Surrealist Drawings and Watercolor Paintings

Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in G...

Surrealist Composition is a fascinating drawing in China ink made by the Spanish Surrealist artist Jorge Castillo, dated around 1960. The artwork was drawn on a paper that presents, ...

Due to the current situation related to the Novel Coronavirus pandemic, our gallery will donate 10% of our commission from this sale to the Kansas City Artists Coalition, which has b...

Frame size 76x78 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/41) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...

Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...

Unsigned Graphite and colored pencils on laid paper

Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...

Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in G...

Paintnig is on exhibition, please cuntact us for availability Drawing on paper, 1978 FRANCISZEK STAROWIEYSKI (b.1930- d.2009) studied paitning at Academy of Fine Arts in Kraków and...

Our landscape is changing as global warming, Gmo's and endless eternal plastic garbage ruin our earth. My image shows a tragic but still beautiful natural world. :: Drawing :: Su...

Color pencil and graphite over markers and diluted paint. Surreal landscape appearing to show brightly colored flowers or trees with an optimistic bright blue sky and fluffy white cl...

Cheoluy Kim’s practice examines the blurred frontier between perceived reality and fantasy. His work is informed by a childhood growing up on the border of North and South Korea in Gosung. There, he grew fascinated by all the fauna and flora he observed from his village surrounded by mountains, as well as the air balloons carrying political propaganda. He witnessed everything in the sky. This instilled a deeply rooted reflex to imagine a fantastical world beyond the physical frontiers he was bound by. Cheolyu Kim studied and obtained his master in sculpture, although, his current practice is entirely devoted to pen drawing on either paper or wood. Either bicolored or monochrome, the artist's typically limited chromatic palette gives room for an intense focus on detailed compositions, tonal gradients, and multiple perspectives. Kim’s background in sculpture is evident in the carved-like volumes of the elements in his drawings. Fine moire and cross-hatching are used for textures and shading in the drawn sections while the paper or wood is left fully exposed in other areas. Imaginary fauna and flora abound which contributes to a rather biomorphic aura to his work. All the while, indigenous, modern and futuristic architectural structures are erected and confuse any sense of fixed temporality. Rather, it projects us into a phantasmagorical universe where past, present and future collapse into one. Some perspectives are even skewed disrupting our contemplation. Totemic poles, origami-shaped creatures, and aquatic vegetation coexist fluidly in Kim’s oniric visions. His fine-detailed patterned dreamscapes engage the viewer actively; we are called upon to discover how do all the various entities interact over the multiple receding planes building up to Cheolyu's surrealist ecosystems. keywords; wood, pencil, rings, circles, moire, highly detailed, geometric abstraction, intentionally exposed support, line form and color, monochrome, curvilinear forms, Korean art, dynamism, contemporary minimalism, graphism, repetition, engaged with traditional Korean art...

Artist: Wifredo Lam, Cuban (1902 - 1982) Title: Untitled - I Year: 1957 Medium: Crayon and Pastel on Paper, signed and dated l.r. Paper Size: 22 in. x 26.5 in. (55.88 cm x 67.31...

Soap clouds, 2014 Acryl, fineliner and colored pencil on paper 13.97 H x 19.68 W in 35.5 H x 50 W cm Raluca Arnăutu creates a zoomorphic world, where ...

"Mountain Mystery" is an original signed charcoal drawing by David Barnett. The surrealistic landscape depicts mountainous natural forms with swirling lines and an element of uncerta...

Untitled 45 x 38 inches This piece is a one of a kind pencil drawing on paper. 2016 ___________ Juan C. Estrada combines realism and surrealism in his...

Artwork size: 56 x 58 cm. Frame size: 76 x 78 cm. Free shipment worldwide. Archive number (P90/36) Acquired directly from the artist. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén at number 36 Södra Förstadsgatan in Malmö, Sweden. This was also the time when Matta began to collaborate with poets and other artists in Sweden. He produced the illustrations for Lasse Söderberg’s first anthology of poems, Akrobaterna (“The Acrobats”), published in 1955, and was also responsible for the cover of the Swedish art and literary magazine Salamander. In 1959 the first museum exhibition of Matta’s work in Europe was arranged at the Museum of Modern Art (Moderna Museet) in Stockholm. Held under the aegis of Pontus Hultén, it was entitled “Fifteen Forms of Doubt” and included 15 or so gigantic paintings...

Untitled 38 x 34 inches This piece is a one of a kind pencil and gold paint drawing on paper. 2015 ___________ Juan C. Estrada combines realism and surrealism in his work. Born in Sa...

