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Anne PopperwellSand Flow1986
1986
About the Item
This artwork titled "San Flow" 1986 is an original watercolor on Arches watermarked paper by noted American artist Anne Popperwell, born 1948. It is signed at the lower right corner by the artist. The artwork size is 22 x 30 inches, framed is 30.25 x 36.25 inches. It is custom framed in a metal bronze color frame. It is in very good condition.
About the artist.
Anne Popperwell was born in Oakland, California, in 1948 and studied art at the San Francisco Art Institute from 1968-1970 with a major in painting and a minor in photography. She has been painting and exhibiting her work in both private and public galleries, primarily in Canada, since 1981. She paints in watercolour on paper and acrylic on canvas, though not exclusively, using nature-based imagery. Shortly after her arrival in Canada in 1976, Anne moved to an island off the West Coast to paint a particular landscape, the eroded sandstone shoreline. In the course of this eight-year series of paintings, she experimented with point of view, scale and colour, developing a method of working that creates the effect of light coming from within the subject itself. Her paintings are included in private, corporate and public collections in Canada and in private collections in the United States, Mexico and Europe.
Solo Exhibitions:
2016 "Shades of Saturna", Artlink Canada, Jaydon Gallery, Vancouver, British Columbia
2009 “Beauty” Casa Dahlia Galeria, San Jose del Cabo, Mexico
2008 “Tropical Flowers” Casa Dahlia Galeria, San Jose del Cabo, Mexico
996- "Why Don't You Just Leave?" paintings and video installation
1998 tour to 11 British Columbia regional galleries,
originating at the Art Gallery of Greater Victoria
Victoria, British Columbia
1993 Fran Willis Gallery, Victoria, British Columbia
1991 Fran Willis North Park Gallery, Victoria, British Columbia
1990 Fran Willis North Park Gallery, Victoria, British Columbia
1986 Robert Vanderleelie Gallery, Victoria, British Columbia
Thomas Gallery, Winnipeg, Manitoba
1984 Grace Gallery, Vancouver, British Columbia
Winchester Galleries, Victoria, British Columbia
1982 Kyle's Gallery, Victoria, British Columbia
1981 Kyle's Gallery, Victoria, British Columbia
Art Gallery of Greater Victoria, Victoria, British Columbia
Burnaby Art Gallery, Burnaby, British Columbi1980 Kamloops Public Art Gallery, Kamloops, British Columbia
Selected Group Exhibitions:
2014 Insight Art Gallery, Galiano, B.C
2012 The Field Gallery, San Jose del Cabo, Mexico
2002 “European Media Arts Festival”, Osnabruck, Germany
1997 “Open House”, Canadian Cultural Centre, Paris, France
1994 "Spring Run", Baux-Xi Gallery, Vancouver, British Columbia
1994-1996 Government House, Victoria, B.C.
1992 "Hanging Gardens", Fran Willis Gallery, Victoria, British Columbia
1990 "Bumbershoot Festival 1990", Seattle, Washington
1986 "Images B.C." The British Columbia Pavilion, Expo 86
Vancouver, British Columbia
1985 "Hot Water Colour", Harbourfront, Toronto, Ontario
"B.C. Women Artists"
Art Gallery of Greater Victoria, Victoria, British Columbia
1983 "National Watercolour Exhibition"
Contemporary Art Gallery, Vancouver, British Columbia
1981 “Painter’s Day”, Kyle’s Gallery, Victoria, B.C.
Public Collections
British Columbia Art Collection, Victoria, British Columbia
Art Gallery of Greater Victoria, Victoria, British Columbia
Maltwood Art Museum, Victoria, British Columbia
City of Vancouver, Vancouver, British Columbia
Esso Resources Canada, Ltd., Calgary, Alberta
Canada Council Art Bank, Ottawa, Ontario
Grants and Awards
1995 British Columbia Cultural Services Branch grant
1973 City of Vancouver Purchase Grant
Exhibition Reviews, Catalogues and Articles
"A Sense of Place", Aqua magazine, Salt Spring Island, B.C. (Summer 2014) illus.
“Why Don’t You Just Leave?”, Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (April, 1996) illus.
