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Style: Modern
Style: Contemporary
Medium: Pigment
Item Ships From: New York
Follow your heart
Located in New York City, NY
Eduardo Recife
Follow your heart, 2018
Archival Pigment Print
Unframed
56 x 40 inches
Edition of 5
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Golfing in the rough - black and white photography
Located in New York, NY
This beautiful piece comes as print only with a certificate of authenticity from Contmepop Gallery. Framing options are available upon request.
"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the image in my mind of a skier going down a breast. This was it - the universe repeating its shapes - a body looking like a mountain. It was also an example of two realities coexisting. The picture could be seen as a landscape and it could also be seen as a body. Although they were different, both perceptions were right at the same time. I knew instantly that I had an entire series of images waiting to be captured on film"
black and white photography
miniature photography
sport photography...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Jayne Mansfield with Seagrams Dogs (Limited Edition of 10, No 3-5) - 40"x50"
By Barry Kramer
Located in New York, NY
Shot by Barry Kramer (1921- 1984), one of the most prolific photographers of his time, captures the essence of 1950's Hollywood movie star, Jane Mansfield...
Category
1950s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Lymantria Mathura, Nature Photograph of Pink and Brown Moth on White Background
Located in Kent, CT
In this hyper-detailed archival pigment print on watercolor paper, a moth with distinctive markings and a soft pink abdomen and lower wings is dramatic against a solid white backgrou...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Paper, Archival Pigment
Condo, Purple Compression, Drawing Paintings (after)
By George Condo
Located in Southampton, NY
Four color process print on vélin paper. Paper size: 10.75 x 18.5 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George C...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
$3,996 Sale Price
20% Off
Dusk Lilies: Framed Black and White Archival Pigment Print on Watercolor Paper
By Betsy Weis
Located in Hudson, NY
Betsy Weis (Photography)
Dusk Lilies, 2006
20" X 30" archival inkjet print on watercolor paper
27 x 37 inches in white frame with white mat & AR non-glare glass
Image: 20 x 30 inche...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Carpoolers X (From the series Carpoolers), Mexico, 2011-2012
Located in New York, NY
Carpoolers X (From the series Carpoolers), Mexico, 2011-2012
2011/2012-2023
Signed in black ink, verso
Archival pigment print
6 x 6 inches, sheet
5.5 x 5.5 inches, image
This wor...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Allee, Tuxedo Park (Sepia Toned Pigment Print of Trees Along a Sunlit Path)
Located in Hudson, NY
Allee, Tuxedo Park, 2018
pigment print on watercolor paper, signed dated and numbered on face
16 1/4 X 13 edition of 4/25 $1,500
24 x 20, edition of 25, $2...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Amagansett Beach Hut
Located in East Hampton, NY
Beach Hut, Amagansett, NY, Archival Pigment Print, ,
With Surfboards
The Hamptons
Printed to Order
*Photography: U Wash Truck, Death Valley and Mulford Lane, Amagansett 2012 have ...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Ali
Located in New York, NY
Archival pigment print, painted frame (Edition of 4 + 1 AP)
Signed and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Price includes mounting and ...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
$3,600
Untitled
Located in New York, NY
Archival pigment print
Signed and numbered, verso
10 x 8 inches, sheet
9 x 6 inches, image
This photograph is offered by ClampArt, located in New York City.
About the artist:
This p...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Sarah
Located in New York, NY
Archival pigment print, painted frame (Edition of 4 + 1 AP)
Signed and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Price includes mounting and ...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
$3,000
Summer Lilies (Realist Black & White Landscape Photograph of Botanicals)
By Betsy Weis
Located in Hudson, NY
Minimalist landscape photograph of black and white waterlilies
"Summer Lilies", photographed by Betsy Weis in 2006
archival inkjet print on watercolor paper
20 x 30 inches, 27 x 37 inches in white frame with white mat & anti-reflective non-glare glass
Wire backing for easy installation, ready to hang as is
Photographed at the Brooklyn Botanic Garden, this black and white archival pigment print by Betsy Weis captures a cluster of water lilies afloat on a glassy, onyx-like body of water. Looming clouds are reflected in the pond's serene surface. Crisp, moody, and rich in texture, the photograph can stand on its own as a quiet glimpse at nature, or can be juxtaposed with others in the series to form a more complete vision.
