Framed Still-life Drawings and Watercolors

A French Art Deco illustrative drawing, hand painted in ink and gouache on blue laid paper. The design includes a collection of fashion accessories, handbags, gloves, hats, and perfu...

With acrylic details. Signed illegibly to the lower right. Presented in a light wooden frame. On paper.

Roberto Burle Marx, 2021 (Framed) by Rodrigo Spinel From The Series Terms And Conditions Chinese ink on Fabriano paper 250 g. Frame size: 46 cm H x 38 cm W x 6 cm D Image size: 32 ...

Herbert Bayer, 2022 (Framed) by Rodrigo Spinel From The Series Terms and Conditions Chinese ink on Fabriano paper 250 g. Frame size: 52 cm H x 43 cm W x 4 cm D Image size: 32 cm H ...

'Bouquet of Flowers with Vanitas', wax crayon on paper, by French artist, Louis Latapie (circa 1930s). A vanitas painting contains collections of objects symbolic of the inevitabilit...

Pastel and crayon on paper interior scene by Eileen Gore Sellon. The painting is signed bottom left and attributed and dated to the backboard. Presented in gilt wood frame with mount...

Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still life. She is one of the most productive wate...

Abstract cubist style still life graphite drawing inspired by Giorgio Morandi's bottle paintings “Single Morandi Bottle IX” by Hudson Valley artist, David Dew Bruner, made in 2022 G...

'Painter in the Jardin de Luxembourg, Paris', pastel on fine art paper, French School (1919). An intriguing depiction of a hatted-woman dressed in white at her easel in the park. A b...

This color pencil drawing is reminiscent of a John James Audubon drawing with its precision and attention to detail, from the top of its downy head to its craggy feet. A baby heron...

Eve Nethercott, American (1925 - 2015) - Bouquet of Flowers II, Year: circa 1960, Medium: Watercolor, Size: 20 in. x 13 in. (50.8 cm x 33.02 cm), Frame Size: 30 x 21 inches, De...

Algodón de Seda, 1978 by Amelia Cajigas Image size: 3 H x 2.75 W inches. Frame size: 12 Hx 11.5 W x 1 D inches. White Frame ___ Amelia Cajigas. Artist. He was...

Varicose Wyn, 1989 - 2012 by Judith Mason Pencil on paper Frame size: 12 H x 10.5 W x 1 D in. Image size: 9 H x 7.5 W in. --------------------------- Judith Mason born Judith Seel...

Clausen and Bavaria. Stamp, Diptych by Rodrigo Spinel From the series Terms and Conditions Chinese ink on Fabriano paper 250 g. Overall Frame size: 44 cm H x 74 cm W x 4 cm D Overal...

GUIA FEDEX and DHL. Tracking, Diptych by Rodrigo Spinel From the series Terms and Conditions Chinese ink on Fabriano paper 250 g. Overall Frame size: 52 cm H x 86 cm W x 4 cm D Over...

Expressionist ink and pastel crayon drawing of flowers in vase. Framed in a vintage cobalt blue glass original frame Hand signed and dated Framed it measures 13.5 X 10.5 The actual ...

Newspapers on the Table - Miniature Still Life in Watercolor on Heavy Paper Finely detailed watercolor by California artist Darien Payne (American, b. 1951). Newspapers and a few ot...

'Camellia no. 2' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. ...

Silverpoint and crayon on paper 4 11/16 x 3 inches 11.9 x 7.6 cm Framed dimensions 8 1/8 x 9 7/8 inches Provenance The artist; By bequest to his nephew, Sergio Stella, 1946; By desc...

This black and white abstract drawing features a beautiful floral. Framed in a vintage gold frame, wired and ready to hang, 11 in. wide x 13 in. high

The more transcendental the representation, the more it tends to evoke it through its prodigies. Such is the case of the Double standard series in the words of the artist "It is a pr...

'Spring Composition no. 1' watercolor on paper. Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and s...

A cake top realistically depicts a cake by female baker, Zoe. Colored pencil on paper. 'Zoe' is 11 x 14.75 inches and professionally framed measuring 12 x 15.75 inches.

