Paint Still-life Drawings and Watercolors

A sheet of woven boasts equally compelling watercolors on both sides. Both paintings' subjects focus on ceramic ware and are executed with beaming and vivid palettes. Unsigned. On w...

Stephan Hoffpauir’s photorealistic watercolors invite viewers to contemplate spaces that, while familiar, are largely ignored by those who fleetingly pass through them. Among his subjects are quasi-urban and quintessentially American spaces with an inherently surreal quality, including architecture, restaurant vignettes, and more recently, suburban supermarket displays. Employing but reinterpreting the traditions of Spanish and Dutch still-life painting, these contemporary works represent an ongoing exploration of the ways in which our surroundings shape our modern lives. 'Antique Store Display...

Summer Flowers by Ronald Birch, British circa 1970's watercolour on art paper, unframed overall paper measures: 15 x 22 inches titled and dated 'May 1991' *FREE SHIPPING ON THIS PAI...

Artist / School: English School, 19th century, dated 1863 Title: botannical study 'Ne Plus Meuris' Medium: watercolour drawing on paper, with ink inscription below Size: image: 9....

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, En...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) set of 2 watercolour on paper, unframed top painting : 6 x 4.5 inches, signed bottom right bottom painting: 5 ...

This exquisite watercolor, titled "Little Garden Flowers (Still Life)", by renowned artist Elisabeth Spalding (1868-1954), beautifully captures a delicate arrangement of flowers in v...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 7.25 x 9.5inches Delightful early 20th century F...

This beautiful painting in gouache and gold paint was created as a brooch design in the 1980s.The artwork is signed 'Erté' on the front, and numbered and titled in Erté's hand verso ...

Artist/ School: English School, 19th century, indistinctly signed lower corner. Title: botannical study of two apples with a branch next to them. Medium: watercolour drawing on pap...

Marie Benoit-Levy (France, 20th Century). This stunning watercolor on Arches Vellum paper painting features a still-life with thistles and a blue water pot, an academic design by Mar...

Marilla Palmer A Lucious Iris, 2025 watercolor, embroidery, pressed flowers, Durabright prints on Arches paper 30 x 22 in. (pal266) Marilla Palmer lives and works in Brooklyn, NY a...

In this small painting, Sylvia Spicuzza presents the viewer with a simple trillium flower, the white petals framed by blue-green leaves. 10 x 7.25 inches, artwork 19.75 x 17.25 inch...

Xiao Wen Xu's artistic practice is deeply influenced by her profound appreciation for the natural world. This artwork is part of her "Rainbowland Land" ser...

This work is unique. Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visua...

Cherry Blossom No. 12, Original Minimalist Floral Still Life Study, 2020 20" x 16" (HxW) Watercolor on Cold Pressed Paper A simple and minimalist nature study, this botanical watercolor painting features a large, pink cherry blossom caressed by a delicate sprig of leaves in a deep olive green. A gray and blue shadow indicates depth, allowing the flower to appear as if it is popping out of the composition. The soft color palette and brush strokes, along with the bleeding nature of the watercolors, gives this work an expressive and impressionist feel. Images with frames are examples only; this work comes unframed. Artist Commentary: Original watercolor painting on 140 lb Arches cold pressed paper (2019). About the Artist: Elizabeth Becker...

Work on paper This work illustrates a vibrant branch of flowers, showcasing shades of bright red and soft green. The artist has precisely captured the delicacy of the undulating pet...

Italian Floral Wallpaper Fragment 19th Century Italian hand painted floral design wallpaper lined with linen, in gold leaf frame.

'Thin Dahlias' - unframed by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Internationally exhibited and celebrated worldwide, Bukovnik’s iconic works express a spiritual exultation - a joie de vivre - a vivid celebration of beauty. The painting captures the season of nature’s rebirth when the world awakes from its winter repose — Forever Spring...

Watercolor on heavy paper realized by Carlo Ravagnan in 1969. Hand signed and dated lower left. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, died in...

Watercolor still life painting of brilliant roses by contemporary Burmese artist Ko Khine Thin Thar, 2013. Initialed and dated lower right. Displayed ...

Watercolor on heavy paper realized by Carlo Ravagnan in 1978. Hand signed and dated lower right. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, died i...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

This charcoal and acrylic flower drawn from life, taken from the amazing flowers at the Armory Show in NYC that the artist went home with. The renowned art fair is one of the most a...

Clara Deike (American, 1881-1964) Cactus (Mexico), 1930 Watercolor on paper Signed lower right, titled and dated on label verso 15.25 x 13.25 inches 25 x 22.5 inches, framed A gradu...

Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the natural world. In her series, ...

