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Period: 19th Century
Medium: Paper
19th Century Grand Tour Impressionist View of Santo Stephano, Liguria, Italy.
Located in Cotignac, FR
19th century Impressionist view, in pastel, chalk and crayon, in the style of Turner, of Santo Stephano, Imperia, Italy by British artist Hercules Brabazon Brabazon...
Category
Mid-19th Century Impressionist Paper Landscape Drawings and Watercolors
Materials
Pastel, Crayon, Paper
Mountainous Riverlandscape with resting Wanderers, German, Aquatint, old master
Located in Greven, DE
German or Swiss School, probably Circle of Christoph Nathe (1753-1808)), around 1800; beautiful old master drawing/ aquatint, inscribed "P 50/ 1871 gekauf...
Category
19th Century Romantic Paper Landscape Drawings and Watercolors
Materials
Handmade Paper
Big sky, clouds over the Seine River French Impressionist landscape painting
By Gaston Prunier
Located in Norwich, GB
A stunning sky and cloud study by Gaston Prunier. Originally from Le Havre, the sea port where the Seine empties into the English Channel, Prunier was c...
Category
1890s French School Paper Landscape Drawings and Watercolors
Materials
Watercolor, Gouache, Laid Paper
The Chapel Saint Pierre, Villefranche, South of France.
Located in Cotignac, FR
Mid 19th century pastel drawing view of the Chapel Saint Pierre at Villefranche, with the harbour beyond, by British artist Hercules Brabazon Brabazon...
Category
Mid-19th Century Impressionist Paper Landscape Drawings and Watercolors
Materials
Paper, Pencil, Pastel
Le Défilé Royal (Illustration for Voyage au Pays des Pommes) by Lucien Pissarro
Located in London, GB
Le Défilé Royal (Illustration for Voyage au Pays des Pommes) by Lucien Pissarro (1863-1944)
Watercolour on paper
22.5 x 26 cm (8 ⅞ x 10 ¼ inches)
Signed lower left with monogram
This work is accompanied by a letter of authenticity from Colin Harrison, Senior Curator of European Art at the Ashmolean Museum, Oxford.
Provenance
Mr Ian Robertson
Exhibition
London, Leicester Galleries, Memorial Exhibition of Lucien Pissarro's Work, Part II, 1947, No. 60 (catalogued as La Procession)
Artist biography
Born on the 20th February 1863, Lucien Pissarro was the eldest son of the Impressionist painter Camille Pissarro. Coached from a young age by his father and in the frequent company of figures such as Cézanne, Gauguin and Monet, it is no surprise that Lucien chose to pursue an artistic career. While he is best known as a landscape painter, Lucien was also a printmaker, wood engraver and printer of fine books, occasionally painting still lifes and portraits of his family.
Lucien first visited England in 1870 with his family when fleeing the Franco-Prussian war. It was the beginning of a great love affair with the country. He decided to move permanently to England in 1890, becoming an English citizen in 1916. Until then he had worked as a landscape painter and book illustrator in France. During this period he met and worked with painters such as Paul Signac, Georges Seurat and Vincent van Gogh. Moving simultaneously in Impressionist and Neo-Impressionist circles, Lucien exhibited Pointillist paintings with his father in the last Impressionist exhibition in 1886. In the same year he was one of the first artists to exhibit in the “Salon des Indépendants” as a Neo-Impressionist.
Despite his close relationship with his father, as revealed in their correspondence, Lucien showed remarkable independence of mind in his approach to his art. While Lucien was trained by his father, the influence the artists had on one another was reciprocal. Thanks to his relationship with Seurat and Signac, Lucien encouraged Camille to experiment with Pointillism, a characteristic of the Neo-Impressionist group.
Lucien’s move to England in 1890 allowed him greater freedom to pursue his interest in book illustration and printing. There Lucien and his wife Esther established the Éragny Press, named after the Normandy village where his family lived since 1884. The Éragny Press was principally notable for creating aesthetically pleasing books and paved the way for the development of European book art. Lucien’s illustrations for these books demonstrate his talent and command of colour.
Nevertheless, Lucien always considered painting his primary concern, particularly landscape painting. Continuing the tradition of the Impressionists, Lucien was a plein-air painter who liked to work outdoors and study the subject directly from nature. His landscapes reveal his fascination for the effects of weather and light. The contemporary art critic Frank Rutter described Lucien as a master of colour, writing in 1922: “there is no man living who has a more profound knowledge of the science of colour, or a more discriminating eye for its observation in nature.” Rutter was also struck by Lucien’s respect for his subject, nature itself: “Each canvas is wrought with a quiet perfection that conceals its art and is eloquent of the tender emotion which the loveliness of nature inspires in the artist.”
