Art by Medium: Ink

Bold contemporary form and striking bright colours define the unique artistic style of Aron Hill. The Calgary-based artist often uses the sun and rocks as central images in their wor...

Aron Hill returns to bright colours and familiar bold imagery—the sun and rocks in this contemporary landscape. This new series is created in a collaged manner—using gluing, threadin...

A painting by Alexander Calder. "Vive" is a Post-War abstract painting, gouache and ink on paper in bold colors of reds, blacks, and blues by artist Alexander Calder. The artwork is signed lower right, "Calder 72...

A painting by Alexander Calder. "The Oval Spiral" is a Post-War, geometric abstract painting, gouache and ink on paper in bold colors of reds and blacks by artist Alexander Calder. T...

edition of 100 plus 15 AP

Sumi ink drawing, c. 1928 Signed in the lower right corner (see detail) Original illustration for the novel "Gunmo" (Hoi Polloi or Blind and Foolish Masses), volume 4 in the "Complet...

A joyful bright pink sun sits in one corner of this bold new work by Aron Hill. The image of the sun, symbolic of a guiding light has always been central to the work of this Calgary-...

Elsa Peretti goes out for a drink, 2024 by Manuel Santelices From the Art, culture & society series Unframed Movies, TV. and magazines are constant source of inspiration. Fame, as f...

William F. Buckley and Pat Buckley at home in NY, 2014 by Manuel Santelices From the Interiors series Unframed A new series inspired by architecture, décor and stylish personalities...

Study for Yves Saint Laurent and Mick Jagger, 2024 by Manuel Santelices From the Fashion series Unframed The artist have covered the New York Collections for over 16 years and inter...

Therrien Jr., Robert (American 1847-2019). UNTITLED (TRADIN STATION) Ink on paper, not dated. 12 x 9 inches (sheet). Signed in Ink, lower right. Toning, and some adhesive residue, ve...

Canadian artist Aron Hill is known for their unique minimalist form and intuitive sense of colour. Their landscapes often include familiar themes of the sun, moon and empty spaces re...

Aron Hill’s newest series of contemporary works are inspired by the personal narrative of their life as an artist, a writer and a parent. Hill recalls the unique bold imagery and cle...

Peter Rabbit happened to be looking out of the dear Old Briar-patch as the young Fox ran past. Ink on paper, 1955 Signed "H. Cady," and dated 11-15 lower left (see photo) Annotated w...

Contemporary artist Aron Hill has often re-imagined landscapes—land and sky in compelling minimalist form. In this piece, a night sky—the sun eclipsed by the moon but for a slender b...

The Yellow Jacket, by Manuel Santelices Ink and pastel craft paper Image size: 12 in. H x 9 in. W Unframed 2022 Movies, TV. and magazines are constant source of inspiration. Fame, ...

Bull Ring Brass - Mexico City Watercolor, pen and ink on paper, 1955 Signed in ink, dated and titled in pencil (see photos) Condition: 1'' repaired tear left edge, along with other minor tears. Tape stains from previous matting visible in the four corners Image/Sheet size: 19 3/8 x 15 5/8 inches Provenance: Acquired directly from the Artist Joseph M. Erdelac, Cleveland, friend and patron of Longstreet Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show. In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard...

Andres Alsina in Paris, 2024 by Manuel Santelices From the Interiors series Ink and watercolor on paper Image size: 11 in. H x 11 in. W Unframed A new series inspired by architectu...

C.Z Guest Time cover, 2024 by Manuel Santelices From the Fashion series Ink and markers on paper Image size: 15 in. H x 11 in. W Unframed The artist have covered the New York Colle...

Summer party at the Hoyt House, 2024 by Manuel Santelices From the Art, culture & society series Ink and watercolor on paper Image size: 12 in. H x 9 in. W Unframed Movies, TV. and...

Wraxwall, 2024 by Manuel Santelices From the Interiors series Ink and watercolor on paper Image size: 12 in. H x 9 in. W Unframed A new series inspired by architecture, décor and s...

Two Nudes, 2016 by Celso Castro-Daza One of a kind Pastel, carbon pencil, ink on archival paper mounted on board Image size: 40.5 H in. x 55.5 in. W Mounted on acid-free board: 41 H x 56 in. W Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

A view of the Park, 2024 by Manuel Santelices From the Art, culture & society series Ink and watercolor on Arches paper Image size: 14 in. H x 11 in. W Unframed Movies, TV. and mag...

Nude Matchstick and ink drawing heightened with conte crayon c. 1925 Signed with the Estate Stamp "B" Provenance: Joseph A. Erdelac (1914 -2005), Cleveland Acqu...

Le marché aux bestiaux by Paulémile Pissarro (1884-1972) Watercolour and ink on paper 23.7 x 31.2 cm (9 ³/₈ x 12 ¹/₄ inches) Signed lower right, Paul-Émile Pissarro This work is acc...

Untitled, 1982 is a sumi ink on paper, 38.25 x 50" image size, signed and dated verso 'SEPT.21 - 82 + K. Haring' and framed in a custom, gold-leaf frame. Haring’s image of a man-eating monster is partly influenced by the artist Hieronymus Bosch as Haring often cited Bosch’s The Garden of Earthly...

