Head Figurative Drawings and Watercolors

René Gruau ( 1909 - 2004 ) " Elégante à la rose et l'éventail " Dessin original et unique .signé . Graphite et fusain sur papier . taille feuille : 83 x50 cm taille globale : ...

Sakti Burman (a) Untitled - 7.5 x 9.5 inches (Unframed size) Watercolour on Paper (b) Untitled - 3 x 6 inches (Unframed size) Pen on Paper , 1992 (c) Untitled - 4.5 x 9 inc...

The two nude female figures appear to be asleep. The calmness of the piece is accentuated by the fine pencil drawing. The piece is unframed. Contact the gallery for framing option...

The Preciosa series explores the intimacy of the female body through a subtle and deeply respectful gaze. Using pencil on paper, Natalia Mancilla captures the softness of the skin, t...

ALBERT RUTHERSTON, RWS (1881-1953) Page for the Emperor – Costume Design for Androcles and the Lion Variously inscribed: “Androcles”/No.28/ Two Pages for The Emperor/ Mr Alfree/Mr Bugh/King Watercolour, pen and ink and gold paint Framed 25 by 19 cm., 9 ¾ by 7 ½ in. (frame size 43 by 36 cm., 17 by 14 ¼ in.) Provenance: By descent in the family of the artist. Exhibited: London, Sally Hunter Fine Art, Albert Rutherston – Drawings, Theatre Designs & other Treasures, 2016, no.75. The present work is a costume design for a page in Androcles and the Lion, a play in two acts by George Bernard. Rutherston designed the set and costumes for the 1913 premier production performed at St James’s Theatre, London and produced by Harley Granville-Barker. Born Albert Daniel Rothenstein, he was the youngest of the six children of Moritz and Bertha Rothenstein, German-Jewish immigrants who had settled in Bradford, Yorkshire in the 1860s. He and his siblings proved to be a hugely talented and artistic family, his elder brother became Sir William Rotherstein (1872-1945), the artist and director of the Royal College of Art; two of his other siblings, Charles Rutherston and Emily Hesslein, both accumulated major modern British and French art collections and his nephew Sir John Rothenstein was direct of the Tate Gallery. He was educated at Bradford Grammar School before moving to London in 1898 to study at the Slade School of Art where he became close friends with Augustus John and William Orpen. He met Walter Sickert during a painting holiday in France in 1900 and by introducing Sickert to Spencer Gove became instrumental in the beginning of the Camden Town Group. He was one of Sickert’s most frequent companions and was one of the original members of the Fitzroy Street Group. Rutherston had a sociable and attractive personality, he frequently travelled abroad with other artists including Max Beerbohm, Spencer Gore, Walter Russell and Edna Clarke Hall...

Artist: Boris Zaborov, Belarusian (1935 - ) Title: Garcon pres d'une Table et une Nue Year: 1996 Medium: Mixed Media on Paper, signed l.r. Size: 24.5 x 7...

Jogen Chowdhury With Smiling Teeth, Dry Pastel on Paper 7 x 9.25 inches , 2022 (unframed Size ) The framed size of the work is approx . 17 x 20 inches The work will be shipped inclusive of framing. Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron art...

The female figure in Oliver Benson's "Lady of the Temple" is drawn in exquisite detail. This fine drawing is floated on a mat board and framed in a silver frame measuring 11h x 8.25...

Prakash Karmakar - Beach Series - 10 x 14 inches (unframed size) Ink on Paper, 2006 UNFRAMED ALL IN DELIVERED PRICE Style : Legendary master artist Lt. Prokash Karmakar from Bengal ...

Nude 8 by Ellen Williams [2021] original Black ink pen on cartridge paper Image size: H:42 cm x W:20 cm Complete Size of Unframed Work: H:42 cm x W:2...