It is clear from Rutter’s praise that Lucien’s contemporaries were impressed by his combination of English and French artistic traditions. Unsurprisingly, he became associated with artistic groups that drew inspiration from the Impressionists, including the New English Art Club, with whom he exhibited in 1904, the Fitzroy Street Group in 1907 and the Camden Town Group in 1911. To his English contemporaries Lucien represented a direct link to the Impressionist Masters. His influence can be recognised in the work of British artists such as Spencer Gore, Harold Gilman...
Category
19th Century Post-Impressionist Paper Landscape Drawings and Watercolors
Materials
Watercolor, Paper
Circle of John Varley, 19th century view of a mountain lake
By John Varley
Located in Harkstead, GB
A charming 19th century view of a figure on the shore of a mountain lake, framed by the foliage of a birch tree.
Circle of John Varley (1778-1842)
Figure on the shore of a mountain ...
Category
19th Century Victorian Paper Landscape Drawings and Watercolors
Materials
Watercolor, Paper
19th century pastel of a river scene, The Chapel Bridge, Lucerne, Switzerland.
Located in Cotignac, FR
Mid 19th century pastel drawing view of the Chapel Bridge and river Reuss in Lucerne, Switzerland by Hercules Brabazon Brabazon. The work...
Category
1860s Romantic Paper Landscape Drawings and Watercolors
Materials
Paper, Pastel, Pencil
Tropical Landscape with Palm Trees and Flamingo, German Romantic Art, Nature Art
Located in Greven, DE
Signed Pencil Drawing by Andreas Geist, a German painter of animals and theatre sceneries.
Andreas Geist was born as the son of the painter Joseph Gei...
Category
19th Century Romantic Paper Landscape Drawings and Watercolors
Materials
Handmade Paper, Crayon
Landscape with Trees by Félix Pissarro - Drawing
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Landscape with Trees by Félix Pissarro (1874-1897)
Pencil on paper
29 x 22.5 cm (1...
Category
1890s Post-Impressionist Paper Landscape Drawings and Watercolors
Materials
Pencil, Paper
'Woodland Stream', Paris, New York, Hudson River School, Luminism, AIC, PAFA
Located in Santa Cruz, CA
Signed lower right, 'Arthur Parton' (American, 1842-1914) and painted circa 1885.
This notable Hudson River School painter first studied under William Trost Richards, from whom he gained a grounding in the technical aspects of his craft, and, subsequently, at the Pennsylvania Academy of Fine Arts. While in Philadelphia, he began to exhibit with success and, in 1864, moved to New York where he continued to exhibit before leaving for Europe in 1869. In France, he was influenced by the works of the Barbizon painters and then furthered his studies in Paris and London (1870) before continuing to Scotland (1871). Upon his return to America, he would go on to establish himself as a major figure in the art world, maintaining a studio at 51 West 10th Street from 1874 to 1893.
Best known for his landscapes of the Adirondacks and Catskill Mountains, Parton also painted in England and Scotland. During his career, he explored several styles including Tonalism and Impressionism, but remained closely influenced by the Hudson River style including Luminism. Parton was a member of the American Watercolor Society, the Artists Fund Society and, from 1871, the National Academy of Design, becoming a National Academician in 1884. Parton exhibited widely and with success including at the Corcoran Gallery of Art (1907-1908, 1910), Brooklyn Artists Association (1866-85), Philadelphia Centennial Exposition (1876), Boston Art Club (1882-1909), New York City (1886 gold medal), Pennsylvania Academy of Fine Arts (1889 Temple gold medal, 1891, 1896-97, 1905), Paris Exposition Universelle (1889 honorable mention), St Louis Exposition (1904 medal), the Art Institute of Chicago and, for more than 50 years, at the National Academy of Design (1862-1914, 1896 prize).
Parton gained widespread recognition after his painting of the Shenandoah River (1872) was published in William Cullen Bryant...
Category
1880s Hudson River School Paper Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Gouache, Postcard
A Grand Tour view of St Peter's Rome, Roman Campagna, Italy
By Thomas Hartley Cromek
Located in Harkstead, GB
A wonderful view of St Peter's, Rome encompassing the elegant landscaped gardens with rolling campagna in the background.
Attributed to Thomas Hartley Cromek...
Category
Mid-19th Century English School Paper Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Bellagio, Lake Como.
Located in Cotignac, FR
Mid 19th century pastel drawing view of Bellagio on Lake Como by Hercules Brabazon Brabazon. The work is under its original mount and initial signed (HBB) b...
