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Medium: Lithograph
Recognized Seller Listings
Constructivist Abstraction — 1930s Spacial Illusionism
By Paul Kelpe
Located in Myrtle Beach, SC
Paul Kelpe, Untitled (Abstract Composition), lithograph, 1937, edition unknown but small. Signed and dated in pencil. A fine, richly-inked impression, with all the nuanced texture an...
Category
1930s Abstract Geometric Art by Medium: Lithograph
Materials
Lithograph
Obama Can
By Nari Ward
Located in New York, NY
Edition of 25.
Nari Ward is known for re-contextualizing found/discarded objects in juxtapositions that create complex and metaphorical meanings that highlight cultural values or o...
Category
2010s Contemporary Art by Medium: Lithograph
Materials
Lithograph
PLOUGHING IT UNDER
Located in Santa Monica, CA
THOMAS HART BENTON (1889-1975)
PLOUGHING IT UNDER (aka Ploughing) 1934 (Fath 8)
Original lithograph, signed in pencil. Edition of 250 as published by Associated American Artists (AA...
Category
1930s American Modern Art by Medium: Lithograph
Materials
Lithograph
'Bighorn' — 1940s American Regionalism
Located in Myrtle Beach, SC
William Wind McKim, 'Bighorn', lithograph, 1940, edition c. 25. Signed and titled in pencil. A fine, richly-inked impression, on cream wove paper, the full sheet with margins (2 to 4...
Category
1940s American Realist Art by Medium: Lithograph
Materials
Lithograph
Skid-Row Self Portrait
Located in Fairlawn, OH
Skid Row-Self Portrait
Color lithograph, 1973
Unsigned (as usual)
From: XXe Siecle, Volume XXVV, December 1973
Published by G. di San Lazzaro for A. Maeght, P...
Category
1970s Pop Art Art by Medium: Lithograph
Materials
Lithograph
Taxi to the Terminal
By Red Grooms
Located in New York, NY
Red Grooms
Taxi to the Terminal, 1993
color lithograph, ed. of 18 AP
22 x 30 in. / 55.9 x 76.2 cm
Category
1990s Art by Medium: Lithograph
Materials
Lithograph
The Model
Located in Santa Monica, CA
RAPHAEL SOYER (1899 - 1987)
THE MODEL 1944 (Cole 64)
Lithograph Signed in pencil, edition 250, 11 ¾ x 7 ¾ Full margins, sheet 15 ¾ x 12
with deckle edge. Very slight toning to the ...
Category
1940s American Realist Art by Medium: Lithograph
Materials
Lithograph
Early Speed
Located in Fairlawn, OH
Early Speed
Lithograph, 1953
Signed lower right
Edition 250
Published by Associated American Artists
Illustrated: AAA catalog 1953-03
Reference: AAA Index 1187
Condition: The sheet i...
Category
1950s American Realist Art by Medium: Lithograph
Materials
Lithograph
Signal
Located in West Hollywood, CA
Takashi Murakami
Signal; 2015
Offset lithograph in colors on wove paper
27 x 20 3/4 inches
Numbered from the edition of 300 in the lower right corner
Signed by the artist in the lowe...
Category
2010s Pop Art Art by Medium: Lithograph
Materials
Lithograph
The House of Shango — African American artist
Located in Myrtle Beach, SC
Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed.
ABOUT THIS WORK
“The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018
ABOUT THE ARTIST
Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.”
Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history.
Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center.
Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement."
From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art.
Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University.
Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...
Category
1990s Realist Art by Medium: Lithograph
Materials
Lithograph
In Between Days
By Evan Colbert
Located in Lyons, CO
The artist describes this project:
My lithographs In Between Days and A Question of Time are based on a series of monotypes I have created over the past couple years. In the monotypes I layer color fields, forms, patterns, and arrays of dots or other shapes onto dozens of sheets of paper in a process somewhat like sketching. I collect found objects to use as stencils to physically print from or to photocopy. A few objects used in the making of these prints are perforated metal sheets, wooden wine crate...
Category
2010s Contemporary Art by Medium: Lithograph
Materials
Lithograph
"rodo"
Located in Lyons, CO
The artist describes this project:
“yo (jr.)” and “rodo”, depict avatar like figures set in an animated, virtual space. Each central character, accompanied by secondary elements of ...
Category
2010s Contemporary Art by Medium: Lithograph
Materials
Lithograph
Summer in Venice
By Adja Yunkers
Located in Fairlawn, OH
Summer in Venice
Lithograph printed in colors from five stones on Italian "Pascia" paper, 1966
Signed and dated lower left in pencil (see photo)
The Print Club of Cleveland Publicati...
