Art by Medium: Engraving
101
to
99
427
299
129
263
549
385
6
679
156
72
28
8
Overall Height
to
Overall Width
to
126
100
56
4
1
1
1
427
181
114
111
109
93
91
75
63
60
53
50
45
42
42
38
36
35
34
32
1,104
962
2,593
765
39
179
196
148
120
140
329
506
218
190
727
114
23
23
22
21
5,424
7,710
5,382
4,955
2,728
Period: 19th Century
Medium: Engraving
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "Parrot-billed Grosbeaks", "White backed Coly", "Banksian Cockatoo", and "Variegated Tanager"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.25" x 8.88"
Image size (each): approx. 5.75" x 4.75"
Condition: "Parrot-billed Grosbeaks" and "White backed Coly" have light offsetting to their sheets. "Banksian Cockatoo" and "Variegated Tanager" have moderate offsetting to their sheets. The "Variegated Tanager" also has a few light spots of discoloration at top in margins. They are all otherwise in good condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Parrot-billed Grosbeaks" and "Variegated Tanager" have an unidentified "1821" watermark lower right and upper right respectively. "Banksian Cockatoo" as a partially visible "1820?" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
1820s Victorian Art by Medium: Engraving
Materials
Intaglio, Engraving, Watercolor
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders.
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 125...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders.
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 125...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Spiders, antique English natural history engraving prints, 1837
Located in Melbourne, Victoria
Depicts species of spiders.
Copper-line engraving with original hand-colouring. From Baron Georges Cuvier's (1769-1832) 'Animal Kingdom', published in London in 1837.
210mm by 125...
Category
19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Self-portrait with Raised Sabre - Engraving after Rembrandt - 19th Century
Located in Roma, IT
Self-portrait with Raised Sabre is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1634. This wonderful piece of art belongs ...
Category
19th Century Old Masters Art by Medium: Engraving
Materials
Engraving
The Farmers - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Farmers is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realized throu...
Category
Late 19th Century Old Masters Art by Medium: Engraving
Materials
Etching, Engraving
Kaempferia rotunda, antique botanical purple orchid flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Herd - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Herd is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The a...
Category
Late 19th Century Old Masters Art by Medium: Engraving
Materials
Etching, Engraving
Scarborough - Etching by Edward Francis Finden - 1845
Located in Roma, IT
Scarborough is an etching realized in 1845 by Edward Francis Finden.
Signed on the plate.
Titled on the lower center, from the series of "Ports of Great Britain"
Good conditions ...
Category
1840s Modern Art by Medium: Engraving
Materials
Etching, Engraving
J. Becquet, Sculptor
Located in Fairlawn, OH
J. Becquet, Sculptor
Etching & drypoint, 1859
Unsigned as issued
From: The Thames Set
Printed on this Japanese tissue
Rich impression
Condition: Excellent
Plate/Image size: 9 7/8 x 7...
Category
19th Century Impressionist Art by Medium: Engraving
Materials
Drypoint, Etching
Wrestling - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Wrestling is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artw...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
The Framers - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Framers is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized thro...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
Chelidoine / Chelonee caouanne - vergete - caret; Pl. 98
Located in Mount Vernon, NY
Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...
Category
19th Century Art by Medium: Engraving
Materials
Engraving
The Beggar - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Beggar is an etching realized by Eugène Burnard (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realized through s...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
The Portrait - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Portrait is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realized thro...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
Cocoons - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Cocoons is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
The Meeting - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Meeting is an etching realized by Eugène Burnard (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized through short ...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
Le Sire De Lumey
Located in Middletown, NY
Brussels: J. Bouwens, 1867. Etching with aquatint and engraving on laid Japan paper, 9 3/4 x 6 1/2 inches (247 x 163 mm), full margins. Fifth state (of 5). Scattered moderate foxing....
Category
Late 19th Century Symbolist Art by Medium: Engraving
Materials
Laid Paper, Engraving, Etching, Aquatint
Horse Drivers - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Horse Drivers is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized through sho...
Category
Late 19th Century Old Masters Art by Medium: Engraving
Materials
Etching, Engraving
Linotte des Vignes / Oeuf de la Linotte des Montagnes / Lion / Liseron
Located in Mount Vernon, NY
Hand-colored engraving by P. Fitzer for Dictionnaire pittoresque d’histoire naturelle et des phénomènes de la nature, edited by French entomologist Felix Edouard Guerin-Meneville (17...
Category
19th Century Art by Medium: Engraving
Materials
Engraving
Old Woman with Stick - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Old Woman with Stick is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized thro...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "New-Zealand Plover", "Nilid Grosbeak", "Black-throated Bunting", and "Variegated Chatterer"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.13" x 8.75"
Image size (each): approx. 4.75" x 4.5"
Condition: "New-Zealand Plover" has some light offsetting and a few faint areas of discoloration at top in margin. "Nilid Grosbeak" has some faint areas of discoloration. They are all otherwise in excellent condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "New-Zealand Plover" has an unidentified "1823" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
1820s Victorian Art by Medium: Engraving
Materials
Engraving, Intaglio, Watercolor
Petunia violacea, antique botanical purple flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
Death Beside The Sea - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Death Beside The Sea is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized thr...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
The Death of Mireille - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Death of Mireille is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized thr...
