Modern Figurative Drawings and Watercolors

Die moralische Eifersucht  is a contemporary artwork realized by Friedrich Schröder Sonnenstern in 1964. Pencil and colored chalks on Schoellershammer cardboard. Signed "F. S. SONN...

Woman Sitting is an artwork made by Suzie Bernardeau in the mid-20th century. Good condition. Drawing made with crayons on blue paper.

Sakti Burman - Untitled Watercolour on Paper 26 x 20 inches, 1960 Born : 1935 Kolkata Education : 1956 Government College of Arts and Crafts in Kolkata and the Ecole Nationale des ...

Flowers and Butterflies is a painting realized by Claude Deschamps in the 1970s. Tempera on paper. Hand-signed on the lower. Good conditions. The...

KARL SCHRAG (German - American 1912 - 1995) SELF PORTRAIT IN THE GERMAN MANNER, 1991 Monotype, Signed titled, dated and annotated "Monotype with touches of Oil color, I /I" Plate an...

A lovely vibrant watercolour capturing a shimmering English river John Newberry (born 1934) Stream at Wytham, Oxford Signed Watercolour 4¼ x 5¾ inches unframed 9 x 11 inches with fr...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Soviet Union socialist irrigation Bulgarian propaganda poster design (circa 1950s) Gouache on board 18 x 11 cm After a Communist takeover in 1945, Bulgaria was a Soviet ally during the Cold War, and maintained good relationships with Russia until the Revolutions of 1989. From 1945 to 1948, the country became entrenched within the Soviet sphere of influence under the control of the Bulgarian Communist Party (BCP) which oversaw a program of Stalinization in the late 1940s and 1950s. Both countries are Slavic nations, and are bound together by a common Orthodox Christian...

Pastel or Tempera on paper. Judaica Shtetl scene of village. Anatoli Lwowitch Kaplan was a Russian painter, sculptor and printmaker, whose works often reflect his Jewish origins. h...

View is an original Pastel en Gravure realized by Claude Maillard in 1926. The beautiful little artwork represents a small sailboat on the sea. Good condition on a cream colored pa...

Figures is an Original Pen and Pencil Drawing realized by Marcel Spranck (1896-1978). The little artwork is in very good condition, included a blue cardboard passpartout (50x32.5 cm...

Couple in the Park is an Original Pencil Drawing realized by Georges Jean Aubry (1810-1893) Good condition included a blue cardboard passpartout (32x50 cm) with some tears on the margin of the cardboard. Hand-signed by the artist on the lower right corner. Georges Jean-Aubry (also Gérard Jean-Aubry, or G Jean-Aubry) was the pen-name of Jean-Frédéric-Emile Aubry...

Musketeer from Behind is an Original Drawing in China Ink and watercolor realized by Eugène Giraud in the Late 19th Century. Good conditions. The delicate and beautiful fine stroke...

Portraits is an Original Drawing in China Ink realized by Eugène Giraud in the Late 19th Century. Good conditions. The delicate and beautiful fine strokes form the artwork. The mas...

Portrait of Christ is an original artwork realized by the Unknown Artist in the early 20th Century. Original pen drawing on ivory-colored paper,...

Sketch for a Bas-Relief is an original artwork realized by the Unknown Artist int he early 20th Century. Original pencil drawing on ivory-colored paper, glued on colored cardboard ...

Portrait of Mary Magdalene is an original artwork realized by the Unknown Artist in the early 20th century. Original pen drawing on ivory-colored paper, glued on colored cardboard ...

The Tunic is an original artwork realized by the Unknown Artist in the early 20th century. Original pencil drawing on ivory-colored paper, glued on colored cardboard (21.5 x 24 cm)...

Portrait of Christ is an original artwork realized by the Unknown Artist in the early 20th century. Original pen drawing on ivory-colored paper...

Calendar of the World is an original Charcoal, Tempera and white lead realized by Mino Maccari in 1930/1940s. Good condition on a blue cardboard. Hand-signed by the artist with pe...