Cover, Preview Magazine, Vancouver, B.C., (May/June 1990)
Waterman, Jennifer A. “Planetary Visions, Sacred Images of the Earth” Herizons, Winnipeg, Manitoba (Volume 4 #8, December, 1986) p. 44, illus.
“B.C. Women Artists”,Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (October, 1985) illus.
Orford, Emily Jane, “Anne Popperwell’s Intimate Earth”, Victoria Times-Colonist, Victoria, B.C. (October 7, 1984) p. 8
Hartog, Diana, “Body Landscapes”, Monday Magazine, Victoria, B.C. (October 28, 1982)
Hartog, Diana, “Drunk with the Particular”, Monday Magazine, Victoria, B.C. (January 23, 1981) p. 16
“Anne Popperwell”, Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (October 1981) illus.
- Creator:Anne Popperwell (1948)
- Creation Year:1986
- Dimensions:Height: 30.25 in (76.84 cm)Width: 36.25 in (92.08 cm)Depth: 0.65 in (1.66 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:San Francisco, CA
- Reference Number:Seller: pop/sand/011stDibs: LU66633776921
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View AllRiverwash
By Anne Popperwell
Located in San Francisco, CA
This artwork titled "Riverwash" 1985 is an original watercolor on Arches watermarked paper by noted American artist Anne Popperwell, born 1948. It is signed at the lower right corner by the artist. The artwork size is 22 x 30 inches, framed is 28.25 x 36.25 inches. It is custom framed in a metal bronze color frame. It is in very good condition.
About the artist.
Anne Popperwell was born in Oakland, California, in 1948 and studied art at the San Francisco Art Institute from 1968-1970 with a major in painting and a minor in photography. She has been painting and exhibiting her work in both private and public galleries, primarily in Canada, since 1981. She paints in watercolour on paper and acrylic on canvas, though not exclusively, using nature-based imagery. Shortly after her arrival in Canada in 1976, Anne moved to an island off the West Coast to paint a particular landscape, the eroded sandstone shoreline. In the course of this eight-year series of paintings, she experimented with point of view, scale and colour, developing a method of working that creates the effect of light coming from within the subject itself. Her paintings are included in private, corporate and public collections in Canada and in private collections in the United States, Mexico and Europe.
Solo Exhibitions:
2016 "Shades of Saturna", Artlink Canada, Jaydon Gallery, Vancouver, British Columbia
2009 “Beauty” Casa Dahlia Galeria, San Jose del Cabo, Mexico
2008 “Tropical Flowers” Casa Dahlia Galeria, San Jose del Cabo, Mexico
996- "Why Don't You Just Leave?" paintings and video installation
1998 tour to 11 British Columbia regional galleries,
originating at the Art Gallery of Greater Victoria
Victoria, British Columbia
1993 Fran Willis Gallery, Victoria, British Columbia
1991 Fran Willis North Park Gallery, Victoria, British Columbia
1990 Fran Willis North Park Gallery, Victoria, British Columbia
1986 Robert Vanderleelie Gallery, Victoria, British Columbia
Thomas Gallery, Winnipeg, Manitoba
1984 Grace Gallery, Vancouver, British Columbia
Winchester Galleries, Victoria, British Columbia
1982 Kyle's Gallery, Victoria, British Columbia
1981 Kyle's Gallery, Victoria, British Columbia
Art Gallery of Greater Victoria, Victoria, British Columbia
Burnaby Art Gallery, Burnaby, British Columbi1980 Kamloops Public Art Gallery, Kamloops, British Columbia
Selected Group Exhibitions:
2014 Insight Art Gallery, Galiano, B.C
2012 The Field Gallery, San Jose del Cabo, Mexico
2002 “European Media Arts Festival”, Osnabruck, Germany
1997 “Open House”, Canadian Cultural Centre, Paris, France
1994 "Spring Run", Baux-Xi Gallery, Vancouver, British Columbia
1994-1996 Government House, Victoria, B.C.
