Nude Drawings and Watercolors

Medium: Pastel and Collage on Paper Signature: Signed Lower Center and Dated Lower Right Framed dimensions: 30.00" x 27.00"

Sotheby's New York . work is elegantly matted and framed with the Sotheby's sticker on verso

Raphaël DELORME (1886-1962) Study Watercolor and pencil on paper 21 x 31 cm frame 30 x 40 cm Trace of fold in the bottom Born in 1885 in Bordeaux, Raphaël Delorme is one of the majo...

This elegant pastel painting on paper was created by John Alfred Begg (1903 - 1974). This piece features a striking cubist nude study in a blue-gray color with contrasting black line...

Aristide Maillol (Fr, 1861-1944) A very large original sanguine drawing by Aristide Maillol with a past Drouot Paris auction stamp on LL and Aristide Maillol’s stamped monogram “M”...

Pierre COMBET-DESCOMBES (1885-1966) Female Nude from behind, 1928 Charcoal on paper Signed with the stamp lower right Dated "26 sept 28" and annotated lower left Size of the work : 4...

Nude Matchstick and ink drawing heightened with conte crayon c. 1925 Signed with the Estate Stamp "B" Provenance: Joseph A. Erdelac (1914 -2005), Cleveland Acqu...

Black chalk heightened with white chalk on blue paper, 19cm x 15cm, (32cm x 27cm framed). First exhibiting at the Royal Academy in 1904, Philpot was elected as an Academician in 19...

Ink on paper, about 1920s, by Béla Kádár ( 1877-1956 ), one of the most important Hungarian artists of the 20th century. Signed lower right: Kádár Béla. Me...

Watercolor by Louis BERTHOMME SAINT-ANDRE, France, 1926. Befor bathing. With frame: 74x63.5 cm - 29.1x25 inches ; without frame, just the watercolor: 50x36 cm - 19.7x14.2 inches. Si...

Nude Female Torso Charcoal on paper, c. 1920 Stamped and initialed in pencil "Asa Cheffetz/A.D.C" Estate signature by wife, A.D.C. Exhibited: Museum of F...

Marcel GROMAIRE (1892-1971) Female nude, 1956 Black ink on paper Signed and dated upper left Dimensions of the work : 25 x 32,5 cm frame : 40 x 50 cm Born in 1892 in the Nord region...

Nude is an drawing realized by the French artist Paul Garin (Nice, 1898-1963) in the 1950s . Pencil on paper, Hand Signed on back. Black-ink stamp on the lower right corner: " Cathe...

Personnages is a drawing realized by the French artist Paul Garin (Nice, 1898-1963) in the 1950s . Pencil on paper, Hand Signed on the left corner. Black-ink stamp on the lower righ...

A black and white figure study of a nude male, from 1951, by artist Harold Haydon. Matted to 24" x 20". Provenance: Estate of the Artist. Estate stamped on reverse. Harold Emers...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

A black and white figure study of a standing nude male, from 1951, by artist Harold Haydon. Matted to 24" x 20". Provenance: Estate of the Artist. Estate stamped on reverse. Har...

A black and white figure study of a nude male, from 1951, by artist Harold Haydon. Matted to 24" x 20". Provenance: Estate of the Artist. Estate stamped on reverse. Harold Emers...

This drawing by Radoczy features a delicate and minimalist portrayal of a nude figure rendered in a profile stance. The figure emerges effortlessly from the subdued lines as if each ...

A black and white figure study of a seated nude male, from 1951, by artist Harold Haydon. Matted to 24" x 20". Provenance: Estate of the Artist. Estate stamped on reverse. Harol...

THIS WORK IS SOLD UNFRAMED Yvonne debout by Paulémile Pissarro (1884-1972) Pencil on paper 30.5 x 26 cm (12 x 10 ¹/₄ inches) Signed lower centre, P...

A black and white figure study of a standing nude male, from 1951, by artist Harold Haydon. Matted to 24" x 20". Provenance: Estate of the Artist. Estate stamped on reverse. Har...