This is the original character study art for the very first Fillmore East concert Poster by David Edward Byrd in 1968, it is featured on page 74 of the new coffee table book "Poster Child, The Psychedelic Art and Technicolor Life of David Edward Byrd". The poster was for a concert at the Fillmore East featuring, Traffic, Blue Cheer and Buttery. An image of the finished poster is shown in this listing just for reference to the figures. David Edward Byrd created some of the most important and memorable Classic Theatre and Rock and Roll images from the 1960s and 70s. David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters, the art for Jimi Hendrix’s first Fillmore East appearance, The Rolling Stones 1969 World Tour art, The Who’s Performance of Tommy at the New York Metropolitan Opera House and The Fillmore, and The Grateful Dead Swell Dance Concert to name only a few. He also created the poster art for the original location of the 1969 Woodstock music festival . His memorable images were also used for classic Broadway shows like Godspell, Follies and Jesus Christ Superstar to mention only a few. A new coffee table book titled "Poster Child, The Psychedelic Art & Technicolor Life of David Edward Byrd" features his classic Rock and Roll art and Broadway art...

Digital Graphic Artwork Framed 67.3 x 49.7 x 1 cm, acrylic frame Dani André Skogfelt is a visual self-taught Norwegian artist born in 1978 who li...

Badri Narayan - Untitled - 7 x 7.5 inches ( unframed size) Ink on paper Inclusive of shipment in ready to hang form. Style : The artist’s paintings are narrative, and titles like ‘Q...

I am money magnet, Ink on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has honed his skills, clarified his vision, experimented, explored and expanded his expression steadily over the years, the results of which thus far culminate here. Keith’s extensive travels have roots in the luminous quality of his work, eminently holding the unlimited possibilities of beauty and significance. Keith’s most recent paintings combine original comic book renderings that his mother did for Disney et al. and reinterprets them effectively combining the past with present energies and infuses his enthusiasm into these dynamic pieces that you see here today. GROUP EXHIBITIONS 2017, 2018 Renata Fine Arts, West Palm Beach, FL 2015, 2016 Renata Fine Arts, Hudson, New York 2013 @60inches New York, NY 2012 @60inches New York, NY curated sale with Harry Heisman 2011 KL/Karen Lynne Gallery, Boca Raton, Florida & Beverly Hills, California 2003 Dupont Gallery, Milwaukee Wisconsin 1994 Jack Shainman Gallery, New York, NY 1994 The Roger Smith Gallery, New York, NY 1993 Ambassador Galleries, New York, NY 1992 Elaine Benson Gallery, Bridgehampton, New York 1983 Manor House Gallery, Rhinebeck, New York SOLO EXHIBITIONS 2014, 2015 C. Bell, Palm Beach, Florida 2010 Luxe Energy Aesthetics, West Palm Beach, Florida 1995 Time Warner Publishing, New York, NY 1991 Imperial Hotel Gallery, Chestertown, Maryland 1990 National Symphony Show House, Washington, DC 1988, 1987 International Jumping Derby, Jockey Club, Newport, Rhode Island 1986 Elijah Locke House, Rye Beach, New Hampshire 1984 Washington Design Center, Washington, D.C. SELECTED CORPORATE COLLECTIONS Bovis Inc., New York, NY The Kiplinger Collection, Washington, D.C. The International Monetary Fund, Washington, D.C. Hopkins & Sutter, Washington, D.C. McKenna, Conner, & Cuneo, Washington, D.C. Oliver T. Carr Company, Alexandria, Virginia SELECTED PRIVATE COLLECTIONS RuPaul, Beverly Hills, California Kelly Klein, New York, NY Governor & Mrs. Bruce Sundlun, Providence, Rhode Island Mr. & Mrs. William Aylward...

Jayshree Burman - Untitled - 8 x 10 inches (unframed size) Ink on Paper It will be shipped in a roll form. About the Artist & her works : The imagery ...

Etude pour la Pologne is a modern artwork realized by Alfred Plauzeau in the Early-20th Century. Pencil Drawing. Good conditions.

Suhas Roy - Radha - 20 x 16 inches ( unframed size) Mixed Media on Imported Paper , 2005 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pa...

Seymour Leichman, American (1933 - 2016) - Woman Sleeping, Year: circa 1969, Medium: Pencil Drawing, signed in pencil, Image Size: 8 x 19 inches, Size: 19 x 25.5 in. (48.26 x 64....

