952). Rebay provided Scarlett with a Guggenheim Foundation scholarship to paint full-time and obtained several of his paintings for the museum’s collection. From 1940 to 1946, Scarlett served as the museum’s chief lecturer, giving Sunday afternoon talks on art. Through Rebay, Scarlett became acquainted with the nonobjective works of Rudolf Bauer and Vasily Kandinsky and further refined his abstract style. Works from this era such as Yellow Bar (1942) are defined by overlapping geometric planes of bright, primary colors set against mute backgrounds. Scarlett avoided any reference to the outside world and believed that nonobjective painting was an act, in his words, of “pure creation.” During his lifetime, solo shows of his work were held at the Jacques Seligmann Gallery, New York (1949); Sioux City Art Center, Iowa (1951); and Washburn Gallery...

This artwork "Abstract Composition" c.1990 is an acrylic paint on paper by American artist Cornelia Schulz, b.1936. It is signed at the lower right corner. The artwork size is 14.25 x 8.35 inches, paper size is 16.15 x 10 inches, framed size is 24.25 x 15.75 inches. Custom framed in a wooden white wash color frame, with off white matting. It is in excellent condition. About the artist. Cornelia Schulz (b. 1936) lives and works in the San Francisco Bay Area. For close to 50 years she has honed her skills in abstract paintings of complex shape and color. Her early education in the arts began at the Los Angeles County Art Institute in 1954 through 1957, the heyday of the California Ceramics Revolution. She studied sculpture in clay and wood with Renzo Fenci (1914 – 1999), and drawing from Herbert Jepson (1908 –1993). She received her Bachelor of Fine Arts in painting (1959) and her Master of Fine Arts in welded steel sculpture (1961) from the San Francisco Art Institute (SFAI). Schulz began her teaching career at the University of California Davis Art Department in 1973, retiring as Professor Emeritus in 2002. During her tenure at the University of California in Davis, Cornelia Schulz became the first female Chair...

Signed on stretcher. Clorindo Testa (1923 – 2013) is acknowledged as one of the most prominent Latin American architects of the 20th Century. In 1960, associated with Studio SEPRA, h...

The painting is being offered with a work and authenticity certificate