Table Drawings and Watercolor Paintings

Ventura A. Pérez (1992) is one of the most seductive artists on the contemporary Spanish scene. After earning a doctorate in contemporary art from the University of Vigo, he moved to...

'The Terrace', watercolour on art paper, by Maurice Savin (circa 1950s). An inviting scene from the South of France depicts a quiet sun terrace on a balmy day with azure skies. The v...

Classic Interior design and Family Dinner by Architectural Digest illustrator David Mode Payne (American, 1907-1985). The scene depicted is an interio...

One of a series of designs we have listed for Geo. M Hammer. To see them - and our other architectural and design-related drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. D.L Hadden (British, 20th Century) Design for Executive Desks for Geo. M. Hammer Watercolour and pencil 41x51cm Signed and dated 1959 Two beautifully detailed executive desks designs with sketches front elevations. Hadden's flair with woodwork design is evident in this drawing. Hadden was a senior designer for Geo M Hammer, designers and retailers of school and ecclesiastical furniture. Their lift-top school desks are particularly well regarded, and always carried their brass name plate. Hammer were renowned for their interior woodwork, they were commissioned to undertake the choir stalls in Sir Basil Spence...

Elegant dining room scene of a River Oaks Houston, Texas home. The piece is mainly yellow and orange tones. The piece is framed in a gold frame with tan mat...

Signed lower right, 'Riso Aldo' for Aldo Riso (Italian, 1929-2008) and painted circa 1975 Aldo Riso was born in 1927 in Santa Maria di Leuca, near Lecce. He...

"Loser's Rack" - Original Charcoal and Graphite Drawing on Paper This drawing by California artist, Angela Stone (American, b. 1983), provides brilliant 1-point perspective in a val...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Sz: 14 1/2"H x 23"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Salon Interior

Sonya Terpening's framed watercolor on paper painting titled 'Outdoor Street Scene' captures a calm scene outside of a cafe. The dining table depicted in the work becomes the focal point when observing this piece, as it is placed in the foreground and captures the eye with a vivid blue table cloth; on the table are four glasses placed upside-down and what appears to be a sugar and salt shaker. Terpening's realistic style is exemplified in her depiction of the table; the blue cloth's folds and wrinkles, and the heavy use of shadows and lighting on the table cloth, chairs, and glasses all contribute to the realistic qualities of the piece. The table is positioned on a red brick sidewalk/street directly outside of the cafe, which is also brick but painted white. The cafe door...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Fahye Design Consultants for Cunard Queen Elizabeth 2 - Midships Lobby Gouach...

Family on the Table is an original painting in tempera on cardboard realized by Fabio Carriba in 1966. Hand-signed on the lower right. In good condition. The artwork represents a...

William A. Berry (American, 1933-2010) was an accomplished artist and renowned illustrator who left thousands of drawings, paintings, photographs, and mixed media works, a multitude ...

William A. Berry (American, 1933-2010) was an accomplished artist and renowned illustrator who left thousands of drawings, paintings, photographs, and mixed media works, a multitude ...

A detailed graphite and watercolour portrait of a 19th century gentleman, seated at a writing desk with an open book and inkwell. The gentleman can be seen wearing a black tailored s...

Interior is an original drawing in watercolor on creamy paper, realized by R. Cazanove. Hand-signed on the lower right. The state of preservation is very good. The artwork represe...

Figures is an original drawing in pencil China Ink on paper realized by Angelo Griscelli (1893 - 1970) The state of preservation is good and aged and some mall holes close to top r...

Signed lower left, 'Elizabeth Greaf' (American, 20th Century) and dated 1990. A complex study of reflected light and images by this Virginia artist a...

Pastel by Lech Polcyn

The Studio is a drawing in watercolor on paper realized in the mid-20th century by Georges Martin.  Stamped on the lower. The state of preservation is good with foxing on applied p...

ATTRIBUTED TO JEAN LOUIS FORAIN (Reims 1852 - 1931 Paris) End of lunch or Portrait of a young woman seated at a table, in front of a cup of coffee, probably Portrait of Marguerite Ch...

David Morrison has extended his brand of hyperrealism to the artificial, capturing the intricate lithography that decorates his collection of vintage Kohler wind-up birds. His drawin...

William A. Berry (American, 1933-2010) was an accomplished artist and renowned illustrator who left thousands of drawings, paintings, photographs, and mixed media works, a multitude ...

My studio painting :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Signatur...

Original Art by Sergio Lazo "Couch" Enamel & Ink on Paper 11" x !4" (actual size with frame 16" x 20") 2019 :: Drawing :: Pop-Art :: This piece comes with an official certifica...

Still life with pears. 1979, watercolor on paper, 74x55 cm Jekabs Arturs Springis (1907– 2004) Painter, Latvia 1924 – 1927 – he learned at Aizpute Secondary School 1927 – 1930 – ...

“Two Seated Men” by Henri Lebasque (1865-1937) Pencil and watercolor on paper 6 x 5 inches unframed (15.24 x 12.7 cm) Signed on bottom right Description: In ...

artwork dimensions (unframed): 59h x 41w inches LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing simil...

LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society. Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ. STATEMENT Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened. Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism. The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...

Nurhan Gokturk is an artist and urban designer. Born in Istanbul, Turkey, Gokturk immigrated to New York City at the age of three. Raised in Queens and Brooklyn and educated in the p...

29.5"x41" watercolor on paper. In this contemporary surrealist watercolor painting by Thomas Broadbent, a cougar climbs along a poolside lounger chair. Two glasses of wine and a st...

Art Sz: 10 1/4"H x 15"W Mat Sz: 14"H x 17 1/2"W Alexander Warren Montel (1921-2002)

Original watercolour signed Thomas (LR) depicting an elaborate chinoiserie-inspired dining room interior Art Sz: 10"H x 14 1/2"W Frame Sz: 15"H x 19 1/2"W w/ gilt bamboo frame

the quest, 2014 Graphite on paper 15.75 x 20.1 inches / 40 x 51 cm (framed) Nikos Kanarelis was born in Athens, Greece in 1975 where he now lives and wo...

Date: 1937 Medium: Watercolor, Gouache and Charcoal on Board Dimensions: 14.00" x 20.00" Signature: Signed Lower Center Exhibitions: It's a Man's World, Illustration Art by and for ...

Nurhan Gokturk is an artist and urban designer. Born in Istanbul, Turkey, Gokturk immigrated to New York City at the age of three. Raised in Queens and Brooklyn and educated in the p...

Nurhan Gokturk is an artist and urban designer. Born in Istanbul, Turkey, Gokturk immigrated to New York City at the age of three. Raised in Queens and Brooklyn and educated in the p...

Nurhan Gokturk is an artist and urban designer. Born in Istanbul, Turkey, Gokturk immigrated to New York City at the age of three. Raised in Queens and Brooklyn and educated in the p...

Published in the Saturday Evening Post dated 11-18 1922 page 107 for the "Winnie and the Copperhead” story written by Bertram Atkey Signed and dated lower left Arthur William Brown...

Sz: 14 1/2"H x 22 7/8"W Alexander Warren Montel (1921-2002) Fashion illustrator for House of Lanvin Paris in the 1950s featured in Harper's Bazaar Dining Room Interior