Botanical watercolour and gouache on paper circa 1920 by French fauvist painter Raoul Dufy. The work depicts flowers in red and butterflies in blues, yellows, black and white. This work was executed by Dufy as a fabric design. Dimensions: Framed: 17"x27" Unframed: 10"x20" Provenance: Private collection of works by Raoul Dufy for Bianchini Ferier Bianchini Ferrier Collection - Christie's London - July 2001 SF Fall Show Raoul Dufy was one of a family of nine children, including five sisters and a younger brother, Jean Dufy, also destined to become a painter. Their father was an accountant in the employ of a major company in Le Havre. The Dufy family was musically gifted: his father was an organist, as was his brother Léon, and his youngest brother Gaston was an accomplished flautist who later worked as a music critic in Paris. Raoul Dufy's studies were interrupted at the age of 14, when he had to contribute to the family income. He took a job with an importer of Brazilian coffee, but still found time from 1892 to attend evening courses in drawing and composition at the local college of fine arts under Charles Marie Lhullier, former teacher of Othon Friesz and Georges Braque. He spent his free time in museums, admiring the paintings of Eugène Boudin in Le Havre and The Justice of Trajan in Rouen. A municipal scholarship enabled him to leave for Paris in 1900, where he lodged initially with Othon Friesz. He was accepted by the École des Beaux-Arts, where he studied under Léon Bonnat, whose innate conservatism prompted Dufy to remark later that it was 'good to be at the Beaux-Arts providing one knew one could leave'. And leave he did, four years later, embarking with friends and fellow students on the rounds of the major Paris galleries - Ambroise Vollard, Durand-Ruel, Eugène Blot and Berheim-Jeune. For Dufy and his contemporaries, Impressionism represented a rejection of sterile academism in favour of the open-air canvases of Manet, the light and bright colours of the Impressionists, and, beyond them, the daringly innovative work of Gauguin and Van Gogh, Seurat, Cézanne, Toulouse-Lautrec and others. Dufy was an out-and-out individualist, however, and was not tempted to imitate any of these artists. He produced, between 1935 and 1937, Fée Electricité (Spirit of Electricity), the emblem for the French utilities company Electricité de France (EDF). Dufy visited the USA for the first time in 1937, as a member of the Carnegie Prize jury. In 1940, the outbreak of war (and his increasingly rheumatic condition) persuaded him to settle in Nice. When he eventually returned to Paris 10 years later, his rheumatism had become so debilitating that he immediately left for Boston to follow a course of pioneering anti-cortisone treatment. He continued working, however, spending time first in Harvard and then in New York City before moving to the drier climate of Tucson, Arizona. The cortisone treatment was by and large unsuccessful, although he did recover the use of his fingers. He returned to Paris in 1951 and decided to settle in Forcalquier, where the climate was more clement. Within a short time, however, he was wheelchair-bound. He died in Forcalquier in March 1953 and was buried in Cimiez. Between 1895 and 1898, Raoul Dufy painted watercolours of landscapes near his native Le Havre and around Honfleur and Falaise. By the turn of the century, however, he was already painting certain subjects that were to become hallmarks of his work - flag-decked Parisian cityscapes, Normandy beaches teeming with visitors, regattas and the like, including one of his better-known early works, Landing Stage at Ste-Adresse. By 1905-1906 Friesz, Braque, Matisse, Derain, Vlaminck, Van Dongen and Rouault were described collectively as Fauves (the wild beasts). What they had in common was a desire to innovate, but they felt constrained nonetheless to meet formally to set out the guiding principles of what promised to be a new 'movement'. Dufy quickly established that those principles were acceptable; moreover, he was most impressed by one particular painting by Henri Matisse ( Luxury, Calm and Voluptuousness) which, to Dufy, embodied both novelty and a sense of artistic freedom. Dufy promptly aligned himself with the Fauves. Together with Albert Marquet in particular, he spent his time travelling the Normandy coast and painting views similar...

Wonderfully vivid and expressive, this floral still life is full of colour and life. It is well presented in a simple wood frame. On paper.

'Lily Study III' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. I...

Christoper Ryland (born 1951) Three yellow tulips Signed Watercolour 15½ x12¼ inches A really striking example with the eye-catching contrast of the brilliant yellow tulips against an inky blue background. Christopher Ryland...

Abstract cubist style still life graphite and acrylic painting inspired by Giorgio Morandi's bottle still life paintings "Morandi 12” by Hudson Valley artist, David Dew Bruner, made...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...

Signed (at lower right): Bailey 1977

Bodegon II, 2014 Tempera on paper (Signed, Framed) 27 3/5 H × 39 2/5 W in. 70 H x 100 W cm On the subject of his new works the artist stated: “There is not enough orange, yellow and...

"Sweet Gum" painted by Joy Taylor in 2022 28 x 22 inches, 37 x 29 inches framed acrylic on paper Custom Frame with White Wood Molding, Window Mat and Tru Vu AR Glass Joy Taylor’s paintings transform botany into a personal vision. Her recent series on canvas, playfully titled the “Boo-K” paintings, defy traditional still life depictions that often seek to tame and order the objects of the world. On the contrary, Taylor’s subjects are never still. Her floral forms have the crisp, clean qualities of cut paper; sharp, decisive lines slice through blocks of pure pigment to create defined edges of leaves, vines and blossoms. The colors are constructed as well as the form. Her exuberant palette of oranges, blues, magenta and green echo the complimentary colors favored by the Fauvists. Color is an element in and of itself in her work. This balance of sparkling color and form is irrepressible, at times disconcerting and even dangerous in its boldness. In a series of original paintings on paper, Joy pairs down the form by focusing on a single bloom or leaf. As a specimen under a microscope, Taylor dives into the crevices and details of each leaflet on this bright green Sweet...