Pen, ink, watercolor and wash on paper by André Dunoyer de Segonzac, France, 1922-1924. Boating on the Morin River. Measurements : with frame: 52.5x65x2 cm - 20.7x25.6x0.8 inches / without frame: 36.5x45 cm - 14.4x17.7 inches. Signed lower left "A. Dunoyer de Segonzac". Colors may vary slightly depending on your screen. The lighter band at the top and the bottom of the piece, visible in the first picture, is only due to the reflection in the protective glass. It does not exist. In its frame gilt with gold leaf and its protective glass. André Dunoyer de Segonzac was born in Boussy-Saint-Antoine (Essonne) July 7, 1884. After his schooling at high school Henri IV, as early as 1900, he attends classes at the National School of Fine Arts in Paris in free listener where he will befriend Charles Dufresne. In 1903, he enters the private studio of Luc-Olivier Merson. In 1907, he studies with Jean-Paul Laurens and attends the La Palette and Colarossi academies in Montparnasse. He meets Luc-Albert Moreau and Jean-Louis Boussingault with whom he shares a studio. His first drawings are published in 1908 in The Great Review and The Witness. Nearly indifferent to contemporary aesthetic revolutions, Dunoyer de Segonzac undertakes, with Jean-Louis Boussingault and Luc-Albert Moreau, to revive Gustave Courbet's realism by performing still lifes, nudes, landscapes, in a thick paste and masonry . In one of his letters to the painter Maurice Boitel, he wrote in the 1950s: "I have not forgotten the heroic period of the independents - when we were grouped around Paul Signac, the charming and valiant Maximilien Luce - in these barracks where the living and authentic Art was grouped outside the academic formulas - or literary and systematic tendencies - which were to lead to this abstract aesthetic of which the painting dies. " In 1908, he begins exhibiting at the Salon d'Automne and the Salon des Indépendants, with Paul Signac and Maximilien Luce. He befriends Apollinaire, Max Jacob, Raoul Dufy and Vlaminck. From this period, renting a house belonging to Signac, Dunoyer discovers the landscapes of Saint-Tropez, to which he will remain faithful and where he lived until the end of his life. He stays in Saint-Tropez only in the summer season. For the rest, he leads a real nomadic life, in search of the motive especially through the Île-de-France, the Grand Morin valley, Feucherolles, Chennevières-sur-Marne, Guyancourt, etc. "I also worked a lot on the banks of the Seine in Chatou, Bougival, Andrésy, Poissy and Triel that I particularly like, with its beautiful Gothic church that is reflected in the Seine and the high wooded hills that surround him", he will say. In 1910, he knows fashion designer Paul Poiret and meets Max Jacob, Raoul Dufy and Vlaminck. From 1910 to 1914, he travels to Italy, Spain, North Africa, and is interested in sport and dance (drawings of Isadora Duncan's Russian Ballets, 1911, The Boxers1910). From 1914 to 1918, mobilized in the infantry, he makes the war hardly, before being assigned to camouflage. He performs many war drawings, valuable for their artistic and documentary value. From 1919, he appears again in many exhibitions, including major Parisian salons. Nearly indifferent to contemporary aesthetic revolutions, Dunoyer de Segonzac undertakes, with Boussingault and Moreau, to revive Courbet's realism by performing still lifes, nudes, landscapes, in a thick and masonry paste. Enlisted in engraving by Jean Émile Laboureur, he makes nearly 1,600 brass plaques from 1919 to 1970. He was president of the Society of French painters-engravers. In 1921, he meets Paul Valéry, Léon-Paul Fargue and Jean Cocteau. In 1928, he makes a trip to America where he met with great success. In 1930, he becomes friend with Derain. In 1933 he receiveds the Carnegie Foundation of Pittsburgh Award and in 1934 the Venice Biennale. During the Occupation, in November 1941, he takes part in a "study trip" to Germany, organized by Arno Breker, accepting, like other artists of the most renowned, to visit the hotspots of German culture as well as artist workshops. After the war, he is exhibited in the best galleries...