Abstract Composition is an original artwork realized in the mid-20th Century. Mixed colored pastel on paper. Unreadable signature of the artist on lower margin. Includes gilded fr...

Dead Christ is an original drawing in pencil realized by an anonymous artist in the Early 20th Century. Good conditions. The artwork is depicted by perfe...

Portrait is an original drawing in pencil realized by an anonymous artist in the Early 20th Century. Good conditions. The artwork is depicted by perfect hatching with strong strokes.

Portrait is an original drawing in pencil realized by an anonymous artist in the Early 20th Century. Good conditions. The artwork is depicted by perfect hatching with strong strokes.

Portraits is an original drawing in pen realized by an anonymous artist in the Early 20th Century Good conditions. The artwork is depicted by perfect hatching with strong strokes.

Portraits is an original drawing in pen realized by an anonymous artist in the Early 20th Century. Good conditions. The artwork is depicted by perfect hatching with strong strokes.

Nude is an original drawing in pencil realized by an anonymous artist in the Early 20th Century. Good conditions. The artwork is depicted by perfect hatching with strong strokes.

Naked of Boy is an original pen drawing realized by an artist of the early 20th Century. Good condition, no signature. Mounted on a light blue cardboard passpartout ( 24x21.5 cm).

Woman and Snakes is an original China drawing realized by an Italian artist oin the Early 20th Century. Good condition on a blue cardboard. The artwork represent a woman with big w...

Figures at Exhibitions Palace is an original color drawing on paper, by the Italian satiric illustrator, Gabriele Galantara (Montelupone, Italy, 1867 - Rome, 1937). A China ink and ...

PEDRO BARRIOS "EGYPTIANS" MIXED MEDIA, SIGNED CUBAN-AMERICAN, C.1980 23.5 X 19 INCHES Born in 1947 in Cuba, Pedro Barrios was a staff illustrator for Women’s Wear Daily and illus...

Christmas greeting card is an original artwork realized by Mino Maccari in the 1970's. Colored watercolor and charcoal drawing on cardboard. Initials of the artist on the lower mar...

Moses Bahelfer BAGEL (1908-1995) Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Paris (Ecole de Paris) Moshe Bagelferyches was born on June 29 , 1908 in Vilnius, (Vilna, Poland) then part of the Russian Empire. He took up painting from at an early age, later going on to work as an apprentice at a local vocational school in Vilno while taking classes at the Vilnius Academy of Arts. Bagelferyches also joined Yungvilno, a group formed by young Jewish artists, poets and writers in the city, who hosted exhibitions. In 1927, he left for Germany where he joined the Bauhaus arts and architecture school in Dessau. From 1928 to 1932, he studied under Joost Schmidt, Paul Klee, Lyonel Feininger, and Wassily Kandinsky. His painting was close to pure abstract art. He maintained close bonds with former students of the Bauhaus school who lived in Paris, Joseph Weinfeld, Jean Leppien...

Moses Bahelfer BAGEL (1908-1995) Moses Bagel (born Moshe Bahelfer) was a Polish-born Jewish artist and graphic designer associated with the original Bauhaus and then the School of Paris (Ecole de Paris) Moshe Bagelferyches was born on June 29 , 1908 in Vilnius, (Vilna, Poland) then part of the Russian Empire. He took up painting from at an early age, later going on to work as an apprentice at a local vocational school in Vilno while taking classes at the Vilnius Academy of Arts. Bagelferyches also joined Yungvilno, a group formed by young Jewish artists, poets and writers in the city, who hosted exhibitions. In 1927, he left for Germany where he joined the Bauhaus arts and architecture school in Dessau. From 1928 to 1932, he studied under Joost Schmidt, Paul Klee, Lyonel Feininger, and Wassily Kandinsky. His painting was close to pure abstract art. He maintained close bonds with former students of the Bauhaus school who lived in Paris, Joseph Weinfeld, Jean Leppien...