This male nude charcoal drawing is beautifully rendered in splendid detail, down to the individual hairs on his legs. The viewer begs the question of why the subject is here. We are not given answers yet perhaps something lies just beyond the edge of the frame where an unexplained light source illuminates the subject's feet. This large scale drawing...

Manoj Dutta - Untitled - 11 x 8 inches (unframed size) Ink on Paper Inclusive of shipment in roll form. A self-taught artist, Manoj Dutta explores tradit...

Prakash Karmakar - Beach Series - 10 x 14 inches (unframed size) Ink on Paper, 2006 ( Framed and Delivered ) Style : Legendary master artist Lt. Prokash Karmakar from Bengal was sol...

Original drawing made with pencil on paper Unique piece Hand signed lower left And dated 2021

In this drawing, Sylvia Spicuzza takes influence from the Fauvist works of Henri Matisse, especially his famous 1904 composition "Luxe, calme et volupté." This influence is more pron...

Prisoners is an artwork realized by Mino Maccari  (1924-1989) in 1952. Black Marker drawing. Dated and hand-signed by the artist. Good conditions.

Nude 1 [2021] Original Nudes and Erotic Black Ink Pen on Cartridge Paper Complete Size of Unframed Work: H:42 cm x W:29 cm x D:0.01cm Sold Unframed Please note that insitu images are...

Original Graphite Sketch on Paper 1953 / Signed 1959 Inscribed “Sketch for Robe Feature” 10 5/8″ x 13 1/2″ Viewable 25″ x 29 1/2″ Framed The Robe, a fictional Biblical epic film was ...

Bishop, Isabel. UNTITLED (WOMAN LOOKING IN PURSE). Ink on cardstock, not dated. Unsigned. 5 x 5 inches. A fast, likely unposed sketch of a passerby. In excellent condition. Isabel Bishop, 1902-1988. Isabel Bishop was born and raised in the Midwest. She came to New York in 1918 where she studied at the New York School of Applied Design for Women and the Art Students League, where her teachers included Kenneth Hayes Miller and Guy Pene du Bois. In 1934 she rented a studio in Union Square where she worked for the remainder of her career, often taking as her subjects the men and women who worked in the shops and offices on the square, or who walked or sat in Union Square Park. She was a great draughtsman, and much of her graphic work is devoted to studies of the human figure in motion or at rest within the context of their activities in Union Square or similar settings. Bishop made etchings throughout her career, producing more than 80 prints between 1925 and 1982. Prior to 1978 Bishop had editoned only a few of her prints; most of them were printed on an “as needed” basis only, by her, on her own press as gifts, or for sale. From 1978 on, Bishop collaborated with Sylvan Cole of Associated American Artists and the master printer Stephen Sholinsky...

Drawings of skulls are often called vanitas, which often contain collections of objects symbolic of the inevitability of death and the transience and vanity of earthly achievements and pleasures; it exhorts the viewer to consider mortality and to repent. This still life vanitas drawing is matted with a heavy white mat and framed in a bronze toned wooden frame measuring 15.75 x 16.25 inches. John Hrehov Skull and Ornament colored pencil on paper 7h x 8w in 17.78h x 20.32w cm JHR006 John Hrehov Education 1985 MFA-Painting, University of Illinois at Urbana-Champaign 1981 BFA-Painting, Cleveland Institute of Art, Cleveland, OH. Solo Exhibitions 2017 John Hrehov, Paintings and Drawings. Tom Thomas...

Sunil Das - Untitled - 9 x 7 inches (unframed size) Pen and Ink on Paper, 2010 & 2012 (Set of 2) Inclusive of shipment in ready to hang form. The exceptions are the faces such as th...

Prakash Karmakar - Untitled - 23 x 20 inches Marker on Paper , 2002 Delivery of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely re...

Prakash Karmakar - Untitled - 23 x 20 inches Marker on Paper , 1998 Delivery of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely re...