1992 "Hanging Gardens", Fran Willis Gallery, Victoria, British Columbia
1990 "Bumbershoot Festival 1990", Seattle, Washington
1986 "Images B.C." The British Columbia Pavilion, Expo 86
Vancouver, British Columbia
1985 "Hot Water Colour", Harbourfront, Toronto, Ontario
"B.C. Women Artists"
Art Gallery of Greater Victoria, Victoria, British Columbia
1983 "National Watercolour Exhibition"
Contemporary Art Gallery, Vancouver, British Columbia
1981 “Painter’s Day”, Kyle’s Gallery, Victoria, B.C.
Public Collections
British Columbia Art Collection, Victoria, British Columbia
Art Gallery of Greater Victoria, Victoria, British Columbia
Maltwood Art Museum, Victoria, British Columbia
City of Vancouver, Vancouver, British Columbia
Esso Resources Canada, Ltd., Calgary, Alberta
Canada Council Art Bank, Ottawa, Ontario
Grants and Awards
1995 British Columbia Cultural Services Branch grant
1973 City of Vancouver Purchase Grant
Exhibition Reviews, Catalogues and Articles
"A Sense of Place", Aqua magazine, Salt Spring Island, B.C. (Summer 2014) illus.
“Why Don’t You Just Leave?”, Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (April, 1996) illus.
Cover, Preview Magazine, Vancouver, B.C., (May/June 1990)
Waterman, Jennifer A. “Planetary Visions, Sacred Images of the Earth” Herizons, Winnipeg, Manitoba (Volume 4 #8, December, 1986) p. 44, illus.
“B.C. Women Artists”,Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (October, 1985) illus.
Orford, Emily Jane, “Anne Popperwell’s Intimate Earth”, Victoria Times-Colonist, Victoria, B.C. (October 7, 1984) p. 8
Hartog, Diana, “Body Landscapes...
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The Bird Lover
Located in San Francisco, CA
This artwork "The Bird Lover" c.1980 is a watercolor on heavy watercolor paper by California artist Charlotte Huntley. It is signed at the lower righ...
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Looking at the Jungle
Located in San Francisco, CA
This artwork "Looking at the Jungle" c.1980 is a watercolor on heavy watercolor paper by California artist Charlotte Huntley. It is signed at the lower left corner by the artist. The size is 16.5 x 26.5 inches. It is in excellent condition, the colors are fresh and bright, has never been framed.
About the artist:
Charlotte Huntley might have been a renowned graffiti artist – her earliest work consisted of drawing on walls. But fate intervened and she learned to control these urges with a formal education at Scripps College, Chouinard School of Art, and the Los Angeles County Art Institute. These early tendencies reemerged not just in painting, but in other artistic ways as well, to the benefit of community theaters in the San Francisco Bay Area and Chicago. She spent years as a professional puppeteer and set designer, and developing her own unique watercolor painting style. Charlotte’s use of pointillism. Charlotte Huntley AWS, June Workshop Instructor “Charlotte Huntley has special insights into color and fresh approaches to cliche subject matter. Her work in watercolor is truly unique. Charlotte adapts the Pointillism of Seurat and other post-Impressionists and makes it her own in watercolor. With Pointillism, distinct points of primary colors create the impression of a wide selection of secondary colors. The technique relies on the perceptive ability of the eye and mind of the viewer to mix the color spots into a fuller range of tones. Charlotte truly makes the most of this style of painting. Over her illustrious career, Huntley has been awarded a signature membership in 29 watercolor societies, including the American Watercolor Society, California Watercolor Association, Transparent Watercolor Soc. of America, Northwest Watercolor Society, and Watercolor West. Overall, Charlotte has received 45 Awards in National Exhibitions since 2000 – an impressive achievement.
This imaginative Watercolor Artist has had over 575 paintings accepted in National Juried Art Exhibitions in 46 states, also Canada and Puerto Rico, with 113 Awards.
Charlotte has proven to be a popular Juror, knowledgeable Juror, inspiring Workshop Instructor, and an Award-winning Author.The work of Charlotte Huntley is held in collections in the U.S. Canada and Puerto Rico as well as in some European country.
