Pencil Drawings and Watercolor Paintings

"#224 – ABANDONED, SEPARATED" is from Amy Williams' series A Farewell to Arms – wherein the artist works directly onto page 224 of a found copy of Ernest ...

Drawing on paper with colored pencils and ink on a layer of dyes extracted from plants. Created before taking a flight in Bolivia, infused with the magic of the Andes. Shipped unfram...

Pastel, Pencil, petal flowers, Color and Ink on Paper. The base of this drawing is Fabriano paper of 120g /m2. I use natural dyes of flowers, herbs, leaves, bark of trees as the fir...

The Feline is an original pencil drawing on paper realized by Ernest Rouart by the turn of the XX century. This drawing is hand-signed by the artist in red pen on the lower left. In...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Transport of Dead Christ is a drawing realized by the French painter Lucien Alphonse Gros (1855-1913) in the late 19th century. The state of preservation i...

'A Buginese boat, Semarang 1898’ Signed, dated, and annotated, upper right Pen, brush and ink on cardboard, H. 11.4 x W. 26.3 cm Literature: Venselaar, 2019, p. 69 (ill.)

The loose brush strokes and minimal pencil outline convey a sense of ease in this female nude by Eduardo Alvarado. The female is shown in a side view in muted earth tones on pale yellow paper with a water mark all along the right side of the piece. The piece is matted in a heavy mat measuring 16h x 14w inches. This artwork is unframed. Contact gallery for framing request. EDUARDO ALVARADO b. Spain, 1972 EDUCATION 1990-95 Licenciado en BB AA La Facultad de BB AA de la UPV, Bilbao La Facultad de BB AA de San Fernando, Madrid SOLO EXHIBITIONS 2018 Casa del Libro, Logroño 2016 Casa de Cultura. Miranda de Ebro 2015 Casa de Cultura. Miranda de Ebro Galería Espiral, Noja 2014 Galerie d´Art Anne Broitman. Biarritz, France 2013 Galería de Arte-Centro Cultural (junto a Vesna Pavlovic). Novi Sad, Serbia Centro Cultural La Vidriera, Maliaño The Gallery of Contemporary Fine Arts (junto a Vesna Pavlovic). Nis, Serbia 2012 Gallery Seasons (junto a Vesna Pavlovic). Sofia, Bulgaria Gallery SKC (junto a Vesna Palovic). Belgrado, Serbia Manos para qué os quiero. Logroño Galería Espiral. Feria Internacional de Arte Contemporáneo, Santander Sala Asociación Artistas de Guipuzcoa (junto a Juan Carlos Cardesín), San Sebastian 2011 Galería Espiral, San Miguel de Meruelo Galería Jovan Popovic (junto a Vesna Pavlovic). Opovo, Serbia Galería Veciti Trkac (junto a Vesna Pavlovic). Nis, Serbia Exit Art Gallery (Fundación Adolfo Dominguez...

Artist: Roberto Estopiñan, Cuban (1921 - 2015) Title: Homenaje de Camilla Claudel 1 Year: 1992 Medium: Conte Crayon and Pencil Drawing on Alcantara h...

"48 Flowers" is an original colored pencil drawing on paper by Tom Shelton. The artist signed the piece lower right. The artist says: “The state flower of each of the 48 contiguous states is shown, and located where its state is geographically, where a US map...

In my pictures I try to combine the visual and the conceptual. For me, drawing is a medium of knowledge which, beyond direct expression, makes visible material and immaterial forces,...

Christopher ' Kit ' Wood 1901-1930, was an English painter who briefly attended Liverpool University to study architecture but pursued an artistic career. He trained at the Academy J...

Woman in a Red Kimono This drawing of a woman in a red kimono is based on a session with my regular model. It so happened that I teamed up with a student of mine who rents a lovel...

