Glasses Drawings and Watercolor Paintings

"Vacation City #3" is an original artwork by Miriam Singer. The artist used a mix of acrylic, pencil, and marker on paper to create this artwork, which is a combination of painting a...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Figurative drawing made with graphite, conte crayon and charcoal on Arches paper 21.5 x 28 inches, unframed This unique life study drawing of two seated male nude models was made ...

Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...

Black and white country landscape drawing on paper charcoal and carbon on Arches cotton paper mounted on wood 4 x 4 inches This contemporary charcoal drawing on Arches cotton paper ...

Amanda Immurs, an artist hailing from Hamilton, Canada, creates enchanting watercolor artworks that bring whimsical scenes of children, animals, and flora to life. Immurs' art is gro...

Charles Burchfield (1893-1967) Untitled (Preparatory Drawing for Skyscape), Early 20th Century Pencil on paper 12 1/4 x 18 3/4 in. Inscribed: blue / white / blue / RV Born in Ashtab...

Poland (Glider) by Andrea Moreau colored pencil and postage stamp on paper 22 x 30 inches 25.25 x 32.5 inches framed To create her mixed-media artworks, Andrea Moreau selects a postage stamp to serve as the starting point for a piece on paper, then “completes” the image with colored pencil. This artwork, "Poland (Glider)," centers on a stamp that depicts an aircraft flying above a glacial horizon. Building on the style and environment established by the stamp art, Moreau extended this scene across land and sea in vibrant blue pencil. A statement by the artist: My drawings function as personal interpretations of political or commercial propaganda. I begin with imagery found on postage stamps or printed advertisements and, using the visual logic and graphic language of the image, I attempt to tease out a larger framework from which to consider it. Finished pieces often incorporate printed matter and cultural detritus, which gives them an immediate and tactile connection to the world of objects. I am particularly interested in the postage stamp as a geographical artifact, and through my drawing process I attempt to learn something about a place by studying its official imagery and then creating a world beyond the borders of its fragmentary scenes. The finished drawings and paintings are a record of this study; they are a dialogue between the printed and the drawn, the official and the personal, the real and the imaginary. They are a metaphor for the way in which we conjure the places we hear about on the news and read about in books, using the tiniest pieces of information to construct a reality that most likely bears little resemblance to any actual place. Andrea Moreau’s mixed-media works, on the other hand, walk a tightrope between context and isolation. Moreau selects a postage stamp to serve as the starting point for a piece on paper, then “completes” the image with colored pencil. These stamps may become lost in a frenzy of Moreau’s mark-making, as with “Mexico (Flowers) #15,” or left comically obvious, like in “USA (Barbershop...

Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...

Untitled (Double-Amputee with Gun) Signed, l.r. Ink, watercolor, and root beer on paper 12.5 x 9.75 inches, image This work is offered by CLAMP in New York City.

Frederick Bosley was an Impressionist painter of the Boston School who most often depicted portraits, figures and still-lifes. The artist was born in Lebanon, New Hampshire in 1881. He studied at the Museum School in Boston from 1900-1906 with Edmund C. Tarbell (1862-1938) and Frank W. Benson (1862-1951), and then in Europe from 1906-1908. Bosley returned to Boston in 1909, obtaining a studio at the Fenway Studios from 1909-1918. He was to become a teacher in his own right, settling as Director at the Museum School from 1913-1931. His many awards include First prize in the 1920 Concord Art Academy Exhibition and a Gold Medal in the Pennsylvania Academy of Fine Arts Exhibition, 1925. His work may be found in the collections of several institutions, including the Boston Museum of Fine Arts, the Farnsworth Museum, the National Academy of Design and the Concord Academy...