Art by Medium: Oil

This Robert Farrington's painting serves as a visual gateway to a distinct period in post-war France, composed with a deep respect for the elements interwoven into the collective memory of Paris. His work adeptly engages with the archetypal settings and concepts that convey the quintessence of this beloved and frequently visited capital. As the viewer gazes upon this artwork, they are instantly immersed in the ambiance of a food trade street, and especially the familiar historic brasserie “Au Pied de Cochon” - the sole establishment in the painting that still exists nowadays - and its surroundings at the heart of the bustling Halles district. At "6 Rue Coquillère", the act of opening the doors, each adorned with handles that resemble pig's trotters, transports one through a temporal gateway into the quintessential French world of "la cochonnaille"... The renowned "Pied de Cochon" restaurant made its debut in 1947. In its early days, it became the preferred gathering place for the "Forts des Halles" – the diligent laborers who tirelessly transported goods through the pavilions of the old Halles de Paris. From these dedicated workers to the luminaries of the time, this establishment emerged as a symbol of Parisian life. Farrington reconstructs a scene around this restaurant, nourished by her own Parisian experience when he was a young American living in France. An iconic Brigitte Bardot poster...

Woman with cigarette​, oil painting. Francois Batet was born in 1923 in Barcelona, Spain. He studied painting at the School of San Jordi (Beaux-Arts) and also at Tarrega Academy. When he lived in Madrid he studied masters like Goya and Valasquez. He then moved to Paris and studied famous French impressionistic painters. He has lived and worked in France since 1950. Batet's classic School of Paris style recalls the spirit of Paris in the 1920s and 1930's. In addition to being a master printmaker, he has illustrated over 100 books...

This painting features hues of yellow red, orange, and green. Chattanooga-based artist Christina Renfer Vogel’s “Turning Towards the Sun” features paintings that reflect an intentional turn towards beauty in the face of the tension & uncertainty of recent years. Through nourishing periods of focused observation, she has allowed herself to delight in jubilant color, playful pattern & sensual gesture. Her works delight in the delicate unfurling of a tender leaf & the gentle turn towards an open window, as flowers seek warmth & stretch towards sunlight in the space of a painting session. “Bringing plants...

Artist's Address - Mid 20th Century Impressionist Oil by Dorothy King - London Dorothy King was born and lived in London in 1907. She studied at the Hornsey School of Art under JC M...

Ron Hoover surrealist painting titled "The Collector" done in a pointillism style in 1987. This work was exhibited at the Palm Spring Desert Museum in 1990. Signed and dated by artis...

Signed and dated oil on canvas landscape by French post impressionist painter Paul Madeline. This beautiful work depicts the Tournant bridge over the River Arques at the seaport in D...

Frank Hill is a professional artist living and working in North Norfolk. He studied art at Waltham Forest School of Art and later at St Martins School of Art. Frank’s professional career included employment with various advertising agencies and commercial studios as a designer and illustrator, later becoming self-employed as a freelance illustrator working for both advertising and publishing clients. Over the course of his long career Frank has illustrated many children's and educational books, including Enid Blyton...

Portrait Of A Young Lady In The Landscape. Portrait depicting a beautiful young woman in the landscape dressed in a tulle dress and hat decorated with pink roses. The painting is in original very good condition, signed upper left corner. An American artist and illustrator, William H. McEntee (1857 - 1919) was active/lived in New York, Michigan. William McEntee...

Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...

Very fascinating painting with tones of red and gold by the russian painter Andrej Smirnoff, born in 1960 and still living. Not framed.

A luminous composition depicting the Russian countryside in summertime. A rustic wood cabin sits on a riverbank in the foreground surrounded by colorful wi...

Achille-Emile Othon Friesz French, 1879-1949 Vieux Bassin de Honfleur Oil on canvas 23 ½ by 28 ¾ in, w/ frame 31 ⅜ by 36 ½ in Signed lower right Achille-Emile Othon Friesz, who lat...