Category
1960s Abstract Art by Medium: Lithograph
Materials
Lithograph
Wild Garden
Located in Lyons, CO
Color lithograph/diptych, Edition 25.
The artist describes this project:
Two years ago, I had the very good fortune to be invited to paint in the South of France. My studio was an ...
Category
2010s Contemporary Art by Medium: Lithograph
Materials
Lithograph
'Manhattan 1, stone 2' — New York City, Mid-Century Modernism
Located in Myrtle Beach, SC
Lyonel Feininger, 'Manhattan 1, stone 2', lithograph, 1951, edition 25. Prasse L 16. Titled 'Manhattan I and Stone II' in pencil, in the bottom right sheet edge. A fine impression on off-white Rives wove paper, with full margins (1 1/2 to 2 3/4 inches), in excellent condition. Scarce.
Image size 11 1/4 x 8 5/8 inches (286 x 219 mm); 16 x 11 1/2 sheet size: inches (406 x 292 mm). Matted to museum standards, unframed.
ABOUT THIS WORK
Feininger produced only 20 lithographs throughout his prolific career—a handful of much earlier works created from 1906-12 were never editioned, with only a few proofs providing a record of those formative experiments. The success of his signature work, 'Off the Coast, Stone 3' created in 1951 for the Print Club of Cleveland, led the artist to produce five other lithographs from 1951-1955 printed by master lithographer George C. Miller as was the Print Club edition.
Impressions of this work are held in the collections of the Boston Public Library, Cambridge Fine Arts Museum, Cleveland Museum of Art, Bezalel National Art Museum (Jerusalem), Philadelphia Museum of Art, and the Washington Library of Congress.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public. Still, he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral...
Category
1950s Bauhaus Art by Medium: Lithograph
Materials
Lithograph
"yo (jr.)"
Located in Lyons, CO
The artist describes this project:
“yo (jr.)” and “rodo”, depict avatar like figures set in an animated, virtual space. Each central character, accompanied by secondary elements of ...
Category
2010s Contemporary Art by Medium: Lithograph
Materials
Lithograph
Passage du Mont Saint-Bernard
Located in Fairlawn, OH
Theodore Gericault (1791-1824)
Passage du Mont Saint-Bernard
Lithograph, 1822
Signed and titled in the stone
As published in Arnault "Vie politique et militair...
Category
1820s Romantic Art by Medium: Lithograph
Materials
Lithograph
Galerie Maeght Murales et Peintures
By Joan Miró
Located in Fairlawn, OH
Galerie Maeght Murales et Peintures
Color lithograph poster, 1961
Unsigned as issued
Large edition
Published by Maeght Editeur Imprimeur
Reference #13 from J. Corredor-Matheos, "Miro's Posters', 1980
Condition: Framed
Colors fresh
Image/sheet size: 25 x 19 inches
Frame size: 34 x 27...
Category
1960s Abstract Art by Medium: Lithograph
Materials
Lithograph
A Question of Time
By Evan Colbert
Located in Lyons, CO
The artist describes this project:
My lithographs In Between Days and A Question of Time are based on a series of monotypes I have created over the past couple years. In the monotypes I layer color fields, forms, patterns, and arrays of dots or other shapes onto dozens of sheets of paper in a process somewhat like sketching. I collect found objects to use as stencils to physically print from or to photocopy. A few objects used in the making of these prints are perforated metal sheets, wooden wine crate...
Category
2010s Contemporary Art by Medium: Lithograph
Materials
Lithograph
Le Clown Blanc (The White Clown)
By Marc Chagall
Located in Fairlawn, OH
Le Clown Blanc (The White Clown)
Lithograph, 1964
Unsigned (as issued by DLM)
From: Derriere le Miroir Chagall: Dessins et Lavis, Exposition...
Category
1960s French School Art by Medium: Lithograph
Materials
Lithograph
City Park, Winter
By Aaron Bohrod
Located in Fairlawn, OH
City Park, Winter
Lithograph, c. 1947
Signed in pencil lower right (see photo)
Published by Associated American Artists
Printed by George C. Miller, New York
Edition: c. 250
In the Bohrod papers at Syracuse University, the artist states that it is a view of Pittsburgh. It depicts the George Washington Monument in Allegheny Commons Park, dedicated in 1891. The sculptor f the monument is Edward Ludwig Albert Pausch (1856-1931).