CAMILLE BRYEN 1907-1977 [CAMILLE BRIAND] Nantes 1907 – 1977 Paris (French) Title: Surrealist Composition with Nude, Door and Key, ca 1935 Technique: Original Signed Graphite D...

Gouache on paper, signed lower right (1914 – 2004) Né à Paris, Pierre DE BERROETA entre à l’Ecole Nationale Supérieure des Beaux-Arts de Paris en 1933. Ses œuvres s’inscrivent alors...

Powerful pencil study of Bachoo, Countess Woronzow. Tchelitchew exaggerates the sitter's features with abnormally large eyes for dramatic effect, Bachoo (Countess Bachoobai Woronzow-...

Artist: J. Benito Zamora, Mexican (1951 - ) Title: Tentacion Year: 1978 Medium: Pen and Ink on Paper, signed and dated l.r. Size: 15 in. x 11.5 in. (38.1...

He was born in Paris, the son of a conversation though open-minded middle-class family. His father runs the family business of optical equipment but he's also a theatre lover, an author and a poet. He gives his son a strict education and the boy will feel closer to his mother. Pierre De Maria will become a honest, straightforward man, uncompromising to himself and the others. He is very particular about his appearance and, as a child of the "Belle époque" takes up to a kind of dandysm. A cousin of his, Jacques Camoreyt (a pupil of Albert Maignan) teaches him how to master pictorial techniques along with the rather academic education in Arts he is going through. From 1907 to 1914 he is a student at the Lycée Condorcet, first graduates in science and languages, then at the Engineering College just before World War 1. The sight of atrocities will leave a deep scar in his memory. He has a miraculous escape from the war and finds a job in the family firm. He soon realizes he hates everything related to engineering and decides to launch on into painting. He works as a scene painter with Ronsin and Laverdet workshop and on stage with "avant-garde" drama companies. In the same time, he shows his work at the "Salon d'Automne" in 1923 an gets a honour prize in the modern painting department. In 1925 he takes up to boxing and creates some polychromatic facades with Djo Bourgeois, then gets into the Art Deco trend as an architect and a decorator. Henri-Pierre Roché, a writer (Jules et Jim) a painter and an art collector close to the cubists has already discovered talents ( Brancusi, Wols…) and takes an in interest in Pierre De Maria. Autoportrait Environ 1960 In 1926 (the "Années Folles "in Paris) Pierre De Maria meets Marcel Duchamp, Brancusi and the surrealist gang he enjoys but never joins. « They were friends and I was curious but I never liked the hint of complaisance I saw in their work. » He then starts some technical research an collages as shown in his first exhibition of "pasted gouaches" in Princess'Murat 's gallery in Paris. (« Fermé la nuit ») « I never thought I'd make money with my paintings. I took to painting as I would have taken holy orders » He works as a journalist for Marianne and Vu magazines (1932-1933) and writes a detailed report about the Maelström in Norway and the soviet Movies. He has the opportunity to meet Eisenstein and Poudovkine in Sovietic Russia and thinks of making a name for himself in the Movie industry. In 1939 Pierre De Maria meets Germaine Pellegrino who becomes his wife a year later. They'll have two sons : Jacques born 1942 and François born 1943. The family settle in Geneva at the end of 1943. During those years he writes an unpublished autobiographical novel («Tir à volonté») as well as a collection of thoughts about various topics such as war. He also writes poems and a play (as his father had done) «Cornelius'death», in a rather humorous manner. « He who conveys the opinion of fools makes certain to get the majority of votes ». In 1944 he is back in Paris, leaving his wife. He'll settle in Nice in 1953 and starts there his mechanical period with the recurrent theme of machinery in his painting. In 1958 he has his second exhibition in Paris (JC de Chaudun's gallery) and shows a series of lino-engravings done after some drawings of his: he then begins being acknowledged by his contemporaries, his fellow-painters and the Parisian artistic circle. Jacques Prévert even dedicated him a poem. («Les Machinoutis») Henri Pierre Roché, Henri-Pieyre de Mandiargues, Yves Taillandier contribute to the catalogue, well received by the press. In the meantime, he has his works exhibited at the Salon d'Automne, the Salon de Mai, and the Salon Comparaison. In 1963, Flemish wood-engraver Frans Masereel, and Professor Gowa, the curator of the Offenbach Fine Arts, both introduce Pierre De Maria successfully in Germany, allowing him to become famous abroad. The Homo Atomicus Exhibition gathers 45 paintings, recounting the artist'progress over the past ten years. He's then nicknamed the «Atomic age Hyperonymus Bosch» ! In 1964, Greek gallery owner Iris Clert finds him out and helps him into a new career. He is then 68. Iris Clert, as a specialist in Contemporary Art has contributed to the coming out of the New Realism movement through her most spectacular and mediatical exhibitions. She takes a fancy to Pierre De Maria 's work : « The visit of his studio turned my love at first sight into a cutainty : he uses the technique from the Ancients to express Future. » Afterwards, both get into intense collaboration so that the painter is allowed to use the gallery owner's european and international net. In 1966, his work's dedicated a research published in Connaissance des Arts Magazine n° 70 : » A foreground study of Pierre De Maria in this month issue ». Later an article in International Art. In 1969 he turns 73 and he can see his first retrospective exhibition in Nice at the Ponchettes Gallery (about 60 paintings). At 76, he meets artist Hélène Bottet, from then on allowing humour to take over violence in his art. Machines don't frighten him anymore, he's now able to mock them even through they remain at the core of his paintings, in spite of the mechanical Art...

