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Corridor Drawings and Watercolor Paintings

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Art Subject: Corridor
Hubert Hennes New College Oxford Cloisters watercolour
Located in London, GB
To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the poster you want. Hubert Hennes (b.1907) New College...
Category

Mid-20th Century Realist Interior Drawings and Watercolors

Materials

Watercolor

Sleepwalking at the Olcott, mystery monochromatic narrative noir
Located in Brooklyn, NY
Monotype on paper
Category

2010s American Modern Drawings and Watercolor Paintings

Materials

Paper, Monotype

Approaching Slains Castle #8, black/white monotype, architecture ruin
Located in Brooklyn, NY
Monotype Ms. Murray is notable for capturing the crystalline quality of northern light. She has an extensive exhibition history and she is represented in both private and public co...
Category

2010s Photorealist Landscape Prints

Materials

Monotype, Archival Ink, Archival Paper

Straight into Night
Located in Fairfield, CT
Represented by George Billis Gallery NYC. Burned pieces by Paul Chojnowski. I have been burning images into wood and paper as a means of drawing for over two decades. During that t...
Category

21st Century and Contemporary American Realist Landscape Drawings and Wa...

Materials

Archival Paper

Elevated Train Tracks
Located in West Hollywood, CA
American artist Ron Blumberg was classically trained at La Grande Academie Chaumiere in Paris, 1932, before moving to New York where he became a National Academy artist and a member of the Art Students League. "Elevated Train Tracks...
Category

1930s Art Deco Landscape Paintings

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At sun. 1982, oil on cardboard, 29x34 cm
Located in Riga, LV
At sun. 1982, oil on cardboard, 29x34 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and G. Sk...
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Forest edge at winter. 1983. Oil on cardboard, 40x50 cm
Located in Riga, LV
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The Open Window - 19th Century British Children's Book illustration by Sowerby
Located in London, GB
JOHN GEORGE SOWERBY (1849-1914) Phoebe - The Open Window Watercolour heightened with white Unframed, in mount only 8 by 7 cm., 3 by 2 ¼ in. (mount size 25.5 by 20 cm., 10 by 8 in.) Reproduced: J G Sowerby & Thomas Crane, At Home, Marcus Ward & Co, 1881, p.42. The current work was reproduced in Sowerby and Crane’s 1881 children’s book, At Home, where is accompanied by the following verse: All the morning, all the morning, Sat she till her tasks were done; While without were birds and blossoms, And the pleasant sun. And the leaves in ev’ry rustle, And the birds in ev’ry song:- “Phoebe, Phoebe, are you coming? Phoebe, don’t be long!” Whispered thro’ the open window Gentle breezes, passing by:- “Phoebe, are you coming, Phoebe? Come before we die!” Till the clock, with joyful measure, Struck the hour when work is o’er; Crying “Ponto’” Phoebe vanished Through the open door. Whither sped out nimble Phoebe? She is in the study now; Ponto heard her with she called him, - Answered back “Bow-wow!’ “Ponto, tho’ the birds and garden, Called me all the morning thro’ I had first to do my lessons – So I think should you.” Poor old Ponto! He is longing, Longing for his game of play, And the garden – ah: but Phoebe Has a word to say. “Beg then – beg, sir – do you hear me? No, no, Ponto, that is wrong; Paws up! Steady! Ah, that’s better! Good dog, come along!” John George Sowerby was born into a prosperous Gateshead family of glass manufactures and artists. He inherited the family business, the Ellison Glass Works, one of the world’s largest producers of pressed glass, where he introduced designs inspired by the Arts and Crafts movement. Initially he combined his energies at the glass works with his work as an illustrator and painter of landscapes and floral subjects with a Pre-Raphaelite intensity, strong colours and rich detail. He exhibited many of these paintings at the Royal Academy. In the 1880s he collaborated with Newcastle artist, Henry Hetherington Emmerson, on illustrations for the children’s books Afternoon Tea (1880) and The May Blossom (1881). Although were critically very well received but the publications were attacked by Kate Greenaway who considered them too close to her own work. Sowerby then went on to produce highly aesthetic illustrated books At Home (1881) and At Home Again (1883), with decorations by Thomas Crane. Gleeson White, editor of The Studio magazine stated that in Afternoon Tea Sowerby “set a new fashion for ‘aesthetic’ little quartos’ (The Studio, 1897). Roger Dixon in Belfast Publishing (Oxford University Press, 2011, p.79) considered these At Home and At Home Again to be “among the loveliest books ever produced.” Never very wise as a business man, in the early 1880s he left Ellison Glass Works being declared bankrupt in 1884. He returned to the works again as a paid employee. Sowerby’s daughter, Millicent Sowerby...
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