Category
1860s Romantic Paper Landscape Drawings and Watercolors
Materials
Paper, Pastel, Pencil
Impressionist View of Villefranche, South of France, in the style of Turner.
Located in Cotignac, FR
19th century Impressionist view, in pastel, chalk and crayon, in the style of Turner, of Villefranche, South of France by British artist Hercules Brabazon Brabazon...
Category
Mid-19th Century Impressionist Paper Landscape Drawings and Watercolors
Materials
Paper, Crayon, Pastel
"Hanging Scroll of Prunus Branches, " Ink on Paper, 1850
Located in Chicago, IL
Chinese scholars used natural imagery and scenery to aid in contemplation within the walls of their studios. The complex beauty inherent to landscapes and natural forms inspired clea...
Category
19th Century Qing Paper Landscape Drawings and Watercolors
Materials
Paper, Ink
19th Century Maritime Seascape, USS Steam Frigate Niagara
Located in Soquel, CA
19th century maritime seascape of a naval ship similar to those used in the war of 1812, by William B. Hoff (American, 1846-1903). This miniature wat...
Category
19th Century American Impressionist Paper Landscape Drawings and Watercolors
Materials
Watercolor, Paper, Graphite
"Old Russell House, " Charles Marion Russell, Western American Drawing
By Charles Marion Russell
Located in New York, NY
Charles Marion Russell (1864 - 1926)
Old Russell House
Pencil on paper
3 1/2 x 6 1/2 inches
Provenance:
Kennedy Galleries, New York
Raydon Galleries, ...
Category
Late 19th Century American Impressionist Paper Landscape Drawings and Watercolors
Materials
Pencil, Paper
Lake landscape – Swiss School early 19th century
Located in Middletown, NY
Brush and brown ink and wash with graphite on cream wove paper, 6 1/2 x 9 1/4 inches (165 x 232mm). Inscribed "Fahlerant, No. 9754, Paisaje--Orillas de un lago" in ink on the verso. ...
Category
Early 19th Century Realist Paper Landscape Drawings and Watercolors
Materials
Handmade Paper, Ink, Graphite
Late 19th Century California Landscape Watercolor
Located in Soquel, CA
Beautiful late 19th-century watercolor landscape in the style of Elmer Wachtel (American, 1864-1929), by an unknown 19th-century artist. This small watercolor...
Category
1880s American Impressionist Paper Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Mountains and Valley Autumnal
Located in Soquel, CA
Serene cloudy landscape by Arthur Philemon Coleman (Canada, 1852-1939). From atop a hill, the viewer looks across a valley. There are a few outcroppings of trees, as well as a farmhouse and livestock. In the far distance, rolling hills with exposed rock are seen in the distance.
Signed "A. Coleman" in the lower left corner.
Presented in a double mat with foam core backing.
Image size: 9.75"H x 16"W
Mat size: 14.88"H x 21.75"W
Some age toning to paper and an age toned section is in the center of the painting running from top to bottom.
Arthur Coleman...
Category
Late 19th Century Naturalistic Paper Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Pair of Antique original American Hudson River School drawings 1881 Framed
Located in Buffalo, NY
A pair of rare 19th Century Hudson River School drawings dated 1881.
These two treasures come housed in black frames.
Category
1880s Hudson River School Paper Landscape Drawings and Watercolors
Materials
Graphite, Paper
The Nailsmith Houses, Late 19th Century Rattenberg Austria Historical Landscape
Located in Soquel, CA
The Nailsmith Houses, Late 19th Century Rattenberg Austria Historical Landscape
Exquisitely detailed 1888 watercolor of The Nailsmith Houses, a historical building in Rattenberg, A...
Category
1880s Realist Paper Landscape Drawings and Watercolors
Materials
Watercolor, Illustration Board, Paper
Follower of David Cox, 19th Century watercolor, Figures on the waterfront
By (Circle of) David Cox
Located in Harkstead, GB
A dramatic 19th Century watercolor painted by a competent hand in the style of David Cox the Elder. A spirited scene with weather-beaten figures on the waterfront looking out to sail...
Category
19th Century Victorian Paper Landscape Drawings and Watercolors
Materials
Watercolor, Paper
"Saratoga, " John Francis Murphy, Hudson River School, Tonalism
Located in New York, NY
John Francis Murphy (1853 - 1921)
Saratoga, 1876
Graphite on paper
Sight 8 3/4 x 10 1/2 inches
Titled and dated to lower right
Provenance:
Babcock Galleries, New York
Spanierman Gallery, New York
In his lifetime, John Francis Murphy (1853-1921) was known as “the American Corot.” He was renowned for his small, intimate views of nature, especially barren fields and farms, bare trees, and lonely marshland. More than a century later, the power of Murphy’s landscapes has not waned. One contemporary critic wrote, “It was Murphy’s unique accomplishment to achieve an absolute realism without a loss of that mystic, indefinable quality which transfigures realism.”
