Medium Figurative Drawings and Watercolors

"Enigma", original ink and pencil on sepia paper. Part of Neo Mythology series. Like the immortal mythological heroes, my subjects remind us of the human ability to remain beautiful ...

Carl August Walther (1880 Leipzig - 1956 Dresden): Nude study of his wife Vera, 1916, Charcoal Technique: Charcoal on Paper Inscription: monogrammed and dated lower right, with est...

A large and colourful French mid-century painting of fishermen repairing their nets by Jean-Frédéric Canepa. The painting is signed bottom right and presented in a fine gilded wood f...

This artwork titled " The Blacksmith House" c.1965, is a watercolor on paper by noted American artist Guy Lipscomb, 1917-2009. It is signed at the lower right corner by the artist. The artwork size is 12.5 x 17.25 inches, framed size is 20 x 25 inches. Custom framed in a wooden brown frame, with grey/beige matting and brown fillet. The artwork is in excellent condition, the frame is in very good condition, it has minor scratches About the artist: Guy Fleming Lipscomb, Jr. (April 11, 1917 — December 31, 2009) was a business owner, chemist, civic leader, philanthropist, artist, author, teacher, and star collegiate athlete. In his later years, he became a noted painter working in acrylics and watercolors and was both a member of the Southern Watercolor Society and a Signature Member of the American Watercolor Society. Lipscomb was born in Clemson, South Carolina. He won numerous awards in his lifetime including the Order of the Palmetto presented by Governor Richard Riley and the 1982 Elizabeth O’Neil Verner...

Provence Landscape’ is a figurative watercolor, created with China ink on paper, measuring 65x50 cm. The artist has delicately and precisely captu...

Aphrodite Anadyomene is an original artwork by Emile Deschler in 1976. Hand-signed and dated on the lower right margin. Original painting on green paper. Very good conditions. Emile...

Carl August Walther (1880 Leipzig - 1956 Dresden): Study on "Mountain of Destiny, 1936, Charcoal Technique: Charcoal over Pencil on Paper Inscription: Inscribed lower left, monogra...

Fortunino Matania 1881-1963 Italian Piccadilly Circus Signed “Matania” (center, on bus) Watercolor and gouache on paper This exceptional watercolor and gouache composition by fam...

by Paul-Louis Bolot (French 1918-2003) signed & dated 1968 original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuf...

This joyous piece captures a group of women in a moment of dance. With flailing arms and rhythmic steps, the women appear to move in a ritualistic manner under the light of the setti...

A charming scene depicting a propped up line of washing before the estuary in Rye, Sussex. Signed to the lower right. Presented in a gilt frame. On paper.

John Giorno LET IT COME LET IT GO, 2017 Watercolor on handmade paper Hand signed and dated by the artist on the back of the artwork. The frame features a die-cut window on the back t...

A fine watercolour painting depicting sailing boats moored in a British harbour at low tide. Well-presented in a large gilt-effect frame with double card mount. Unsigned. On watercol...

Figurative abstract cubist style drawing in an antique wood frame, inspired by artwork by Graham Sutherland “Sutherland Project VII” by Hudson Valley artist, David Dew Bruner, made in 2015 23.5 x 11.5 inch graphite on paper drawing in a 27.5 x 15.5 inch antique black stained...

Figure Study No. 3 c. 2016 Charcoal on paper 26 x 16 inches Jessica Keiser currently resides in New Haven, Connecticut. Keiser's style is Naturalistic, concerned with the intimacy ...

Arthur Claude Strachan (1865 Edinburgh - 1954 Minehead), Evening Cottage Scene. Watercolor on paper, mounted, 28 x 46 cm (visible size), 48 x 65 cm (fra...

Patrick Vale ES I acrylic and ink on paper 30h x 22w in 76.20h x 55.88w cm PKV018 Abstractions, such as color, to me or or mood, don't really enter the f...

Dear art lover, This artwork makes part of my series dedicated to " Women" and in particularly celebrates a special bond and connection between women. This artwork highlights the f...

Frank Nelson Wilcox (American, 1887-1964) Women's Corner, Along the Cuyahoga River, c. 1916 Watercolor and graphite on paper 21 x 29 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

A charming study of the 1826 painting A Market Boat on the Scheldt by artist Clarkson Stanfield. The scene depicts fishermen, women and children on small fishing boats out at sea. To the reverse the label attributes this painting to Thomas Sewell Robins...

A striking scene depicting a boy on horseback alerting a group of people on the beach pointing into the distance as the concerned people gather. The scene shows classical inspiration...

A joyous scene depicting an island paradise in vivid colour, with a figure basking in a tropical garden. Two volcanoes can be seen in the distance, about to erupt. There is another c...