Condition: Excellent
Image size: 9 1/4 x 13 7/16 inches
Frame size: 19 x 23 inches
Provenance: Estate of Adolf Dehn
Reference: AAA Index No. 848
Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings.
Education
Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings.
Career
He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit...
Category
1940s American Realist Art by Medium: Lithograph
Materials
Lithograph
'Havoc in Heaven' — Mid-Century Modernism
Located in Myrtle Beach, SC
Benton Spruance, 'Havoc in Heaven', lithograph, 1948, edition 30-35, Fine and Looney 270. Signed, titled, and numbered 'Ed 35' in pencil. Initialed in the stone, lower right. Printed...
Category
1940s American Modern Art by Medium: Lithograph
Materials
Lithograph
Vine, lithograph by Trevor Southey
Located in Palm Springs, CA
Signed, titled and numbered lithograph.. Edition of 150.
A beautiful botanical study of grapes, their vines and hand written poetry by the artist.
Trevor Southey was born in Rhodesi...
Category
1990s Contemporary Art by Medium: Lithograph
Materials
Lithograph
Salade de Alf Landon, from Wild Raspberries
By Andy Warhol
Located in London, GB
Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithograph ‘Sheep’s Trotter Poulette’ printed in black on the reverse as issued, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverse, 44.3 x 57 cm. This work was part of an unbound set of works kept by The Warhol Estate and comes directly from the Estate.
‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature...
Category
1950s Pop Art Art by Medium: Lithograph
Materials
Lithograph, Ink, Offset
Still Life with Figurine
Located in London, GB
Roy Lichtenstein (October 27, 1923 in Manhattan, New York City; † September 29, 1997 there) was an American teacher and painter of Pop Art. Next to Andy Warhol, he was probably the ...
Category
1970s Art by Medium: Lithograph
Materials
Lithograph, Screen
Greengages a la Warhol, from Wild Raspberries
By Andy Warhol
Located in London, GB
Offset lithograph with hand-colouring, 1959, on wove paper, from the edition of unknown size, with the offset lithographic title page printed in black on the reverse as issued, with the inkstamps of The Estate of Andy Warhol and Andy Warhol Foundation for the visual Arts on the reverse, 44.3 x 57 cm. This work was part of an unbound set of works kept by The Warhol Estate and comes directly from the Estate.
‘Wild Raspberries’, circa 1959, is a portfolio of uniquely hand-coloured offset lithographs displaying Warhol’s signature...
Category
1950s Pop Art Art by Medium: Lithograph
Materials
Lithograph, Ink, Offset
Currants and Blueberries, by Eva Bostrom
By Eva Bostrom
Located in Palm Springs, CA
Signed and numbered lithograph from the edition of 250 .Vibrant image of blueberries.
Eva Boström was Born in 1954 in Stockholm, Sweden. Her paintings and lithographs show a sensual...
Category
21st Century and Contemporary Contemporary Art by Medium: Lithograph
Materials
Lithograph
'Bird Dog' — Mid-century American Surrealism
Located in Myrtle Beach, SC
Robert Vale Faro, 'Bird Dog', color lithograph with relief collagraph, 1946, edition 14. Signed, dated, titled, and numbered '123' (the artist's inventory number) and '12/14' in pen. A fine impression, with fresh colors, on heavy, cream, wove paper; the full sheet with margins(1 3/4 to 3 1/2 inches), in excellent condition. Scarce. Matted to museum standards, unframed.
Image size 10 1/8 x 6 7/8 inches (257 x 174 mm); sheet size 17 x 11 7/16 inches (432 x 291 mm).
A collagraph is a relief print made from a collage of various materials adhered to a metal, plastic, hardboard, or other type of ground plate. In this work, the artist appears to have combined a lithograph with a collagraph to achieve the intricately textured image.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine Felsenthal of Chicago. The Brooklyn Museum mounted a show of Vanguard artists' work in 1946, which subsequently toured several other institutions in the United States.
Faro's visionary graphics from the 1940s are a sophisticated blend of Abstract Expressionism, Surrealism, and Indian Space...