San Francisco moorings, a late 19th century double-sided pencil sketch by Raymond Dabb Yelland (American, 1848 - 1900), 1987. Signed "R.D. Yelland" lower right. Dated "87" lower left. Drawing on both sides of paper. Wood frame. Image size, 8.5"H x 12"L. A master marine painter, Yelland painted in Gloucester Harbor. He sailed to San Francisco in 1874 to take a teaching position in art at Mills College in Oakland. From 1877 to 1894, he taught at the California School of Design. He was a decisive influence on a younger generation of California artists. Full Bio: Raymond Dabb Yelland was born in London, England on February 2, 1848. At the age of three, he immigrated with his family to New York City where he was raised and attended public schools. By the age of twelve, he had settled on art as a career. He was born as Raymond Dabb, but due to the negative connotation of his name, his mother's maiden name, Yelland, was added. After serving under Sheridan in the Federal Army during the Civil War, Yelland attended Pennington Seminary in New Jersey. He studied art at the National Academy of Design from 1869 to 1871 with Page and Brevoort, and then taught at the Academy for one year. With his new bride, he sailed around the Horn in 1874 to San Francisco where he would assume the position of an art instructor at Mills College in Oakland. In 1877, he traveled to England, and later continued his studies in Paris with Luc Oliver Merson. Upon his return to California, Yelland became assistant director of the San Francisco School of Design, and in 1888, assumed its directorship. While at that school, he also taught at the University of California, Berkeley, for many years. His many pupils included Homer Davenport, Alexander Harrison...

Body Double Original art, signed 100x70cm / 30x27in ink, graphite, tempera on paper large size, shipped rolled in a tube directly from the artist's studio The drawing has 2 wooden p...

Graphite on paper Signed and dated, l.r. 13.5 x 10.5 inches, sheet 21.25 x 17.25 inches, frame This drawing is offered by ClampArt, located in New York City. John Lear is an America...

Charming early 19th century Graphite Portrait of a Young Boy with Birds A young child sits with a bird on his finger and a nest of birds on his lap A wonderful antique drawing - Po...

Drawing, 1938. Signed and dated with the artist cypher. Paper size 7 9/16 x 6 1/4" (19.3 x 15.8 cm). Werner Drewes (1899-1985), painter, printmaker, educator and lecturer, wa...

Wheeler Williams (American, 1897-1972) Untitled Study, 1944 (Polo Players) Pencil on paper 15 1/2 x 19 1/4 in. Signed lower right: Wheeler Williams, 1944 A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with...

Graphite and conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in Ne...

Colby 10 (Abstract painting) Spray paint, pencil, ink, watercolor on paper - Unframed Peter Soriano is an abstract artist who divides his time between New York City and Penobscot, ...

Playboy Magazine ran this joke cartoon illustration in color on page 43 for the October 1960 edition. Signed lower right. The work is executed on a heavy Whatman Illustration board....

Literature: Alfonso Panzetta, Jared French by Jared French: 600 Unpublished Works from the Artist's Italian Years (Turin, Italy: Umberto Allemandi & C., 20...