A black and white figure study of a nude male, from 1951, by artist Harold Haydon. Matted to 24" x 20". Provenance: Estate of the Artist. Estate stamped on reverse. Harold Emers...

Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...

A black and white figure study of a nude male, from 1951, by artist Harold Haydon. Matted to 24" x 20". Provenance: Estate of the Artist. Estate stamped on reverse. Harold Emers...

Estate stamped, verso, for VIctor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and...

Robert Gilberg (1911-1970) "Reclining Nude 2" c.1950s Ink on Japanese rice paper with writing 21.75"x9.75 unframed Signed in pencil lower right

Estate stamp verso for Victor di Gesu (AmerIcan, 1914-1986) and drawn circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the C...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. An elegant, cabinet-sized Post-Impressionist graphite drawing of a young woman, sh...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and t...

Victor Di Gesu (American, 1914-1988), estate stamp verso and created circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Ch...

Robert Gilberg (1911-1970) "Pink Cheeks" c.1950s Ink and pastel on paper 12"x13.75" unframed Unsigned Good Condition - Wear consistent with age and history. Deep creases on upper le...

Stunning woman nude pencil study by Russian painter G. Debotoiyche (20th Century). The representation is very modernistic, with only a few lines drawn to render the whole movement an...

Watercolor by Louis BERTHOMME SAINT-ANDRE, France, ca.1925. The nap. With frame: 75x60.5 cm - 29.5x23.8 inches, without frame, just the watercolor: 53x39 cm - 20.9x15.35 inches. Signed lower left "Berthomme St André" (see photo). Louis Berthommé Saint-André is a figurative painter, fresco painter, decorator, illustrator, engraver, ceramist and French lithographer born in 1905. He comes from rural and commercial France: his father ran a wine and grocery business. In his youth, Louis Berthommé Saint-André was injured by a kick, which left him with a stiff leg, preventing him from driving, among other things. The family left Oise to settle in Saintes, where the artist studied at La Recouvrance. He entered as a student architect with Georges Naud, responsible for the historical monuments of Charente then, in 1921, he entered the School of Fine Arts in Paris. Louis Berthommé Saint-André is one of the great representatives of French figurative painting in the 20th century. He was trained at the School of Fine Arts by two very old masters who died during his training: Fernand Cormon (1845-1924) and Jean-Paul Laurens (1838-1921). He retains from their training the taste for well-learnt techniques, but from his first works, he is part of modernity. His constructions show decomposed forms inspired by Cézanne, while maintaining a keen sense of rigour. He never strayed from realism, but his very colourful, sometimes incisive palette and his freedom in representation gave his painting a bite and an acidity that placed Louis Berthommé Saint-André among the great talents of his time. Silver medal at the Salon of French Artists where he exhibited from 1924 to 1929, he won the Abd-el-Tif Prise in 1925 and was then the youngest resident of the villa in Algiers. Friend of Jean Launois, in addition to his recognised portraits, he painted Algiers and the Kasbah. His studies of women recall those of Eugène Delacroix, but if his luminous inspiration is due to the Algerian sun, his touch is more Cézanne than purely orientalist. He left Algeria in 1928, to return there in 1931. Before the war, Berthommé Saint-André exhibited regularly in all the major Salons: from 1928 at the Salon d'Automne, at the Salon des Beaux-Arts (1934 to 1936) at the Salon des Tuileries since 1935. His inspiration is close to surrealism . During the Occupation, he became very "fauve", in reaction to the darkness of the war. He joined the Resistance, and collaborated with Vaincre (Resistance newspaper). After the war, he developed a style close to poetic reality (Brianchon, Legueult, Oudot, Terechkovitch, Cavaillès. Caillard, Limouse, and Planson), without however ever being part of the group so called. He is present at the Salon Comparaison, at the Salon of painters Witnesses of our time, is president of the Salon of drawing and water-based painting. He has exhibited solo internationally, in Europe, the USA and Japan in particular. In 1977, he received just before his death, the grand prise of Painters Witnesses of their Time. He died on October 1, 1977 in Paris. Bibliography - Michel Droit. Berthommé Saint-André. Éditions de la revue moderne, 1981 Wall frescoes Entrance to the Direction, National School of Fine Arts, Paris Lycée Charlemagne, Paris, Notre-Dame and the banks of the Seine, 1952 Staircase of the Staff of Poitiers Personal exhibitions Villa Abd-el-Tif, Alger, 1922 Galerie Armand Drouant, Paris, 1928 Galerie Marcel Bernheim...