A delightful 19th century watercolour depicting the Bay of Naples with figures conversing on a coastal path. The scene has been painted in fine detail with vibrant colour and a caref...

Signed lower right, 'George H Harrington' (American, 1833-1911) and painted circa 1900. A substantial and animated coaching scene enlivened by the artist's acute and humorous observation of character and fine equestrian painting. Born in Springfield, Massachusetts, George Harrington is known for his, often humorous, anecdotes of American life in the pre-industrial age. His subjects included polo matches, carriage rides and coaching scenes, and pastoral landscapes. After a professional career in business, Harrington studied art and subsequently became a successful landscape and equestrian painter. He exhibited widely and with success including at the National Academy of Design (1888), the Pennsylvania Academy of Fine Arts, the Boston Athenaeum and at the Boston Art Club of which he was a member. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 2, page 1465; A Biographical Index of American Artists, Ralph Clifton Smith...

Contemporary geometric abstract watercolor painting by Texas based artist Tina Ruyi. The work features a grid of hexagonal shapes similar to a traditional quilt pattern. Each hexagon...

Pastel on paper this is a modern interpretation of the thee Graces

Signed lower left, 'A. C. Wiboltt' for Aage Christian (Jack) Wiboltt (Danish-American, 1894-1952) and created circa 1925. Framed dimensions: 33.25 x 1.5 x 28 inches A substantial, early twentieth-century, figural pastel showing a young woman wearing traditional gypsy costume and playing her flute beside a deep azure lake dotted with water-lilies. Jack Wiboltt first trained at Copenhagen's Royal Academy of Fine Arts, Copenhagen before moving to New York in 1919. In 1924, he settled in California where he lived and painted in both San Francisco and Los Angeles. For 30 years, he practiced as an easel painter and was also commissioned to paint murals including for the 1939 exposition at San Francisco and for Hollywood's Fox Theater among others He exhibited widely and with success including at the Danish Royal Academy (1913), the New York World's Fair (1939), the Golden Gate International Exposition (1939) and the Pasadena Art Institute (1932) among others. Exhibitions: Royal Academy, 1913; Danish Art Gallery, 1917 (1st solo); Pasadena Art Inst., 1932; Warner Gallery (LA), 1934; Modern Art Gallery (Hollywood), 1935 (solo); County Fair (LA), 1935; American Artists Congress, 1936; GGIE, 1939; NY World...

Artist's Self-Portrait in Pastel on Paper Bright yellow and ochre make up this self-portrait in chalk pastels by Michael William Eggleston (American, 20th Century). Unsigned, but acquired with a collection of the artist's work. Mat size: 30"H x 24"W Paper size: 24"H x 18"W Presented in a new soft peachy cream mat with foam core backing. Michael William Eggleston (American, 20th Century) is a San Francisco...

Patrick Vale ES II acrylic and ink on paper 30h x 22w in 76.20h x 55.88w cm PKV019 Abstractions, such as color, to me or or mood, don't really enter the ...

An original -1857- naval watercolour by J. Grier. Presented in a fine gilt-effect frame with a new card mount. Indistinctly signed. On paper.

Jim's of Lambertville Fine Art Gallery is proud Albert Hirschfeld (1903 – 2003) At the age of 12, Albert Hirschfeld, the famed caricaturist who depicted figures in the New York theater...

Signed lower right, 'V. Conroy' for Virginia Conroy (American, 1922-2006) and dated 1985. Exhibited: Carmel Art Association, 1983 (on original backing...

Work on paper Brown wooden frame with glass pane 92 x 73 x 5 cm

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

A piece from Bartolome Sastre's mixed media on paper collection. 19.5 x 27.5 inches Pastel and pencil on paper

Painting: Ink and Watercolor on Paper, Framed Dimensions: 24 in x 18 in, Framed 31 in x 22 in Unique Signed on Verso, includes a certificate of authenticity. Elena Chestnykh was bor...

A piece from Bartolome Sastre's mixed media on paper collection. 19.5 x 27.5 inches Pastel and pencil on paper

Woman with Long Orange Dress,’ figurative watercolor, China ink on paper, 65x50 cm. The artist has crafted a delicate piece that precisely captures the elegance of a woman in a long ...

