Nikolay Starostenko

Mr. Rabbit, Pen & Colored Pencils Drawing on Paper by Nikolay Starostenko, 2022

2022

Title: The Journey Matters More Than the Destination Description: This work is a map of an invisible terrain, where direction is set not by external markers but by inner landscapes. ...

"Reflections on Beauty and Self-Perception" This work invites an inner dialogue about how we perceive ourselves and what we associate with the idea of beauty. It explores the subtle ...

On Intimacy True intimacy is not born from words or touch — it arises in the space where one presence allows another to enter. It is a delicate field of trust, where there is no nee...

"I Feel Like I’ve Been Torn to Pieces" is a visual metaphor for deep inner conflict, a struggle between forces that tear the self apart. In this work, Irina Burda continues her explo...

This work was done on the assignment and illustrate myths and culture of a book on the Pima and Papago Indian tribes of southern Arizona and northern Mexico. Tinkelman's vision of t...

Inscribed: 3. una Madonna che va in Egitto, verso, and Madonna che va in Egitto, recto Provenance: Private Collection, UK, since 1999 This expressive and boldly executed drawing is the work of Luca...

Inscribed “55” and “218” in the lower right Watermark: Heawood 1351 Laid down on historic Cassiano Del Pozzo mount (Mount Type A, 531 x 402 mm) Provenance: Commissioned by Cassiano dal Pozzo (1588–1637) for his Museo Cartaceo (Paper Museum) and kept in the library of his palazzo, via dei Chiavari, Rome Transferred with the entire dal Pozzo collection by fidecommesso to his younger brother, Carlo Antonio dal Pozzo (1606–1689); by descent to his second son: Gabriele dal Pozzo (d. 1695); by descent to his wife: Anna Teresa Benzoni and after her remarriage in 1697, the Marchesa Lancellotti de’ Ginnetti (d. 1736); by descent to their son: Cosimo Antonio dal Pozzo (d. 1740); by whom sold with the Dal Pozzo library in 1703 to: Pope Clement XI for the Vatican Library; by whom transferred as part of the Museo Cartaceo in January 1714 to his nephew: Cardinal Alessandro Albani (1692–1779), Palazzo ‘alle Quattro Fontane’ in Rome; by whom sold in 1762 to: James Adam, agent for the British Royal Librarian Richard Dalton (1715–1791) King George III of England, Buckingham House Among the sheets of the ‘Museo Cartaceo’ appropriated by Richard Dalton during a reorganization of the drawings, circa 1786-1788; his estate sale, Greenwood’s, London, 11-19 May 1791; where acquired by: John MacGowan...

Gahan Wilson's artistic output of original ideas, masterfully executed, seems endless. He has a conceptual style that, like Charles Addams, delves into the macabre. Yet, one immedia...