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Aida SubiraTo Break, To Blossom 102021
2021
About the Item
Watercolor sculptural collage
- Creator:Aida Subira (Spanish)
- Creation Year:2021
- Dimensions:Height: 63 in (160.02 cm)Width: 47 in (119.38 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU156629038922
About the Seller
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Located in New York, NY
Aida experiences resilience: she paints, she breaks and she rebuilds. Watercolor, subtle and delicate, turns into great sculpture. The beauty of scars in her work — imperfect and fra...
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2010s Contemporary Drawings and Watercolor Paintings
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To Break, To Blossom 25-4
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Aida experiences resilience: she paints, she breaks and she rebuilds. Watercolor, subtle and delicate, turns into great sculpture. The beauty of scars in her work — imperfect and fra...
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To Break, To Blossom 25-02
Located in New York, NY
Aida experiences resilience: she paints, she breaks and she rebuilds. Watercolor, subtle and delicate, turns into great sculpture. The beauty of scars in her work — imperfect and fra...
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The Real - A unique ink on paper work by Philip Wittmann
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Category
2010s Contemporary Abstract Paintings
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Ink, Archival Paper, Paper, Acrylic, Watercolor
To Break, To Blossom 25-03
Located in New York, NY
Aida experiences resilience: she paints, she breaks and she rebuilds. Watercolor, subtle and delicate, turns into great sculpture. The beauty of scars in her work — imperfect and fra...
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Unforgettable
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The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow.
He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle.
Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky
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