Pencil Figurative Drawings and Watercolors

he Expectation is an Artwork  realized by  the Russian Artist  Angelina Beloff. Drawing on paper.  The artist wants to define a well-balanced composi...

Disegno espressionista Figura femminile Artista Italiano che ha dedicato la vita all'arte Edgardo CORBELLI (Torino, 1918 – 1989) MUSEI Orléans, Francia, Musée Collégiale Saint Pierre le Puellier Salon de...

Georges CONRAD (1874-1936) Study of woman in bathing suit Original India ink and color pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10.4 x 7.8 in) Ver...

Die moralische Eifersucht  is a contemporary artwork realized by Friedrich Schröder Sonnenstern in 1964. Pencil and colored chalks on Schoellershammer cardboard. Signed "F. S. SONN...

Pencil, coloured pencil and chalk on paper, titled (lower left), signed (lower right), 31cm x 46cm, (51cm x 68cm framed). John Koch was an American painter and teacher, and an impo...

Sketches is an Original Pencil Drawing realized by an Unknown artist in mid-20th century. Good condition on a yellowed paper. No signature.

Work : Original Drawing, Handmade Artwork, Unique Work. Medium : Charcoal and Graphite on Archival Watercolour paper 300Gsm. Artist : Fabien Granet Subject : Les Indestinés (series ...

French Romantic School beginning of the 19th Century View of Arriccia, 1828 located and dated, "Arriccia 1828" on the lower right Pencil on paper 23 x ...

Preparatory pencil and acrylic drawing on kraft paper measuring 98 x 78 cm for a ceramic fresco Pièce Unique

Boxing is a drawing realized in the Mid-20th Century. Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expressive strokes.

"#70 – I AM TIRED" is from Amy Williams' series "A Farewell to Arms" – wherein the artist works directly onto page 70 of a found copy of Ernest Hemingway'...

'Infanta Madre Tierra (Mother Earth)' features the face of a young woman with flora motif (top) and series of birds and flora motif (bottom) representing ...

This drawing by James Childs is offered by CLAMP in New York City. Antonopoulos Apostolos 2004 Signed and titled, recto Graphite on paper 12 x 8.25 inches.

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...

Portrait of Woman is a drawing in pencil on paper by an Anonymous Artist of the XX century. Sheet dimension: 32 x 24.5 cm The state of preservation is good and aged Hand-signed o...

'Blonde Young Man in Black Shirt' - Head Study No. 54 , drawing featuring of a young man - a musician. The work is created with mixed media on paper, including Stabilo pencil, gouach...

Teens at the beach is an original drawing on pencil realized by Anthony Roaland in 1982. Hand-signed and dated by the artist on the lower right margin. The three boys are represe...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

French School circa 1900 Studies of characters, four drawings in a same frame Pencil on paper Sizes of the drawings (from left to right and from top to bottom) A couple at a table ...

Three boys is an original drawing on pencil realized by Anthony Roaland. In the foreground the threefigures are depicted with a delicate and harmonious style. Good conditions.

The boy at the sea is an original drawing on pencil realized by Anthony Roaland in 1980. Hand-signed and dated by the artist on the lower right margin. The artist represents the f...

Sketches of Bullfight is an Original Pencil Drawing realized by an Unknown artist in mid-20th century. Good condition on a yellowed paper. No signature.

Francisco Fernández, Claudia Fernández, Diego Toledo, Hector Quinones Corpse Drawing #47, The Return of the Cadavre Exquis, 1993 Ink, graphite, acrylic, and watercolor, with collage ...

"Guardian of the Mosque" Drawing 14" x 10" inch by MOUNIR CANAAN Signed and dated. ABOUT: Mounir Canaan (1919 – 1999) was a powerful artist whose body of work & style was always...

Portrait is an original drawing in pencil on paper realized by Paul Charles Delaroche (1886-1914). Hand-signed and dated on the lower left in pencil. The state of preservation is v...