This photograph is available unframed, $1700. The image measures 20 x 30 inches, and the paper measures 24 x 26 inches.
Artist statement:
Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain.
I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment, Archival Paper
$1,600 Sale Price
20% Off
Barn, New Concord (A tranquil winter scene of Barn and Evergreen in Sepia)
Located in Hudson, NY
Barn, New Concord
pigment print on watercolor paper
Available in the following sizes:
13 x 16, edition of 25 $1500
20 x 24, edition of 25 $2500
40x50, edition of 25 $6,500
This Black and White Sepia-toned print of a barn in the snow was taken by photographer, James Bleecker. The nearly monochromatic, picturesque landscape depicts an idealistic rural scene lit beautifully by an overcast sky.
Artist Statement:
These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough).
My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings.
About the Artist:
James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley.
About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written,
"James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty."
Collections:
Berkshire Museum
Barry Diller...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Midtown, NYC
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed, titled, numbered, and dated, verso
17 x 11 inches, sheet
(Edition of 15)
22 x 17 inches, sheet
(Edition of 15)
This photograph is offered by ClampAr...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Fish Net Light (Sepia Toned Landscape of Net in Water and Reflection from Tonga)
Located in Hudson, NY
Sepia Toned Landscape of Net in Water and Reflection from Tonga
17 x 17, edition 5 of 25
Silver Gelatin Print, unframed
David Halliday's series consists of sepia-toned still lives ...
Category
1990s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Tree Farm, Long Lane, East Hampton, NY, 1999
By Robin Rice
Located in Hudson, NY
Edition 7 of 25
After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin Rice. For decades, Robin has exhibited a wide variety of photographers at the gallery but never her own work. As the show’s title denotes, “It’s About Time.” The opening reception will be held on Wednesday, January 23rd from 6pm to 8pm. The exhibit runs through March 17, 2019.
While her photography spans five decades and multiple continents, Rice maintains a cohesive, candid voice that carries throughout all of her work. Observing the world around her in a cinematic way, she possesses an uncanny ability to recognize and capture moments of beauty and the spontaneity of the human spirit. By evoking a wonderstruck sensibility, Rice expresses a deep-rooted love for both people and landscapes using her distinct bohemian style.
In this salon-style retrospective, Rice uses an “old school” approach and shoots with her Nikon on Tri-X film. When creating her art, she insists, “the camera has a mind of its own.” The scenes captured in her photography are unedited and thus born purely from the magic of the in-camera composition.
In the invitational image, “Tree Farm...
Category
1990s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Now More Choices, Wall St., New York
Located in Hudson, NY
These photographs are Dye Sublimation Prints. Framing options available.
"Surfing Color" presents photographs that are abstract creations born from realism. Kocharian emphasizes the ambient color in the tradition of minimalism, observing the beauty and mystery of light, shadows, tone, and moods. The environments within the photographs are transformed into ones of symbolism, challenging the viewer to question the images. As a result, a tension is created, like an energy trapped in a frame attempting to escape.
Kocharian, who is also a filmmaker, brings a cinematic eye to his photography, as we experience images that reflect simplicity through his focus on light, color, and the documentation of ordinary life.
In “Going Home,” Los Angeles a pool-like shadow on the foreground alters the nature and surrounding of the image as light breaches from the center of the bike during sunset. “Blue Highway”, Nevada leads the viewer into the deep blue of early dawn and draws them into a new beginning.
His influences in these photographs include artists such as Mark Rothko and photographer William Eggleston, as Kocharian uses color, texture, geometry, and shapes to tell a story that evokes contemplation and introspection.
Born in Armenia, Haik Kocharian was introduced to the world of art in his early childhood by his parents, who were theater and film actors. He began his studies at the Armenian Theater Academy and continued his education in film at Brooklyn College, where he also studied photography. Kocharian resides in New York City.
In 2015, Kocharian released his first feature film, "Please be Normal," starring Oscar-nominated actor Sam Waterston. The film was nominated for a Critic’s Pick in the New York Times and won awards at two film festivals.
Kocharian is actively involved in charity work and, as a photographer, he has collaborated with many non-profit organizations in the U.S. and abroad such as Village Health Partnership in Ethiopia and Meaningful World, a UN-affiliated NGO in Burundi, Kenya, and Rwanda.