Category
Late 19th Century Old Masters Art by Medium: Engraving
Materials
Etching, Engraving
In The Forest - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
In The Forest is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realized through short and deft strokes, a...
Category
Late 19th Century Old Masters Art by Medium: Engraving
Materials
Etching, Engraving
Woman's Head (Vrouwekop), Marguerite Adolphine Helfrich
By Jan Toorop
Located in Fairlawn, OH
Woman's Head (Vrouwekop), Marguerite Adolphine Helfrich
Drypoint, 1897
Signed lower right in pencil: J Toorop; by later hand
Toorop's model for this print was Marguerite Adolphine H...
Category
1890s Jugendstil Art by Medium: Engraving
Materials
Drypoint
THE CAPTURE OF MAJOR ANDRE
Located in Portland, ME
Smillie, James and Robert Hinshelwood and Alfred Jones. THE CAPTURE OF MAJOR ANDRE. Engraving after the painting by Asher B. Durand, 1845. Printed on cream-colored wove paper. 13 1/8...
Category
1840s Art by Medium: Engraving
Materials
Engraving
The Fighting Temeraire: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed engraving "The Fighting Temeraire" by James Tibbetts Willmore is based on an original painting by the renowned British artist J.M.W. Turner. It was published by James S. Virtue & Co. in London between 1859-1875. It depicts the once mighty British warship the HMS Temeraire being towed away down the river Thames by a much smaller steamboat to a ship-breaking yard to be broken up for scrap. The Temeraire was first launched in 1798 and represented the pinnacle of British ship-building. 180-feet long, constructed of English oak and armed with 98 guns, she was one of the largest warships of the period. The Temeraire became a symbol of British pride and military power that endured throughout the 19th century. The man-of-war served during the French Revolutionary and Napoleonic Wars and was among the last serving ships to have been at the Battle of Trafalgar in 1805. It became one of the many older ships put out of service in the 1830s and 1840s. The once mighty and feared ship symbolizes a once magnificent, but now obsolete, technology. Turner seems to lament her inglorious final journey, being towed by a less magnificent, but modern steam powered tugboat.
The Turner painting was created in 1838 and is now held in the National Gallery in London. Willmore's engraving, created in 1859, captures the dramatic scene with great detail and skill. The image has become an iconic representation of the decline of Britain's naval power and the transition from sail to steam in the 19th century. The sunset in the background is symbolic of the sun going down on British naval power and tradition. The painting conveys profound and diverse themes that are central to the human experience: those of mortality and change, technology and progress, heroism and brutality. The painting demonstrates Turner’s skill as an artist. His ability to produce scenes of great beauty that are dramatic, but are also symbolic, stimulating both thoughtful analysis, as well as emotion. Turner's painting was voted by the British public in a 2005 BBC radio sponsored survey to be the British people's favorite painting of all time. In 2020 it was included on a new British banknote...
Category
Mid-19th Century Romantic Art by Medium: Engraving
Materials
Engraving
Fishermen - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Fishermen is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realize...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
Lovers in Meadow - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Lovers in Meadow is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized through ...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path.
Etching with drypoint on heavy cream wove paper, 6 5/8 x 9 7/8 inches (174 x 248 mm), full margins. Uniform light brown discolorat...
Category
Late 19th Century English School Art by Medium: Engraving
Materials
Handmade Paper, Drypoint, Etching
Herd of Horses - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Herd of Horses is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized t...
Category
Late 19th Century Old Masters Art by Medium: Engraving
Materials
Etching, Engraving
Azalea indica danielsiana, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
In the Church - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
In the Church is an etching realized by Eugène Burnard (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized through sho...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
In The Garden - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
In The Garden is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized through sh...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
Ulysses Deriding Polyphemus: A Framed 19th C. Engraving After J. M. W. Turner
By J.M.W. Turner
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving/etching entitled "Ullyses Deriding Polyphemus" by Edward Goodall is based on an original 1829 painting by the renowned Briti...
Category
Mid-19th Century Romantic Art by Medium: Engraving
Materials
Engraving, Etching
Original Jean Francois Raffaelli Etching of a Hat Salesman
Located in Larchmont, NY
Jean-François Raffaëlli (French, 1850-1924)
Le Marchand de Habits, 1895
Etching and drypoint
Sight: 6 x 4 in.
Framed: 12 x 9 3/4 x 3/4 in.
Initialed lower left in plate: R
This etc...
Category
1890s French School Art by Medium: Engraving
Materials
Drypoint, Etching
JOB SACRIFICED - And My Servant Job Shall Pray For You
Located in Santa Monica, CA
WILLIAM BLAKE (British 1757-1827)
JOB'S SACRIFICE - And my Servant Job Shall Pray For You, 1825 (Bindman 1978.643; Binyon 1926.123 iii; Russell 1912.33)
Engraving, First edition, one of 100 sets printed directly onto Whatman wove paper with a 1825 watermark. and the word “proof” removed. From "Illustrations of the Book of Job...