John Francis Murphy was born at Oswego, NY in 1853 but his family moved to Chicago in 1868 where he worked painting theater sets. Murphy was basically a self-taught artist; his only formal training was a few weeks of instruction at the Chicago Academy of Design.
In 1875, Murphy moved from Chicago to New York, eventually rooming with the painters Dennis Bunker and Bruce Crane above a bakery shop. Murphy’s early work was typical of the Hudson River school but he soon fell under the sway of the loose brushwork and moody style of French Barbizon painting...
Category
1870s Tonalist Paper Landscape Drawings and Watercolors
Materials
Pencil, Paper
The Countryside and Mediterranean Sea at Beaulieu, Cote d'Azur, South of France.
Located in Cotignac, FR
19th century Impressionist view, in watercolour, in the style of Turner, of Beaulieu, South of France, by British artist Hercules Brabazon Brabazon...
Category
Mid-19th Century Impressionist Paper Landscape Drawings and Watercolors
Materials
Paper, Crayon, Pastel
The Royal Palace, Monte Carlo, Monaco.
Located in Cotignac, FR
Mid 19th century pastel drawing view of the Royal Palace, Monte Carlo, Monaco by British artist Hercules Brabazon Brabazon. The work is titl...
Category
Mid-19th Century Impressionist Paper Landscape Drawings and Watercolors
Materials
Paper, Pastel, Pencil
Cross Place du Village Watercolor Painting by C Koella c1897 19th Century
Located in FR
Cross Place du Village Watercolor Painting by C Koella c1897 19th Century
Saas Switzerland
E Vouga from Geneva is the previous owner
Good antique condition with a small tear on one...
Category
1890s Realist Paper Landscape Drawings and Watercolors
Materials
Watercolor, Paper
La Plage, Cote d'Azur, South of France.
Located in Cotignac, FR
19th century Impressionist view, in pastel, in the style of Turner, of a beach, 'La Plage', in South of France, by British artist Hercules Brabazon Brabazon...
Category
Mid-19th Century Impressionist Paper Landscape Drawings and Watercolors
Materials
Pastel, Crayon, Paper
"Medieval Thoughts, Prague, " Alphonse Mucha, Czech Art Nouveau Illustration
Located in New York, NY
Alphonse Mucha (Czech, 1860 - 1939)
Medieval Thoughts, circa 1890
Wash, ink, and watercolor on paper
11 x 9 inches
Signed lower right
Provenance:
Phillips New York, 19th and 20th ce...
Category
1890s Art Nouveau Paper Landscape Drawings and Watercolors
Materials
Paper, Ink, Watercolor
Sunset on the Alps
Located in Cotignac, FR
Late 19th century drawing and crayon view of a sunset over the Alps by Hercules Brabazon Brabazon. Initial signed (HBB) by the artist.
Brabazon would have vi...
Category
Late 19th Century Impressionist Paper Landscape Drawings and Watercolors
Materials
Paper, Pencil, Crayon
William Daniell (British, 1769-1837) Fortification 19th Century Ink Wash Drawing
By William Daniell
Located in Meinisberg, CH
William Daniell
(British, 1769-1837)
Bridged Fortification in a Mountainous River
• Blue wash on paper, laid on card, ca. 18 x 32 cm
• Presented behi...
Category
Early 19th Century English School Paper Landscape Drawings and Watercolors
Materials
Watercolor, Paper, Cardboard, Ink
Lennard Lewis (English, 1826 - 1913) Lago Maggiore Switzerland Water Colour 1898
Located in Meinisberg, CH
Lennard Lewis
(British, 1826 - 1913)
View of the Lago Maggiore and the Mountains of southern Switzerland
• Water colour on paper
• Signed and dated low...
Category
1890s Victorian Paper Landscape Drawings and Watercolors
Materials
Watercolor, Paper
19th Century Loch Tay Scottish Landscape
By Aaron Edwin Penley
Located in Soquel, CA
Masterful Scottish watercolor landscape of Loch Tay with boats and small figures on the short by Aaron Edwin Penley (English, 1826-1897)....