Category
1940s Surrealist Art by Medium: Lithograph
Materials
Lithograph
Moto-Fuite
Located in Fairlawn, OH
Moto-Fuite
Color lithograph, c. 1902
Signed in the stone lower right (see photo)
Published by Edmund Sagot (1857-1917), Paris
Printed by Atelier Chaix, Paris
Large edition with title and text
Part of a series of two humorous auto related images depicting Brass Era French automibiles
Provenance: Edmund Sagot (1857-1917), publisher
Sagot Heirs
Condition: Excellent
Never matted or framed
Colors fresh and unfaded
Image eize: 19 5/8 x 13 inches
Sheet size: 27 x 18 1/4 inches
Georges Meunier (1869-1934)
Meunier was born in Saint-Cloud, France in 1869. He moved to Paris as a young man and studied at the National School of Fine Arts; there, he was a student of artist Joseph-Robert Fleury. Following this training, Meunier attended The School for the Decorative Arts where he was trained in both classical and modern design, these skills would later influence his poster graphics. Subsequent to his education, Meunier's posters were exhibited in salons throughout Paris, giving his work notoriety. George Meunier was a prolific artist at the turn-of-the-century influenced greatly by Cheret, the founder of the advertising poster movement. Meunier succeeded Cheret at the Chaix printing house as principal artist and director. He worked as a poster artist for only a short time, making a career change to a book illustrator, which he pursued until the end of his life.
Publisher: Edmund Sagot Courtesy of French Wikipedia
Edmond-Honoré Sagot , born in 1857 and died on April 6 , 1917, is a bookseller , art dealer , publisher of prints and original posters . In 1881 he founded the house “Ed. Sagot” in Paris. This establishment still exists under the name “ Sagot - Le Garrec ” and is one of the oldest art galleries still in operation.
Edmond Sagot is the first contemporary art dealer...
Category
Early 1900s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
Bloques (Road Block)
Located in Fairlawn, OH
Bloques (Road Block)
Color lithograph, 1905
Signed and numbered in pencil lower right; signed and dated in the stone lower right (see photo)
Edition: 100, first edition (33/100)
Published by Edmund Sagot, Paris
Printed by Atelier Chaix, Paris
Deluxe edition with artist's signature and penciled edition, as well as Sagot blindstamp
There is an unlimited edition with title and publisher, printer text below the image. (state ii/II)
Condition: Excellent, never matted or framed
Image size: 13 x 19 5/8 inches
Sheet size: 18 x 24 3/4 inches
Provenance: Edmund Sagot (1857-1917) publisher
Sagot Heirs
Georges Meunier (1869-1934)
Meunier was born in Saint-Cloud, France in 1869. He moved to Paris as a young man and studied at the National School of Fine Arts; there, he was a student of artist Joseph-Robert Fleury. Following this training, Meunier attended The School for the Decorative Arts where he was trained in both classical and modern design, these skills would later influence his poster graphics. Subsequent to his education, Meunier's posters were exhibited in salons throughout Paris, giving his work notoriety. George Meunier was a prolific artist at the turn-of-the-century influenced greatly by Cheret, the founder of the advertising poster movement. Meunier succeeded Cheret at the Chaix printing house as principal artist and director. He worked as a poster artist for only a short time, making a career change to a book illustrator, which he pursued until the end of his life.
Regarding the publisher Edmund Sagot (1857-1917)
Edmond-Honoré Sagot , born in 1857 and died on April 6 , 1917, is a bookseller , art dealer , publisher of prints and original posters . In 1881 he founded the house “Ed. Sagot” in Paris. This establishment still exists under the name “ Sagot - Le Garrec ” and is one of the oldest art galleries still in operation.
Edmond Sagot is the first contemporary art dealer...
Category
Early 1900s Art Nouveau Art by Medium: Lithograph
Materials
Lithograph
'The Lamentation' — Mid-century Modernism
Located in Myrtle Beach, SC
'The Lamentation', lithograph, 1941, edition 35, Fine and Looney 198. Signed, titled, and annotated 'Ed 35' in pencil. Initialed in the stone, lower ri...
Category
1940s American Modern Art by Medium: Lithograph
Materials
Lithograph
'Vague Lumineuse' (Luminescent Wave) — Late 19th Century Surrealism
Located in Myrtle Beach, SC
Théophile Pierre Wagner, 'Vague Lumineuse' (Luminescent Wave), lithograph, edition not stated but small, c. 1895. Signed and titled in pencil. Initialed in the stone, lower left. A f...
Category
1890s Surrealist Art by Medium: Lithograph
Materials
Lithograph
La Baie, Double Page du No 132 de Derriere le Miroir
By Marc Chagall
Located in Fairlawn, OH
La Baie, Double Page du No 132 de Derriere le Miroir
Color lithograph, 1962
Unsigned as issued in DLM
From: "Derriere le Miroir" (Behind the Miroir) No. 132
P...