Category
1820s English School Art by Medium: Engraving
Materials
Engraving
Hibiscus Lindlei, antique botanical pink flower engraving
Located in Melbourne, Victoria
Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.
Category
Mid-19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
The Rest on the Flight into Egypt - engraving after Rembrandt - 19th Century
Located in Roma, IT
The Rest on the Flight into Egypt is an engraving on ivory-colored paper realized after Rembrandt by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful pi...
Category
19th Century Old Masters Art by Medium: Engraving
Materials
Engraving
The Nursing - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Nursing is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realized through s...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
The Herd - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Herd is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realized through short and deft stroke...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
Hillside - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Hillside is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
Fishermen - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Fishermen is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realize...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
The Well - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Well is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized through...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
Mourning - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
Mourning is an etching realized by Eugène Burnard (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized through short an...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
The Speech - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Speech is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized through short ...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
Jeune Femme Cousant; Madame Helleu (Young Woman Sewing, artist's wife)
Located in Middletown, NY
Paris: Gazette des Beaux Arts, 1892.
Etching and dry point on cream laid paper. 7 9/16 x 5 7/8 inches (191 x 148 mm), full margins. Signed in pencil, lower right margin. A dark, ink...
Category
Late 19th Century Realist Art by Medium: Engraving
Materials
Drypoint, Etching
Charlotte, Lady Milnes
Located in Mount Vernon, NY
Description: Antique signed mezzotint by Henry Scott Bridgwater (1864-1950) after painting "Charlotte, Lady Milnes," c. 1788-1792, by British artist George Romney (1734-1802) who was...
Category
Late 19th Century Art by Medium: Engraving
Materials
Engraving, Mezzotint
The Descent of the Herds - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Descent of the Herds is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realized through short and deft st...
Category
Late 19th Century Modern Art by Medium: Engraving
Materials
Etching, Engraving
Vieille Masken, La Servante Anversoise
Located in Middletown, NY
Etching with engraving and drypoint printed in brownish black ink on cream laid paper with a partial heraldic A and fleur-de-lis watermark, 5 5/8 x 4 1/4 inches ( 341 x 107 mm), full...
Category
Late 19th Century French School Art by Medium: Engraving
Materials
Laid Paper, Engraving, Drypoint, Etching
St. Michael's Mount, Cornwall: A Framed 19th C. Engraving After Myles Foster
Located in Alamo, CA
This beautiful 19th century framed hand-colored engraving is entitled "St. Michael's Mount, Cornwall" by J. Saddler after an original painting by the British artist Myles Birket Fost...
Category
Mid-19th Century Romantic Art by Medium: Engraving
Materials
Engraving
George Sidney Hunt After Edwin Long RA, In the Wilderness, Engraving
Located in Cheltenham, GB
This late 19th-century mixed-method engraving by George Sidney Hunt (1856-1917) after Edwin Long RA (1829-1891) is one in a series of three depicting the Old Testament story of Jephthah. Here, we see Jephthah’s daughter contemplating her fate during a two-month sojourn in the wilderness.
The heart-rending story of Jephthah captured Victorian minds and inspired artist Edwin Long to produce three exhibition pieces, which are now held at the Russell Cotes Art Gallery & Museum. Prior to a fearsome battle with the Ammonites, Jephthah, a leader in Isreal, committed a vow to God that he’d make a sacrifice if his armies were triumphant.
“whatever comes out of the door of my house to meet me when I return in triumph from the Ammonites will be the Lord’s, and I will sacrifice it as a burnt offering...
Category
19th Century Academic Art by Medium: Engraving
Materials
Paper, Engraving
G. Stodart after Helen Allingham - 1880 Engraving, The Young Customers
Located in Corsham, GB
A charming depiction of two young children sat at a shop counter. One girl clutched a doll whole the other soothes our the ruffles of her shawl with a flat iron. From behind the coun...
Category
Late 19th Century Art by Medium: Engraving
Materials
Engraving
Langur monkey, mid 19th French century animal engraving
Located in Melbourne, Victoria
'Semnopitheque a croupion - Semnopithecus Leucoprymnus, Otto' (Langur)
French engraving with original hand-colourimg, circa 1840.
Category
Mid-19th Century French School Art by Medium: Engraving
Materials
Engraving
Yellow Pontic Azalea. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Azalea Pontica - Yellow Pontic Azalea'
Native of the coat of the Black Sea.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Reposi...
Category
Early 19th Century Naturalistic Art by Medium: Engraving
Materials
Engraving
The Tribute Money - engraving after Rembrandt - 19th Century
Located in Roma, IT
The Tribute Money is an engraving on ivory-colored paper realized after Rembrandt by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belo...
Category
19th Century Old Masters Art by Medium: Engraving
Materials
Engraving
Engraving art for sale on 1stDibs.
Find a wide variety of authentic Engraving art available on 1stDibs. There are many well-known artists whose body of work includes ceramic sculptures. Not every interior allows for large Engraving art, so small editions measuring 0.4 inches across are also available Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $106 and tops out at $981,948, while the average work can sell for $3,322.