Crayon Portrait Drawings and Watercolors

Eduard Houbolt (Hof van Delft, 1885 – The Hague, 1954) Iris Numerata Signed, dated and inscribed “Eduard Houbolt / fecit. ad vivum / 10. Juni. 1947 / IRIS N...

Donald Stacy "Purple Head" c.1950s Gouache and oil pastel on paper 13.75" x 17" unframed Unsigned Came from artist's estate Donald Stacy (1925-2008) New Jersey Studied: Newark School of Fine Art The Art Students League Pratt Graphic Arts Center University of Paris 1953-54 University of Aix-en-Provence 1954-55 Faculty: Art Department of the New School Museum of Modern Art School of Visual Arts Stacy Studio Workshop Exhibitions: Grand Central Moderns George Wittenborn The New School Print Exhibitions, Chicago University of Oklahoma Honolulu Museum Monclair Museum Wisconsin State College Louisiana Art Commission Philadelphia Print...

Portrait of a Woman Pencil signed and dated Feb 20. 20 unframed 14x11 George Kenneth Hartwell painter and illustrator was born in Fitchburg 1891-1949, Massachus...

Sold without the frame. Léon Laurent Galand is a French painter and illustrator born April 18, 1872 in Montpellier (Hérault) and died November 4, 1960 in Clichy (Hauts-de-Seine). L...

A Fine 1940s, Mid-Century Modern Academic Portrait Figure Study of a Handsome Young Male Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well execut...

An Intimate, 1940s Modern Portrait Drawing of a Young Woman by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A finely drawn, introspective portrait in pastel and charcoal o...

Work on paper

'Modern Dancers', pastel, ink and gouache on fine art paper by French artist, singer and sculptor, Mick Micheyl (1964). Two elegant young men are depicted in a graceful dancing pose, arms outstretched, their lithe bodies so agile and limber. Perhaps one of the dancers was her friend, Philippe, to whom the painting is dedicated on the bottom. The dedication says: 'For you Philippe, all my friendship'. Signed: 'Mick Micheyl'. The work has been newly framed and glazed after having been acquired in the S. of France. It is in good vintage condition commensurate with age showing minor blemishing on the paper. Upon request a video of the piece can be provided. Dimensions with Frame: H 75 cm / 29.5" W 61 cm / 24" Dimensions without Frame: H 56 cm / 22" W 42 cm / 16.5" About the Artist: Mick Micheyl (1922 - 2019) was born in Lyon and had a busy and rewarding artistic career as a singer, producer, reviewer, metal sculptor, artist. After having received training at the School of Fine Arts in Lyon she became a painter and decorator in the theatre but then commenced a career in the musical activities of a theatrical troupe. She won the ABC competition in Paris in 1949 with a song, Le Marchand de Poésie, which she composed herself. She then performed in many cabarets: L'Échelle de Jacob, Harlequin and Liberty's. In the 1950s she was one of the most important French cabaret singers of that period. One of her titles, 'Un Gamin de Paris', became one of the French standards and also performed by Yves Montand and Robert Clary...

The Figures Sketches is an original Drawing on paper realized by French painter Norbert Meyre in the mid-20 century. Drawing in pencil and pen and pa...

Portrait is an artwork realized by the french Artist Jacqueline Barbet (1902-1975), in 1938. Pencil, pastel and charcoal rawing on paper. Hand-signed and dated in pencil in Roman nu...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

Portrait is a drawing realized by Jean Lasnier in the Mid-20th Century. Oil pastel and watercolor ink on paper. Good conditions with slight foxing. The artwork is realized through...

Alfredo Opisso Cardona (1907-1980) - Jota - Pastel Measures work 46x36cm. Frame measures 65x55 cm.

'Mon Colonel', pencil and crayon on paper, by noted French artist, Auguste Chabaud (circa 1914-1918). A delightfully simple drawing of a French Army colonel in profile along with clo...

Work on watercolor paper

Portrait is a Pastel and Watercolour artwork realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a little sheet. No Signature. Reynold Arnould was born i...

Smiling Girl is an original modern artwork realized by Arnaldo De Lisio in 1917. Mixed colored oil pastel o board. Hand signed and dated on the lower ma...

Portrait of Christ is an original artwork realized by the Unknown Artist in the early 20th century. Original colored pencil drawing on ivory-colored paper, glued on colored cardboa...