SHIPPING FEES INCLUDE SHIPPING CHARGE, PACKAGING & **INSURANCE** Rose Tattoo Luis Alfonso Jimenez 1940-2006 Color pencil on Arches paper 22 x 30.25 inches Provenance: The original drawing was owned by Rozanne Charington, companion and model for "Rodeo Queen", "Rose Tattoo" and "Jimenez at Adeliza's Candy Store". An original Drawing by Luis Jimenez, 1983, 22 x 30.25 inches. A stone lithograph edition was made from this drawing. There was a PBS documentary showing Jimenez drawing on the stone with the drawing in front of him and the making of the lithograph with Sette Publishing. Luis Alfonso Jimenez Born, 1940, El Paso, Texas, died 2006, Hondo, New Mexico. Statement: Luis Jimenez, in his work, celebrates the vitality of life. . . . Jimenez es un hijo de la frontera; he knows its people and the landscape. It is the transformation of these people into art that is his most important contribution to the art of this vast region which stretches between Mexico and the United States. His subject matter utilizes the popular images of the cultura del norte, and a large part of it is depicted and transformed in the rough and tumble world of la frontera. He is also a son of el norte, and so he uses its materials and explores its emerging, popular myths. The tension and attraction of Jimnez’s work is that he always creates within the space of his two worlds, the Mexicano and the Americano. He constantly shows us the irony of the two forces which repel, while showing us glimpses of the synthesis he seeks. What a gift it has been to us for this talented artist to reflect on the soul of our region. He gives meaning to our existence and history. Rudolfo Anaya (passage chosen by the artist), A View from La Frontera, Man on Fire: Luis Jimnez, pp. 1, 3, 6Biography: Luis Jimnez was born in Texas to parents who had emigrated from Mexico to the United States; he would later dedicate his 1989 sculpture Border Crossing to his father, who had entered the country illegally. The elder Jimnez was a neon sign designer in El Paso, and Luis worked with him as a youth. His experience working in the neon shop and his fascination with U.S. car culture would both become major influences on his art career. Jimenez studied architecture at the University of Texas, Austin (UTA), and also took art courses in which he first created sculptures with wood, steel, and fiberglass, choosing the latter because of its association with U.S. popular culture. He subsequently became one of the artists who made fiberglass an acceptable medium in the 1960s. In 1964 Jimenez received his B.S. in art from UTA, and he continued his studies at the Universidad Nacional Autnoma de Mexico in Mexico City. In 1966 he moved to New York City and worked as an assistant to sculptor Seymour Lipton. Jimnez began to exhibit his art while in New York and in 1972 moved to New Mexico to focus on creating public sculptures, even as he maintained his diverse output of drawings, prints, and lithographs. Drawing on his early experiences, Jimnez creates works that come from a border perspective, one that draws upon the hybridity bred by culture clashes. Often socially and politically informed, his works speak not only in regional terms, those germane to the southwestern United States, but to broader, more global issues as well. They exhibit a profoundly Chicano aesthetic and sensibility, one that is informed by Mexican and Mexican American traditions, North American popular culture, Chicano cultural icons, and images and themes unique to the Southwest. Death, sexuality, and the struggle of the common people are frequent themes. Inspired by authors who write in an autobiographical style, Jimnez creates works that function as personal narrative yet are also able to make statements about culture in more global terms. His use of bold colors and lines, a legacy from his fathers work as a neon sign maker, lends a dynamic sensuality to his work, one that is particularly evident in his monumental fiberglass and acrylic urethane sculptural works Many of Jimnezs works correspond to scholar Toms Ybarra-Fraustos definition of the Chicano aesthetic of rasquachismo, a lowbrow sensibility that appeals to the working class in that it applies to objects that subvert expressions of the mainstream or dominant culture. Creating art that speaks to the people, Jimnez is able to transform regional and culturally specific myths and symbols into globally recognized and relevant icons. Exhibitions: In addition to his personal work, Jimnez has been commissioned for numerous public art projects. In 1999 his sculpture Southwest Piet was designated a National Treasure by First Lady Hillary Clinton. The many exhibitions featuring his work have included Human Concern/Personal Torment (Whitney Museum of American Art, New York, 1969). The First International Motorcycle Art Show (Phoenix Art Museum, Phoenix, AZ, 1973). Three Texas Artists (Centre Cultural Americaine, USIS, Paris, 1977), Recent Trends in Collecting (Smithsonian Institution, Washington, DC, 1982). Committed to Print (Museum of Modern Art, New York, 1989) Printmaking in Texas: The 1980s (Modern Art Museum, Fort Worth, TX. Laguna Gloria Art Museum, Austin, 1990. The Whitney Biennial (Whitney Museum of American Art, New York, 1991) Man On Fire: Luis Jimnez (Albuquerque Museum of Art, NM, 1994-95). 47th Annual Purchase Exhibition (American Academy of Arts and Letters, New York, 1995). Traveling solo exhibition, Working Class Heroes: Images from the Popular Culture (1997-2000). Jiménez Collier Gallery has been in continuous operation for over 40 years. Originally located just off Main Street in downtown Scottsdale, Arizona, we have moved to Phoenix to accommodate and showcase our large inventory including: • Original works by Maynard Dixon, Lon Megargee, Ed Mell, Fritz Scholder, Bill Schenck, Bill Lesch, Luis Jimenez, Greg Singley, Dan Budnik, and other 20th century Western, WPA and Contemporary Southwestern artists. • The Fine Art Estate of Lon Megargee • Vintage rodeo photography...