A luminous landscape painting of an aspen forest with white tree trunks and vibrant fall foliage in orange and gold. The distant background features a purple, Rocky Mountain vista...

One of P.C. Sheppard's plein air paintings, this fall landscape captures the magic of the changing colours in northern Ontario. A quintessential small town church centres the image a...

"Sinfonía de Colores" Artist: David Gamero Medium: Oil on canvas Size: 28.75" x 28.75"

il dipinto (olio su tela 44.5 x 35 cm; with cornice in legno 64 x 54,5) è firmato Maccari in basso a sinistra e titolato "L'insidia" e datato 1956 a penna sul retro. La scena raffigu...

Title: Beverage 2 Medium: Oil on canvas Size: 20.5 x 23.75inches Frame: Framing options available! Age: 2000s Condition: Painting appears to be in excellent condition. Note: T...

One of a series on the myth of Orpheus and Eurydice. Here they make the treacherous climb out of the underworld: Now thro' the noiseless throng their way they bend, And both with pa...

Dorothy King was born and lived in London in 1907. She studied at the Hornsey School of Art under JC Moody, then briefly at the Slade School of Fine Art with Randolph Schwabe. She to...

Vibrant Landscape With Mountains View Size: 24x30 framed 30x36 x1 Judith Sobel was born in Lwow Poland in 1924. After Word War II, she attended the Acade...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Crépuscule à Venise by H. CLAUDE PISSARRO (b. 1935) Oil on canvas 38 x 46 cm (15 x 18 1⁄8 inches) Signed lower...

View From The Balcony Signed lower right canvas 24x36 Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fine Ar...

Three engines sit in a wasted landscape described in a palate of warms grays, browns and ochers in broad quickly applied brush strokes. Quick and confident brush strokes describe th...

Betsy Podlach (American, born 1964) "Beach Day" 2010 Oil Paint, Linen, Stretcher Bars The artist signed the back of the painting. "Beach Day" by Betsy Podlach captures the serene introspection of a day spent by the shore. In this 45" x 38" oil on linen, the fauvist influences are clear, as Podlach forgoes strict realism to emphasize the emotional resonance of the moment. The subject, adorned in black swimwear...

John Edward Costigan, N.A. American, 1888-1972 Woman and Child Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 24 by 30 in. W/frame 32 by 38 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

FRANCISCO BORES Spanish, 1898 - 1972 SANS TITRE signed and dated "Borès 42" (lower left) oil on panel 13-3/4 x 10-5/8 inches (35 x 27 cm.) framed: 19 x 15-3/4 inches (48 x 40 cm.) BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2003, nº 1942 / 63, reproduced in p. 494 PROVENANCE Carmen Bores Collection, Francisco Bores daughter Private Collection, Madrid Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado, and in the literary gatherings in Madrid related to ultraism. At this time he made engravings and woodcuts for a large number of magazines such as Horizonte, Cruz y Raya, Index, Revista de Occidente. In 1922 he participated in the National Exhibition of Fine Arts. In 1925 he participated in the first exhibition of the Iberian Artists Society. The limited success of this exhibition pushes him to go to Paris. In this city he shared a studio with the Spanish painter Pancho Cossío and also met Picasso and Juan Gris. In 1927 he held his first solo exhibition in Paris. From this moment on, Bores integrates himself into the Parisian artistic environment where he will live practically his entire life. In 1928, his first exhibition in a gallery in the United States, in 1930 he exhibited again, within a group exhibition at the Museum of Modern Art in New York. In the following years, he continued exhibiting in different galleries in Paris, such as the Georges Petit Gallery, the Bernheim Gallery and the Vavin Raspail Gallery. He also participates in several group exhibitions, highlighting the Exhibition of Contemporary Spanish Art...

André Raffin French, 1927-2005 Les Fruits Oil on Canvas 18 ¼ by 22 in, w/ frame 25 ½ by 29 ¼ in Signed lower right André Raffin was born in 1927 in Evreux, France. He was one of th...

