Crayon Drawings and Watercolor Paintings

Gouache, pastel & oil on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi St...

D. Tongen Pink, Blue, Mint, Black 1980s 12.75"x9.75" Soft pastel and pencil on paper Initialed in pencil lower right

D. Tongen "Orange and Blue" 1980s 11.75"x9.75" Soft pastel and pencil on paper Initialed and dated in pencil lower right

Soft pastel on toned paper, signed and dated on bottom. Requires framing under glass. Part ot a series of Nudes with Attitude by the artist Stephen Basso's highly original pastels an...

La Marne à Lagny (Quai de la Gourdine) by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompan...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

Pastel on paper Elena Borstein currently lives and works in New York City and the Adirondack Mountains. Born in Hartford, Connecticut, She received her B.S. Degree from Skidmore Col...

GARDENS & GALAXIES: MAGENTA ROSE (2020) Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 4...

Pastel on paper, anthropomorphic variety of birds ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. Hi...

Soft pastel on red toned paper signed and dated bottom left. Suitable for framing under glass

Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. PLEASE NOTE ACTUAL Paper Size: 24” h x 42” w Image Size: 20” x 37” includes a 2”...

Wolf Kahn was commissioned by the Smithsonian to design a postcard for them. He made four designs and they selected a singular one. This drawing here is one of the few rejected designs. This piece was given to the founder, David Barnett, of the David Barnett Gallery...

Bill Shields "Micro Biomorphic Abstract Drawing II" 1990's Pastel, pencil charcoal on illustration board Site measures 3.5"x2.5" silver wood frame 10.5"x10.5" Unsigned came from arti...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “My King...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has been supporting local Kansas City Artists for the past 40 years. The Kansas City Artists Coalition (KCAC), is a non-profit, artist-centered, artist-run alternative space, supporting artists at every level in their career through exhibitions, continuing education and artist studios. Artist: Joseph Broghammer Title: “Meat Maiden” Materials : Chalk pastel and pencil on Arches Paper Date : 2018 Dimensions : 42 x 43 in. Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Hence, Broghammer’s “Animals” translates as a flowing stream of consciousness. The different birds and livestock staring back at the viewer are ornamented with iconographic symbols – small surprises along the way. These trinkets are keys to understanding the stories Broghammer is sharing. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. As storytellers often do, Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer in Omaha – both of which he still practices at today. It’s apparent that Broghammer’s work has resonated with so many people around the world. Only a few years after his formal education, he began exhibiting his work through various International group shows in Italy, Germany, Holland, Mexico, and even Kansas City. Although Broghammer’s portraits depict downy creatures, his work is very much about the human experience. They are honest and full of life, evoking a sincere exchange between artist and viewer. “Animals” is for the animal lovers, students, teachers, collectors, writers, the young or old, and art historians alike. Dry Painting, Pastel, Drawing, Chalk Pastel, Oil Pastel, Painting, Contemporary Drawing, Contemporary Painting, Animal Drawings, Animal Paintings, colored pencil, pencil, large-scale drawings, portrait, portrait drawing, contemporary art, contemporary artists, Joan Miro, Max Ernst, Leonora Carrington, Vladimir Kush...

GARDENS & GALAXIES: PURPLE FLOWERS (2019) Medium: Oil stick, wax pencil, graphite, archival pigment print on 100% Hahnemuhle cotton-rag paper. Paper Size: 24” h x 42” w Image Size: ...

Love at First Sight Last night I had a model session with Julia. Sometimes you come across a woman you immediately fall in love with. She is a great model and warm personality. Be...

pastel on toned paper signed bottom left

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

A produce portraitist, Daisy Craddock's abstract oil pastel diptychs capture the skin and flesh of her subjects. Daisy Craddock examines her fruits and ...

ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imaginat...

"The New Bike" is an original oil pastel drawing on a grocery bag by Reginald K. Gee. The artist signed the piece lower right. It features a man on a motorcycle riding...