Rick Sindt's knowledge of the male physique is evident in this exquisite drawing of a nude male. The subject sits on the ground with his body twisted away from the viewer. We see the defined musculature of his posterior. The artwork is framed in white wood with a black mat. Rick Sindt The Body is a History graphite on archival paper 12h x 9w in 30.48h x 22.86w cm RIS026 Shifting the historic male gaze into a male-on-male gaze, this body of work anchors its exploration of queer culture in relationships and introspection. Beginning with a survey of several photo archives, I overwhelmingly encountered pictures that fit into two distinct categories: spectacular demonstrations or public displays of sexuality. All of these images were overtly political. Then, I began to find a subset of more intimate images. Typically, these were images submitted by loved ones or donated to foundations after someone’s death. These images depicted common, tender scenes. Working my way through these images, I reflected on D. A. Miller’s assertion that gay identity, to which we have entrusted our politics and ethics, stands in an essentially reductive relation to the queer desires on which it is based. And David Halperin’s argument that, “identity has become the preferred category for thinking about homosexuality. Moreover, it has been promoted at the direct expense of pleasure or feelings or subjectivity.” This left me asking the questions: how is queer culture transmitted if not genealogically? Is there a universal queer experience? What is queer sensibility and subjectivity and can it be visually represented? Rick Sindt b. 1990, Hastings, MN, EDUCATION 2013 North Park University, Chicago, IL - BFA Magna Cum Laude SOLO EXHIBITIONS 2016 Two Countries, Rogue Philanthropy, Chicago, IL 2013 Tides, Erosion or Catch, Pull, Recover; The-One-Right-Now, North Park University; Chicago, IL GROUP EXHIBITIONS 2016 Are We Not of Interest to Each Other, Uptown Arts Center, Chicago, IL Reinventing Ourselves From Another Point-of-View, Contemporary Gallery at Zhou B. Arts Center, Chicago, IL Collective: Process, Beans and Bagels, Chicago, IL 2015 Collective: for(a)ging, Hammond Art Center; Hammond, IN How We Make It, The Arts of Life, Chicago, IL Collective: One, Albany Park...

An original animation drawing from the CBS-TV broadcast of Sendak's "REALLY ROSIE" - (this was the first time "Rosie" appeared anywhere other than Sendak's original book) - this cel is from the PIERRE, "I DONT CARE" sequence. this is the original pencil drawing from the 1970s. it is from the estate of the film producer Dan Hunn. Maurice Bernard Sendak, June 10, 1928-2012 Dubbed by one critic “the Picasso of children’s literature” and once addressed by former President Bill Clinton as “the King of Dreams,” Maurice Sendak illustrated nearly a hundred picture books throughout a career that spanned more than 60 years. Some of his best known books include Chicken Soup...

'Infanta Soledad,' features the face of a young woman with succulents and skulls in an intricately patterned and complex graphite drawing on Kent paper. from Japanese artist Chikako ...

Georges CONRAD (1874-1936) Study of female nude and a couple Original pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good condition, paper...

Reclined Nude is an original artwork realized by Georges Henri Tribout in the 1950s. Pencil Drawing. Applied on a white Passepartout. Monogrammed on the lower " G.T" Good Condition...

"Road Warriors" (2012) By Susie Hyer is an original handmade graphite drawing on paper that depicts a road with cars in the distance, and mountains in the background. This piece meas...

Medium: Pencil, Charcoal and Orange Wash on Paper Signature: Signed "O'Neill" Upper Left Sight Size 24.00" x 19.50", Framed 35.00" x 29.00" Illustration for the poem "Baby's First Christmas" by Margaret G. Hayes, published in Harper's Bazar, December 1910. ​​​​​​​The artwork is also reproduced within Walt Reed's The Illustrator in America, 1860-2000 (Society of Illustrators, 2001) on page 154. Exhibited: Brandywine River...

Study on a Mouse is a Drawing in pencil realized by Augusto Monari in 1935. Good conditions. The artwork is depicted through confident strokes in a well-balanced composition.

A Striking Mid-Century Modern Portrait of a Handsome Young Black Man by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). A wonderful executed studio figure study portrait depict...

Fun and playful figurative line drawing with three stylized female faces by SusanBrooks (American, b. 1951), 1985. Signed and dated in the lowe...

Title: Mid Century French Pencil Portrait of a Woman Artist: Josine Vignon (French 1922-2022) Medium: Pencil on paper Size: 11 (height) x 7.5 (width) Stamped: Verso Condition: G...

Title: Mid Century French Elegant Pencil Drawing of Three Figures in Conversation Artist: Josine Vignon (French 1922-2022) Medium: Pencil on paper Size: 5.25 (height) x 8.25 (widt...

Four (4) original individual drawings depicting the complete suit of playing cards. (Diamond): Infanta Vida y Muerte, (Heart): Infanta Viento Frio, (Club): Infanta Conocimiento and (...

Circle of Erte, Romain de Tirtoff (Russian / French 1892 – 1990) A dress design for Estelle Pencil, ink and watercolour on paper Inscribed ‘Estelle’ (upper left) with other notations...

Portrait of a boy is an original drawing in pen realized by Anthony Roaland in 1981. Hand-signed and dated by the artist on the lower right margin. In the foreground the boy is de...

