Abstract Portrait Drawings and Watercolors

Seymour Rosenthal (American 1921-2007) "Untitled: Rabbi Scholar", Figurative Pen/Watercolor on Paper signed in bottom right hand corner, 10.50 x 8 (24 x 20.50 In Frame), Late 20th Ce...

1.0 M (DETECTIVE COMICS), 2023 by Rodrigo Spinel Chinese ink on Fabriano paper 250 g. Frame size: 43 cm H x 34 cm W x 3 cm D Image size: 30 cm H x 21 cm W Unique Ivory Wood Brown ...

3.2 M (ACTION COMICS), 2023 by Rodrigo Spinel Chinese ink on Fabriano paper 250 g. Frame size: 43 cm H x 34 cm W x 3 cm D Image size: 30 cm H x 21 cm W Unique Ivory Wood Brown Fra...

29.4M. CRYPTO PUNK, 2023 by Rodrigo Spinel Chinese ink on Fabriano paper 250 g. Frame size: 43 cm H x 43 cm W x 3 cm D Image size: 30 cm H x 30 cm W Unique Ivory Wood Brown Frame ...

"Portrait 2" Drawing 23" x 17" inch by Oleksandr Miroshnychenko Unique work ball pen, spray paint, paper 180g ARTIST BIO: Oleksandr Miroshnychenko lives and works at his studio in...

"Portrait 1" Drawing 23" x 17" inch by Oleksandr Miroshnychenko Unique work ball pen, spray paint, paper 300g ARTIST BIO: Oleksandr Miroshnychenko lives and works at his studio in...

Orange, blue, and yellow abstract figurative portrait by Texas artist Ike E. Morgan. This pastel drawing depicts an abstract figure of George Washington against a yellow halo on a re...

Argentinian Tango, Mixed Media Abstract Expressionist An abstract portrait in cool pastels accented in vibrant yellow and pink and lined in ink, by California-based artist, Ricardo ...

Abstract Portrait of a Woman in Gouache on Paper A vibrant abstract portrait of a woman with raven black hair accented in bold red and yellow, by California-based artist, Ricardo de Silva (American...

"Portrait 5" Drawing 23" x 17" inch by Oleksandr Miroshnychenko Unique work ball pen, spray paint, water colour, paper 300g ARTIST BIO: Oleksandr ...

"Portrait 4" Drawing 23" x 17" inch by Oleksandr Miroshnychenko Unique work ball pen, spray paint, water colour, paper 300g ARTIST BIO: Oleksandr Miroshnychenko lives and works at his studio in Kochetok, a small village in the Kharkiv region of Ukraine. In 2001, he decided to become an artist after one year of studying radiophysics at Karazin Kharkiv National University. Miroshnychenko subsequently enrolled at Kharkiv Artist College but after two years of education was expelled. The aspiring artist's first meeting...

"Portrait 3" Drawing 23" x 17" inch by Oleksandr Miroshnychenko Unique work ball pen, spray paint, paper 180g ARTIST BIO: Oleksandr Miroshnychenko lives and works at his studio in...

This sophisticated modernist portrait was realized by the esteemed artist Manuel Angele Ortiz in Spain, circa 1950. The work realized in a style influenced by the work of Pablo Picas...

A fine vibrant watercolor of an Oriental woman by Chinese/American artist Walasse Ting (1929-2010). Born in China in 1929, Walasse Ting is a self-taught...

Graphite and watercolor drawing on mylar of a figure dressed in a quill jacket made by the Cameroon grass fields people in Africa by Florida artist Lisa Qualls. Titled “Porcupine Quill Jacket,” the work was created as part of a series titled “Strawmen and Sugarbones” made for the "RAW" exhibition at O'Kane Gallery in 2009. In her artist statement for this series Qualls states: “I have isolated pieces of costumes and placed them on a person who is naked in order to emphasize the relationship between the object and person, the materials and skin, the symbol and the living being. The garments and ritual objects relate to the body in specific ways and are used to explore gender roles, societal and cultural ideas, aesthetics and spirituality. The voyeuristic element of the audience to the subjects in the drawings further emphasizes the vulnerability of the figures and their introspective and intimate poses. The figures, part soft and vulnerable, part concealed and protected, live in these ambiguous spaces as they would in a vision.” Dimensions Without Frame: H 36 in. x W 24 in. Artist Biography: Lisa received her BFA and BA from the University of Texas at Austin. She continued her studies in Fine Art and Design at Parsons and FIT in New York, NY and CISIM in Ravenna, Italy. Her work is currently represented by Ann Connelly...