Hobson Pittman (American, 1900-1972) Still Life Pastel on paper, 22 x 17 inches (sight) FRAMED: 30 x 24 inches Signed at lower right: "Hobson Pittman" Born in Epworth, North Carolina, Hobson Pittman moved with his family to Tarboro, North Carolina, in 1906. From 1912 to 1916 he attended the Rouse Art School in Tarboro. He moved to Pennsylvania in 1918, and attended the Pennsylvania State College (1921-22) and the Carnegie Institute of Technology in Pittsburgh (1925-26). Between 1920 and 1931 he spent summers in Woodstock, New York, and studied chiefly with Albert Heckman (1893-1971). From 1931 to 1957 Pittman was the director of art at the Friends' Central Country Day School in Overbrook, Pennsylvania, and from 1949 to 1972 he taught at the Pennsylvania Academy of the Fine Arts in Philadelphia. Pittman was member of the Woodstock Art Association, the Philadelphia Water Color Club, and the Philadelphia Art...

Beijing-ga Series XXX (nº 30) Title: “Takashimaohisa” Ohisa, along with Okita and Tomimoto Toyohina, were the three most famous beauties of the time. The first two were waitresses...

Silhouettes You can access artist’s inspiration from the celebrations, dance events, ferias, festivals taking place in AndalucÃ

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

This striking pastel portrait captures the side profile of a woman with long, flowing red hair, set against a vibrant blue-indigo background. The artist’s use of pastel vividly bring...

Bijin-ga series XXV (Nº 25) Title: SOMENOSUKE OF THE MATSUBAYA Somenosuke of house Matsubaya, known as a youthful courtesan who quickly rose through the ranks of popularity is shown producing a concealed letter, glancing about to confirm she is indeed alone. The highlights of the drawing are the fine carving of the courtesan´s hair-line and the fine dress; an elegant kimono with vivid colors and intricate dessing. This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

"Storm Watch 2" is an original pastel drawing on paper by Victoria Ryan. The artist signed the piece. This piece features an idyllic farm landscape with ro...

pastel on paper b. 1964 I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture outside my front door. Landscape painting is a method that expresses my inner response to and reverent feelings for nature. I look for connections between things—how one color flows into another, forms engage and separate, how one point in space influences another. The changes focused along the horizon are constant; they are governed by the seasons, the weather, or the cyclical nature of the agrarian landscape. There are no grand gestures, just subtle variations that, when combined, create a certain splendor. I convey in my paintings what is most pleasurable to me, such as discovering tenuous beauty in spontaneous cloud formations, and the repetition of endless corn and soybean rows captured on a rolling landscape. The process begins with a "drive-by-shooting" and a sketchbook. I make large pastel paintings...

pastel on heavyweight toned paper unframed signed on bottom. part of a series of valentine day theme paintings ans pastels

pastel on toned paper part of recent series of valentine day subjects. framing under glass or plexiglass required

pastel on heavyweight toned paper framed under glass in floater fashion cherry wood frame wired and ready to display ABOUT Stephen Basso Stephen Basso's highly original pastels an...

pastel on heavyweight toned paper part of series on valentine theme paintings and pasted. framing under glass or plexiglass required

Pastel on black paper. Ms. Morgan says: When I finally started riding the subway again during Covid isolation - going down to the ocean was a real treat. The collection of fisherma...

Rem Raymond Coninckx (1904 - 1974) Rem Raymond Coninckx was born on 28th March in Couvin (Belgium) 1904 and died in Dinan 1974. He was a painter, draftsman, engraver and also creat...

White Flags is a pencil and pastel Drawing realized by Mino Maccari (1924-1989) in the 1960s. Hand-signed on the lower. Good conditions. Mino Maccari (Siena, 1924-Rome, June 16, ...

Portrait is a Drawing in pastel realized by Augusto Monari in the Early-20th Century. Hand-signed on the lower. Good conditions, including a creamy-co...

Bijin-ga series XXIX (Nº 29) Title: Bijin Ôkubi Upper torso portrait of a Japanese beauty, depicted with a graceful hand gesture and an ornate headdress. Her soft round features contrast with the colourful sharp angles of the collars of her kimono. Her elongated oval face, straight nose and red butterfly lips are typical of the prototype of a beautiful woman, Bijin-ga. Her upper torso and face occupying the central section of the picture show a composition type that became known in time as Large-head pictures, or Okubi-e; compositions with which Utamaro became a model for generations of woodblock artists. This image is part of the Bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

Title : Chaos Portrait Materials : Stamp,xerox transfer,pastel,ink,pencil Date : 2016 Dimensions : 8.5×11″ Signed COA provided Art school took Olivia Gibb away from Oklahoma and up...