He has exhibited his works within galleries in New York such as Galerie Mourlot, Robin Rice Gallery, 92 Y Tribeca, and James Cohan Gallery, as well as group exhibitions at the Museum of the City of New York and the International Center for Photography. Kocharian was also a finalist in the Smithsonian Magazine Photo Competition.
This is his third solo show at the Robin Rice Gallery.
Color, urban, American, New York, New York City, NYC, Landscape, Night, Evening, Surreal, nocturne, warm colors, rain, ICM, noir, streetlight, subway, metro, train, Wall st...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Meander
By Larry Sultan
Located in New York, NY
Meander
2006/printed later
Estate signature stamp in black ink, verso
Archival pigment print
6 x 6 inches (15.24 x 15.24 cm), sheet
4.25 x 5.5 inches (10.8 x 14 cm), image
This w...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Log Rafts - Port of Tacoma, WA (Archival Digital Aerial Landscape Photograph)
Located in Hudson, NY
Minimalist aerial landscape photograph of golden brown logs in a midnight blue body of water
Log Rafts - Port of Tacoma, Washington, USA
Archival digital print, Edition of 25 (#080)
Image size 21.7 x 29 inches with 2 inch border, made to order
Also available in the following sizes:
Image size 31 x 39 inches with 2 inch border $3200
Image size 38.5 x 48 inches with 2 inch border $4500
The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs golden brown logs floating on a dark blue, almost black, body of water. When seen from above, the cross hatching warm brown colored logs resemble an abstract shape that can be likened to an abstract minimalist painting.
Artist statement:
My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.
I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.
Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.
My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail.
In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space.
The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections.
I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne.
More about the artist:
Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Ink, Archival Paper, Digital Pigment
Slim Aarons, Blonde Beauties (Slim Aarons Estate Edition)
By Slim Aarons
Located in New York, NY
Slim Aarons
Blonde Beauties, 1966 (printed later)
Archival pigment print
Estate stamped and numbered edition of 150
with Certificate of authenticity
Bathers by a pool at the Tahoe...
Category
1950s Modern Art by Medium: Pigment
Materials
Archival Pigment
Frame Work
Located in New York, NY
image size: 8 7/8 x 8 inches
This listing is for William Wegman's photograph, "Frame Work", 2010. This is a limited edition photograph with an edition size of 12.
This piece is num...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Pigment
Nevada
Located in New York, NY
Archival pigment print
Signed and numbered, verso
20 x 24 inches
30 x 40 inches
40 x 53 inches
48 x 65 inches
(Total edition of 15)
This artwork is offered by ClampArt, located in ...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Ochre Room, Havana, Cuba
Located in New York City, NY
Ochre Room, Havana, Cuba, 2014
Edition of 10 + 2AP
Archival Pigment Print
Framed
“These works present my abiding interest in the thresholds that divide and connect the sea to land. ...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Paris 9:21PM, Paris
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20
CURRENT EXHIBITION - runs through May 6, 2018. Any framed photographs purchased during the show will be aft...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Untitled (Black Sand)
By Nick Turner
Located in New York, NY
Archival pigment print
Signed and numbered, verso
11 x 16.5 inches
(Edition of 15)
24 x 36 inches
(Edition of 10)
40 x 60 inches
(Edition of 7)
This photograph is offered by Clamp...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Jayne Mansfield with Seagrams Dogs (Limited Edition of 10, No 6-10) - 30"x40"
By Barry Kramer
Located in New York, NY
Shot by Barry Kramer (1921- 1984), one of the most prolific photographers of his time, captures the essence of 1950's Hollywood movie star, Jane Mansfield...
Category
1950s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Other Desert Cities, Joshua Tree, CA, 2018
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Cornucopiae Cucllatum
By Robert Voit
Located in New York, NY
Archival pigment print (Edition of 8 + 2 APs)
Signed and numbered, verso
This photograph is offered by ClampArt, located in New York City.
Inspired by Karl Blossfeldt’s “The Alphabe...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Saturday Night Live in Elaine's Kitchen, 1976
Located in New York, NY
Elaine's Kitchen - Saturday Night Live • Chevy Chase, Dan Aykroyd, John Belushi & Lorne Michaels, New York, January 1976
Photographed by Jonathan ...