ROBERT GOODNOUGH Seated Girl, 1961 Charcoal Drawing on Paper 23 3/4 × 18 inches Hand signed in charcoal on the front Unframed Unique This is an exquisite, rare poignant early Robert ...

Colorful watercolor portrait of seated female in a pink and orange striped dress by Mexican artist, Nadine Mayes. Signed by the artist in the bottom right corner and currently displ...

Ashley John is proud to offer this artwork by: Albert Hirschfeld (1903 - 2003) Albert Hirschfeld is known for his pen and ink personality caricatures of theatre people. He worked a...

Mixed media on paper, 1990, signed 'Ivan Chermayeff' and dated lower right, titled lower left. 30 x 22 in. (sheet), 36 x 28 in. (frame). Provenance:The artist, Art Planning Consult...

Mixed media on paper, 1990, signed 'Ivan Chermayeff' and dated lower right, titled lower left. 30 x 22 in. (sheet), 36 x 28 in. (frame). Provenance:The artist, Art Planning Consult...

Carolyn (Arms raised to her head) Graphite on laid paper Unsigned Provenance: Estate of the artist by descent to his Grandson Depicts the artist's wife Carolyn. Most probably created in Nashville, Indiana Related to the painting entitled "Maiden" in the Haan Museum, Lafayette, IN (see photo) Condition: Excellent Archival framing with TruVue Conservation Clear glass Image size: 10 3/4 x 8 1/2 inches Frame size: 18 7/8 x 16 inches Louis Oscar Griffith (1875-1956) Born in Greencastle, Indiana, Griffith grew up in Dallas, Texas where Texas artist and teacher Charles Franklin Reaugh recognized young “Griff’s” artistic talent. At age 18, Griffith moved to St. Louis where he attended the St. Louis School of Fine Arts. In 1895, he moved to Chicago where he worked making color prints for the firm Barnes and Crosby. He attended the Art Institute of Chicago and during a brief stay in New York, the National Academy of Design. A successful commercial artist with a studio in the Chicago Loop, Griffith was a member and president of the Chicago Palette and Chisel Club. He made his first trip to Brown County...

Colorful watercolor portrait of seated female in a blue dress and black + red hat by Mexican artist, Nadine Mayes. Signed by the artist in the bottom right corner and currently disp...

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’...

Colorful watercolor portrait of seated female in blue and pink floral dress by Mexican artist, Nadine Mayes. Signed by the artist in the bottom right corner and currently displayed ...

Colorful watercolor portrait of seated female in a white shirt and striped hat by Mexican artist, Nadine Mayes. Signed by the artist in the bottom right ...

Seiichi Hara (Japanese). Portrait of Aiko, 1972. Pencil, gouache on paper. Sheet measures 16 x 20 inches. Signed lower right and en verso. Custom frame of hardwood with welded steel ...

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’...

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’...

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’...

You meet the Spanish artist Alexandro Santana and you think, cripes, can he be for real? So handsome, so flamboyant, so seductive, so amusing -- you’...

Abstract, figurative portrait drawing on paper in antique frame Graphite on paper in vintage frame 26 x 21 inches This graphite portrait on paper draws inspiration from the ancient ...

Rare Pen & Ink of Stravinsky by Lawrence Ferlinghetti (American, b.1919) c.2009 Dedicated to "Peter" for his Birthday in 2009. We don't know who Peter is. H...

Artist: Josep Grau-Garriga, Spanish (1929 - 2011) Title: Self Portrait II Year: circa 1976 Medium: Ink on Paper Size: 28 x 24 in. (71.12 x 60.96 cm)

Pier Canosa (Italian, b. 1940), "Untitled: Portrait of a Woman 2", Abstract Figurative/ Portrait Charcoal Drawing signed and dated on Paper, 25.25 x 18.25, Late 20th Century, 1969 C...