In 2016 Charlotte has been accepted in 14 National Exhibitions with 1 Award: Signature American W/C Society (CA), Rockies West National (CO) , Animals in Art (LA) (Judge’s Award) , Georgia W/C Society , Missouri W/C Society, Society of W/C Artists (TX) , Gibson Co. Visual Arts Ass’n (TN) , Illinois W/C Society, W/C Soc. of Alabama, Rocky Mountain Nat’1 W/C (CO), Alaska W/C Soc., Aqueous USA 2016 (KY), Niagara Frontier W/C Soc . (NY) and Northwest W/C Soc. (WA).
Elite Awards
Sylvan Grouse Guild Award, Pennsylvania Watercolor Society
Elite Signature Status , Watercolor Art Society-Houston
Master Signature Member, Western Colorado Watercolor Society
Received over 100 Awards in National Exhibitions:
2014 3K1 Place, Gibson Co. Visual Arts Ass’n (TN), 4lb Place, Soc. of Watercolor Artists (TX) and 5 other Awards.
2013 !st Place, Gibson Co. Visual Arts Association (TN). Awards Red River W/C Society , West VA W/C Society, Watercolor Wyorning 2012 2nd Place, Gibson Co. Visual Arts Ass’n. (TN). 3’d Place, Cheyenne Artists’ Guild, Awards and 2 others.
2011 lst place Cheyenne Artists Guild, lst place Society of Western Artists, CA 2nd Place Niagara Frontier WS, NY and 6 others.
2010 Best of Watercolor, Arts in Harmony , MN, and First Place, Kentucky W/C Society Aquaventures
2009 Mary Anderson Surnner Award and Gold Medal, Red River Valley, TX
2008 Amy Freeman Award, Texas Watercolor Society, Presidents Award, Arizona Watercolor Association
2007 Founders Award, Watercolor West, CA , Third Place, Red River Valley Museum , TX
2006 AWS Traveling Exhibition
2005 First Place in Painting Division, Girardot, MO
20(A Second Award, Gulf Coast National , TX
2003 Arches Award, Aqueous Open, PA
2002 Best of Show , Visual Arts Center of NW FL, President’s Award, Society of Watercolor Artists , TX
2001 Board Of Directors’ Award, Western Colorado Watercolor Society
2000 Best of Show, Art Wyoming, WY
Books and Magazines
Together with Judi Betts...
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Untitled #2
By Jerry Opper
Located in San Francisco, CA
This artwork "Untitled #2" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed with initial in pencil at the lower right corner by the artist. The image size is 23 x 18 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1.
About the artist:
Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945.
Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance.
Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
Category
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Materials
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By Jerry Opper
Located in San Francisco, CA
This artwork "Untitled #1" c.1970 is a colors pastel and crayon on thick paper by American artist Jerry Opper, 1924-2014. It is hand signed in pencil at the lower right corner by the artist. The image size is 23 x 18 inches, sheet size is 24 x 19 inches. It is in excellent condition, there are pastel marks on the margin all around the artwork and also on the back, see picture #1.
About the artist:
Jerry Opper was born in Cleveland, Ohio, on September 5, 1924. He moved to Los Angeles with his family in 1933. After graduating from Hollywood High School, he worked in movie studios and attended art classes at Chouinard Art Institute. In May 1942, Opper was drafted into the army and was then able to study at the Colorado Springs Fine Arts Center while his outfit was stationed in Colorado. Later he was sent to Guam and was discharged in December 1945.
Opper returned to Chouinard and his work in movie studios until 1947, when he moved to San Francisco. He enrolled as a full-time student at the California School of Fine Arts (now SFAI) and received his diploma in June of 1950. In 1948, Opper met his wife Gertrud Ruth Friedmann, daughter of artist Gustav Friedmann, whose works are also in the Lost Art Salon collection. It was love at first sight and a few weeks after their first encounter at the Black Cat in San Francisco's North Beach, they got married and enjoyed a passionate, life-long romance.
Shortly after he finished school, Opper worked briefly as a decorator’s assistant and then started his career as a commercial artist, working for several firms such as Fibreboard, Beatrix Food and Precision. Working full-time and dedicating himself to having a rich family life occupied most of Opper's time, but he continued to be creative. He was above all a family man with the pride of having raised two exceptional daughters, Erika and Jody. Year after year, Opper would painstakingly craft their Halloween costumes...
Category
Late 20th Century American Modern Abstract Drawings and Watercolors
Materials
Pastel
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