Category
1970s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Portrait of Madonna, Color Digital Pigment Print by Alan Herr
By Alan Herr
Located in Long Island City, NY
Artist: Alan Herr, American (1954 - )
Title: Madonna
Medium: Digital Print Photograph, Signed in Marker
Size: 19 x 13 inches
Category
1980s American Modern Art by Medium: Pigment
Materials
Digital Pigment
$1,280 Sale Price
20% Off
Jamie
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 1.
If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.
ABOUT:
For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process.
This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time.
The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass.
Fredrick Scott...
Category
21st Century and Contemporary Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Kamy
By Marc Yankus
Located in New York, NY
Kamy
2007
Signed, titled, dated, and numbered, verso
Archival pigment print
44 x 32 inches, sheet
(Edition of 9)
$2800.00
22 x 17 inches, sheet
(Edition of 15)
$1400.00
Please n...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
$1,400
Most Blessed
By Reka Nyari
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Photographic Film, Archival Ink, Archival Paper, Photographic Paper, Pho...
$13,800
Floating Factory
Located in Hudson, NY
archival pigment print
24 x 24 inches unframed
This contemporary, surrealist style photograph was printed by the artistic duo, Kahn & Selesnick, in 2010. The print is part of their 'Mar: Adrift on the Hourglass Sea' series which features deserted landscapes in outer space. In this image, a mysterious and otherworldly mechanism floats through the Martian landscape. It is unknown who or what is operating it. With this imagery, the artists entice an imaginative narrative where the viewer is left to conjure up their own story.
About the series:
"Mars: Adrift on the Hourglass Sea" is Kahn and Selesnick’s first project to feature a female protagonist; a woman finds herself alone in a wasteland that appears to be Mars. It is uncertain how she arrived in this place, via spacecraft, through a fold in the space-time continuum or perhaps the landscape is a mental projection. Either way, it is clear that she has escaped an unnamed catastrophe on Earth. In a series of hallucinatory episodes she simultaneously explores the planet and builds a mock-life for herself from a combination of high-tech and stone-age materials. Mars is revealed to have ruined artifacts and monuments from a previous, or perhaps future, civilization. The remains of massive stone listening devices are littered about the landscape, leading us to wonder: is this a colony that has collapsed and lost touch with earth? How did its occupants become stranded? Or are these the nocturnal imaginings of a post-apocalyptic survivor?
About the artists:
The ultimate storytellers, who have been showing with Carrie Haddad Gallery for more than 20 years, are Nicholas Kahn and Richard Selesnick...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
White Mist
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 5.
CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show wil...
Category
21st Century and Contemporary Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Katya, Ukraine
Located in New York, NY
Katya
Ukraine
2019
Signed and numbered, verso
Archival pigment print
37 x 37 inches
(Edition of 5 + 2 APs)
$7,500
17 x 17 inches
(Edition of 10 + 2 APs)
$4,000
Please note that ...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
White Oar (Contemporary Nautical Still Life Photo with Neutral Palette)
Located in Hudson, NY
Nautical color still life photograph of a white oar and coiled rope
archival pigment print, edition of 10
20 x 20 inch paper size with 16 inch diameter image size
This contemporary nautical still life photograph was made by Hudson Valley based photographer, David Halliday. The antique white oar image is part of the artist's 'Portal' series photographed in an old fish shanty...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Aline with Butterfly, Denver, CO, 2014
Located in Hudson, NY
Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones.
With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery...
Category
2010s Modern Art by Medium: Pigment
Materials
Varnish, Pigment
End of Summer: Black and White Archival Pigment Print on Watercolor Paper
By Betsy Weis
Located in Hudson, NY
Betsy Weis (Photography)
Dusk Lilies, 2006
20" X 30" archival inkjet print on watercolor paper
(Available in 27 x 37 inches in white frame with white mat & AR non-glare glass, $2,00...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Autumn Tamaracks & Sunset (Framed Aerial Lanscape Photograph of Green Forest)
Located in Hudson, NY
Framed aerial landscape photograph of pine green forest and warm yellow sunset
''Autumn Tamaracks & Sunset'
Archival digital print, Edition of 25
Image size 18 X 12 inches unframed
...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Ink, Archival Paper, Digital Pigment, Acrylic
Basquiat Philistines vs Basquiat
Located in New York, NY
In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one i...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Plexiglass, Archival Ink, Mixed Media, Archival Paper, Archival Pigment
Andy Warhol and His Corsets at the Fourth Factory, New York, 1986
Located in New York, NY
Andy Warhol and his corsets at the fourth factory, New York, 1986
"Andy had to wear corsets ever after he was shot in the abdomen. The ever-devoted Brigid "Polk" Berlin dyed them f...