Mixed media on paper, 1990, signed 'Ivan Chermayeff' and dated lower right, titled lower left. 30 x 22 in. (sheet), 36 x 28 in. (frame). Provenance:The artist, Art Planning Consult...

Pier Canosa (Italian, b. 1940), "Untitled: Portrait of a Woman", Abstract Figurative/ Portrait Charcoal Drawing Signed and Dated on Paper, 24.50 x 18.50, Late 20th Century, 1969 Col...

Evocative portrait of iconic abstract expressionist artist Joan Mitchell (American, 1925-1996) by Jo Ann Hambrick Farmayan (American, 1925-2005), ...

Martin Palottini Un rio contra ora, 2017 Pencil and acrylic on paper 21h x 19w in 53.34h x 48.26w cm

Unknown Artist, "Untitled Baseball Player", Figurative Charcoal Drawing, 17.50 x 23.50 (In Frame 25.50 x 31), Late 20th Century Colors: Blac...

Beautiful 1950 drawing by Spanish artist, Federico Castellon (1914-1971). Graphite on wove paper, sheet measures 12 x 18 inches. Excellent condition with no restoration or damage. Signed lower right. Unframed. From a recently discovered collection of over 60 important Castellon drawings and watercolors c.1939-1950. Birth place: Almeria, Spain Death place: New York, NY Addresses: NYC (immigrated 1921; citizen, 1943) Profession: Painter, graphic artist, sculptor, etcher, illustrator, teacher Exhibited: Weyhe Gal., 1934, 1936-40; AIC, 1935-47 (prize, 1938); AFA traveling exh., 1937; WMAA, 1938-45; PAFA, 1938-39, 1940 (prize), 1941-42; Carnegie Inst., 1942; PAFA, 1943-53; Assoc. Am. Ar., 1946 (prize), 1952 (solo); Corcoran Gal, 1947; LOC, 1949 (prize); Paris, France, 1952; Bombay, India, 1952; Gallery 10, 1961; Dintenfass Gal., N.Y., 1963; Phila. Pr. Cl., 1964 (prize); Hudson Gld. A., 1964; Great Neck, L.I., 1964; SAGA, 1964 (prize). In 1953, under the auspices of State Dept. Specialist Div., of I.E.S., he exhibited in Venezuela, Colombia, Peru, Chile, Bolivia, Uruguay, Argentina, Paraguay, with lectures in each country. Awards: F., Spanish Republic, 1934-36; fellow, Guggenheim Fnd., 1941, 1950; Nat. Inst. A. & Let. Grant, 1950. Member: NA; SAGA Work: WMAA; PAFA; MoMA; PMA; MMA; BM; AIC; NYPL; LOC; Univ. KY; San Diego Mus. FA; Newark (NJ) Pub. Lib.; Princeton Univ. (Frank Jewett Mather Coll.). Comments: A Surrealist painter whose imagery of the 1930s was greatly influenced by Dali. His full name was Federico Cristencia de Castellón y Martinez. Teacher: Columbia Univ., 1946-61; Pratt Inst., Brooklyn, 1952-61. Illustrator: Shenandoah, 1941; I Went into the Country, 1941; Bulfinch's Mythology, 1948; The Story of Marco Polo, 1954; The Man Who Changed China, 1954; The Story of J. J. Audubon, 1955; The Little Prince, 1954; The Life of Robert L. Stevenson, 1954. Reproduction of paintings on The Sumerian Civilization" for Life series "The Epic of Man," 1956; 15 paintings on "The History of Medicine" for MD magazine, 1960-61; The Story of Madame Curie...