Stamped, verso, with certification of authenticity for Jane Ament De La Roche (American, 1916-2000) and created circa 1950. Winner of the Prix Othon Friesz, Ament first studied at the Chouinard Art Institute and, subsequently, in Paris with André L’Hote...

Eugenio Granell (1912-2001) - Surrealist figure. Watercolor Watercolor measures 29x22 cm. Frame measures 56x49 cm. Eugenio Granell was born in La Coruña in 1912. He lived most of his childhood in Santiago de Compostela, a city that marked a large part of his artistic work. From a young age, he showed a great predisposition to art, specifically to music, and in 1928 he moved to Madrid to study violin at the Escuela Superior de Música. There he met the composer and director Enrique Casal Chapí. It is at this time when he begins to attend political and literary gatherings in Madrid cafes. His circle of friends - such as Benjamín Péret or Wilfredo Lam - brought him closer to the orbit of the Partido Obrero de Unificación Marxista (POUM), in which he began to serve in 1935. At the outbreak of the Spanish civil war, he joined the militias loyal to the republican government to defend the capital and combined this activity with the direction of El Combatiente Rojo, the POUM newspaper. After the war ended, he was doubly persecuted; on the one hand, the victorious fascist army, which tried to get rid of any signs of active resistance against the new regime. On the other hand, Granell would suffer the persecution of his own communist comrades, since, under Stalin's mandate, the POUM and its militancy -of a Trotskyist nature and opposed to the Stalinist line of the Soviet Union- were considered enemies of communism and, therefore, this, condemned to persecutions and murders. Thus, in 1939, he must move to France. There he finds a reality different from the one he was looking for and went through various concentration camps until, after several attempts, he managed to escape and reach Paris -where he will meet Péret and Lam- to find a way out of his situation, leaving for South America. On the train that takes him to the port of La Havre, he meets Amparo Segarra, a Valencian fleeing Franco's repression, who would become his partner. They embark to Chile but, given the impossibility of this country to receive more refugees, they divert to the Dominican Republic, where they will settle, now together with Amparo, in the capital, Ciudad Trujillo. There, the artist will become part of the Symphony Orchestra as first violin. In 1941 he met André Breton when interviewing him for the newspaper La Nación. From this meeting a friendship will arise that will last until his death in 1966. In 1944 he publishes the book of stories El hombre verde. In 1946, only six years after settling in, under the hardening of the Trujillo dictatorship, he refused to sign a letter of adherence to the regime, so they had to leave the country and moved to Guatemala. There he entered as a professor at the School of Plastic Arts, maintaining an intense cultural activity. At the beginning of the Guatemalan revolution, in 1950, he had to flee the country again, for fear of Stalinist persecution. This time the Granell-Segarra family arrives in Puerto Rico, where the artist will occupy the chair of Art History at the Faculty of Humanities. In these years he published Isla Cofre Mítico -which is tremendously close to the surrealist poetic style- and participated in various collective exhibitions at the Puerto Rican university. Although in Santo Domingo he had collaborated with him on poetry magazines...

This lovely pastel painting on paper by John Alfred Begg (1903 - 1974) is a striking cubist nude study in blue, purple, and orange-rust colors with contrasting black lines. The artwork is signed in the bottom right corner. Provenance: From the estate of the artist. Newly reframed in an elegant deep-textured wood frame with orange, black, and gilded colors, original beige jute matte, and glass protection. Measurements: With frame: 17.13 in wide (43.5 cm) x 24.41 in high (62 cm). Opening view: 6.50 in wide (16.5 cm) x 12.44 in (31.5 cm). About: John Alfred Begg was born in New Smyrna Beach...

India Ink on paper; Provenance: Estate of artist, Vincent Vallarino Gallery Lawrence Fine Art is pleased to present a suite of early, cubist-inspired nudes by first generation abst...

India Ink on paper; Provenance: Estate of artist, Vincent Vallarino Gallery Lawrence Fine Art is pleased to present a suite of early, cubist-inspired nudes by first generation abst...

John Alfred Begg (1903 - 1974) designed this brutalist pastel painting on paper. The striking cubist nude study design boasts green, orange, and rust colors with contrasting black lines. No signature is visible on the front, but the piece can be signed at the back, like many of the artist's works. Provenance: From the estate of the artist. Newly reframed in an elegant deep-textured wood frame with orange, black, and gilded colors, original beige jute matte, and glass protection. Measurements: With frame: 17.32 in wide (44 cm) x 23.03 in high (58.5 cm). Opening view: 9.45 in wide (24 cm) x 13.19 in (33.5 cm). Note: John Alfred Begg was born in New Smyrna Beach...

India Ink on paper; Provenance: Estate of artist, Vincent Vallarino Gallery Lawrence Fine Art is pleased to present a suite of early, cubist-inspired nudes by first generation abst...

India Ink on paper; Provenance: Estate of artist, Vincent Vallarino Gallery Lawrence Fine Art is pleased to present a suite of early, cubist-inspired nudes by first generation abst...

The Dance is a pencil drawing realized in 1920 and attributed to Augusto Monari. Good condition, no signature. Mounted on a grey cardboard passpartout ( 23.5x18.5).

Pencil on paper, signed (upper right), 76cm x 56cm (88cm x 68cm framed). A graduate of the Kiev Art Academy in 1957. Drawings of the nude, called academic studies...

India Ink on paper; Provenance: Estate of artist, Vincent Vallarino Gallery Lawrence Fine Art is pleased to present a suite of early, cubist-inspired nudes by first generation abst...

Victor Di Gesu (American, 1914-1988) Estate Stamp verso; drawn circa 1955. An elegant, figurative drawing showing a view of a young woman seated and gazing candidly towards the view...

Nu (Standing Female Nude) Red chalk on wove paper, c. 1925 Signed lower right: C Despaiu (see photo) Sheet size (folded format): 12 1/8 x 8 5/16 inches Condition: Very good Sheet fol...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Two Women by George Tooker is a psychologically engaging portrait of contrasts. An untidy, older, overweight woman is seen slumped in a chair, asleep and lost in a dream. Her head ti...

A smokey portrait of a nude woman in pastel and charcoal on paper. This piece is an example of the more representational side of Benjamin Benno's practice, showing in more realistic ...

Stamped verso for estate of Victor Di Gesu (American, 1914-1988) and painted circa 1955. A Post-Impressionist figural watercolor showing a young woman partially-clothed in evening w...

Stamped, verso, with certification of authenticity for Jane Ament De La Roche (American, 1916-2000) and created circa 1950. Winner of the Prix Othon Friesz, Ament first studied at the Chouinard Art Institute and, subsequently, in Paris with André L’Hote...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art...

Nudes is a Watercolor Drawing realized by Mino Maccari (1924-1989) in the 1950s. Hand-signed on the lower. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 1989) was an I...

George Sugarman Original nude drawing, 1951 Ink on Paper Signed and dated (l.r.). Matted and Framed. Original vintage frame included This rare signed, dated drawing from the early 1...