Category
1870s Realist Paper Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Richard Westall Neoclassical Mythology Drawing 1800s pencil on paper
Located in Florence, IT
Drawing Pencil on paper, 17.7 x 26.7 inch; with gilded frame 28.3 x 37 inch
The scene is set on the seashore, in the part were the stormy sea is licking the land, made of a rocky an...
Category
Early 1800s Other Art Style Paper Landscape Drawings and Watercolors
Materials
Pencil, Paper
Wistful Thoughts
By Charles Edward Wilson
Located in Belgravia, London, London
Watercolour on paper
Paper size: 21 x 13.5 inches
Signed lower right
Category
19th Century Paper Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Turn of the Century Figurative Landscape
Located in Soquel, CA
Beautiful turn of the century figurative landscape by F.S. Mediary (American, Late 19th Century/Early 20th Century). Presented in a giltwood frame. Signed "F.S. Mediary" lower right....
Category
1890s American Impressionist Paper Landscape Drawings and Watercolors
Materials
Watercolor, Paper
After Guido Reni Religious Figurative Drawing 19 century pencil laid paper
By (After) Guido Reni
Located in Florence, IT
The drawing, pencil on laid paper 29 x 27 cm, represents a moment of rest during the Flight to Egypt.
It's a study on an etching ispired by a Guido Reni's painting, made by him durin...
Category
Early 19th Century Baroque Paper Landscape Drawings and Watercolors
Materials
Pencil, Laid Paper
Circle of Samuel Prout, 19th Century watercolor, Castle in a river landscape
By Samuel Prout
Located in Harkstead, GB
An enchanting 19th century watercolor with figures before a castle in a river landscape.
Circle of Samuel Prout (1783-1852)
Figures before a castle in a river landscape
Watercolour
...
Category
19th Century Victorian Paper Landscape Drawings and Watercolors
Materials
Watercolor, Paper
English School, 19th Century, Victorian rustic scene, Thatched cottage
Located in Harkstead, GB
A delightful rustic scene from the Victorian period with figures chatting outside a thatched cottage
English School, mid 19th Century
Figures conversing by a cottage and stream
Wat...
Category
Mid-19th Century Victorian Paper Landscape Drawings and Watercolors
Materials
Watercolor, Paper
“Venice Dreams”
By Theodor Alphons
Located in Southampton, NY
Fabulous watercolor of Venice, Italy done by the Austrian artist, Theodor Alphons. Signed and dated lower left, 1895. Framed in a beautiful custo...
Category
1890s Academic Paper Landscape Drawings and Watercolors
Materials
Watercolor, Archival Paper, Gouache
Early 20th Century Country Cottage Landscape with Ducks
Located in Soquel, CA
Serene depiction of a country house with ducks milling around in the grass by Josh Fisher (British, 1859-1930). Signed "JOSH FISHER" in the lower-left corne...
Category
Late 19th Century Realist Paper Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Pretty Woman in a Red & White Dress with Flowers in Her Bonnet (Impressionist)
By Lucius Rossi
Located in Rancho Santa Fe, CA
Lucius Rossi (1846-1913) was an Italian portrait and figurative painter who worked and lived in Paris. He was a friend and painter of many of the High Society people in Paris. A pain...
Category
Late 19th Century Impressionist Paper Landscape Drawings and Watercolors
Materials
Laid Paper, Watercolor
Charles George Nicholls - Watercolour 1805 - Palace on the Ganges, Anglo - India
By Charles George Nicholls
Located in Meinisberg, CH
Charles George Nicholls
(English, flourished 1792 - 1818)
Picturesque Gangetic Landscape in India
• Circa 1805
• Watercolour on thick paper, ca. 20 x 49.5 cm
• Mounted behind a modern passpartout, visible image ca. 19 x 49 cm
• Original Georgian frame (newly glassed) , ca. 39 x 70 cm
• Signed lower left corner
Worldwide shipping is complimentary - There are no additional charges for handling & delivery.
Very detailed watercolor painting - note how light reflecting off the water surface was skillfully created by scratching the paper surface.
Charles G(J)eorge Nicholls, originally a merchant seaman, was a contemporary of Thomas and William Daniell, and like them, he made several sketching trips whilst in India, including up the Dohab, which is from where this drawing appears to be of.
He worked as draughtsman for the East India Company based in Calcutta and was also employed by the Office of the Surveyor-General, where he was involved in the Survey of Orissa, South Bengal.
Unfortunately bad eyesight truncated his career and he returned to England in 1815.
Nicholls signed his middle name’George’ using a ‘G’, aswell as a ‘J.’