Category
1980s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Buoys Blue-Orange (Circular Nautical Still Life Photo of Ocean Buoys on White)
Located in Hudson, NY
Nautical color still life photograph of blue and orange buoys on a white background
archival pigment print, edition of 10
20 x 20 inch paper size with 16 inch diameter image size
This contemporary nautical still life photograph was made by Hudson Valley based photographer, David Halliday. The image of colorful fishing buoys...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Leonore (Montpelier, VT)
Located in New York, NY
Archival pigment print (Edition of 5 + 2 APs)
Signed and numbered on label, verso
This photograph is offered by ClampArt, located in New York City.
Frances F. Denny writes:
“During the research process for a prior series of photographs, I discovered two related facts about my family tree: a) Mary Bliss Parsons, my 8th great-grandmother, was accused of witchcraft in 1674 in Northampton, Massachusetts, and b) less than two decades later in 1692, my 10th great-grandfather, Samuel Sewell, presided as a judge in the Salem Witch Trials. One body of work came and went, but this ancestral coincidence stayed with me. What is a witch? Who does that word belong to—now?
“Major Arcana: Witches in America is a collection of portraits of women from across the United States who identify as witches. As early as 15th-century Europe, people condemned as witches faced a cruel fate: torture, and in many cases, death. Yet despite its history, recent decades have seen a reclaiming of the word ‘witch.’ In the mid-20th century, emerging pagan communities in the United States and Europe began embracing the term, and since then, ‘witch’ has been adopted by a diverse group of people.
“Major Arcana explores the various ways the notion of witch-ness belongs to those who claim it, representing the witch as a self-sought identity that both empowers and politicizes its bearer. Each woman photographed for Major Arcana (including genderfluid and trans individuals) pursues a form of witchcraft, whether aligned with a religion (like Wicca or Voudou) or a self-defined practice. No two individuals inhabit the term ‘witch’ in quite the same way, but many consider themselves pagan, and engage in a diversity of traditions, including: mysticism, engagement with the occult, politically-oriented activism, polytheism, ritualized ‘spell-craft,’ and plant-based healing. Among those included in the series are self-proclaimed green witches, white witches, kitchen witches...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Prism No. 2
Located in New York, NY
"Prisms" is the most recent body of work by French artist Denis Darzacq. In this work, vibrant colored shapes have been combined in ways that jubilantly evoke the same vital energy, ...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Snack Bar
Located in East Hampton, NY
This sign is from the famous North Fork Hellenic Snack Bar & Restaurant in East Marian, NY. It has been a local eatery for many decades.
Print to order
Edition: 1/2
Medium: Gold-tone...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Florence Three, Italy, 2023
By Bill Phelps
Located in Hudson, NY
The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps.
Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...
Category
21st Century and Contemporary Modern Art by Medium: Pigment
Materials
Archival Pigment
The Metropolitan Museum
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed and numbered on label, verso
13 x 62 inches, sheet size
11 x 60 inches, image size
(Edition of 9)
22.25 x 96 inches, sheet size
16.25 x 90 inches, ima...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Andrey, Ukraine
Located in New York, NY
Signed and numbered, verso
Edition of 30
This work is offered by ClampArt in New York City.
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
L’homme à la roué
Located in New York, NY
Archival pigment print (Edition of 10)
Signed, titled, dated, and numbered in pencil, verso
This artwork is offered by ClampArt, located in New York City.
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Brooklyn One, NY, 2009
By Bill Phelps
Located in Hudson, NY
The Robin Rice Gallery announces the new exhibition VISITOR by photographer Bill Phelps.
Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice ...
Category
21st Century and Contemporary Modern Art by Medium: Pigment
Materials
Archival Pigment
"CALL MY BOOKIE 04042018 600pm", Abstract, Digital Print, Black and White, Arrow
By Justin Neely
Located in Toronto, Ontario
The abstract print "CALL MY BOOKIE 04042018 600pm" is a digital artwork, created with the Brushes Redux iPhone app, and printed at 36x36" on museum-quality Canson Platine Fibre Rag 3...
