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Rembrandt van RijnOld Man with Beard, Fur Cap and Velvet Cloak by Rembrandt van RijnCirca 1631
Circa 1631
$58,500
£44,004.30
€50,722.30
CA$82,403.73
A$90,416.52
CHF 47,319.80
MX$1,112,721.09
NOK 596,158.49
SEK 558,391.26
DKK 378,737.90
About the Item
Rembrandt van Rijn
1606-1669 Dutch
Old Man with Beard, Fur Cap and Velvet Cloak
Second state of three
Signed in monogram "RHL. F." (upper left)
This masterful etching exemplifies the great Rembrandt's extraordinary virtuosity as a printmaker. Created around 1631, this compelling portrait demonstrates the artist's unparalleled ability to capture both physical presence and psychological depth. The work represents a quintessential example of a "tronie"—a Dutch term for character studies that focused on exotic costume and expressive features rather than formal portraiture. This genre, in which Rembrandt excelled, became among his most sought-after etchings.
Rembrandt's technical mastery is evident in every element of this composition. The artist masterfully renders the varied textures of the subject's attire, from the soft folds and luxurious sheen of the heavy velvet cloak to the bulky fur cap that casts dramatic shadows across the sitter's weathered features. Through a sophisticated combination of fine parallel lines, cross-hatching and strategic highlights, Rembrandt creates a convincing sense of material weight and surface quality.
During Rembrandt's lifetime, his prints were the primary vehicle for his international fame, traveling far beyond the Netherlands and reaching collectors across Europe. His innovative etching techniques and dramatic style elevated printmaking to an art form equal to painting in sophistication and emotional impact. His prints became highly popular on the art market and were widely collected and imitated, establishing Rembrandt as the preeminent printmaker of the Dutch Golden Age. His influence on subsequent generations of etchers remains profound, with his technical innovations and expressive approach continuing to inspire artists today.
The son of a miller, Rembrandt van Rijn is believed to have been born in Leiden on July 15, 1606. He studied first at the Latin School and was then enrolled at the University of Leiden at the age of 14. He soon left to study art—first with a local master, Jacob van Swanenburch, and then, in Amsterdam, with Pieter Lastman, known for his historical paintings. Rembrandt was an exceptionally gifted student and mastered his art in a mere six months. At 22 years old, he returned to Leiden and was soon so highly regarded that he was able to take students of his own.
Now considered one of the greatest artists of all time, almost every major institution has examples of his etchings. Additional etchings of this portrait reside in esteemed collections worldwide, including the Metropolitan Museum of Art, the Art Institute of Chicago, the National Gallery of Art, the British Museum and more.
Etched circa 1631
Paper: 5 5/8" high x 5 1/8" wide (14.92 x 13.02 cm)
Frame: 20 1/4" high x 15 1/4" wide x 1 1.8" deep (51.44 x 41.28 x 2.86 cm)
Provenance:
Robelot (1802-1850), Bordeaux
Private collection, Germany
Karl Faber, Munich
Private collection, The Netherlands
M.S. Rau, New Orleans
Literature:
Bartsch 262
The New Hollstein Dutch (NHD) 92: Second state (of III)
- Creator:Rembrandt van Rijn (1606 - 1669, Dutch)
- Creation Year:Circa 1631
- Dimensions:Height: 20.25 in (51.44 cm)Width: 16.25 in (41.28 cm)Depth: 1.13 in (2.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:Seller: 32-14581stDibs: LU18616889082
Rembrandt van Rijn
Rembrandt was the most influential 17th Century Dutch painter. After years of early success as a portrait painter, his life was beset by financial hardship and personal tragedy. He continued to paint portraits and develop etchings. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His self-portraits form a unique and intimate autobiography, in which the artist surveyed himself without vanity and with the utmost sincerity. Like many artists of the Dutch Golden Age, such as Jan Vermeer of Delft, Rembrandt was also an avid art collector and dealer. Rembrandt never went abroad, but he was considerably influenced by the work of the Italian masters and Netherlandish artists who had studied in Italy, like Pieter Lastman, the Utrecht Caravaggists, Flemish Baroque, and Peter Paul Rubens. Rembrandt's foremost contribution in the history of printmaking was his transformation of the etching process from a relatively new reproductive technique into a true art form, along with Jacques Callot. His reputation as the greatest etcher in the history of the medium was established in his lifetime and never questioned since. Few of his paintings left the Dutch Republic while he lived, but his prints were circulated throughout Europe, and his wider reputation was initially based on them alone.
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