Original Graphite and Pen Sketch on Paper 12 1/4″ x 15 5/8″ Viewable 26″ x 29 1/2″ Framed Circa 1960’s

In this painting the artist uses gestural brushstrokes, which causes distortion and exaggeration for emotional effect. Andre Elbaz uses as his subject three male figures with tefilin are depicted during prayer. André Elbaz (born April 26, 1934, El Jadida, Morocco) is a famous Moroccan painter and filmmaker. Elbaz studied art and theatre in Rabat and Paris from 1950 to 1961. He started painting only at the age of 21, until which age he had been interested mainly in theatre. A few years later, he managed to combine his two passions into a new approach in art-therapy, inventing together with his wife, a psychiatrist, the Pictodrame, which brought him world recognition. His first exhibition, which was very successful, took place in Casablanca in 1961 and earned him an appointment as Professor at the Beaux-Arts school in Casablanca. Years later, in 1976, he exhibited his paintings at the Tel-Aviv Museum. In parallel to his career as a painter, Elbaz is also known as a filmmaker. He produced several short films in France, Canada and the United States. One of them, La nuit n'est jamais complète (The night is never complete), won a prize at the "5th Biennale de Paris in 1967". Among the themes chosen for the many films he produced, there was a short one about the Warsaw Ghetto uprising, as well as a series of drawings entitled Seuls (Alone), with texts written by both Elie Wiesel...

Vintage bi-plane

This artwork "Landscape with Trail" c.1980 is a watercolor on paper by noted American artist Gerald F. Brommer, 1927-2020. It is signed at the lower right corner by the artist. The a...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Voisinage by Yvon Pissarro (b. 1937) Conté chalk and pastel pencil on paper 48.8 x 64 cm (19 ¹/₄ x 25 ¹/₄ inches)...

Shiro Ikegawa was born on July 15, 1933 in Tokyo. He studied art in Japan and moved to Los Angeles in 1956 to study Abstract Expressionism. He attended O...

Frank Nelson Wilcox (American, 1887-1964) Cows by Woodland Pond, Toledo, Ohio, c. 1920 Watercolor and graphite on board Signed lower right 22 x 30 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Frank Nelson Wilcox (American, 1887-1964) The Waterfall, 1956 Watercolor on Whatman board Signed and dated lower right 30 x 22 inches 35.5 x 27.25 inches, framed Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Carl-Henning Pedersen (Denmark, 1913 - 2007) The Blue Earth II, 1971 Watercolor on paper Signed and dated lower right, signed, dated and titled verso 30.5 x 21.5 inches Carl-Hennin...

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

Signed lower left, 'George H Harrington' (American, 1833-1911) and painted circa 1900. Born in Springfield, Massachusetts, George Harrington is recognized for his turn-of-the-century works reflecting American life before the industrial age, particularly for equestrian scenes that include polo matches, carriage rides, and horses in pastoral landscapes. After a successful career in business, Harrington studied art and became a successful landscape painter. He exhibited widely including at the National Academy of Design, the Pennsylvania Academy of Fine Arts, the Boston Athenaeum and at the Boston Art Club, of which he was a member. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 2, page 1465; A Biographical Index of American Artists, Ralph Clifton Smith...

Out of the Water, pencil and tempera on paper, inspired by Matisse. Part of Nude in Interior series. Shipped rolled in a tube, directly from the artist's studio. See pictures, in mat...

Linda Stein, Outdoor Scene 992 - Contemporary Art 3D Sculptural Drawing Collage In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as de...

Original Pen and Ink on Paper Dimensions 12″ x 16″ unframed 26 x 30 Framed Circa 1959.

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

Unique set of expressive portrait studies in watercolor and ink by Santa Cruz artist Bob Newick (American, 20th Century). Signed "To Wendy / In Friendsh...

In this delicate drawing, artist Josef Levi takes reference to art history by combining figures within one composition. The two characters depicted in this composition utilize the bottom half of the great artist Raphael, gradually phasing into the portrait of lovely lady named Vera. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levi had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Frank Nelson Wilcox (American, 1887-1964) Crashing Waves on the Atlantic Coast, 1957 Watercolor and graphite on paper Signed and dated lower right 22 x 29 inches Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian. In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery. In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College. Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country." Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...

Ships at the Harbor - Nautical Seascape in Charcoal on Paper Detailed and layered harbor scene by Maude Folmar Ramsey (American, 1908-1993). The viewer is looking out at the harbor, across the water from the docks, buildings, and ships. The pillars, buildings, and masts are jumbled together in a pleasing manner that is almost abstract. Despite the simplified shapes, this piece is full of detail. This piece is executed in a rectilinear style frequently seen in American mid-century modern compositions. Signed in the lower right corner "Maude Folmar" Presented in a wood frame with a double mat. Frame size: 25.25"H x 29.25"W Image size: 17"H x 21.5"W Maude Love (Folmar) Ramsey (American, 1908-1993) studied at the School of Fine Arts at Washington University in St. Louis, Missouri. She was the director of the Laguna Gloria Art Museum from 1968-1972. Ramsey was one of the charter members of the “Waterloo...

Soft pastel on toned sanded archival paper suitable for framing under glass. Signed and dated bottom. Part of an ongoing series of mermaids by the artist