"Surrealist Composition" is an original ink on fourply museum board by Marvin Hil. It depicts a man balancing on a point over a faceless man and hovering above pyramids. 15 1/4" x ...

52"x 106" large scale watercolor on paper by award-winning New York artist Thomas Broadbent, signed on reverse. A Contemporary Surrealist Still-life painting of books and papers, wi...

India ink/Wash on paper Signed and dated on lower left The work is housed in Four Thousand Five Hundred Dollara Frame with Master Museum matting We could sell the work with the ma...

CAMILLE BRYEN 1907-1977 [CAMILLE BRIAND] Nantes 1907 – 1977 Paris (French) Title: Surrealist Composition with Leg and Arm, ca 1935 Technique: Original Signed Graphite Drawing...

Powerful pencil study of Bachoo, Countess Woronzow. Tchelitchew exaggerates the sitters features with abnormally large eyes for dramatic effect, Bachoo (Countess Bachoobai Woronzow-D...

CAMILLE BRYEN 1907-1977 [CAMILLE BRIAND] Nantes 1907 – 1977 Paris (French) Title: Surrealist composition with Arm (Ink), circa 1935 Techn...

CAMILLE BRYEN 1907-1977 [CAMILLE BRIAND] Nantes 1907 – 1977 Paris (French) Title: Surrealist composition with Arm (Graphite), circa 1935 ...

JACOB GILDOR b. 1948 (German / Israeli) Title: Boy with Panther, 2005 Technique: Original Hand Signed and Inscribed Gouache on cardboard Size: 35 x 27.8 cm / 13.7 x 10.9 in...

JACOB GILDOR b. 1948 (German / Israeli) Title: Target (Esravos/Selves), 2006 Technique: Original Collage, Ink Paper, Sand on Industrial Cardboard. Size: 46.2 x 33.2 cm / 18...

JACOB GILDOR b. 1948 (German / Israeli) Title: Pocket Nudes, 2007 Technique: Original Hand Signed Collage with Watercolor on cardboard Size: 25.5 x 30 cm / 10 x 11.8 in Additional Information: This collage by the Israeli artist Jacob Gildor is hand signed in bleu pen "Gildor" at the lower left of the paper. It was realised in 2007. This work is recorded in the artist archive with reference no. 2007-7 Literaute: Jacob Gildor, Segments of Creation: Second Generation, Vol. III, 2009, Israeli Art Museum...

JACOB GILDOR b. 1948 (German / Israeli) Title: Taurus II, 2003 Technique: Original Hand Signed Tempera and Collage and Ink on cardboard Size: 25.3 x 35.2 cm / 9.9 x 13.8 in Additional Information: It is hand signed in black pen "Gildor" at the lower left of the paper. It was realised in 2003. This work is recorded in the artist archive with reference no. 2003-12 Exhibited: 1. Forward and Backward, paintings 1966-2003, Sara Kishon Gallery, Tel Aviv, January 2003. No. 6, illustrated pages 10-11. 2. Art Budapst, Antik Enterior, 2006 3. Belvedere Gallery, Budapest , Winter Collection, 2007 Literaute: Jacob Gildor, Segments of Creation, Vol. I, 2009, Israeli Art Museum...

EDWARD HAGEDORN (AMERICAN 1902 – 1982) UNTITLED MOUNTAINS, ca 1935 Tempera, Unsigned. Image 18 x 24 inches. See also 1stdibs item LU411312750272 for another example form the follow...

EDWARD HAGEDORN (AMERICAN 1902 – 1982) PLUNGING COMET - Large Ink and graphite drawing. Signed, titled and dated in pencil. Image, 16 x 22, Sheet 22 1/2 x 28 1/2 inches See also ...

Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...

This is an original mixed media artwork by Southern California artist, Cheryl Tall. Its dimensions are 8" x 10" x .75". It is unframed. A certificate of authenticity will follow deli...

2015 Watercolor on paper 11 x 14 5/8 in. (27.9 x 37.1 cm) Unique Signed, titled, and dated on the reverse

A uniquely hand painted print from the original panting by the artist. The print feature a unique combination of lines, symbols, drawing and words painted by the artist on the surfac...

Untitled. Original watercolor, 2002. Ljubomir Ljuba Popović was a Serbian surrealist painter, who lived and worked in Paris. He is known for his fantastical scenes with disturbing, o...

Untitled. Original watercolor, 2002. Ljubomir Ljuba Popović was a Serbian surrealist painter, who lived and worked in Paris. He is known for his fantastical scenes with disturbing, o...

Untitled. Original watercolor, 2002. Ljubomir Ljuba Popović was a Serbian surrealist painter, who lived and worked in Paris. He is known for his fantastical scenes with disturbing, o...

Primal energy leaps from the depths of the universe, as the first rays of daylight break through the dark. Artwork Details: Ithipol Thangchalok "Early Morning Light" 1998 Oil on Pa...

Beautiful drawing of Len's reoccurring Turtle Man Character.

Signed in pencil at lower right.

Signed in pencil at lower right. Inscribed 'Que principio a abrir los ojos' ('Where to start when you open your eyes') in pencil at lower centre.

This extraordinary and rare drawing by Wifredo Lam is one of the artworks that the artist took with him when he moved from Cuba to France. In Paris, Lam showed Picasso his drawings a...

Artist: Joseph Broghammer Title : Night Navigating Date : 2020 Dimensions : 20 1/2 by 24 inches. Medium : chalk pastel on paper Omaha based artist Joseph Broghammer is as much of a storyteller as he is an artist. His one-of-a-kind pastel drawings in “Animals” are chronicles of his life. The creatures Broghammer creates are vehicles to uncover the varying characteristics of the artist’s personal identity. Broghammer began mastering his “dry painting” technique during his B.F.A. in Visual Art at the University of South Dakota. He graduated in 1986 and a year later went on to study his M.F.A. at the University of Wisconsin. In 2009, he studied at Creative Capital in Omaha, Nebraska. Broghammer later went on to become an educator himself, teaching at WhyArts? and becoming an Artist Assistant at Vera Mercer in Omaha – both of which he still practices at today. Broghammer’s work has resonated with many people around the world. Only a few years after his formal education, he began exhibiting his work through various International group shows in Italy, Germany, Holland, Mexico, and even Kansas City. Although Broghammer’s portraits depict downy creatures, his work is very much about the human experience. They are honest and full of life, evoking a sincere exchange between artist and viewer. Dry Painting, Pastel, Drawing, Chalk Pastel, Oil Pastel, Painting, Contemporary Drawing, Contemporary Painting, Animal Drawings, Animal Paintings, colored pencil, pencil, large-scale drawings, portrait, portrait drawing, contemporary art, contemporary artists, Joan Miro, Max Ernst, Leonora Carrington, Vladimir Kush...

Surrealism has been my passion since a young age. The concept of being able to manifest my visions into a space where it can be seen and interacted with has always been fascinating...

Surrealism has been my passion since a young age. The concept of being able to manifest my visions into a space where it can be seen and interacted with has always been fascinating...

Artist : Jolynn Reigeluth Title : He’s Got Good Hot Dogs Materials : India ink, graphite, collage and acrylic Date : 2017 Dimensions : 55" x 39" in. Jolynn Reigeluth is an artist an...

Artist : Jolynn Reigeluth Title : Carnival Carnivore Materials : India ink, graphite, collage and acrylic Date : 2019 Dimensions : 40" x 39" in. Jolynn Reigeluth is an artist and fr...

Jungle fantasy Scene, Ink, Colored ink and color watercolor surreal fantasy scene, birds, giraffes, alligators, snakes, turtles, storks, unicorn and maiden in a tepee, lions and elephants. Laurence L. Donovan Jr. (1927-2001) was a poet, artist, and English professor at the University of Miami, best known for his poetry, much of which was inspired by Florida’s natural beauty. Donovan grew up in southern Florida. His parents were Ruth and Laurence Donovan...

Jean Cocteau Exceptional copy of the complete works in 9 volumes, dedicated to Jacques Fonson, 8 with original endpage drawings Half bound in red morocco with gold lettering 8 volum...