Graphite on museum board This work is offered by ClampArt in New York City.

A striking nude study in graphite showing a woman with her head buried in her arms, hiding her face. The artist has signed to the lower right corner and the drawing has been presente...

Titled "The remote", this artwork created by Frank Girard, utilizes pigments, Chinese ink, watercolors, acrylics, and colored pencils on 400g/m2 neutral white paper. It remains unfra...

Di Gesu Estate Stamp verso for Victor di Gesu (American, 1914-1988) and created circa 1955. An elegant, freehand sketch of a young woman with a bob cut, shown naked and reclining on...

Graphite on paper Signed and dated in pencil, l.r. Numbered 103 in pencil, u.r., verso Numbered 1 in pencil, u.l., verso This artwork is offered by ClampArt, located in New York Cit...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Goldilocks - Flaming Hot sumi ink and colored pencil on mulberry paper 14.50h x 19.75w in 36.83h x 50.16w cm JEC161 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...

Auguste Mayer (1803-1890 A seascape with a boat signed with the initials on the lower left Pencil and heightenings of white gouache on paper 17.5 x 26 cm...

An original circa 1940 drawing painted by Royal Academy artist Christopher Sanders. A fine example of a Modern British nude drawing by an artist who exhibited hundreds of times at Th...

This artwork blends acrylic, pencil and color pencils in a loose style keeping it both expressive and refined. The art floats above the matte and is beautifully framed in a dark grey...

Signed lower left, 'F. Sedivy' for Franz Sedivy II (Danish, 1888-1973) and dated 1959. A dramatic figural painting of a young woman, shown naked and hold...

Abstract figurative reclining nude by Louis Nadalini (American, 1927-1995). This piece is unsigned, but was acquired with a collection of Nadalini work. Unframed (First image shows w...

Original watercolor with graphite tracings of a solitary hunter in the field by the British artist, George Anderson Short. Signed bottom right. ...

A ca. 1930s graphite on pencil drawing of Surrealist still life of an egg beater by notable artist artist Jan Matulka. Artwork size: 8 1/2" x 11". Archiv...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

42nd Street NYC 1923 Deco WPA Ashcan American Modern Cityscape Realism Broadway. 10 x 7 1/2 inches. Graphite on paper. Signed, titled "42nd Street" and dated July 26, 1923, lower l...

Young Lady in Profile (Dorothy Gibson) Graphite on paper, c. 1915 Signed lower right (see photo). The sitter for this drawing, along with a huge number of Harrison Fisher’s works, i...

Louis-Alphonse DAVID (1798-1849) Le Moulin de la Butte aux Cailles, Paris, (The Mill at la Butte aux Cailles) signed lower left Pencil and white chalk on paper 22,5 x 36 cm Framed : 40,5 x 55 cm Louis-Alphonse David is known for a relatively small body of work, including portraits and large compositions. In any case, in this work he shows a remarkable mastery of drawing, with particularly suggestive and subtle plays of light and shadow. The Butte aux Cailles, now part of the 13th arrondissement of Paris, was a hill covered in meadows, vineyards and woods, built with several windmills and overlooking the river Bièvre. It was named after Pierre Caille...

Victor Di Gesu (American, 1914-1988) estate stamp verso and painted circa 1960. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Cho...

