Art by Medium: Engraving
Color: Yellow
Medium: Engraving
I Won’t Eat You with Drypoint Print by Kate Boxer
Located in Deddington, GB
I Won’t Eat You [2021]
I Won't Eat You by Kate Boxer is a limited edition drypoint etching. This contemporary art print with gouache depicts a lion and is a humorous work of art by ...
Category
2010s Abstract Art by Medium: Engraving
Materials
Drypoint, Acrylic
Series 23 No. 12-6
Located in Miami, FL
Julio Le Parc (b. 1928) "Series 23 No. 12-6" Color serigraph on paper 29 x 29 in (74 x 74 cm). The work is signed by hand and numbered 41/200. With an embossed stamp of the Edition D...
Category
1970s Op Art Art by Medium: Engraving
Materials
Engraving
Kate Boxer, I Won't Eat You, Limited edition animal print, contemporary art
Located in Deddington, GB
I Won’t Eat You [2021]
limited_edition
Drypoint print
Edition number of 30
Image size: H:81 cm x W:113 cm
Complete Size of Unframed Work: H:92 cm x W:122 cm x D:0.1cm
Sold Unframed
...
Category
21st Century and Contemporary Contemporary Art by Medium: Engraving
Materials
Drypoint, Etching, Paper
Miguel Castro Leñero, ¨Fuera del Radar II¨, 2020, Engraving, 63.6x39 in
Located in Miami, FL
Miguel Castro Leñero (Mexico, 1956)
'Fuera del Radar II', 2020
engraving on paper Intaglio 300 g.
63.6 x 39 in. (161.5 x 99 cm.)
Edition of 30
Unframed
ID: CAM-105
Hand-signed by author
Category
2010s Contemporary Art by Medium: Engraving
Materials
Paper, Engraving, Etching, Aquatint, Screen
Donald Baechler Potted Plant 2005 (Donald Baechler Prints)
Located in NEW YORK, NY
Donald Baechler, Potted Plant, 2005
A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting.
Medium: Aquatint and drypoint on ...
Category
Early 2000s Pop Art Art by Medium: Engraving
Materials
Drypoint, Aquatint
Donald Baechler Blue Spruce 2005 (Donald Baechler prints)
Located in NEW YORK, NY
Donald Baechler, Blue Spruce, 2005
A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting.
Medium: Aquatint and drypoint, on ...
Category
Early 2000s Contemporary Art by Medium: Engraving
Materials
Drypoint, Aquatint
Salvador Dali - Enrico Fermi - Original Handsigned Engraving
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Enrico Fermi - Original Handsigned Engraving
Dimensions: 17.5 x 12.5 cm
1970
Signed in pencil
EA
Jean Schneider, Basel
References : Field 70-5
Category
1960s Surrealist Art by Medium: Engraving
Materials
Engraving
Chestnut Seller - Original Etching and Drypoint by Henri de Rachy - 1916
Located in Roma, IT
Chestnut Seller is an original modern artwork realized in the second half of the 19th Century by the French artist Henri de Rachy.
Original Etching and Drypoint on paper.
Hand-sig...
Category
1910s Art by Medium: Engraving
Materials
Drypoint, Etching
The Barber - Etching and Drypoint - 1930s
Located in Roma, IT
The Barber is an original etching, realized by Mariette Lydis.
In very good conditions. Image dimensions: 17 x 14 cm.
Not signed.
Category
1930s Modern Art by Medium: Engraving
Materials
Drypoint, Etching
Panicum sanguinale, from "Flora Londinensis..."
Located in Houston, TX
Antique hand colored engraving of grass or Panicum Sanguinale by W.Curtis, circa 1820. Artwork was intended to be actual size of specimen.
Original artwork on paper displayed on a w...
Category
1820s Art by Medium: Engraving
Materials
Archival Paper, Watercolor, Engraving
UNTITLED [GENTLEMAN OBSERVING BILLIARDS GAME].
Located in Portland, ME
Brinton, D. UNTITLED [GENTLEMAN OBSERVING BILLIARDS GAME]. Drypoint, n.d. (c. early to mid-20th Century). 8 x 6 inches (image), 11 1/2 x 8 inches (sheet). In excellent condition, wit...
Category
Early 20th Century Art by Medium: Engraving
Materials
Drypoint
Elvira
Located in Tuscany, Pisa
Sylvie Auvray (b. 1974) is a French artist who lives and works in Paris. Her varied production encompasses ceramic, painting, drawing and sculpture.
Category
2010s Art by Medium: Engraving
Materials
Crayon, Ink, Drypoint, Etching, Aquatint
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Kate Boxer, I Won't Eat You, Limited edition animal print
Located in Deddington, GB
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Limited Edition of 30.
Sold unframed.
Additional images of print in cellophane wrap.
Approxiamate sizing as each work varies.
IMAGE: H:81CM X W:113CM
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Located in Deddington, GB
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JOAN HERNANDEZ PIJUAN: Composition - Ething on paper, Spanish abstraction
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Bengt Lindstrom - Original Handsigned Engraving
Located in Collonge Bellerive, Geneve, CH
Bengt Lindström - Original Handsigned Engraving
The Seven Deadly Sins.
76 x 56 cm
Signed in pencil by Bengt Lindström
Paris, ABCD, 1976.
Original etching in color
Limited edition 90 ex.
This is the unique copy offered to Claude Manesse,
The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse.
Bengt Lindström (1925-2008)
Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North.
1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint.
1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model).
1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics.
1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris.
1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children).
1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery.
1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture.
1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin.
1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods.
1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden.
1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland.
2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women).
2003 : Bengt fell ill and was unable to paint, but the exhibitions went on.
2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy.
2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden.
2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe.
2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden.
Main exhibitions
1952 Fair Réalités Nouvelles – New realities, Paris, France.
1953 Craven Gallery, Paris, France.
1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France.
1958 Breteau Gallery, Paris, France.
1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland.
1960 Rive Gauche Gallery, Paris, France.
1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France.
1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France,
1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement.
1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark.
1966 Museum of Modern Art, Gothenburg, Sweden.
1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris.
1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976.
1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984.
1973 Galliera Museum, Paris, France.
1974 Gallery 111, Lisbon, Portugal.
1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany.
1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries.
1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France.
1985 Gallery Italia, Alicante, Spain.
1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear.
1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany.
1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France
1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England.
1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France.
1991 Gallery Michèle Sadoun, Paris, France.
1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy.
1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...
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1970s Modern Art by Medium: Engraving
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I Won't Eat You
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Dress: 1860.
By Eric Gill
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Wood engraving. Physick 187. 2 3/4 x 2 1/4 (sheet 13 1/16 x 9 7/8). Originally published in 'Dress' (S. Dominic's Press, 1921). The image was based upon an old photograph. As publis...
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Engraving art for sale on 1stDibs.
Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.