Nicholl’s work surfaces from time to time and can command high prices at auction – especially for his Indian landscapes. For example, a drawing by Nicholls ( a page of an album) was auctioned by Sotheby's (Valuable Printed Books, June 1997, Lot 407), or a series of water coulours were auctioned by Christie's (Visions of India, June 1998) and in September 2000 two small drawings were auctioned again by Christie's (Exploration & Travel with Visions of India). Also, I know there is a unsigned water colour titled 'Bridge over the River Bama by Benares' in the collection of the Oriental & India Office Collections (OICO) at the British Library.
Here is a rare opportunity, to acquire a large format watercolor (double album page), featuring a very impressive view of what India looked like over 200 years ago - seen through the eyes of a skilled artist, in employment by the famous East India Company.
I also think that as India opens up more and more rapidly to the world and enjoys increasing prosperity, the interest in cultural heritage, trophy objects like the one I am offering here today, will find their way back to India, into a collection or onto a wall in a chic office or luxurious apartment.
The water colour drawing...
Category
Early 1800s Naturalistic Paper Landscape Drawings and Watercolors
Materials
Watercolor, Paper
Man with a Basket - Original Drawing by Ferdinand Lemud - 19th Century
Located in Roma, IT
Man with a basket is an original drawing in black point on paper, realized by Ferdinand Lemud.
Good conditions except for minor cosmetic wear. Image Dimensions: 8.9 x 6 cm
This bea...
Category
19th Century Modern Paper Landscape Drawings and Watercolors
Materials
Paper
Southern Landscape, Ships, Old Master Drawing, 19th Century, by Von Stengel
Located in Greven, DE
Southern Landscape with View of a Castle and Ships passing by
Pen and brush in brown and black over pencil, brown and grey wash, 17,5 x 22,7cm
Plain black moulding with golden pearl ...
Category
19th Century Romantic Paper Landscape Drawings and Watercolors
Materials
Paper, Gouache
19th Century Landscape -- Cape Ann, Gloucester Harbor
Located in Soquel, CA
Late 19th century delicate watercolor of the harbor at Cape Ann, Gloucester, Massachusetts depicting rocks in the calm water along with seagulls and sailboats in the distance, by 19th century artist and Reverend William George Puddefoot (American, 1842-1925). Signed "W.G. Puddefoot" lower left. Titled on verso, "Cape Ann Scenery / Near Gloucester, Sunset". Presented in a carved giltwood frame and off-white mat.
Reverend William George Puddefoot [1842-1925] (also known as W C Puddefoot) was an artist, traveler, lecturer and the field secretary for the American Home Missionary Society [1826-1893]. For his work, Puddefoot traveled all over the US, lecturing and doing missionary work, including: Iowa, Minnesota, Indiana Pennsylvania, California and Connecticut. He was known for being an extremely colorful character especially in his sermons and lectures. Puddefoot wrote the book Minute Man...
Category
Late 19th Century American Impressionist Paper Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Old Master Drawing, View of Naples, 18th Century, Italian School
Located in Greven, DE
Italian Artist; Detailled and impressive old master drawing with the view Naples. Very fine Drawing with white heighting.
Category
19th Century Romantic Paper Landscape Drawings and Watercolors
Materials
Paper
Golden Fields -Turn of 19th Century North Wales Landscape
By John Varley
Located in Soquel, CA
Golden fields, a turn of the 19th century watercolor landscape by John Varley (British, 1778-1842), c.1800. Indistinct signature lower center left. Artwork has been professionally restored. Presented in archival matting. Unframed. Image size, 5"H x 7.13"W.
With a letter from Jacob (Jack) Isaacs (1896-1973) on verso notating a John Varley watercolor circa 1800.
Jacob Isaacs was born in 1896. He was educated at the Grocers' Company's School, Hackney Downs. He began his career in the civil service from 1912-1916. During the First World War he was involved in active service in France and held the rank of lieutenant (Territorial Army) as part of the Royal Garrison Artillery from 1916-1918.
In 1919 Isaacs began his academic career by studying at Exeter College, Oxford, where he achieved a 1st Class Honours degree in English. From 1921-1924 he was an assistant lecturer in English at the University College of North Wales, Bangor and was later an assistant lecturer in English at King's College, University of London, 1924-1928. He progressed up to the position of lecturer in English from 1928-1942 and the moved to a position in Palestine as first Montefiore Professor of English in the Hebrew University of Jerusalem from 1942-1945. Isaacs returned to England in 1945 and was Chair of English Language and Literature at Queen Mary College, University of London from 1952-1964.
In 1964 Isaacs retired from his position as Chair of English Language and was appointed Professor Emeritus.