Literature: Alfonso Panzetta, Jared French by Jared French: 600 Unpublished Works from the Artist's Italian Years (Turin, Italy: Umberto Allemandi & C., 2010), no. 31, p. 60, illus. ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Oliver Hall...

Stone and Press Gallery is excited to offer several works in celebration of the LGBTQ community. A rare pencil drawing by John Lear created in 1957, signed and dated in pencil. John Brock Lear...

An initialed, Turn-of-the-century pencil drawing of a seated woman by listed, multi talented French artist, Louis Valtat (1869-1952). Titled on the reverse Élégante Assise (Seated El...

Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988), dated 1954 and inscribed with roman numeral, '4'; additionally stamped verso with certification of authenticit...

Collections: Henry Scipio Reitlinger (1882-1950); Private collection, UK to 2019 Framed dimensions: 14.50 x 15.38 inches This drawing is one of only two known portrait drawings by Romney (as opposed to preliminary studies for portraits) and is dated by Alex Kidson as being executed no later than 1769. It is likely that the present drawing was originally part of a sketchbook, now largely dismembered (Abbot Hall Art Gallery, Kendal), which Kidson notes, contained some of Romney’s most beautiful early drawings. This drawing, and a second sheet formerly with Andrew Wyld, have been identifying as depicting the Rev. William Atkinson...

Juventus Football Player, UEFA Champions League Final vs Ajax, 1996 – 101 x 72 cm Technique: Charcoal on paper, signed and dated ’96 Author: Marco Silombria (Savona, 1936 - Albissol...

Graphite and coloured pencil on paper, signed and dated (lower right), 36cm x 44cm, (45cm x 53cm framed). The picture is behind museum quality non-reflective UV glass. Throughout h...

Ancient City is a drawing realized in the Early 20th Century by an unknown french master. Pencil on paper. In good conditions. The artwork is represented through deft strokes mast...

Side View Seated Female Nude Graphite on paper, c. 1890's Unsigned Provenance: Rookwood Pottery Factory Collection, Cincinnati Spanierman Gallery, New York (label) Drawings from the...

Eva Tanguqy-A Strange Request, New York Evening World newspaper and Puck magazine interior (two works), 1910s India ink and blue pencil on heavyweight paper 16-1/2 x 10-1/2 inches (4...

Preparatory pencil and acrylic drawing on kraft paper measuring 133 x 77 cm for a ceramic fresco Pièce Unique

Signed, dated and titled lower left. Felix Waske was born in Vienna in 1942. From 1958 to 1967, he studied at the University of Applied Arts under Prof Eduard Bäumer and at the Acad...

Charles Emile Jacque (1813-1894) Dog in a doghouse Monogrammed "C. J. "lower right Pencil on paper 17 x 13 cm Mark of the Collection of Doctor Albert Finot "AF" (Lugt 3627) lower lef...

Riprap 2 (Abstract Drawing) Colour pencil and acrylic on paper. Unframed. This fluid abstract work on paper is intuitively made with a coloured pencil and acrylic. The intersectin...

Sir Eduardo Luigi Paolozzi CBE RA (Scottish, 1924 – 2005) Industrial abstract; and another similar Pencil, crayon and ink on paper 8 x 11.1/2 in. (20.3 x 29 cm.) (both)

A detailed depiction of a large country house by listed British artist Edward Walker (1879-1955). The scene shows a mother and daughter on the front step of their grand country home ...

Wheeler Williams (American, 1897-1972) Untitled (Study of Three Graces), 1947 Pencil on paper 9 1/4 x 12 1/4 in. Signed lower right: Wheeler Williams, 1947 A native of Chicago, Wheeler Williams is known for his allegorical, narrative work including "Tablets to Pioneers" on the Michigan Avenue bridge in Chicago, and "Settlers of the Seaboard" in Fairmount Park in Philadelphia. He graduated with honors from Yale University in 1919 and earned a Master of Architecture degree from Harvard in 1922. He studied at the Art Institute of Chicago with sculptor Albin Polasek...