Portrait of a Lady is a Pencil Drawing realized by Hermann Paul. Hand signed on the lower left corner. Passpartout included cm 51x35 Good condition. René Georges Hermann-Paul (27...

Futurist City is an artwork realized in the early XX century by Carmelo Borg Pisani Original black and white pencil drawing. Hand signed on the lower rig...

“We are at once different and so alike” — this piece explores the collective nature of internal limitations. It reflects on the delicate boundary between individual uniqueness and th...

The Fish is a beautiful drawing in pencil on paper realized by Jan Peter Verdussen in 1755 ca. Hand-signed and dated on the lower in pencil. In good condition, and aged. The artwo...

The Little Ballerina - Figurative Drawing in Pencil on Paper Delicate drawing of a ballerina from the back by an unknown artist (20th Century). With ...

Seated nude figure study by Joseph Yeager (American, 20th Century). This piece is unsigned, but was acquired with a collection of Yeager work directly from the estate. This piece is on heavy bond paper with ragged edges and is unfinished. No frame. Joseph "Joe" Yeager (American, 20th Century) was raised in Cleveland Ohio, where he went to art school at night and started his art career at 19. He was a commercial artist for the Cleveland Press...

Image dimensions 14.5 x 12 cm. Family is an original pencil drawing on thick cream-colored paper, realized by an anonymous French artist of the end of the XIX century. A nice drawi...

Seated Woman is an Original Drawing in Pencil realized by Louis Jou (1882-1968). Good conditions. Hand-signed. The Artwork is depicted through strong strokes in a well-balanced co...

Pencil on paper Signed 'G.L. Brockhurst’ (lower right) Drawn c.1920 Collections: The Fine Art Society, London, 1981; Mr & Mrs Alan Fortunoff, acquired from the above; Private col...

Watercolor and pencil on buff wove watercolor paper, 10 x 8 inches (255 x 203 mm). In good condition with overall minor toning. Some watercolor paint splatters on the verso, contem...

Significant 1940s work titled "Toiler's House" by George Demont Otis (American, 1879-1962). Titled "Toiler's House on the bottom left and signed "George Demont Otis" on the bottom right. Presented in a black wood frame. Image size, 12"H x 18"W. Otis was born in Memphis, Tennessee where he was orphaned at age six and was raised by his grandmother in Chicago...

[Mode Drawing] From Tutti studios - Coat Style Dress Original ink, pencils and felt pen drawing on drawing paper 29.7 x 21 cm (c. 12 x 8in) c. 1978 INFORMATION : Located Rue du Ren...

Woman is an original drawing, realized by Anonymous artists of the XVIII century. The state of preservation of the artwork is good, but with extensive foxing. The artwork represent...

Gouache and pencil on paper Unique work Hand-signed and entitled lower right by the artist

Wheeler Williams (American, 1897-1972) Untitled Study, 1942 Pencil on paper 8 3/4 x 11 3/4 in. Signed lower right: Wheeler Williams, 1942 A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors from Yale University in 1919 and earned a Master of Architecture degree from Harvard in 1922. He studied at the Art Institute of Chicago with sculptor Albin Polasek...

Sketch for a Portrait is a drawing on paper realized in the Mid-20th Century by Flor David. Pencil on Creamy-colored paper. Good conditions. Flor David (1891-1958) ): pseudonym of...

SHIPPING FEES INCLUDE SHIPPING CHARGE, PACKAGING & **INSURANCE** Rose Tattoo Luis Alfonso Jimenez 1940-2006 Color pencil on Arches paper 22 x 30.25 inches Provenance: The original drawing was owned by Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". An original Drawing by Luis Jimenez, 1983, 22 x 30.25 inches. A stone lithograph edition was made from this drawing. There was a PBS documentary showing Jimenez drawing on the stone with the drawing in front of him and the making of the lithograph with Sette Publishing. Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimnez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimnezs works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimnez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimnez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo photography...

Antique Horse Study "Heads, Hooves and Rump, 1838" Wouterus Verschuur (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle* in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

Travelers is an Original ink, pencil and watercolor realized by Charles Joseph Traviès (1804-1859). The little artwork represents two poor men in the street. Good condition, included a cream colored cardboard passpartout (30x24 cm). Hand-signed and notes by the artist on the lower margin. Charles-Joseph Traviès de Villers, also known simply as Traviès, (21 February 1804 – 13 August 1859) was a Swiss-born French painter, lithographer, and caricaturist whose work appeared regularly in Le Charivari...

Figures is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions except for aged m...