Titled lower left. Signed lower right: S. Headley Van Campen Susan Van Campen’s plein-air oil paintings are painted with the confident brushwork of a...

Stephan Hoffpauir’s photorealistic watercolors invite viewers to contemplate spaces that, while familiar, are largely ignored by those who fleetingly pass through them. Among his sub...

A still life watercolour study by James Hardy II, featuring dead game, a basket of vegetables, and a shotgun cartridge. Handsomely presented in a complimentary gold and red frame wit...

Watercolor on heavy paper realized by Carlo Ravagnan in 1960s. Hand signed lower left. Excellent condition.

Gold and Diamanté Star and Leaf Duo Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper unframed left design...

Artist Commentary: This piece is a watercolor floral still life painting. Keywords: flowers, floral, still life, vase, bouquet, African Violets, purple...

Strawberries, Original Still Life Study of Fruit Painting, 2018 9" x 12" (HxW) Watercolor on Paper Hand-signed by the artist. A simple composition of warm-toned fruit including an orange persimmon and clementine, a pomegranate in a deep pink, and two ruby red strawberries, this representational still life study by artist Ingrid Dohm...

A charming early 20th-century watercolour by the artist Karl Müller-Liedeck depicting a carefully woven bird's nest cradling several pale blue eggs, nestled amongst lush green foliag...

Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the natural world. In her series, ...

'Bakery, 2022' a highly collectable original watercolor by internationally acclaimed American Realist James Torlakson. The art is 24 x 18 inches and 33 x 27 inches professionally fra...

Delicate watercolor of vegetables. Japanese eggplant and radishes and a squash gourd. Framed 18 X 20 image is 11 X 13.5 Claus Hoie was a Norwegian-American...

Marilla Palmer Mellow Yellow, 2025 watercolor, sequins, pressed petals, Durabrite prints, stitching on Arches cold press paper 30 x 22 in. (pal254) Marilla Palmer lives and works i...

Quand le Soleil se Couche et Mes Idées se Levent by Lélia Pissarro (b. 1963) Tempera on paper 20 x 24 cm (7 ⁷/₈ x 9 ¹/₂ inches) Signed lower right, Lélia Pissarro Executed in June 20...

Artist Commentary: This painting was generated purely by imagination and imagery that I am drawn to. Keywords: Landscape & nature Artist Biography: Judith grew up 15 miles north o...

Gold and Silver Leaf Bracelet Jewelry Design circa mid 20th century by Paul Touzet (French b. 1917) original gouache painting, with pencil on tracing paper stuck on thin card overall...

Two very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey,...

Whimsical 1970's hand painted botanical silkscreen of baby's tears plant by Babette Joslyn Bauman Eddleston (American, 1922-1990). This limited edition screen print has splashes of color painted in by hand. The edition number 96/270 is written lower left. It is titled "Baby's Tears" and signed "Babette Eddleston...

'Flying Composition' by master watercolorist Gary Bukovnik, who fuses sensual vitality with fluid yet powerful colorations to create floral images of great depth, intensity, and size. Internationally exhibited and celebrated worldwide, Bukovnik’s iconic works express a spiritual exultation - a joie de vivre - a vivid celebration of beauty. The painting captures the season of nature’s rebirth when the world awakes from its winter repose — Forever Spring...

Marilla Palmer Kissing the Stamen, 2025 watercolor, sequins, pressed petals, Durabrite prints, stitching on Arches cold press paper 30 x 22 in. (pal255) Marilla Palmer lives and wo...

Whimsical 1970's hand painted botanical silkscreen of a spider plant by Babette Joslyn Bauman Eddleston (American, 1922-1990). This limited edition screen print has splashes of color painted in by hand. The edition number 22/270 is written lower left. It is titled "Spider Plant" and signed "Babette Eddleston...

Katie DeGroot So Natural, 2025 watercolor on paper 40 x 25 in. (groo126)

"Aubergines I" Still Life Watercolor Painting 10" x 14" inch by Inji Efflatoun Stamped by artist's estate. Not Signed. Inji Eflatoun pursued free studies in art. Since 1942, she ha...

"Aubergines II" Still Life Watercolor Painting 10" x 14" inch by Inji Efflatoun Stamped by artist's estate. Not Signed. Inji Eflatoun pursued free studies in art. Since 1942, she h...