Frank Hill is a professional artist living and working in North Norfolk. He studied art at Waltham Forest School of Art and later at St Martins School of Art. Frank’s professional career included employment with various advertising agencies and commercial studios as a designer and illustrator, later becoming self-employed as a freelance illustrator working for both advertising and publishing clients. Over the course of his long career Frank has illustrated many children's and educational books, including Enid Blyton...

Bernard Krigstein (March 22, 1919 – January 8, 1990) was an American illustrator and Ashscan school painter who received acclaim for his innovative a...

Red Flowers By The Window Singed lower right canvas 30x24 Judith Sobel was born in Lwow Poland in 1924. After World War II, she attended the Academy of Fi...

Experience the charm of "5 Mandarins," an exquisite oil on canvas painting by Sharon Hockfield. This petite contemporary still life captures the vibrant essence of five mandarins set...

By David Gamero 29" x 29" Oil on Canvas

This pointillism painting is not made in dots, but in points set up one by one with a small paintbrush. This unique style is named by the artist as 'conical pointillism' and with ove...

This picture was painted from imagination, my favorite dog :: Painting :: Pointillism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready t...

This pointillism painting is not made in dots, but in points set up one by one with a small paintbrush. This unique style is named by the artist as 'conical pointillism' and with ove...

EUGENE BEGARAT (Nice 1943) "Farmyard with characters" Oil on canvas signed low right Framed with wood frame Dim canvas : 65 X 54 cm Dim frame : ...

Sunflower fields is a painting made by Evelyne Ballestra, a French contemporary artist. This piece is a part of a flower series, defined by their disti...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Sieste au Jardin Public by H. Claude Pissarro (b. 1935) Oil on canvas 46 x 55 cm (18 ¹/₈ x 21 ⁵/₈ inches) Signed ...

It is an ORIGINAL painting not a print or reproduction or mass produced art! I personally pack my artworks. All necessary arrangements are made to make sure your paintings arrive saf...

Neige au Manoir de Miettes (Le Parapluie Bleu) by H. Claude Pissarro (b. 1935) Oil on canvas 50 x 61 cm (19.75 x 24 inches) Signed lower left, H. Claude Pissarro Executed in 2019 Th...

Rue de Village by Gabriel Deschamps French 1919 - 2011 Oil on canvas Canvas size: 18 x 21.75 inches Framed size: 26 x 29.5 inches Signed lower left

Keywords: Swept composite frame, oil, flower, landscape, natural, outside, trees, fields, path, sky, lovely day.

This painting features vibrant hues of green and purple. Chattanooga-based artist Christina Renfer Vogel’s “Turning Towards the Sun” features paintings that reflect an intentional turn towards beauty in the face of the tension & uncertainty of recent years. Through nourishing periods of focused observation, she has allowed herself to delight in jubilant color, playful pattern & sensual gesture. Her works delight in the delicate unfurling of a tender leaf & the gentle turn towards an open window, as flowers seek warmth & stretch towards sunlight in the space of a painting session. “Bringing plants...

Waterlilies, Original Post-Impressionist Landscape Painting 39" x 39" x 1.5" (HxWxD) Oil on Canvas Hand signed by the artist. This large-format square oil painting by artist Lee Campbell...

"Houses In Les Bois" is an beautiful oil painted on location in the French Alps by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene in an Alpine vill...

Lively figurative composition of a woman in purple by Michael William Eggleston (American, 20th Century). Monogrammed and dated "MWE 98" in the lower right corner. Presented in a new...