Paul César Helleu is regarded among the most sought-after society portraitists of his era, and his Belle Époque works rival those of his contemporaries John Singer Sargent and Giovanni Boldini. He is best remembered for capturing the era's most beautiful socialites, including Consuelo Vanderbilt, the Duchess of Marlborough, the Comtesse de Loriol Chandieu and the Comtesse Mathieu de Noailles, among others. This work, however, stands out in that it captures the charming likeness of one of his art world cohorts, Mathilde See, a Parisian-born decorator and painter of floral still lifes. She is the essence of the modern woman, captured in her fashionable dress as she strolls along the flower-lined streets of Paris. Commanding in size, Portrait de Mathilde See fully displays Helleu's mastery over the medium of pastel. The muted palette of greys and blues is typical of the artist, bringing a harmony and cohesiveness to the composition. Furthermore, Helleu cleverly alludes to See's own artistic output with a backdrop of vibrant floral blooms, enlivening the canvas and complementing the greens and blues of the peacock feather adorning her hat. The portrait is all the more significant thanks to its provenance. It was previously in the collection of A. Alfred Taubman, one of America's most successful entrepreneurs and one-time owner of Sotheby's. Considering Taubman encountered some of the most noteworthy and beautiful works of art ever made through his auction house, the fact that he chose this portrait by Helleu to grace his collection is a testament to its import. Born in Brittany in 1859, Helleu moved to Paris in 1876 in order to study at the École des Beaux-Arts. Like so many other artists of his generation, he was trained there under the Academic master Jean-Léon Gérôme. That same year, he also attended the Second Impressionist Exhibition...

Wolf Kahn Emily & The Baby II (Grace Borgenicht Gallery), 1960 Pastel on Paper. Hand signed on the front. Grace Borgenicht gallery label on the back Vintage frame included Provenance...

Winold Reiss (1886-1953), who scholars increasingly recognize as a pivotal figure in early 20th-century American art, is known for his evocative portraits that capture the spirit and...

Portrait of Woman is an original pencil drawing on paper realized by Jeanne de Jesse in the early 20th Century. Good conditions. Hand-signed on the lower right. The artwork repres...

Work on paper Brown wooden frame with glass pane 35.5 x 29.5 x 1.5 cm

'The Kids', pastel on paper (1967), by Raymond Dèbieve. Picasso's influence is undeniable in this artwork yet Dèbieve's own naive artistic style is on display ...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

Did Bendiner ever miss a performance, show, concert, play? Was there anyone he didn't know? This double-side drawing in blue crayon shows Johnny Hodges (jazz saxophonist extraordina...

Woman with Floral Cloth Background (Portrait of Grace), 1944 Crayon and pencil on paper, 28 x 22 inches (71.1 x 55.9 cm) Framed dimensions: 32 1/2 x 26 1/2 inches Signed and dated at...

Robert Philipp, 'Self-Portrait with Black Hat', ink and color pastel, c. 1945. Signed in ink, lower right. A fine, spontaneous drawing, on heavy, buff wove paper; the artist's tack holes in the top and bottom left sheet corners, minor rippling in the bottom sheet edge; otherwise in good condition. Image size 16 1/4 x 11 1/4 inches; sheet size 19 1/4 x 12 3/4 inches. Matted to museum standards, unframed. Provenance: Art Students League, from the artist’s personal portfolio. ABOUT THE ARTIST Robert Philipp (1895–1981) was a celebrated American Post-Impressionist painter known for his nudes, still lifes, and portraits. Noted art critic Henry McBride named Philipp one of America's top six painters of his generation. Philipp was an instructor of painting at the Art Students League, New York, for 33 years. Philipp was Secretary of the National Academy of Design, a National Academician, and a Benjamin Franklin Fellow at the Royal Society of Arts in London. His composition and painting style has been compared to the art of Edgar Degas and Pierre Auguste Renoir. In 1940, Philipp was invited to Los Angeles by Hollywood producer Louis B. Mayer to paint portraits of Metro-Goldwyn-Mayer movie stars. The same year, Walter Wanger, producer of ‘The Long Voyage Home’, directed by John Ford and based on plays by Eugene O'Neill, contracted with Reeves Lewenthal, head of the Associated American Artists gallery in Manhattan, to bring nine well-known artists to the set and paint scenes from the movie and portraits of the actors in character. The artists included Robert Philipp, Thomas Hart Benton, Grant Wood, Ernest Fiene, George Schreiber, Luis...

A life drawing by a well known book illustrator and long-term resident of the Chelsea Hotel in the 1930s. Caswell, Edward Gin giving Doris a hair cut Black crayon on lightweight, br...

'Portrait of Smiling Woman', pastel and crayon on art paper, by Raymond Debiève (circa 1970s). Is this a modern version of da Vinci's Mona Lisa? The simi...

'The Red Headdress', pastel on art paper, by W. Worms (circa 1960s). A beautiful woman with contemplative expression and tender eyes is exquisitely portrayed by the artist. The treat...

Work on paper

Susan Kiefer Canray and BoisSec Pastel on paper Year: 2004 Size: 19x25in COA provided Ref.: 924802-1664 Framed pastel portrait of beloved Creole musicians Canray Fontenot and BoisSe...