Untitled (Woman by the Windows) Unsigned. Pastel on board, c. 1915 Created while the artist was in Giverny, France Provenance: Gift of the artist to his wife, Mary Hess Buehr by Descent to the artist's niece, daughter of Will Hess. David Salzman Robert Henry Adams Fine Art, Chicago Ronald C. Sloter, Columbus One of the early Chicago artists to adopt Impressionism, Karl Buehr became a figure and landscape painter. As a figure painter, his specialty became "gorgeously colored images of young women on porches overlooking brilliant summertime gardens." (Kennedy 98) His later work often showed a female figure with serious expression engaging the viewer with a direct stare. In his landscapes, he was noted for his strong coloration. In a December 1896 student exhibition at the Art Institute, a reviewer for the "Chicago Times Herald" described Buehr's landscapes as "blithe and joyous" with "country roads brilliant in sunlight . . . fields rich in summer verdure, under soft skies painted in a high, musical key." (Gerdts 68) Buehr was born as one of seven sons to a prosperous German family who immigrated to America and settled in Chicago in 1869. He was first exposed to his signature style of Impressionism in 1888 when he enrolled in night classes at the Art Institute while working in the shipping department of a lithographic firm near the Institute. He remained a student there until 1897 and was recognized in a "Chicago Times Herald" editorial of June 13, 1897 as one of the Institute's most outstanding pupils. The next year, his art career was temporarily put on hold when he briefly enlisted with the U.S. Army in the Spanish American War. In 1899, he resumed his art studies, this time with Frank Duveneck. He exhibited a painting at the Paris Salon of 1900. In 1905, thanks to a wealthy Chicago patron, Buehr and his family moved to France. They spent the following year in Taormina, Sicily, and spent time in Venice as well. In Paris, Buehr studied at the Academy Julian with Raphael Collin for two years. Then he went to England, enrolling in the London Art School but had returned to Paris by 1908. During this time, he began painting at Giverny, the home of Impressionist leader Claude Monet (1840-1926, and by 1912, Buehr was listing that village as his home address. One of his good friends and associates at Giverny was Frederick Frieseke. One of Buehr's paintings from that time, "News from Home", was exhibited in 1913 at the French Salon in Paris and at the annual exhibit of the Chicago Art Institute. It shows a woman in floral dress sitting on a porch with a background with potted flowers and lush greenery background. Of his painting done at Giverny, Buehr wrote in 1912 to William Macbeth of Macbeth Galleries in New York: "My figures painted in and around Giverny are costumed and in appropriate out door settings." (Gerdts 68) In 1914, he returned to the United States and took a teaching position in Chicago at the Art Institute, which he held for the remainder of his life. He was married to Mary Hess, a painter of miniatures and decorative works. In 1928-29, he was a guest artist at Stanford University. Courtesy: AskArt “Karl Albert Buehr (1866–1952) was a painter born in Germany. Buehr was born in Feuerbach - near Stuttgart. He was the son of Frederick Buehr and Henrietta Doh (Dohna?). He moved to Chicago with his parents and siblings in the 1880s. In Chicago, young Karl worked at various jobs until he was employed by a lithograph company near the Art Institute of Chicago. Introduced to art at work, Karl paid regular visits to the Art Institute, where he found part-time employment, enabling him to enroll in night classes. Later, working at the Institute as a night watchman, he had a unique opportunity to study the masters and actually posted sketchings that blended in favorably with student's work. Having studied under John H. Vanderpoel, Buehr graduated with honors, while his work aroused such admiration that he was offered a teaching post there, which he maintained for many years thereafter. He graduated from the Art Inst. of Chicago and served in the IL Cav in the Spanish–American War. Mary Hess became Karl's wife—she was a student of his and an accomplished artist in her own right. In 1922, he was elected into the National Academy of Design as an Associate member. Art Studies in Europe In 1904, Buehr received a bronze medal at the St. Louis Universal Exposition, then, in 1905, Buehr and his family moved to France, thanks to a wealthy Chicago patron, and they spent the following year in Taormina, Sicily, where the artist painted local subjects, executing both genre subjects and landscapes as well as time in Venice. Buehr spent at least some time in Paris, where he worked with Raphaël Collin at the Académie Julian. Giverny and American Impressionism Prior to this time, Buehr had developed a quasi-impressionistic style, but after 1909, when he began spending summers near Monet in Giverny, his work became decidedly characteristic of that plein-air style but he began focusing on female subjects posed out-of-doors. He remained for some time in Giverny, and here he became well-acquainted with other well known expatriate America impressionists such as Richard Miller, Theodore Earl Butler, Frederick Frieseke, and Lawton Parker. It seems likely that Buehr met Monet, since his own daughter Kathleen and Monet’s granddaughter, Lili Butler, were playmates, according to George Buehr, the painter’s son. His other daughter Lydia died before adulthood due to diabetes. He returned to Chicago at the onset of World War I and taught at The Art Inst for many years. One of his noted pupils at the Art Institute was Archibald Motley...