Floral still life. Presented in a gilt-effect frame. Signed to the lower right. On watercolour paper.

Still Life is a modern artwork realized by Sante Monachesi in 1939. Charcoal drawing on paper. Hand signed and dated on the lower margin. Includes frame.

Expressionist ink drawing of wheat stalks There is an inscription "Happy New Year" on verso Hand signed Framed it measures 7.75 X 5.75 The actual paper is 3 X 3.5 Born in 1897, Ben-...

Bob Stuth-Wade (American, Born 1953) "Vidya Maya," 2006 charcoal and acrylic on paper 55 1/2 x 46 inches signed "Bob Stuth-Wade" at lower right Eleanor Jones Harvey, Chief Curator a...

Hyman Bloom "Still Life with Flies" Frame: 18" X 16" Image: 9.25" X 8.25" Hand signed with his monogram initials Provenance: bears exhibition label from Fuller Museum of Art Hyman B...

'The Yellow Phone, 2021' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 24 x 14 inc...

Howard Halbert (Born 1957) Texas Artist Image Size: 14 x 9 Frame Size: 22 x 17 Medium: Graphite # 2 pencil only "Honky Donkin" Donkey HALBERT - Biography Halbert was born and raised in North Central Texas, and early on developed an interest in portraying the horses, cattle and every day occurrences of the west, in pencil. Eventually Halbert became a partner in a large ranching operation, which kept him away from his art for many years. A few years ago, he picked up a pencil and began to pursue his dream of becoming a professional artist. " I believe my passion and love of horses and the western way of life show in my work. I thank God for this gift which allows me to share with others what I truly enjoy. " Halbert credits Texas artist George Hallmark...

Vibrant watercolor, pen and ink floral study of Peruvian lilies, with brilliant attention to detail and a signature delicate style, by California artist Deborah Eddy (American, b.194...

Artist/ School: English/ American School, 19th century, circa 1860's. Title: Isabella Grapes on the vine. Interesting inscription telling the history of the drawing and how the orig...

This delicate oval composition captures a poignant moment in nature, featuring a small bird's nest with eggs nestled among blossom and woodland foliage. The artist's attention to det...

Beth Van Hoesen (1926-2010) was born in Boise, Idaho. She moved with her family to California, and in 1944, enrolled at Stanford University to study fine arts, earning a Bachelor of ...

This delicate oval composition captures a poignant moment in nature, featuring a robin's nest with eggs nestled among blossoming primroses and woodland foliage. The artist's attentio...

This work by Ingrida Irve makes us travel to Latvian fields around midsummer, where poppies are dominating the color palette. Ingrida Irbe (1969) Born 15th of June 1969 in Riga ...

This piece is framed measuring 33 by 27 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism. Her work is often heavily...

Highly detailed patterned abstract composition by Patricia "Patti" Omori Shepp (American, b. 1954). This piece has a repeating pattern across the width, reflected on itself. Texture ...

'Camellia Study no. 1' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and si...

Finely detailed historical figurative fashion illustration painted in watercolor in 1921, of a lady in 17th century dress; complete with a full blac...

Vibrant and detailed depiction of three bird of paradise flowers by unknown artist "Albright" (20th Century). Three flowers are shown with seve...

Derrick Latimer Sayer (British, 1917 – 1992) A vase of summer blooms Watercolour on board 24.3/4 x 16.3/4 in. (60.3 x 42.5 cm.) Sayer studied at the Chelsea School Art under Henry Mo...

Alexander Frenz (1861 Rheydt - 1941 Düsseldorf). Plant impression in Locarno. Gouache and watercolour. 35 x 23,5 cm (visible size), 49,5 x 38,5 cm (fra...

Study for the chairlift (Anacapri) is a contemporary artwork realized by Ennio Calabria in 1965. Mixed colored watercolor on paper. Hand signed, dated and titled on the lower margi...

Mary Reilly’s laborious method of toning her paper serves as the starting point for her intricate compositions. She begins by covering the entire sheet with up to eight smooth, unmod...

America Martin "Butterflies and Exuberant Flowers" Ink on Paper 33.75” x 28” Framed AMERICA MARTIN is an internationally represented Colombian-American fine artist based in Los Ang...

Signed in graphite in the lower left. Presented in a wooden frame. Studio label with title on the verso. On paper.

Signed and dated to the lower left-hand corner. Presented in a card mount and in a light wooden frame, as shown. On watercolour paper.

Delicate watercolor, pen and ink floral study of cyclamen, with brilliant attention to detail and a signature delicate style blending into line drawing by California artist Deborah E...