Oversized Drawings and Watercolor Paintings

watercolor and ink on paper, 30"x32" available unframed Jesse Lambert was born in Hudson, NY and grew up in rural New Hampshire and New York City. Jesse received a BFA from Coope...

Abstract vs. Figurative Watercolor . Unique 100% original with certificate of authenticity. Alain Pino’s new works continue his exploration on the intersection between identity and...

Farmhands by Yvon Pissarro (b. 1937) Pencil on paper 79 x 108 (31 ¹/₈ x 42 ¹/₂ inches) Signed upper right, Yvon Vey Provenance Studio of the Artist, Montpellier Artist's Biography ...

the painting is being offered with a work and authenticity certificate

the painting is being offered with a work and authenticity certificate

Pastel on paper pasted on canvas Hand-signed on the back by the artist “At first glance, we are invited to a colorful carnival. Everything is movement here! As if Julien Wolf had tr...

Acrylic paint and ink on tracing paper Hand-signed and dated lower left

Mixed media on tracing paper hand-signed and dated lower left

Collage created on Paper. Artwork priced unframed. Contact the gallery for framing options. BIO: Ray Beldner is a sculptor and mixed media artist whose work has been exhibited both nationally and internationally and can be found in many public and private collections including the Smithsonian National Portrait Gallery and the Federal Reserve Board, Washington D.C., 21c Museum, Kentucky, the Fine Arts Museums of San Francisco, Oakland Museum of California, and the San Jose Museum of Art, among others. Born in San Francisco, Beldner received a BFA from the San Francisco Art Institute and an MFA from Mills College. He has received numerous awards and fellowships. He has taught sculpture, interdisciplinary studies, and professional practices at the San Francisco Art Institute, California College of the Arts, San Francisco State University, and University of California, Santa Cruz. His work has been reviewed in publications including Art in America, Arte, Art On Paper, Artweek, Wired, Playboy, the Boston Globe, the Los Angeles Times, the Village Voice...

Rojo, 2014 Pencil on paper 79h x 59.10w in Unframed Valeria Vilar received her Bachelor’s Degree in Architecture from the University of Buenos Aires in 2009. In 2011, Vilar was selected to be part of the Artist Program of the University of Torcuato Di Tella, which was led by the artist Jorge Macchi. Vilar has attended multiple visual arts workshops, and in 2013, Vilar worked with the artists Elisa Estrada and Florencia Lenzi to co-found CasaPlaza – a visual arts school for children. Among her solo exhibitions are the "Fairies' Powder" at Central Gallery of Bs As Projects, 2012; “Pinopark” at Central Gallery of Projects, 2010. She has participated in several group exhibitions including “Pictorial Fantasies” at Artemisa Gallery...

By Sophie Lynch In Hyperobjects, Nova Scotia-based artist Colleen Wolstenholme presents works that developed from her earlier drawings of brain cell patterns and her interest in t...

By Sophie Lynch In Hyperobjects, Nova Scotia-based artist Colleen Wolstenholme presents works that developed from her earlier drawings of brain cell patterns and her interest in t...

Pencil and acrylic on watercolor paper. Framing is an additional $630.

Pencil and acrylic on watercolor paper. Framing is an additional $630.

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this...

Watercolor on paper

Graphite on paper 98 x 59 inches Provenance: Mitchell-Innes & Nash, New York Private Collection, New York Exhibited: Paul Noble: Nobson New Town, 12 February - 11 March 2000, Gorn...

Beautiful and vibrant, Untitled was created by Peter Kitchell in 1989 as an original watercolor on paper. The artwork is hand-signed, titled, and dated, measuring 41 ½ x 39 ½ in. (1...

This is a gouache and ink painting by Alexander Calder. It is signed and dated “Calder 72” at the lower right corner. It was painted in 1972. The paper bears the Les Papiers Canson L...

