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Celso José Castro DazaPoncho Jueves 26 de Mayo, Framed Drawing2016
2016
$3,000
£2,270.23
€2,618.28
CA$4,189.29
A$4,693.36
CHF 2,442.89
MX$57,156.15
NOK 31,119.16
SEK 29,305.47
DKK 19,545.15
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About the Item
Poncho Jueves 26 de Mayo, "Requiem por la condesa Nubia Brashi", 2016
Pencil on archival paper
Image size: 59 H in. x 40 in. W
Frame size: 63 H x 42.5 W x 2 D in.
On The back of the painting:
Carlos. Martes 24 de Mayo, 2016
Pastel on archival paper
____________
Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises to the voyeuristic viewer. They look back at us with a shameless stare. They play the game that moves between vanity and seduction.
Celso Castro was born in Valledupar, Colombia. He has a BFA from the Pratt Institute and has exhibited extensively in Latin America and the U.S.
- Creator:Celso José Castro Daza (1953, Colombian)
- Creation Year:2016
- Dimensions:Height: 63 in (160.02 cm)Width: 42.5 in (107.95 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Miami Beach, FL
- Reference Number:1stDibs: LU453313547052
Celso José Castro Daza
Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises to the voyeuristic viewer. They look back at us with a shameless stare. They play the game that moves between vanity and seduction. Celso Castro was born in Valledupar, Colombia. He has a BFA from the Pratt Institute and has exhibited extensively in Latin America and the U.S.
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