Charles Demuth was one of the most complex, talented, and deeply sensitive artists of the American modern period. Whether he was painting floral still lifes, industrial landscapes, or Turkish bathhouses, art was, for Demuth, fraught with personal meaning. A fixture of the vanguard art scene in New York, Demuth navigated the currents of Modernism, producing some of the most exquisite watercolors and original oil paintings in twentieth-century American art. Demuth was born in Lancaster, Pennsylvania, the only child of a well-to-do family. He had an awkward and introverted childhood shaped by a childhood illness, Perthes, a disease of the hip that not only left him permanently lame, but, as part of the “cure,” bedridden for two years in the care of his mother. This long period of incapacitation had a deep impact on Demuth, who came to see himself as an invalid, an outsider who was different from everyone else. It was perhaps during this period of indoor confinement that his keen interest in art developed. Several relatives on his father’s side had been amateur artists, and, following his convalescence, his mother encouraged his artistic pursuits by sending him to a local painter for instruction. The majority of his early pictures are of flowers, a subject for which Demuth maintained a lifelong passion. Following high school, Demuth enrolled at the Drexel Institute of Art in Philadelphia, a school renowned for its commercial arts program. He advanced through the program rapidly, and, in 1905, at the encouragement of his instructors, he began taking courses at the Pennsylvania Academy of the Fine Arts. The two leading teachers then at the Academy were William Merritt Chase and Thomas Anshutz. Anshutz, himself a former student of Thomas Eakins, was well liked by his students, and is best known as the teacher of Robert Henri, John Sloan, and several of the other artists of the Ashcan School. Demuth, too, adopted a similar idiom, working in a controlled, realistic manner while at the Academy, where he remained until 1910. In 1907, Demuth made his first trip to Europe, staying in Paris. He spent time on the periphery of the art scene composed of the numerous American artists there, including John Marin and Edward Steichen. He returned to Philadelphia five months later, and immediately resumed courses at the Academy. Despite his introduction to advanced modern styles in Europe, Demuth’s work of this period retains the academic style he practiced before the trip. It wasn’t until he had summered at New Hope, Pennsylvania, in 1908 and 1911, that his style began to evolve. New Hope was a prominent American Impressionist art colony whose members were largely affiliated with the Pennsylvania Academy. Demuth dropped the conservative tone of his style and adopted a freer and more colorful palette. Although he remained based in Philadelphia, Demuth frequently went to New York during this period. Many of the same American artists of the Parisian art scene Demuth had encountered on his earlier European trip now formed the nucleus of New York’s avant-garde, which centered around Alfred Stieglitz’s 291 gallery. It wasn’t long before Demuth began to apply modernist-inspired strategies to his work. He was particularly influenced by the watercolor work of John Marin, also a former student of Anshutz, whose bold use of color in the medium Demuth freely adapted into looser washes of color. In 1912, Demuth again left for Paris, this time studying in the Académie Moderne, Académie Colorossi, and Académie Julian. In Paris Demuth met the American modernist Marsden Hartley. Hartley, a principal figure in the expatriate art circle, acted as a mentor to Demuth, and introduced him to the wide array of modern styles currently practiced in Europe. Hartley also introduced Demuth to many of the members of the Parisian avant-garde, including Gertrude Stein. Demuth was an aspiring writer, and he spent many hours in conversation with Stein. He wrote extensively during this period, and published two works shortly after his return to America. He also developed an interest in illustrating scenes from literary texts. From 1914 to 1919, Demuth produced a series of watercolors of scenes from books such as Emile Zola’s Nana and Henry James’s The Turn of the Screw. Upon his return to America, Demuth settled in New York. In 1914, Demuth had his first one-man show at Charles Daniel’s gallery, which promoted emerging modern American artists, including Man Ray, Rockwell Kent, Yasuo Kuniyoshi, Stuart Davis, and Max Weber. Demuth drew closer to the artistic vanguard in New York, becoming friends with many in the Stieglitz and Daniel circles, including Georgia O’Keeffe, Marcel Duchamp, Carl Van Vechten, and Edward Fiske. New York’s cosmopolitan atmosphere and active nightlife appealed greatly to Demuth. In a sketchy style well suited to watercolor, he painted many vaudeville and circus themes, as well as nightclub, café, and bathhouse scenes. Often with Duchamp, Demuth took part in an urban subculture replete with nightclubs, bars, drugs, and sexual permissiveness, which, for a homosexual artist like himself, allowed room for previously unattainable personal expression. Demuth’s pictures of sailors, bathhouses, and circus performers embody a sensual and sexual undercurrent, expressing the artist’s sense of comfort and belonging in the bohemian subculture of New York. Simultaneously, Demuth deepened his interest in floral pictures, painting these almost exclusively in watercolor. His style evolved from the broad color washes of his earlier pictures to more spare, flattened, and sinuous compositions, inspired by the drawings of Aubrey Beardsley and other artists of the Aesthetic Movement. Demuth’s flower watercolors are moody and atmospheric, sensuous and elegant, introspective and yet full of expressive power. Moreover they are beautiful, and are unequivocally among the finest still lifes in American art. Despite numerous subsequent artistic undertakings that led him in a variety of directions, Demuth never stopped painting flower pictures, ultimately adding fruits and other still-life objects to his repertoire. In 1916, Demuth began to develop a style later known as Precisionism, a form of landscape painting infused with Cubism, in which space is divided into precisely drawn geometric regions of color. Demuth first began to paint the landscape in an appropriated Cubist mode while on a trip with Hartley to Bermuda. In these early landscapes, in which the curvilinear forms of trees intersect the geometrically articulated architectural forms, Demuth explored ideas that shaped the future development of modernism in America. The full realization of Demuth’s explorations came after his return to America in 1917, when he turned his attention to industrial subjects. These works derive from a “machine aesthetic,” espoused by New York artists such as Francis Picabia, Joseph Stella, Albert Gleizes, and Duchamp, by which artists viewed machines as embodying mystical, almost religious significance as symbols of the modern world. Rather than painting the skyscrapers and bridges of New York as did most of his like-minded contemporaries, Demuth returned to his home town of Lancaster, where he painted factories and warehouses in a Precisionist idiom. The titles for these pictures are often contain literary references, which serve as clues for the viewer to aid in the decoding of the artist’s meaning. In 1923, Demuth planned a series of abstract “poster portraits” of his friends and contemporaries in the New York art and literary scene. In these “portraits,” Demuth combined text and symbolic elements to evoke the essential nature of his sitters’ distinguishing characteristics. In this fashion, he painted portraits of such artists as Georgia O’Keeffe, John Marin, and Arthur Dove. His most famous poster portrait, I Saw the Figure 5 in Gold...