Drawing (Green with Three Tongues), Pastel on CutOut Paper by Richard Smith, 1970 Additional information: Medium: Pastel on Cut-out Paper with Staples 99 x 143 cm 39 x 56 1/4 in Signed and dated Smith was a key figure in the British development of Pop Art. By 1970 when this work was executed, Smith was primarily concerned with the examination of the two-dimensional nature of painting and was experimenting in both his oils and his works on paper with extending the paint surface out into a three-dimensional space. In this work we see the added extensions in collage (the ‘three tongues’) to the normal rectangular format. The large scale is testament to the influence of advertising in Smith's late 60s and early 70s works. This work was made in the same year that Richard Smith represented Great Britain at the XXXV Venice Biennale, with a solo show in the British Pavilion. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. It was a hugely defining period in Smith's career, including the creation of his sculpture-cum-paintings 'Waterfall', 'Triangular' (both in the collection of Tate, London) and Sphinx Series (British Council), before he began developments towards his Kite Series in 1971. Charles Richard "Dick" Smith was an English printmaker and painter. Smith was born in Letchworth, Hertfordshire, to Doris (née Chandler), a nurse and daughter of a chemical company director. He studied at Hitchin Grammar School and Luton School of Art. After military service with the Royal Air Force in Hong Kong, he attended St Albans School of Art followed by post-graduate studies at the Royal College of Art, London, from 1954-57. Smith shared a flat-cum-studio with Peter Blake in his second year at the RCA, and then again for two years after he left the college in 1957. When Terence Conran's Soup Kitchen opened on Fleet Street in the late 1950s, it featured a letter-collage mural by Smith and Blake. Michael Chow would later commission Smith to design installations for his restaurant in Los Angeles, and Chow and Conran have remained two of his biggest supporters. In 1959 he moved to New York to teach on a Harkness Fellowship, staying for two years, where he produced paintings combining the formal qualities of many of the American abstract painters which made references to American commercial culture. The artist's first solo exhibition was at the Green Gallery. As his work matured it tended to be more minimal, often painted using one colour with a second only as an accent. In trying to find ways of transposing ideas, Smith began to question the two-dimensional properties of art itself and to find ways by which a painting could express the shape of reality as he saw it. He began to take the canvas off the stretcher, letting it hang loose, or tied with knots, to suggest sails or kites - objects which could change with new directions rather than being held rigid against a wall, and taking painting close to the realm of sculpture. These principles he carried into his graphic work by introducing cut, folded and stapled elements into his prints; some works were multi-leaved screenprinting, and others printed onto three-dimensional fabricated metal. Smith returned to England in 1963 - specifically East Tytherton, Wiltshire where Howard Hodgkin was a neighbour - and gained critical acclaim for extending the boundaries of painting into three dimensions, creating sculptural shaped canvases with monumental presence, which literally protruded into the space of the gallery. Evocative titles such as Panatella and Revlon, and cosmetic, synthetic colours alluded to the consumer landscapes of urban America which had proved so influential. He showed at the Kasmin Gallery, a venture between Kas and the Marquess of Dufferin and Ava in New Bond Street, throughout the 60s, more-widely known as David Hockney's first gallery. After being awarded the Grand Prize at the 9th São Paulo Biennial in 1967 and important exhibitions at Kasmin in 1963, Tate in 1964, and Richard Feigen Gallery in 1966, Smith was invited to exhibit at the XXXV Venice Biennale as the official British artist in 1970. Smith was chosen by a committee of art experts, who were Director of Tate Norman Reid, art historian Alan Bowness, art collector David Thompson, the British Council’s Lilian Somerville and art historian Norbert Lynton. Smith taught with Richard Hamilton at Gateshead in 1965, where he met Mark Lancaster and Stephen Buckley, and again in 2000, becoming close to the artist and his wife, Terry. By the late 1960s Smith's ambition to produce paintings which shared a common sensibility with other media, such as film and photography, began to wane and he focused on the formal qualities of painting. The freestanding installation Gazebo exhibited at the Architectural League of New York in 1966, and a tent project at the Aspen Design...

About the Artist: Claire Gilliam is an English photographer, printmaker, painter now based from her home and studio in Warwick, NY. In 1997, she graduated from Sheffield Hallam Unive...

About the Artist: Claire Gilliam is an English photographer, printmaker, painter now based from her home and studio in Warwick, NY. In 1997, she graduated from Sheffield Hallam Unive...

About the Artist: Claire Gilliam is an English photographer, printmaker, painter now based from her home and studio in Warwick, NY. In 1997, she graduated from Sheffield Hallam Unive...

Artist Enrique Alférez was born in Zacatecas, Mexico and lived nearly the entire 20th century. After service in the Mexican Revolution as a youth, he emigrated to Texas, studied in C...

Modern watercolor seascape painting by renowned sporting artists John P. Cowan. The work was originally created by Cowan to be used by Schlumberger as part of their fishing schedule calendar. Signed in the front lower left corner. Currently hung in a gold frame with a cream matting. Provenance includes a framed letter...

In Between #13 2021 Colored pencil on paper 69 x 43.75 inches Contact gallery for price. This artwork by Zachari Logan is offered by CLAMP in New York City.

This is a drawing of a man nude from the waist down wearing a blue tank top that says Hawaii. This work by Zachari Logan measures 64 by 42 inches and is mad...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

The series Reciprocal Horizon explores man’s relationship with modern social systems and his struggle to preserve his natural world. This occurs among current socio-political upheava...

This work is offered by CLAMP in New York City.

Daphné 2012 Graphite on paper 42.5 x 44 inches Contact gallery for price. This work is offered by CLAMP in New York City.

Zachari Logan “Bones, Stems, Petals, Leaves (Pool Series)” 2022 Accompanied by a certificate of authenticity Blue pencil on mylar 60 x 24 inches Con...

Zachari Logan “Dandelions Become Clouds (Unkraut stirbt nie)” 2022 Accompanied by a certificate of authenticity Blue pencil on paper 15 x 41.25 inche...

2022 Pastel, watercolor, and colored pencil on paper 50 x 186 inches (127 x 472.4 cm) Contact gallery for price. This work is offered by CLAMP in New York City.

Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...

Cima Canali #2, 2014 Watercolor on paper on canvas inch 62.9 x 45.2 Silvia De Bastiani was born in Feltre (north Italy) in 1981. Currently, she lives and works in the Dolomites are...

Attributed to Ukita Ikkei (1795-1859) Hanging scroll painting of the American ship commanded by Commodore Matthew Perry in Uraga Bay, annotate...

Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...

A painting on paper set in a white shadow box frame, 51.5x50" framed, protected by an acrylic glazing. Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses vari...

Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...

A painting on paper set in a white shadow box frame, 44.5x71.5" framed, protected by an acrylic glazing. Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses va...

Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...

This large monoprint demonstrates Bert Long’s affection for introspection. Referring to the paint as both an action and an object underscores the fluidity of...

Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil to convey his unique heritage. Raised between Venezuela, Jaka...

Acrylic

Françoise Ben Arous is a French born artist. She has traveled worldwide, delving into different local traditional cultures. Her artistic approach is cross-cultural, filtering through...

Ink and Watercolor.

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...

This monumental drawing on canvas is part of a series, which gives praise to mankind’s quest for wisdom and vigorous resilience. Referring chiefly to the heavens, Earth, and the Underworld, the “Three Worlds...