���If you don't like the weather in New England now, just wait a few minutes.�۝ - Mark Twain The weather in Hawaii provides a similar effect, or rather than waiting as it changes, a person can experience radiant sunshine and pouring rain simultaneously. This one in a series of "windshield paintings"is painterly, brushy, a little bit textured, and slightly raised, particularly for the drops. Painted on gallery wrapped linen, on 1 1/2 inch deep stretchers. The edges are hand painted, providing a finished look, suitable for framing, or beautiful left as is. A childhood of moving and traveling around the United States has shaped Katherine Kean�۪s vision, as have journeys to eastern Africa, Mexico, Scotland, France and painting jaunts all over Kean�۪s now native California. Born in West Virginia, moving later to Ohio and New Jersey, but growing up mainly in Massachusetts, she attended Rhode Island School of Design, graduating with a BFA in Film, Video and Animation. Long fascinated by the intersection of order and chaos in the natural world, Katherine Kean skillfully uses observation, memory, and interpretation to translate her love of nature�۪s kinetic phenomena into paintings that capture the often turbulent emotions within light, weather, and landscapes. Her work has exhibited in museums and galleries across the United States, including the LACMA Art Rental and Sales Gallery and the Brand Library Art Gallery in Los...

The 18x26 painting by William Meyerowitz is a captivating piece featuring a group of horses. The painting showcases the artist's ability to capture the beauty and grace of these maje...

Signed lower right 'Jais' for Jais Nielsen (Danish, 1885-1961), inscribed 'Vence' and dated 1949; additionally signed, verso. An exceptional late figural work by this pioneer of Mo...

The oil painting features a family at the fairground stopping by the ice cream stand. An elegant mother hands a treat to one of her three children, while another holds his ice cream, and the last one a red balloon. A couple with a child stands on the left part of the painting, while in the background, men sitting on stools face a cook at a counter. The latter looks down and focuses on preparing food for his clients. The overall impression is joyful and lively, though it looks more like the end of the day because of the dark warm colors used by the artist to depict the scene. Edgar O. Kiechle was born in 1911. He was a movie illustrator and a painter. Edgar studied landscape painting with Jean Mannheim, and architecture, and became an excellent watercolorist. After studying at the Otis Art Institute in Los Angeles, he interned with leading architects and designers in the area. He worked at most major studios but his career as an illustrator saw him primarily at the Universal Studio Art department. In 1933, Edgar joined Lwerks as a background artist and worked on many films produced by Animated Picture Corporation through 1935. In the summer of 1941, Edgar Kiechle...

Living Tree is a colorful painting made by Evelyne Ballestra, a French contemporary artist. This red tons expressionist painting is inspired from an enchanted wood, showing the natur...

La Plage aux Andelys by Georges Manzana Pissarro (1871 - 1961) Oil on board 23.7 x 32.9 cm (9 ⅓ x 13 inches) Signed lower left, Manzana Pissarro Executed circa 1930 Provenance Priva...

Alec Montroy paints opera singers performing in a dimly lit restaurant, while patrons look on from tables and waiters hurry past in his oil painting, “Grand Opera at Grand Old Asti’s.”

Oil paint on canvas in the style of french pointilism, 1951. By Stan Reszka ( 1924 Poland - died in Paris ). Signed lower right. Framed. Measurements: Height: 23.62 in ( 60 cm ), Wi...

'Seated Nude', Louvre, Académie Chaumière, LACMA Estate stamp, verso, for Victor Di Gesu (American, 1914-1988) and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Ge...

Suchitra Bhosle's "Dancing Ribbons" is an original, hand made oil painting that depicts a girl in profile with braided hair and red ribbons. About the Artist: Suchitra Bhosle is an India-born artist based in California. Suchitra paints in a representational realistic style drawing inspiration from 20th century naturalist painters. She embraces impressionism to depict everyday representational scenes. Suchitra excels at capturing and expressing the mood of her subjects, often in contemplative classical settings. This lends a timeless yet intimate quality to her paintings. Though primarily a portrait and figurative painter, she has recently been painting urban and architectural subjects. Suchitra is represented in leading fine art galleries across USA including Santa Fe, Washington D.C., Carmel and Houston. Her paintings have won awards at international juried shows hosted by The Portrait Society of America, Oil Painters of America and American Impressionist Society.

This is an original unique oil painting by the artist, Marcel Gatteaux. He was born in London in 1962 and started drawing and painting from an early age. Following studies at Camber...

Capturing a summer day at a farm, this barn painting lets the viewer peek in at the daily life of a rural agriculturist. Fenwick Martin uses the contrast of the barn interior and the...