PEDRO BARRIOS "CARDS" MIXED MEDIA, SIGNED CUBAN-AMERICAN, C.1980 23.5 X 19 INCHES Born in 1947 in Cuba, Pedro Barrios was a staff illustrator for Women’s Wear Daily and illustrat...

Le canot is a beautiful original charcoal drawing on paper by the French artist Gaston Bruelle / XIX-XX century). Original Title: "Le Canot avec paysage des Proses" Title and date ...

Kartick Chandra Pyne - Untitled - 20 x 30 inches ( unframed size) Watercolor on paper Inclusive of shipment in roll form. Style : After graduating from the Government College of Ar...

Gisella Loeffler "Mother and Child in the Gardenl" 1919 Gouache on Paper Initialed Lower Right Framed Size: approx 19 x 10 3/4 inches In a village filled with colorful characters, few Taos artists were as colorful as Gisella Loeffler [1900-1977]. From her handmade Austrian clothing and hand-painted furniture to whimsical paintings and letters written in multicolored crayon, joyful color defined the artist, who early on chose to use simply Gisella as her professional name and was known as such to everyone in Taos. 

In spite of her fame there—the Taos News once labeled her a Taos legend—Gisella is rarely included in scholarly discussions of the Taos Art Colony. This oversight is likely due to the naive quality of her work, in which children or childlike adults inhabit a simple, brightly colored world filled with happiness. The macabre, the sad, the tortured, the offensive—all have no place in Gisella’s paintings. Her naive style of work looks very different from that of the better-known early Taos artists. Yet both Gisella’s artwork and her interesting life command attention. Born in Austria, Gisella came to the United States with her family in 1908, settling in St. Louis, MO. After studying art at Washington University in St. Louis, she became a prominent member of the local art community, joining the St. Louis Art Guild as well as the Boston Society of Arts and Crafts. In addition to creating posters for the St. Louis Post Dispatch, Gisella won prizes from the Artists Guild of the Author’s League of America in 1919 and 1920 and from the Kansas City Art Institute in 1923. She also began working in textiles, including batik, to which she would return later in her career.  In the early 1920s Gisella married writer and music critic Edgar Lacher. A difficult character, Lacher may have chafed under Gisella’s success, for the couple divorced in the 1930s. Having seen a local exhibition of paintings by Taos artists Oscar Berninghaus (who was from St. Louis) and Ernest Blumenschein, Gisella felt drawn to Taos, which reminded her of the villages of her native Austria. In 1933 the single mother with two daughters, Undine and Aithra, moved to Taos, where she lived off and on for the rest of her life. She traveled frequently, spending extended periods in Mexico, South America, and California, but always returned to New Mexico. Gisella initially applied an Austro-Hungarian folk-art style to the Indian and Hispanic subjects that she found in New Mexico. In her early work she covered her surfaces with decorative floral and faunal motifs, and her images were flat with no attempt at rendering traditional one-point perspective. Eventually, though, Gisella developed her own style, often using children or childlike figures as subjects. Still, the influence of her native country’s folk art remained evident in her New Mexican, Mexican, and South American images. In 1938 Gisella moved briefly to Los Griegos, north of Albuquerque, to be closer to medical facilities for her eldest daughter, who was suffering from rheumatic fever. Two years later, she moved to California to participate in the war effort, painting camouflage and decals on airplanes for Lockheed. In California, Gisella broadened her range of artistic pursuits. She taught art privately, created illustrations for Scripts Magazine, and did interior design for private homes. She also designed greeting cards, a practice she continued after her return to New Mexico, where she created a series of Christmas cards.  Gisella began illustrating children’s books in 1941 when she collaborated on Franzi and Gizi with author Margery Bianco. Eventually she wrote and illustrated her own book, El Ekeko, in 1964. She also designed ceramics—her Happy Time Dinnerware, marketed by Poppy Trail...