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Artist: Henri Miloch
Medium: Gouache
Ecole de Paris Mid 20th Century City Architectural Winter Scene
By Henri Miloch
Located in Cirencester, Gloucestershire
Paris: City Winter Scene
by Henri Miloch (1898-1979)
watercolour and gouache painting with charcoal on artist's paper, unframed
Sheet: 9.75 x 13.5 inches
Intriguing painting by the...
Category
1940s Impressionist Gouache Landscape Drawings and Watercolors
Materials
Charcoal, Watercolor, Gouache
Ecole de Paris Mid 20th Century, A City Street Scene
By Henri Miloch
Located in Cirencester, Gloucestershire
Paris, France: A City Street Scene
by Henri Miloch (1898-1979)
unsigned
watercolour and gouache painting on artist's paper, unframed
sheet 9.75 x 12.25 inches
Very nicely execu...
Category
1940s Impressionist Gouache Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Ecole de Paris Mid 20th Century Place du Tertre and Sacre Coeur
By Henri Miloch
Located in Cirencester, Gloucestershire
Paris: Place du Tertre and Sacre Coeur, the Roman Catholic Basilica of the Sacred Heart of Paris
by Henri Miloch (1898-1979)
signed lower right
watercolour and gouache painting on ar...
Category
1940s Impressionist Gouache Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Ecole de Paris, Mid 20th Century, Three Paris Scenes Eiffel Tower & Parks
By Henri Miloch
Located in Cirencester, Gloucestershire
Paris: A Collection of Three Paintings of Paris Scenes
by Henri Miloch (1898-1979)
the Eiffel Tower painting is signed front lower right and also inscribed to the back, the Versailles painting...
Category
1940s Impressionist Gouache Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Ecole de Paris Mid 20th Century, Back Streets of Paris
By Henri Miloch
Located in Cirencester, Gloucestershire
Paris, France
by Henri Miloch (1898-1979)
signed and double sided
watercolour and gouache painting on artist's paper, unframed
sheet 12.5 x 15.5 inches
Nicely executed study over ...
Category
1940s Impressionist Gouache Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Ecole de Paris Mid 20th Century Pair of Paintings Notre Dame Paris River Seine
By Henri Miloch
Located in Cirencester, Gloucestershire
Paris: Two Views of Notre Dame Cathedral
by Henri Miloch (1898-1979)
both signed lower right
two watercolour and gouache paintings on artist's paper, unframed
Sheet: each measure 9....
Category
1940s Impressionist Gouache Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Ecole de Paris, Mid 20th Century, Two Landmark Paintings
By Henri Miloch
Located in Cirencester, Gloucestershire
Paris: Pont Alexandre III and Place de la Concorde
by Henri Miloch (1898-1979)
signed lower right on Place de la Concorde, the other is unsigned
watercolour and gouache painting on a...
Category
1940s Impressionist Gouache Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Ecole de Paris Mid 20th Century Paris Street Cafes & Figures
By Henri Miloch
Located in Cirencester, Gloucestershire
Paris: Street Cafe Society
by Henri Miloch (1898-1979)
signed lower right
watercolour and gouache painting on artist's paper, unframed
Sheet:: 9.75 x 12.5...
Category
1940s Impressionist Gouache Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Ecole de Paris Mid 20th Century, Four Architectural Landscapes
By Henri Miloch
Located in Cirencester, Gloucestershire
Paris, France: Four Architectural Landscapes
by Henri Miloch (1898-1979)
unsigned
watercolour and gouache painting on artist's paper, unframed
Average sheet 9.00 x 12.00 inches (...
Category
1940s Impressionist Gouache Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Ecole de Paris Mid 20th Century Pont Alexandre III
By Henri Miloch
Located in Cirencester, Gloucestershire
Paris: Pont Alexandre III
by Henri Miloch (1898-1979)
signed lower right
watercolour and gouache painting on artist's paper, unframed
Sheet:: 13 x 9.75 inches
Charming painting by ...
Category
1940s Impressionist Gouache Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Ecole de Paris Mid 20th Century Paris Shops
By Henri Miloch
Located in Cirencester, Gloucestershire
Paris: Colourful Shops
by Henri Miloch (1898-1979)
signed lower right
watercolour and gouache painting on artist's paper, unframed
Sheet:: 9.75 x 12.5 inches
Very pretty painting b...
Category
1940s Impressionist Gouache Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Ecole de Paris Mid 20th Century 1948 Paris Place de la Concorde
By Henri Miloch
Located in Cirencester, Gloucestershire
Paris: Place de la Concorde looking towards Rue Royale
by Henri Miloch (1898-1979)
signed lower right and dated for 16th September 1948
watercolour and gouache painting on artist's paper, unframed
Sheet:: 9.5 x 12.25 inches
Very pretty painting by the highly regarded painter, Henri Miloch. It depicts Place de la Concorde with a cyclist making their way through the traffic. The artist was seated immediately by the fountain closest to Hotel de la Marine...
Category
1940s Impressionist Gouache Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Ecole de Paris Mid 20th Century Pont Royal Bridge
By Henri Miloch
Located in Cirencester, Gloucestershire
Paris, France: The Pont Royal
by Henri Miloch (1898-1979)
signed lower right
watercolour and gouache painting on artist's paper, unframed
Image: 12 x 8.75 inches, sheet 16 x 12.25 ...
Category
1940s Impressionist Gouache Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
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H 9.06 in W 15.75 in D 1.38 in
"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
By Max Kuehne
Located in New York, NY
Max Kuehne (1880 - 1968)
Train Station, circa 1910
Watercolor on paper
8 1/4 x 10 1/4 inches
Signed lower right
Provenance:
Private Collection, Illinois
Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes.
Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work.
Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri.
A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him.
After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie.
Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically.
Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
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"Monhegan Island, Maine, " Edward Dufner, American Impressionism Landscape View
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Signed lower right
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In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines.
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Impressionist Beach Scene, Perranporth, Cornwall
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Signed lower right
Watercolor on paper
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John Cuthbert Hare, 1908-1978, was a watercolorist who painted boats, seascapes and harbor scenes. He was primarily associated New England, especially Cape Cod, Massachusetts where he spent his summers from 1938 to 1965. However, he was in Florida where he was a member of the St. Augustine Art Association, and other locations on the East Coast.
It is likely Hare was born in New York City. He first studied commercial art in Brooklyn at the Pratt Institute and also studied at the Art Students League in Manhattan. He worked for Hearst newspapers corporation, and in 1933 married. In the next few years, he and his wife traveled extensively, camping and painting and exhibiting his work in galleries.
In 1935, they visited St. Augustine and an exhibition of his watercolors was held there in the old bank...
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Gouache landscape drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic Gouache landscape drawings and watercolors available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape drawings and watercolors created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Bernard Labbe, Christina Haglid, Henri Miloch, and Sandy Litchfield. Frequently made by artists working in the Modern, Impressionist, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Gouache landscape drawings and watercolors, so small editions measuring 0.1 inches across are also available Prices for landscape drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $49 and tops out at $985,000, while the average work can sell for $805.
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