Category
1960s French School Art by Medium: Lithograph
Materials
Lithograph
"Light on Water"
Located in Lyons, CO
Color lithograph, Patron Impression.
Emmi Whitehorse is a painter and printmaker. Using a private language of symbols and memories, Whitehorse makes ‘personal diaries’ of her life a...
Category
Early 2000s Contemporary Art by Medium: Lithograph
Materials
Lithograph
trees at Dusk
By lockwood dennis
Located in Palm Springs, CA
Medium: lithoograph
Dimensions: 14.5 x 17.5 inches
Signature: Signed Artist on reverse
Artist details: American, 1937 - 2012
Date finished: 1980
Over his forty-five-year career Northwest artist Lockwood "Woody" Dennis created a large portfolio of over 400 woodcuts, drawing inspiration from diverse traditions such as German Expressionist prints, vintage cast-metal toys, Japanese woodblock prints, comic art, and WPA era industrial design.
The works of Lockwood Dennis...
Category
1980s Contemporary Art by Medium: Lithograph
Materials
Lithograph
Untitled, from 25 Cats Name[d] Sam and One Blue Pussy
By Andy Warhol
Located in London, GB
Offset lithograph, circa 1954, on wove paper, with the Estate of Andy Warhol and the Warhol Foundation ink stamps on the reverse, 49.1 x 34.2 cm. (19¼ x 13½ in.) From the '25 Cats Name[d] Sam and One Blue Pussy' series.
25 cats name[d] Sam, and One Blue Pussy, circa 1954, was one of Warhol’s first illustrated bound books. Produced with Seymour Berlin of Record Offset Corporation in New York, and written by Charles Lionsby, Warhol illustrated 25 cats name[d] Sam, and One Blue Pussy with sixteen drawings of cats...
Category
1950s Pop Art Art by Medium: Lithograph
Materials
Lithograph, Offset
One Plate, from We are the Jocular Clan
Located in London, GB
Offset lithograph in colours, 2018, on wove paper, signed in ink and numbered from the edition of 300, published by Kaikai Kiki Co., Ltd., Tokyo, 47.6 x 47.6 cm. (18 3/4 x 18 3/4 in....
Category
2010s Abstract Art by Medium: Lithograph
Materials
Lithograph
La Casa Vivienda
Located in New York, NY
“LA CASA VIVENDA”
Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casa Vivenda” circa 1991. Image size 18.38 x 25 inches and the paper size 21.75 x 29.38 inches. Printed in an edition of 100 this impression is inscribed “70/100” - the 70th impression of 100. This impression is pencil signed in the lower right and inscribed in the lower left.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
1990s American Modern Art by Medium: Lithograph
Materials
Lithograph
Medley
By Eva Bostrom
Located in Palm Springs, CA
Signed and numbered lithograph from the edition of 250. Vibrant image of fruits, inluding strawberries, lemons, blueberries and melons. A whole series of different fruits and vegetab...
Category
21st Century and Contemporary Contemporary Art by Medium: Lithograph
Materials
Lithograph
La Terrazza
Located in Fairlawn, OH
La Terrazza
Lithograph, 1987
Signed, titled and numbered in pencil (see photos)
Published by Kandfall Press, Chicago (their stamp verso)
Landfall drystamp recto lower left
Edition 125 (92/125)
Provenance: Stanley Yulish, Cleveland, Ohio
Reference: Szoke 23
Condition: Excellent, never matted ir framed
Image size: 19 3/4 x 15 1/2"
Sheet Size: 27" x 22"
"Jeanette Pasin Sloan's paintings, drawings, and prints display technical feats of virtuosity. The artist uses a photo-realistic style to depict reflective objects set against patterned backgrounds. However, she subverts both genre and style, infusing the traditional genre of still life painting with highly abstract tendencies. Closely-cropped, and set in carefully manipulated compositions, the subject matter of Pasin Sloan's work takes second stage to its formal intensity.
Pasin Sloan was born in Chicago in 1946. She graduated from Marymount College, Tarrytown, New York, and received an MFA in graphic arts from the University of Chicago...
Category
1980s Photorealist Art by Medium: Lithograph
Materials
Lithograph
Trout Fishing on the Gunnison (Colorado)
By Adolf Dehn
Located in Fairlawn, OH
Trout Fishing on the Gunnison (Colorado)
Lithograph, 1941
Signed and dated '42 in pencil lower right
Annotated lower left:
"40 Prints-The Gunnison River, Colorado-For Anne & Jack"
Ed...
