Bruno Angoletta

Mariondina - Illustration - Original China Ink by Bruno Angoletta - 1930s

1930's

The Girl is an original drawing in China ink realized by Italian artist Bruno Angoletta. Included a Passepartout: 49 x 34 cm. Good condition. The artwork represents scenery of an ...

Lautréamont is original black China ink drawing on ivory-colored paper, made by the Swedish illustrator and reporter Adolf Reinhold Hallman. Titled on the lower left in pencil. On the back the green ink stamp "Made in U.S.A", the name of the artist, New York City. The state of preservation is good. Lautréamont is pseudonym of Isidore-Lucien Ducasse (1846- 1870), a French poet. His works, Les Chants de...

Figure 1920 is an original China ink drawing realized by Bruno Angoletta (1920). The drawing is in good conditions on a yellowed checkered paper. Mounted on a cream coloured cardbo...

La Mezzana (The Mizzen) is an original drawing on paper, realized around the 1960s by the great Italian artist and journalist, Mino Maccari (Siena, 1898 - 1989). Original black Chin...

Pioneering English Female Illustrator Helen Stratton masterfully renders in pen and ink a scene from "The Little Mermaid" in George Newnes's 1899 editi...

Artist: Mkrtich Sarkisyan (Mcho) Work: Original Drawing, Handmade Artwork, One of a Kind Medium: Ink on Paper Year: 2023 Style: Abstract Figurative Subject: Portrait, Size: 12" x ...

Marie LAURENCIN Mermaid, 1953 Original ink and pencil drawing Signed by artist stamp On paper 24.5 x 19.5 cm (c. 9.6 x 7.6 inch) Very good condition, marks of the manipulation on ...

ALBERT RUTHERSTON, RWS (1881-1953) Tailpiece – Illustration for The Tragedie of Cymberline Signed with initials l.r. AR; also signed with initials and inscribed beneath the mount: Tailpiece for end/of play {Cymberline}/No Reduction unless/”lay out”should make/necessary AR Pen and ink Unframed 6 by 10 cm., 2 ½ by 4 in. (mount size 36.5 by 25.5 cm., 14 ½ by 10 in.) Provenance: Estate of the artist Exhibited: London, Sally Hunter Fine Art, Albert Rutherston, Drawings, Theatre Designs and other Treasures, 2016, no.66 The present work was illustrated in Cymbeline, published by Ernest Benn in 1923. The series was a collaboration between Rutherston and Harley Granville-Barker following on from their work together 11 years earlier at the Savoy Theatre and celebrating the quatercentenary of the Shakespeare Folio edition. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke...