Phillip Sage

Drive To Goal by Phillip Sage (b1942-)

1985

Art Sz: 16"H x 21 3/4"W Frame Sz: 19 1/4"H x 25"W Classic Deauville, French polo etching with gouache highlights by Eugene Pechaubes (1890-1967) pencil...

Art Sz: 15 3/4"H x 22"W Frame Sz: 24"H x 30"W Classic intaglio polo etching c1985 edition #24/ 200 by Phillip Sage (b. 1942-) pencil signed (LR)

BROWN, Paul Desmond (SIGNED) "Left Backhander and a Hook" International Polo Argentina vs USA (Copa de las Americas) in 1928, etching Matted and framed ...

Image Sz: 13 3/4"H x 19 1/4"W Frame Sz: 21"H x 26"W Extremely rare colour sporting aquatint engraving by James Pollard (1792-1867) depicting "Epsom The Race Over' published by Arth...

Abstract composition on paper by Karl Peter Röhl.

Signed and dated bottom right, a beautiful aquarelle from the 1940s by Röhl.

This etching is in very good condition, it is signed and numbered by the artist but I was unable to identify the artist. It is a piece from my private collection of artists from the ...

Abstract red, green and grey interior scene with lines, shapes and hand painted brushstroke texture. Colorful large scale work ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Paper 21.25 x 27.25 in. / 54 x 69 cm Softground etching and aquatint (from two plates) with hand coloring in watercolor (green and orange). Signed by the artist and dated 77 lower right in pencil; numbered lower left in pencil. This print was proofed by Daniel Levy and printed and hand-colored by Ken Farley at Claes Oldenburg’s studio in New York, which Petersburg Press was using at the time. 1977 heralded a breakthrough in Hodgkin’s prints showing an increase in emotional content and intensity. They are more fluid and lush due to an increased looseness of handling. They show a richness and a surface texture previously lacking – mainly due to the application of gouache or watercolor by hand but also to the more tonal techniques of aquatint and soft-ground etching with its chalk-like lines. This print amongst others of the period was prompted by a visit to Tulsa, Oklahoma and represents an interior scene. Catalogue Reference: Elizabeth Knowles...