Category
1940s American Modern Art by Medium: Lithograph
Materials
Lithograph
Morning Walk. [Central Park.]
Located in New York, NY
Signed and titled in pencil. Inscribed "192/285." Edition 285.
Category
1980s Naturalistic Art by Medium: Lithograph
Materials
Lithograph
Nightfear
By Karel Appel
Located in Fairlawn, OH
Nightfear
Color lithograph, 1958
From: Rhapsodie de ma nuit, (seven plates)
Signed, dated and numbered in pecnil lower left (see photos)
Edition: E.A. edition of 25, (there were also 75 impressions numbered)
Condition: Excellent, fresh colors and condition
Thin spots on reverse from previous hinges
Provenance: Martha Jackson Gallery
David Anderson Gallery
David Anderson granndchildren Trust
References And Exhibitions:
This portfolio is considered to be one of the greatest-and rarest-illustrated book of the Cobra movement. A copy of this livre d’artiste is in the collection of MOMA. This lithograph is one of four works in color in the portfolio. The book was authored by Emmanuel Looten and published by S.I. (Paris).
VERY IMPORTANT EARLY COBRA WORK OF ART
Karel Appel
B. 1921, AMSTERDAM; D. 2006, ZURICH
Karel Appel was born on April 25, 1921, in Amsterdam. From 1940 to 1943 he studied at the Rijksakademie van Beeldende Kunsten, Amsterdam. In 1946 his first solo show was held at Het Beerenhuis, Groningen, Netherlands, and he participated in Jonge Schilders (Young painters) at the Stedelijk Museum, Amsterdam. About this time, Appel was influenced first by Pablo Picasso and Henri Matisse, then by Jean Dubuffet. He was a member of the Nederlandse Experimentele Groep (Dutch Experimental Group, 1948) and established the Cobra group (1948–51) with Constant (Constant Nieuwenhuys), Corneille (Guillaume Cornelis Beverloo), and other painters from Copenhagen, Brussels, and Amsterdam. The style distinguished itself through bold, expressive compositions inspired by folk and children's art, as well as by the work of Paul Klee and Joan Miró. In 1949 Appel completed a fresco for the cafeteria of the city hall in Amsterdam, which created such controversy that it was covered for ten years.
In 1950 the artist moved to Paris; there the writer Hugo Claus...
Category
1950s Expressionist Art by Medium: Lithograph
Materials
Lithograph
Holy Cats by Andy Warhol’s Mother.
Located in London, GB
First edition, 8vo (23 x 14.5 cm); 20 lithographs on various coloured wove papers, printed recto only, with ‘The Estate of Andy Warhol’ and ‘Andy Warhol Foundation for the Visual Arts’ stamps to lower pastedown, numbered in pencil ‘PM 21.0048’; original lithographed paper covered boards, very minor staining to cover otherwise a fine copy.
Stamped by ‘The Estate of Andy Warhol’ and ‘The Andy Warhol Foundation for the Visual Arts, Inc.’
Andy Warhol’s mother...
Category
1950s Pop Art Art by Medium: Lithograph
Materials
Lithograph
Saint-Tropez-Le Port
By Paul Signac
Located in Fairlawn, OH
Saint-Tropez-Le Port
Color lithograph, 1897-1898
Signed in pencil lower right (see photo)
Numbered in pencil lower right: No. 68 (see photo)
From: Album des Peintres-Gravures, 1898
Published by Ambrose Vollard, Paris
Printer: Auguste Clot, Paris
Edition: 100
Numbered: No. 68
Reference: Una Johnson, Vollard, No. 188, reproduced pale 35
Kornfeld & Wick, No. 19 b/b
Condition: Very fresh colors
One tiny spot in the upper margin above the image (see photo)
Image size: 17 1/8 x 13 inches
Frame size: 32 3/4 x 27 1/4 inches
Archival framing by Galerie Maximilian, Aspen, CO
Museum glass
22K Gold leaf hand carved frame...
Category
1890s Post-Impressionist Art by Medium: Lithograph
Materials
Lithograph
Midsummer II
Located in Lyons, CO
Color lithograph with gold leaf, Edition 30
Working from branches and grasses collected in the vicinity of Shark’s studio, Kushner created this composition determined by chance. K...
Category
21st Century and Contemporary Contemporary Art by Medium: Lithograph
Materials
Lithograph
Eros Vanne - Cupid Exhausted
Located in Santa Monica, CA
HENRI de TOULOUSE-LAUTREC (French 1864 - 1901)
EROS VANNE (Cupid Exhausted), 1894 (Delteil 74; Adhemar 81; Adriani 92)
Original lithograph, cover of music / song sheet words by Maur...