Title : Lady Picks a Flower Materials : Stamp,xerox transfer,ink,pencil,pastel Date : 2016 Dimensions : 8.5×11″ Signed COA provided Art school took Olivia Gibb away from Oklahoma an...

Title : Miss with Pink Shoe and Red Glove Materials : Stamp,xerox transfer,ink,pastel,pencil Date : 2016 Dimensions : 8.5×11″ COA provided Art school took ...

He's The One is a Charcoal, pastel and Pen Drawing realized by Mino Maccari (1924-1989) in 1970s. Hand signed and titled on the lower margin. Good condition on a little cardboard....

"I Don't Know Either" is an original oil pastel drawing on canvas board by Reginald K. Gee. The artist signed the piece in the lower right. It depicts multiple abstracted faces. 40...

Faces is a linocut realized by Mino Maccari in the 1940s. 50 x 30 cm. Handisigned in the lower right part. Edition of 12 copies. Reference; Cat. Meloni , pag 367, n.1741. Good c...

Professor George De Goya. PhD. MA. FRSA. Born In Budapest, 1915-1992, related to the Spanish artist Goya on his mother’s side. Educated in Budapest and France where he received a de...

“Cave of Desire” by artist Mary Spencer is a 28 x 39.5 inch contemporary pastel and ink drawing on paper. The drawing is signed on the front and back. Mary Spencer’s works on paper ...

Gouache, pastel & oil on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi St...

The series of works "Visual Diaries" represents drawings on paper, featuring expressive abstractions or figurations created daily by the artist. Each work’s title includes the creati...

Imago Morts is a painting artwork, realized by Sergio Barletta in 1992. Ink, Pastel and watercolor on Cardboard Hand-signed on the lower margin. Good conditions. Sergio Barlett...

"Giant Hybrid Hibiscus Butterfly with Flower" is an original mixed media work by David Barnett that incorporates iridescent oil pastel, a dried hibiscus flower, and watercolor. It is...

Bijin-ga series XXI (Nº 21) Title: The courtese Hinakoto of the Hyôgorô House of Edo The courtesan Hinakoto is depicted by smoking tobacco. She takes the pipe delicately in her left hand and, in her right hand, she seems to be holding a “uchiwa” (rigid hand fan) that comes out from the bottom of the drawing, decorated with written calligraphy. Some strands of hair that fall on her temple and her scant clothing show that the painter has surprised her in a relaxed moment in which she does not lose her elegance and slenderness. This image is part of the bijin-ga series (“Pretty women”) drawn by Mario BGil, based in the Kitigawa Utamaro woodblock print...

Giuseppe CASCIARO Ortelle 1861 - Naples 1941 A street in Naples Pastel on strong paper 1906 Signed and dated lower left Studio stamp on the back 67 x 43 cm sheet 84 x 60 cm frame Fr...

Louis Fortuney (1878-1950), also known simply as “Fortuney”, was a French pastellist. He studied at the Ecole des Beaux Arts in Toulouse and in Paris an...

Seymour Lipton (American, 1903-1986), Abstract Expressionist Sculpture Study, Oil Crayon on Paper, 1977, signed and dated mid-left, unframed. Provenance: From a Brooklyn collection. ...

Vintage 3 Figurative Nudes in Conté Crayon on Paper (1946) Matté‎ In an indigo blue and burnt orange color palette by French artist Matté‎ (French, 20t...

"Alphabet Colors" is an original mixed media drawing on canvas by Tom Shelton. The artist used crayon, colored pencil, and ink. The artist says: “Looking at cursive writing teachin...

Renelio Marin is a visual artist with a diverse range of influences and styles. Born in Cuba, he received his graduate degree from the San Alejandro School of Fine Arts in Havana in ...

Once in a While a Pastel The first pastel drawing in the Risque series and was long overdue. At the beginning of February I started this one just to fill the time waiting for my s...