Joseph Hirsch, American (1901 - 1981) - Resting Girl, Year: circa 1960, Medium: Pastel on Paper, signed in pencil top left, Size: 12.25 x 19.75 in. (31.12 x 50.17 cm), Frame Siz...

Vincente Romero Thoughtfulness Original pastel on Ingres paper Hand signed by the artist Image: 25.6 x 19.7 inches Framed dimensions: 32 x 26 inches *T...

Work on paper

Untitled (Woman's Head in Profile) Watercolor and pastel on paper laid down on board, 20 x 13 inches (50.8 x 33 cm) Framed dimensions: 27 x 20 inches Signed upper left: Joseph Stella...

Study for "Golden Fall", 1940 Pastel on paper, 26 x 20 inches (66 x 50.8 cm) Framed dimensions 33 1/2 x 27 1/2 inches Joseph Stella’s artistic career defies easy categorization. He ...

Nude is an original modern artwork realized by Carlo Mattioli in 1958. Mixed colored pastel drawing on canvas. Hand signed and dated on the lower marg...

Portraits is an artwork realized by Mino Maccari (1898-1989). Colored portrait on one side, figure of a woman and two heads in black on the other side. Pastel and charcoal on pape...

Sketch in The Garden is an original drawing in Ink, Watercolor, and pastel by an anonymous artist in the first half of the 20th Century. Good conditions. The artwork is depicted th...

The Figures Sketches is an original Drawing on paper realized by the French painter Norbert Meyre in the mid-20 century. Drawing in pencil and pen an...

Divertissement is an original drawing in Ink, Watercolor, and pastel by an anonymous artist in the Good conditions. The artwork is depicted through strong strokes and harmonious c...

Portrait of Virgin Mary is an original artwork realized by the Unknown Artist in the early 20th Century. Original colored pencil and pastel drawing on ivory-colored paper, glued o...

Portrait is a beautiful drawing in pastel and charcoal on paper realized by Fernand Renault (1865-1909) In good condition. Stamped on the lower right. The artwork represents the p...

Mars Irene Rice Pereira, American (1902-1971) Creation Date: 1966 Acrylic and pastel on rice paper, signed, dated, and titled in pastel Size: 39 x 24.75 in. (99.06 x 62.87 cm)

Portrait is a drawing in colored pastel on greyish paper realized by M.Gérard. Hand-signed on the lower left in pen. Titled on the lower in pen. With a drawing of nude female figu...

Blue Woman Irene Rice Pereira, American (1902-1971) 1958 Pastel on rice paper, signed and dated in pastel Size: 36.5 x 25 in. (92.71 x 63.5 cm)

The Envy is an original drawing in Ink, Watercolor, and pastel by an anonymous artist in the first half of the 20th Century. Good conditions. The artwork is depicted through strong...

The Execution is an Original Drawing in pastel and pencil on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good con...

Descent of Mercurius Irene Rice Pereira, American (1902-1971) 1962 Pastel and Acrylic on rice paper, signed, titled and dated in pastel Size: 35 x 23.75 in. (88.9 x 60.33 cm)

The Torture is an original Pastel drawing on paper realized by Gabriel Ferrier (1847-1914) in the 19th Century. Stamped on the lower on the rear.. Go...

Landscape in Lagny is an Original Pastel and Watercolour realized by Paul Alouard-Carny (1884-1961) in 1936. Good condition on a yellowed paper. Hand-signed by the artist on the lo...

Portrait of man is an original modern artwork realized by Paul Ascan Demmé (Bern 1866 - 1953 Paris) in the early 20th Century. Pastel on board. Hand signed on the lower right marg...

Landscape in Lagny is an Original Pastel and Watercolour realized by Paul Alouard-Carny (1884-1961) in 1936. Good condition on a yellowed paper. Hand-signed by the artist on the lo...

Woman laughing is an original artwork by Michel Simonidy. Mixed media, pastel drawing, and tempera on paper. Hand-signed by the artist on the lower right. Includes passepartout. St...

Portrait of Christ is an original artwork realized by the Unknown Artist in the early 20th Century. Original colored pencil and pastel drawing o...

The Young Student is an original drawing in Ink, Watercolor, and pastel by an anonymous artist in the first half of the 20th Century. Good conditions. The artwork is depicted throu...

Mercurius Bringing Day Irene Rice Pereira, American (1902-1971) 1940 Pastel on rice paper, signed, titled and dated in pastel 38.5 x 24.5 in. (97.79 x 62.23 cm)

Man and Woman is an original pastel drawing on cardboard paper, realized around the Seventies by the great Italian artist and journalist, Mino Maccari (Siena, 1898 - 1989). Signed "...