Category
1890s Impressionist Art by Medium: Lithograph
Materials
Lithograph
The Cedar Bar
By Red Grooms
Located in New York, NY
Red Grooms
The Cedar Bar, 1987
offset lithograph in 4 colors on film and Mylar on Arches Cover paper, ed. of 200
24 1/2 x 32 in. (62.2 x 81.2 cm)
Category
1980s Contemporary Art by Medium: Lithograph
Materials
Lithograph
Window, from 'More Indian Views'
Located in London, GB
Lithograph from six zinc plates printed in beige, brown, and four shades of green. On TH Saunders paper (250 gsm)
Signed and dated 76 in pencil, lower right, verso. Numbered in penci...
Category
Late 20th Century Abstract Art by Medium: Lithograph
Materials
Color, Lithograph
LA ORANA MARIA (HAIL MARY)
By Paul Gauguin
Located in Santa Monica, CA
PAUL GAUGUIN (French 1848 - 1903)
LA ORANA MARIA (HAIL MARY) 1894/5 (Mongan/Kornfield 27B:Guerin 51) Transfer zincograph on coarse-grained transfer paper, in...
Category
1890s Modern Art by Medium: Lithograph
Materials
Lithograph
Crosstown Traffic
Located in New York, NY
“Crosstown Traffic” is a color lithograph by Emilio Sanchez. Created in 1998, this impression is unsigned and came to us directly from the Emilio Sanchez Estate (circular estate stam...
Category
Late 20th Century American Modern Art by Medium: Lithograph
Materials
Lithograph
Inside the Rainbow's Heart
Located in West Hollywood, CA
Takashi Murakami
Inside the Rainbow's Heart
Offset Lithograph; 2022
28 inch diameter
From the edition of 300; Signed and edition number on lower left of print
Unframed
Published by K...
Category
2010s Art by Medium: Lithograph
Materials
Lithograph
Action Plus
Located in Fairlawn, OH
Action Plus
Lithograph, 1950
Signed lower right (see photo)
Titled lower left (see photo)
Edition 250
Published by Associated American Artists, New York
Illustrated: AAA catalogs 1950-01 and 1950-02
Reference: AAA Index No. 1072
Condition: Excellent
Slight aging to paper
Image size: 9 1/4 x 14 1/2 inches
Sheet size: 12 x 15 7/8 inches
Clarence William Anderson
Clarence William Anderson (1891–1971), born in Wahoo, Nebraska, and known professionally as C.W. Anderson, was a writer and illustrator of children's books. Anderson had an interest in horses and drawing. When he wasn't out riding horses, he was drawing them, taking great interest in their bone structure and conformation. Anderson started his career by illustrating for other authors, but eventually began developing texts to accompany his realistic and lively black and white drawings. He is best known for his "Billy and Blaze" book series.
The adventures of Billy and Blaze revolve around proper care of the horse, while teaching a lesson. Anderson would go to great lengths to give accurate information. He would even go on to write Heads Up, Heels Down as a training tool for young horse lovers. All of the stories Anderson wrote would be based on true stories or people that he knew-only the plots were fictitious.
By the end of Anderson's life, he had written and illustrated over thirty-five horse books, and had also created covers for the Saturday Evening Post. Anderson is the namesake for Andy's Summer Playhouse, a youth theater in Wilton, New Hampshire.[1] Anderson also was a member of the Society of American Graphic Artists.
Artwork portfolios
• All Thoroughbreds, Harper and Brothers Publishers, 1948 – 20 illustrations
• Post Parade, Harper and Brothers Publishers, 1949 – 15 illustrations
• Turf and Bluegrass, Harper and Brothers Publishers, 1950 and 1952 – 15 illustrations
• Grey, Bay, and Chestnut, Harper and Brothers Publishers 1952 and 1955 – 10 illustrations
• Colts and Champions, Harper and Brothers Publishers, 1955 and 1956 – 10 illustrations
• Accent on Youth, 1958 – 10 illustrations
• Bred to Run, 1960 – 12 illustrations
• The Look of a Thoroughbred, 1963 – 8 illustrations
• Before the Bugle, 1965 - 9 illustrations
• The World of Horses, 1965 – 8 illustrations
• Fillies and Colts, year unknown – 5 illustrations
• Man O'War, Horse of the Century, 1970 – 8 illustrations
Works
As author and illustrator
• And So to Bed...