Category
21st Century and Contemporary Contemporary Art by Medium: Pigment
Materials
Archival Paper, Archival Pigment, Digital Pigment
Side of Building
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed and numbered, verso
22 x 17 inches, sheet
(Edition of 15)
38 x 27 inches, sheet
(Edition of 9)
From the series, "The Space Between"
This photograph i...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Charles Street
By Marc Yankus
Located in New York, NY
Archival pigment print
Signed, titled, numbered, and dated, verso
17 x 11 inches, sheet
(Edition of 15)
22 x 17 inches, sheet
(Edition of 15)
This photograph is offered by ClampAr...
Category
Early 2000s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Robert Farber 'Walking the Bulldog'
Located in New York, NY
Walking the Bulldog, 1994
Archival pigment print
30 x 40 inches
Signed and numbered edition of 10
Robert Farber (b. 1944) is a renowned photographer whose five-decade career spans b...
Category
1990s Modern Art by Medium: Pigment
Materials
Archival Pigment
"The Moon and the Dragon", Armenia, 2015
Located in Hudson, NY
These photographs are Dye Sublimation Prints. Framing options available.
"Surfing Color" presents photographs that are abstract creations born from realism. Kocharian emphasizes the ambient color in the tradition of minimalism, observing the beauty and mystery of light, shadows, tone, and moods. The environments within the photographs are transformed into ones of symbolism, challenging the viewer to question the images. As a result, a tension is created, like an energy trapped in a frame attempting to escape.
Kocharian, who is also a filmmaker, brings a cinematic eye to his photography, as we experience images that reflect simplicity through his focus on light, color, and the documentation of ordinary life.
In “Going Home,” Los Angeles a pool-like shadow on the foreground alters the nature and surrounding of the image as light breaches from the center of the bike during sunset. “Blue Highway”, Nevada leads the viewer into the deep blue of early dawn and draws them into a new beginning.
His influences in these photographs include artists such as Mark Rothko and photographer William Eggleston, as Kocharian uses color, texture, geometry, and shapes to tell a story that evokes contemplation and introspection.
Born in Armenia, Haik Kocharian was introduced to the world of art in his early childhood by his parents, who were theater and film actors. He began his studies at the Armenian Theater Academy and continued his education in film at Brooklyn College, where he also studied photography. Kocharian resides in New York City.
In 2015, Kocharian released his first feature film, "Please be Normal," starring Oscar-nominated actor Sam Waterston. The film was nominated for a Critic’s Pick in the New York Times and won awards at two film festivals.
Kocharian is actively involved in charity work and, as a photographer, he has collaborated with many non-profit organizations in the U.S. and abroad such as Village Health Partnership in Ethiopia and Meaningful World, a UN-affiliated NGO in Burundi, Kenya, and Rwanda.
He has exhibited his works within galleries in New York such as Galerie Mourlot, Robin Rice Gallery, 92 Y Tribeca, and James Cohan Gallery...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Delta Shine
By Zack Seckler
Located in New York, NY
Archival pigment print
Signed and numbered, verso
26.7 x 40 inches
(Edition of 10)
40 x 60 inches
(Edition of 5)
53.3 x 80 inches
(Edition of 3)
This artwork is offered by Clamp...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Beachscape 03 - landscape photography
By Igal Pardo
Located in New York, NY
This art work is a photo of the Tel Aviv beach taken by Pardo and then manipulated to make it look as a surreal beach.
The people were there, playing, su...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Plexiglass, Archival Pigment
$5,600 Sale Price
20% Off
David Burdeny - Saltern Study 8, Great Salt lake, UT
Located in New York City, NY
Edition of 10 + 2AP
“These works present my abiding interest in the thresholds that divide and connect the sea to land. I am fascinated with the quality of light and the spatial imm...
Category
2010s Contemporary Art by Medium: Pigment
Materials
Archival Pigment
Pigment art for sale on 1stDibs.
Find a wide variety of authentic Pigment art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Brian Finke, Howard Lewis, David Burdeny, and Marc Yankus. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment art, so small editions measuring 1 inches across are also available
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