This is a beautiful expressionist style drawing by Juanjo Saez. Juanjo's pictorial work is an exploration of color, texture, and movement, creating vibrant compositions that capture ...

This Three Small Sunflowers still-life by Beulah Stevenson (1890-1965) is a joyful modernist composition. With just touches of color she indicates a window and colorful curtains blow...

'Tall Tulips' original watercolor painted in 2021 in subtle shades of pink with hints of yellow in a clear blue vase from Cleveland-born and educated Gary Bukovnik who has lived in California for over 40 years. Bukovnik’s art conveys a monumental quality. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik fuses sensual vitality with fluid yet powerful colorations, creating floral images of great depth and intensity. The paper is 40 x 20 inches. Ships flat and unframed. Although professional framing is available upon request. This is a stunning and wonderful work of art from Gary Bukovnik. In 2003 and 2005, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist and provided him with a room and studio for six weeks. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. Solo exhibitions include Caldwell Snyder Gallery in San Francisco and in St. Helena, CA; Trajan Gallery in Carmel, CA; Campton Gallery in New York City; Concept Gallery in Pittsburgh, PA; Elins Eagles-Smith Gallery and A.C.T. Gallery in San Francisco, the Bonfoey Gallery in Cleveland and the Erickson Fine Art Gallery in Healdsburg. Other recent exhibitions have been organized by the Butler Institute of American Art, Youngstown, Paula Brown Gallery, Toledo, Neuhoff Gallery, New York; Lisa Kurts Gallery, Memphis; Irving Galleries, Palm Beach; Galerie Kutter, Luxembourg; the Southern Alleghenies. Museum of Art, Johnstown, Pennsylvania; Chin Show Cultural Center, Taipei; Takashimaya, Tokyo; the Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh; and Brevard Museum of Art, Melbourne, Florida. Among the artwork displayed at the Brevard Museum of Art was a tapestry based on a Bukovnik watercolor and hand-woven in Aubusson, France by Atelier Raymond Picaud, weavers since the eventeenth century. Atelier Raymond Picaud has been at the forefront of progressive tapestry firms since the 1930s, focusing on images of modern artists such as Alexander Calder, Georges Braque, and Helen Frankenthaler. Bukovnik’s watercolors and monotypes are the subject of Flowers: Gary Bukovnik Watercolors & Monotypes, published by Harry N. Abrams, New York. This book includes a foreword by James J. White, curator at the Hunt Institute for Botanical Documentation; an interview with the artist by Robert Flynn Johnson, curator at the Fine Arts Museums of San Francisco; and an essay about Bukovnik and the depiction of flowers in art...

Katie DeGroot Nope, 2025 watercolor on paper 40 x 26 in. (groo125)

White Poppies - Botanical Watercolor on Paper Detailed floral watercolor by Harry Federico (American, 1922-2022). Several white poppies ...