Untitled (Taos Pueblo) Ink on paper, 1985-1990 Signed by the artist in ink lower right (see photo) An early New Mexico period work, created shortly after the artist moved from New York. Provenance: estate of the artist Dehn Heirs Condition: Excellent Image/sheet size: 13 1/8 x 18 1/2 inches Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Untitled (Inspired by a Chinese scroll painting) Collage with ink on 6 paper elements Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 4 x 12 inches Support...

Registros V and IV, Diptych, 2022 by Nat Orlowski From the series Registros Lacquers, pigments, Indian ink, acrylic, water, and sun on canvas. Overall size: 240 H cm x 280 W cm. In...

Registros X and XI, Diptych, 2023 by Nat Orlowski From the series Registros Lacquers, pigments, Indian ink, acrylic, water, and sun on canvas. Overall size: 240 H cm x 280 W cm. In...

Registros XX and XXI, Diptych, 2023 by Nat Orlowski From the series Registros Lacquers, pigments, Indian ink, acrylic, water, and sun on canvas. Overall size: 500 H cm x 400 W cm. ...

Registros XV and XVI, Diptych, 2023 by Nat Orlowski From the series Registros Lacquers, pigments, Indian ink, acrylic, water, and sun on canvas. Overall size: 240 H cm x 280 W cm. ...

Pêcheur sur la Cure by Paulémile Pissarro (1884-1972) Watercolour and ink on paper 23 x 30 cm (9 x 11 ³/₄ inches) Signed lower right, Paulémile- Executed circa 1920 This work is ac...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Le Turban by Henri Matisse (1869-1954) Pen and India ink on paper 51.5 x 39 cm (20 ¹/₄ x 15 ³/₈ inches) Signed and date...

む, Now, where was I and Surōdansu triptych, 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on Awagami paper Overall size: 35.03 in. H x 76.7 in. W Individual s...

The new arises from memory and The Promise to Change Diptych, 2022 Oil wax, acrylic, graphite, organic ink, and crayon on Awagami paper Overall size: 35.03 in. H x 51 in. W Individu...

Surōdansu and む Diptych, 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on Awagami paper Overall size: 35.03 in. H x 51 in. W Individual size: 35.03 in. H x 25...

Passage and Holds the people together Diptych, 2022 by On Hansen Oil wax, acrylic, graphite, organic ink, and crayon on Awagami paper Overall size: 35.03 in. H x 51 in. W Individual ...

Folio from a Book of Hours, c.1475 Delft (Holland) red, blue and black Ink on vellum, c. 1475 Unsigned as is usual Most probably created at the Church of St. Agnes, by the women of t...

Talluah Bankhead 3 and Pola Negri II Diptych, 2016 From The Dis-enchanted series Ink on paper Overall frame size: 20 in. H x 32 in. W x 1 in D Individual size: Image size: 16.5 in....

White Series n1, 2023 by Rosario Briones From the White series Mixed media: natural pigments, Indian ink, watercolor on canvas. Dimensions: 197 H x 160 W cm. Unframed Signed by the ...

Poli Negri I and Vilma Banky Diptych, 2016 From The Dis-enchanted series Ink on paper Overall frame size: 20 in. H x 32 in. W x 1 in D Individual size: Image size: 16.5 in. H x 11....

Poli Negri III, Poli Negri and Louise Brooks Triptych, 2016 From The Dis-enchanted series Ink on paper Overall frame size: 20 in. H x 48 in. W x 1 in D Individual size: Image size:...

Florida is an oil and ink mixed media artwork mounted on panel, 24 x 20 inches, signed and dated 'STEINBERG/1969' lower right. Inscribed '22 Florida' verso in pencil. Framed in a con...

White Series n3, 2023 by Rosario Briones From the White series Mixed media: natural pigments, Indian ink, watercolor on canvas. Dimensions: 160 H x 10...

Natural Flow Series n9, 2023 by Rosario Briones From the series Natural Flow Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. Dimensions: 138 H x 108 W cm....

Natural Flow Series n5, 2023 by Rosario Briones From the series Natural Flow Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. Dimensions: 160 H X 120 W cm....

White Series n2, 2023 by Rosario Briones From the White series Mixed media: natural pigments, Indian ink, watercolor on canvas. Dimensions: 160 H x 10...

Liquid Life Series n3, 2023 by Rosario Briones From the series Liquid Life Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas....

Liquid Life Series n5, 2023 by Rosario Briones From the series Liquid Life Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. ...

Natural Flow Series n8, 2023 by Rosario Briones From the series Natural Flow Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. Dimensions: 164 H x 105 W cm....

Natural Flow Series n2, 2023 by Rosario Briones From the series Natural Flow Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. Dimensions: 210 H X 117 W cm....

Natural Flow Series n6, 2023 by Rosario Briones From the series Natural Flow Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. Dimensions: 165 H X 105 W cm....

Liquid Life Series n2, 2023 by Rosario Briones From the series Liquid Life Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas....

Natural Flow Series n10, 2023 by Rosario Briones From the series Natural Flow Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. Dimensions: 138 H x 118 W cm...

Natural Flow Series n3, 2023 by Rosario Briones From the series Natural Flow Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. Dimensions: 205 H X 124.5 W c...

Liquid Life Series n7, 2023 by Rosario Briones From the series Liquid Life Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. ...

Liquid Life Series n6, 2023 by Rosario Briones From the series Liquid Life Mixed media: natural pigments, Indian ink, watercolor, and betum on canvas. ...