John Varley (17 August 1778 - 17 November 1842) was an English watercolour painter and astrologer, and a close friend of William Blake. They collaborated in 1819-1820 on the book Visionary Heads, illustrated by Blake and written by Varley, who was the elder brother of Cornelius Varley.
John Varley was born at the Old Blue Post Tavern, Hackney, on 17 August 1778. His father, Richard Varley, born at Epworth in Lincolnshire, had settled in London after the death of his first wife in Yorkshire. For a brief time John Varley was employed by a portrait painter in Holborn and then, at the age of 15 or 16, he became a pupil of Joseph Charles Barrow (fl. 1789-1802), who had an evening drawing school twice a week at 12 Furnival's Inn Court, Holborn. It was Barrow who took Varley on a sketching tour to Peterborough from which he emerged as a professional painter. In 1798 he exhibited a highly regarded sketch of Peterborough Cathedral...
Category
19th Century Impressionist Paper Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Pair of Sea Views, decorative Drawings, Marine Interior, French Coast, Moin
Located in Greven, DE
A Pair of Drawings, Framed
Signed and dated 1855
Chalk in black, brown wash, heightened with white, on paper
each sheet, 46 x 31 cm . Framed.
Two Landscape and Sea View Old Master Drawings, Paris, 18th Century, by Mozin
Charles Louis Mozin (* 12 March 1806 in Paris; † 7 November 1862 in Trouville-sur-Mer) was a French painter. He is the grandfather of the Post-Impressionist Fernand Piet.
The brother of the composer Théodore Mozin was a pupil of Xavier Leprince. He is considered the "discoverer" of Trouville-sur-Mer, which developed into a popular seaside resort at the end of the 19th century. At the age of nineteen, he first came to the fishing village on the coast...
Category
19th Century Romantic Paper Landscape Drawings and Watercolors
Materials
Paper, Chalk
1890s Mission San Carlos Borromeo de Carmelo, Carmel Landscape
By George Hamilton Brodhead
Located in Soquel, CA
Late 19th century watercolor of the Mission San Carlos Borromeo de Carmelo, in Carmel CA, by George H. Brodhead (American, b. 1860). Signed "G.H. Brodhead" ...
Category
1890s American Impressionist Paper Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Tilling the Land
Located in Belgravia, London, London
Watercolour on paper
Paper size: 10 x 14 inches
Framed size: 19.5 x 23 inches
Signed
Category
19th Century Paper Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Early 19th century French watercolor of figures in a wooded landscape
Located in Woodbury, CT
Well-drawn early 19th century French watercolor of a family in a wooded landscape.
Framed in an antique water gilded frame, which might be the original to the piece.
The quality o...
Category
Early 19th Century Victorian Paper Landscape Drawings and Watercolors
Materials
Watercolor, Paper
Misano, Bay of Naples
Located in Belgravia, London, London
Watercolour on paper
Paper size: 6.25 x 8.25 inches
Framed size: 13.5 x 14.75 inches
Signed lower right
Category
19th Century Paper Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Orientalist Watercolour Painting of a Desert Scene by Alphons Leopold Mielich
Located in London, GB
Orientalist Watercolour Painting of a Man Riding a Camel by Alphons Leopold Mielich
Austrian, late 19th Century
Frame: Height 46cm, wi...
Category
Late 19th Century Paper Landscape Drawings and Watercolors
Materials
Paper, Watercolor, Pencil
“Hayingen, Germany”
Located in Southampton, NY
Very fine graphite on archival paper drawing of a typical mountain side house in the town of Hayingen, Germany by the prominent artist, Johannes Kleinschmidt. Signed in ink lower le...
Category
1890s Academic Paper Landscape Drawings and Watercolors
Materials
Graphite, Archival Paper
Two peasants by a vault (A pair of early 19th Century drawings from Grand Tour)
Located in Petworth, West Sussex
Victor Pillement (French, 1767 – 1814)
Two peasants by a vault near the walls of a town; and Boatman on the banks of a mountainous lake
Pencil and body colour and black crayon on pap...
Category
19th Century Paper Landscape Drawings and Watercolors
Materials
Crayon, Pencil, Paper
“Vue du Chateau de Chillon”
Located in Southampton, NY
Rare and finely detailed miniature pen and black ink drawing by the Swiss artist, Joseph Francois Burdallet on vellum.
Inscribed by the artist at upper center, "Vue du chateau...