Seated nude women study in a naturalistic style. The work is signed and dated by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

The Dream is Over is a Pen Drawing and Watercolour realized by Mino Maccari (1924-1989) in 1975s. Hand-signed and titled on the lower margin. Good condition on a white paper. Mino...

Prakash Karmakar - Untitled - 23 x 20 inches Marker on Paper , 1999 Delivery of shipment in roll form. Style : Legendary master artist Lt. Prokash Karmakar from Bengal was solely re...

K. G. Subramanyan - Untitled - 17 x 15 inches ( unframed size) Ink on paper Inclusive of shipment in roll form. The artist gave the human figure a new dimension. Drawing upon the rich resources of myth, memory and tradition, Subramanyan tempers romanticism with wit and eroticism. Critic Geeta Kapur has stated that Subramanyan was deeply influenced by popular, modern, classical and indigenous traditions. No matter what the medium, be it handmade paper or acrylic sheet, his artistic practice has integrated fluid traditions so as to create a new lingua franca. The strokes that shape the faces and the little blobs, the vertical and horizontal drama all become like a choreographed symbolism that has a sense of play in line and length. Nothing is in excess, nothing is obnoxious but each stroke forms the finesse of versatile ventures. Style : K G Subramanyan was one of the leading artists who was part of India’s post-Independence search for identity through art. A writer, scholar, teacher and art historian, K G Subramanyan was prolific in his art, spanning the spectrum of mediums from painting to pottery, weaving, and glass painting. He believed in the value of Indian traditions and incorporated folklore, myth and local techniques and stories into his work. About the Artist and his work : Born : K G Subramanyan (1924-2016) was born in Kerala. Education : He completed his Bachelor’s Degree in Economics from the Presidency College in Chennai. In 1948, he graduated from Kala Bhavan in Santiniketan, where he studied under the tutelage of Benode Behari Mukherjee, Nandalal Bose and Ramkinkar Baij. In 1955, he received a British Council Research Fellowship to the Slade School of Art at the University of London. He was an inspiration to generations of students as a member of the Baroda M S Fine Arts Faculty. His focus there in later years was on terracotta and pottery. Shows : In a career spanning nearly seven decades, K G Subramanyan’s work has been exhibited in over fifty solo shows. Some of the solo shows are given below : 2014 - The Government Museum & Arts Gallery, Chandigarh. 2014 - Red Earth Gallery, Vadodara. 2018 - Art Musings, Mumbai, KG Subramanyan...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Angel Gabriel) Year: Circa 1980 Medium: Ink on heavy archival paper Size: 18.5 x 22 inches Condi...

Prakash Karmakar – Lady with flower – 14.5 x 11 inches (unframed size) Ink on paper Signed lower right in Bengali Inclusive of shipment in roll form. Style : Legendary...

Hash marks come together in this colored pen study of a flayed figure. The quick and loose style evoke studies done in preparation for a larger piece. They often appear unfinished yet in reality, the artist reached a point with the study has served its purpose and he can then move on to producing the main work. This particular study is a copy of one that is hanging in La Speccola Museo in Florence, Italy. This piece is matted but unframed. Please contact the gallery for framing options. Christopher Ganz Flayed Wax-Cast Figure colored pens 10h x 13.50w in 25.40h x 34.29w cm CG0020 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

Prakash Karmakar – Untitled – 10.5 x 14.5 inches (unframed size) Ink on paper Signed lower right in Bengali Inclusive of shipment in roll form. Style : Legendary maste...

Sanat Kar - Untitled - 16 x 12 inches (unframed size) Ink on paper Paper pasted on board and pen marking of the back visible in the front. Inclusive of shipment in roll form. Style...

Ruth Schloss (1922 Nuremberg - 2013 Kfar Shmaryahu), Contemplating old man, around 1990. Mixed media on watercolor paper, 33 cm x 40 cm, signed “Schloss” lower left and again in Hebr...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Cadaver Study) Year: 1963 Medium: Ink on heavy archival paper Size: 16.75 x 14 inches Condition: Good Provenance: Notes: A ra...