Category
1950s American Realist Art by Medium: Lithograph
Materials
Lithograph
Le monocycle (Performer on a Unicycle)
Located in Fairlawn, OH
Le monocycle (Performer on a Unicycle)
Color lithograph, 1968
Signed and numbered in pencil lower left corner
From the portfolio "Mon Cirque" (My Circus)
Edition: 120 (12/120)
Reference: Sorlier, Buffet Lithographs, No. 166
Condition: Excellent
Image size: 26 3/4 x 18 1/2 inches
Sheet size: 28 1/4 x 20 inches
Provenance: Robert Henry Adams, Chicago
From Wikipedia, the free encyclopedia
Bernard Buffet
Born 10 July 1928
Paris, France
Died 4 October 1999 (aged 71)
Nationality French
Education École Nationale Supérieure des Beaux-Arts, Marie-Thérèse Auffray
Known for Painting, Drawing, Printmaking
Movement Expressionism
Awards Member of the Salon d'Automne, 1947
Member of the Société des Artistes Indépendants, 1947
Prix de la Critique, 1948
Prix Puvis de Chavannes, 1950
Officer of the Légion d'Honneur,1973
Member of the Académie des Beaux-Arts, 1974
Bernard Buffet (French: [byfɛ]; 10 July 1928 – 4 October 1999) was a French painter, printmaker, and sculptor.
He produced a varied and extensive body of work. His style was exclusively figurative. The artist enjoyed worldwide popularity early in his career but was shunned by art pundits later on.
Today, there is a renewed interest in Bernard Buffet's oeuvre. His works can be seen in the collections of the world's leading museums, including the Musée d'Art Moderne de Paris, the Tate, and the Museum of Modern Art.
Biography
Bernard Buffet was born in 1928. He hailed from a middle-class family with roots in Northern and Western France. His spent his childhood in Paris. His mother often took him to the Louvre Museum, where he got familiar with the works of Realist painters, such as Gustave Courbet. This is likely to have influenced his style. In 1955, he painted a work that paid tribute to Courbet's Le Sommeil.
Bernard Buffet was a student at the Lycée Carnot during the Nazi occupation of Paris. He travelled to drawings courses in the evenings despite the curfew imposed by the Nazi authorities. He then studied art at the École Nationale Supérieure des Beaux-Arts (National School of the Fine Arts) and worked in the studio of the painter Eugène Narbonne. Among his classmates were Maurice Boitel and Louis Vuillermoz. He met the French painter Marie-Thérèse Auffray and was influenced by her work.
Buffet's mother, Blanche, died from breast cancer in 1945. Seventeen-year-old Buffet...
Category
1960s French School Art by Medium: Lithograph
Materials
Lithograph
'de Young Mansion – San Francisco' — 1930s California WPA
Located in Myrtle Beach, SC
Marguerite Redman Dorgeloh, 'de Young Mansion – San Francisco', lithograph, c. 1937, edition 25. Signed and titled in pencil. A fine, richly-inked impr...
Category
1930s American Modern Art by Medium: Lithograph
Materials
Lithograph
Sol de Mediodia
Located in New York, NY
Emilio Sanchez (1921-1999) created this color lithograph entitled “SOL de MEDIODIA” in 1996-98. This unsigned impression came to us directly from the Sanchez estate. Estate stamped on verso. The printed image size is 15 x 32 inches and the paper size 18 x 34.13 inches. Printed in an edition of 50 this impression is inscribed “28/50” - lower left. Stamped on verso "Estate of Emilio Sanchez."
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
Late 20th Century Modern Art by Medium: Lithograph
Materials
Lithograph
The Attic Room
By Louis Icart
Located in Fort Washington, PA
Medium: Lithograph and Etching
Signature: Pencil Signed and -197 Etched in Margin
Image of a woman in an attic room.
Category
1940s Art by Medium: Lithograph
Materials
Etching, Lithograph
Untitled (Profile of an African Woman)
Located in Myrtle Beach, SC
Boris Lovet-Lorski, 'Untitled (Profile of a Black Woman)', lithograph, edition 250, 1929. Signed and numbered 14 in pencil. Number 14 of Volume 2, a series of 10 lithographs publishe...
Category
1920s Art Deco Art by Medium: Lithograph
Materials
Lithograph
Lithograph art for sale on 1stDibs.
Find a wide variety of authentic Lithograph art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, yellow, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Joan Miró, Marc Chagall, Peter Max, and Alexander Calder. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Lithograph art, so small editions measuring 0.01 inches across are also available