Francois Victor Sabatier

St Mark's Square, Venice, 19th Century French Watercolour, Signed, '1868'

1868

ERNEST ARTHUR ROWE 1863 - 1922 St Peter's Rome Watercolour Signed lower left Image size: 9 ¾ x 7 inches Original gilt frame

Watercolour with touches of bodycolour on buff paper, signed lower middle and inscribed and dated '1839' lower left Image size: 8 1/2 x 12 1/4 inches (22 x 31 cm) Acid free mount and period style gilt frame This original watercolour by Roberts depicts the temple at Baalbek with the ruined palace behind, seen from the opposite bank of a brook, where a group of figures are seated and kneeling around a table, with an arched bridge nearby. David Roberts was the first professional British artist to travel independently to the Middle East in 1838. He was the first British artist to draw the ruins of Ancient Egypt and Roberts produced a series of finished watercolours, including the painting, which he had worked up from sketches made during his tour. Like many British artists he used the familiar visual language of European landscapes to capture the unfamiliar scenery. By using architectural motifs to provide structure to compositions like this he is able to present a dramatic scene of classical grandeur, illuminated by sunlight complemented by a large area of shade in the foreground. The dramatic scene is enhanced by the three groups of figures, which convey the sense of scale. The figures also give the picture richer, darker and redder tones that contrast with the sandy colours of the architecture. This painting uses a lot of the essential ingredients that make up a picturesque scene: distant mountains, classical ruins and figures for human interest and to convey motion. Robert's Trip to Baalbek David Roberts visited Baalbek near the end of his travels around Egypt and the Middle East. Roberts and his party rode to the site of Baalbek on 2nd May in a heavy-rain storm. He was miserable, totally drenched and feverish. But the sight of the ancient Roman settlement rallied him. Despite his physical debilitation, 'I was... so much struck with the magnificence of the temple, that I could not resist visiting and examining it'. The storm then continued through the night, pummelling the traveller's tents. In the morning, Roberts felt extremely ill and sought the help of a Greek priest, who found him dry shelter in a cowshed. For the first time on his gruelling journey, Roberts devoted the whole day to bed rest. On May 4th, regaining some strength, Roberts explored the site. With obscure origins connected with the god Baal, the city of Baalbek had grown to importance in Hellenistic times, when it was known as Heliopolis ('The City of the Sun'). In the first century B.C. the Romans had established a cult of the Heliopolitan Jupiter there, and both Josephus Flavius...

Théodore Gudin 1802 - 1880 At Sea Ink and wash over pencil on paper, signed, inscribed and dated 1868 bottom left Image size: 6 x 11 inches (15.5 x 27.75 cm) Inscribed bottom left: ...

COLONEL BARTON Early 19th Century Damascus Watercolour & bodycolour, signed & inscribed & dated 1847 lower right Image size: 9 ½ x 13 inches (24 x 33 cm)

St Mark's Square, Venice is an original drawing realized by Francesco Zanin in the 1877. China ink, watercolor and tempera on cardboard. The art...

Venice is an original drawing realized by Francesco Zanin in the 1877 Origina china ink, watercolor and tempera on cardboard. The artwork is glu...

Venice, St. Mark's square is an original artwork realized in the mid 19th century by Giuseppe Kier. Mixed colored lithograph. Framed. Good conditions except for some stains. A be...

A striking watercolour depiction of the Doge's Palace, Venice. The painting is on heavy wove board. On heavy wove board.