A naturalistic study of a nude woman standing with her back to the viewer. She appears to be gripping the corner of something. The work is signed and dated by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

Portrait of a man with glasses. 1960s. Paper, watercolor, 35.5x24.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947...

"Held" by Rick Sindt is a small graphite drawing of two male figures embracing. This deceptively simple drawing is very powerful in its beauty and intimacy. The graph lines often u...

Born in 1852 in Reims, Marne, French Impressionist painter, lithographer, watercolorist and etcher Jean-Louis Forain enrolled at the École des Beaux Arts and studied under Jean-Léo...

Genre: Expressionist Subject: Figures Medium: Watercolor Surface: Paper Country: Austria Dimensions w/Frame: 21" x 26 3/4" Heimrad Prem (1934 – 1978) was a German painter born in Roding, Oberpfalz. From 1949–1952 he studied decorative painting at Schwandorf and then studied painting with Josef Oberberger and sculpture with Toni Stadler at the Akademie der Bildenden Künste, Munich until 1956. While studying painting with Ernst Emil Schumacher at the Hochschule der Künste, Berlin, he formed Gruppe SPUR with Lothar Fischer, Helmut Sturm, and Hans-Peter Zimmer. After meeting Asger Jorn, SPUR joined the Situationist International. He was influenced by the Cobra artists Karel Appel and Otmar Alt. In 1960 he won a scholarship of the Kulturpreises im Bundesverband der Deutschen Industrie, Cologne. From 1960–1962 he co-edited the magazine SPUR. In 1961 he visited Oerkelljunga, Sweden with Sturm, Zimmer and Dieter Kunzelmann staying with Jørgen Nash...

This is a soft pastel painting on tones sanded archival paper signed and dated by the artist. It is suitable for framing under glass to protect the pastel medium. The work is part of...

Emily at Age 5, (Yummy in a hoodie) Acrylic ink on Graphic Plastic Film, 2022 Signed with the artist's initials, lower right (see photo) Condition: Excellent Sheet size: 8 1/8 x 7 7/...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Read the Signs, No. 7 Watercolor on Yupo paper, 2013 Signed with the artist's signature lower right (see photo) Series: Read the Signs (22 watercolors) Exhib...

Study of a nude woman laying on a bed with her leg up on the bed. She is facing away from the viewer. The work is signed and dated by the artist. The paper is not framed. Many other...

Emily At 1 (Study 2) Watercolor on Yupo mounted to board, 2018 Signed with the artist's initials lower right (see photo) This image depicts the artist's daughter Emily Exhibited: Occ...

By the fountain. Paper, charcoal, 25x40 cm Vladimir Borisovich Glushenkov (May 21, 1948, Riga - December 26, 2009, Riga.) - painter, graphic artist, poet, translator. Born in Riga in a Russian-Polish-German family. Vladimir Glushenkov...

Paco Rabanne ( 1934-2023 ) grand couturier et parfumeur franco-espagnol . il a marqué l'univers de la mode dans les années 60. en 1963 , lauréat de la biennale de Paris avec une sculpture exposée au musée d'art moderne de Paris . " Aède " est un autoportrait de Paco Rabanne Feutre noir et de couleur , encre sur papier . signé et daté 1991 . 30 x 23 cm . 51 x 41 cm encadré cadre alu noir canon de fusil provenance : Succession Paco Rabanne 2023 " Un Aède est ,en Grèce antique...

Read the Signs #3 Watercolor on Yupo paper, 2013 Signed lower right (see photo) Series: Read the Signs (22 watercolors) Depicts the artist's relative Jaylen ...

Manfred Schwartz (American, b. Poland, 1909-1970), Resting Nude Woman, Charcoal on Paper, with the artist's signature stamped lower left, unframed. 20" H x 14.25" W. Provenance: From...

French women in a reclining position looking out at the viewer. The work is signed by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

Stolen Moments, Attitude Shift #2 (Emily with Sippy Cup) Watercolor on Twinrocker All Purpose Paper, 2019 Signed with the artist's initials lower right (...