Category
1820s Academic Paper Landscape Drawings and Watercolors
Materials
Pen, Ink, Vellum
Passaic Falls in New Jersey
By Nicolino V. Calyo
Located in New York, NY
Nicolino Calyo's career reflects a restless spirit of enterprise and adventure. Descended in the line of the Viscontes di Calyo of Calabria, the artist was the son of a Neapolitan army officer. (For a brief biographical sketch of the artist see Philadelphia Museum of Art, Pennsylvania, Philadelphia: Three Centuries of American Art, exhib. cat. [1976], pp. 299-301 no. 257.) Calyo received formal training in art at the Naples Academy. His career took shape amidst the backdrop of the political turbulence of early nineteenth-century Italy, Spain, and France. He fled Naples after choosing the losing side in struggles of 1820-21, and, by 1829, was part of a community of Italian exiles in Malta. This was the keynote of a peripatetic life that saw the artist travel through Europe, to America, to Europe again, and back to America.
Paradoxically, Calyo’s stock-in-trade was close observation of people and places, meticulously rendered in the precise topographical tradition of his fellow countrymen, the eighteenth-century
vedute painters Antonio Canale (called Canaletto) and Francesco Guardi. In search of artistic opportunity and in pursuit of a living, Calyo left Malta, and, by 1834, was in Baltimore, Maryland. He advertised his skills in the April 16, 1835 edition of the Baltimore American, offering "remarkable views executed from drawings taken on the spot by himself, . . . in which no pains or any resource of his art has been neglected, to render them accurate in every particular" (as quoted in The Art Gallery and The Gallery of the School of Architecture, University of Maryland, College Park, 350 Years of Art & Architecture in Maryland, exhib. cat. [1984], p. 35). Favoring gouache on paper as his medium, Calyo rendered faithful visual images of familiar locales executed with a degree of skill and polish that was second nature for European academically-trained artists. Indeed, it was the search for this graceful fluency that made American artists eager to travel to Europe and that led American patrons to seek out the works of ambitious newcomers.
On June 16, 1835, the Baltimore Republican reported that Calyo was on his way north to Philadelphia and New York to paint views of those cities. Calyo arrived in New York, by way of Philadelphia, just in time for the great fire of December 1835, which destroyed much of the downtown business district. He sketched the fire as it burned, producing a series of gouaches that combined his sophisticated European painting style with the truth and urgency of on-the-spot observation. Two of his images were given broad currency when William James Bennett reproduced them in aquatint. The New-York Historical Society owns two large Calyo gouaches of the fire, and two others, formerly in the Middendorf Collection, are now in the collection of Hirschl & Adler Galleries. From 1838 until 1855, Calyo listed himself variously in the New York City directories as a painter, a portrait painter, and as an art instructor, singly, and in partnership with his sons, John (1818-1893) and later, the younger Hannibal (1835-1883). Calyo also attracted notice for a series of scenes and characters from the streets of New York, called Cries of New York. These works, which were later published as prints, participate in a time-honored European genre tradition. Calyo’s New York home became a gathering place for European exiles, including Napoleon III. Between 1847 and 1852 Calyo exhibited scenes from the Mexican War and traveled from Boston to New Orleans with his forty-foot panorama of the Connecticut River. Later, he spent time in Spain as court painter to Queen Maria Christina, the result of his continuing European connections, but he was back in America by 1874, where he remained until his death.
The Passaic River rises in the hills just south of Morristown, New Jersey, marking a serpentine eighty-mile course before it empties into Newark Bay. It flows north-northeast to Paterson, where it falls seventy feet in a spectacular cataract before continuing south through Passaic and Newark. William Gerdts, in Painting and Sculpture in New Jersey (1964, pp. 51-2), describes the falls as:
the most important [landscape] subject in New Jersey during the eighteenth and nineteenth centuries. . . . The Passaic Falls remained a popular spot, particularly during the romantic period. Indeed, newspapers, periodicals, and gift books contain many accounts of visits to the Falls, sentimental poems written about them or about a loved one visiting the Falls, or even, occasionally, in memory of one who perished in the waters of the Falls — usually intentionally. . . . Waterfalls . . . were popular among travelers in the period and the Passaic Falls were only surpassed by Niagara Falls and Trenton Falls...
Category
19th Century American Realist Paper Landscape Drawings and Watercolors
Materials
Paper, Gouache
View of San Giorgio Maggiore
Located in New Orleans, LA
Signed and inscribed "Veduta di S. Girgio Maggiore, e la punta della Giudeca / all Ospedaletto in SS. Gion e Paolo No. 5245 dimandar / Giacomo de Guardi" (en verso)
Gouache on paper
Italian veduta painter Giacomo Guardi...
Category
Early 19th Century Other Art Style Paper Landscape Drawings and Watercolors
Materials
Gouache, Paper
Paper landscape drawings and watercolors for sale on 1stDibs.
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