Mixed Media

20CM_005 2022 Signed in pencil, verso Collage 10 x 8.75 inches This work is offered by CLAMP in New York City.

20CM_001 2022 Signed in pencil, verso Collage 10 x 7.75 inches This work is offered by CLAMP in New York City.

Collage on canvas “From an early age, I was known as the “searcher”. I was attracted to the spiritual side of life, its abstract qualities. My father, a dentist and antique dealer, ...

Highway 96 is part of the “Path to Eminence” series by Meghan Wilbar. During the pandemic, the uncertainty and isolation led Wilbar on a new series of work depicting the roads that ...

Work on paper

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and spontaneity, a lyrical abstraction of frenzied marks, many of which previously lay hidden, buried beneath strong layers of self-taught expression. Those truths, first obscured and then obvious, aim to engage the viewer, allowing them to explore their own interpretation. His figurative abstract artworks are represented by Artspace Warehouse in Los Angeles and have been exhibited and collected worldwide, including London, New York, and Hong Kong. This large original oil painting on canvas is 14 inches high by 11 inches wide. It is wired and ready to hang. The sides of the artwork are painted and it does not require framing. It is signed by the artist on the front of the artwork and titled on the back. Convenient local Los Angeles area shipping. Affordable U.S. and international shipping also available. A certificate of authenticity issued by Artplex Gallery is included. Mark Acetelli was born in Detroit into an artistic household. Mark’s mother herself was a painter and some of his earliest memories were the smell of turpentine and oil paints. Growing up surrounded by his mother's work, she inspired and encouraged him to become an artist. Acetelli’s paintings are inspired by the intensely personal introspective journey of life, from the ever-changing complexities of love, loss, birth, and death. The context of his work he describes as, “Absence and Presence” pertaining to how someone or something can be physically gone, but the essence still remains. Capturing the physical mixed with spirituality on canvas. His application of paint is an extension of that thought process. He works by continuously building up and tearing down, layer upon layer, adding and subtracting. A visceral dance between the conscious and the unconscious until the emotion is expressed. Acetelli’s paintings may go through multiple incarnations with the past lying just beneath the surface, adding to its overall dimension and depth. In his work, Acetelli seeks to evoke a feeling rather than depict a defined image. He uses primarily oils and encaustics to create thickly layered canvases with emotive bursts of color. Creating a world where imagination and reality come together. Acetelli’s works can be found in many private and corporate collections around the world, including Bill Withers, Lisa Colburn, Colburn School of Music, Raytheon Corp, Universal Studios, Warner Brothers, Michael Jordan, Stuart Beattie, Claire Forlani, Camryn Manheim, and Francine Maisler. EXHIBITIONS 2023 Solo show, “Mark Acetelli: Surface of a Dream”, Artplex Gallery, Los Angeles, CA 2022 Artplex Gallery, Los Angeles, CA, USA 2022 Brouhah Art. Country & Urban, Hong Kong 2022 There From Hear, LA Artcore, Los Angeles, CA 2022 LA Art Fair, Los Angeles, CA 2022 Morton Contemporary, Philadelphia, PA 2022 Bendix Night, Bendix Building, Los Angeles, CA 2021 Artplex Gallery, Los Angeles, CA 2020 Art Palm Springs, CA 2018 Art Palm Springs, CA 2018 Artspace Warehouse, Los Angeles, CA 2017 Affordable Art Fair Hong Kong 2017 Affordable Art Fair New York, NY 2017 Affordable Art Fair London, UK 2017 Art Palm Springs, CA 2017 Artspace Warehouse Los Angeles, CA 2016 Art Hamptons, NY 2016 Affordable Art Fair Hong Kong 2016 Affordable Art Fair New York, NY 2016 Palm Springs Fine Art Fair, CA 2015 Artspace Warehouse Los Angeles, CA 2015 Affordable Art Fair New York, NY 2014 Artspace Warehouse Los Angeles, CA 2014 Houston Fine Art Fair, TX 2013 Shadows and Light, Whole 9 Gallery, Culver City, CA 2013 Southside Art Gallery, Oxford, MS 2013 Affordable Art Fair New York, NY 2012 Art Palm Beach, MW Galleries, Chicago 2012 Affordable Art Fair Los Angeles, CA 2012 San Diego Fine Art Fair, Artspace Warehouse, CA 2012 Artspace Warehouse, Los Angeles, CA 2012 David Perry...

Original painting on canvas. Hand signed, titled and dated on verso by Paul Jenkins. Artwork is in excellent condition. Acquired by our gallery from a private collector. Gallery i...

In his abstract figurative work, internationally collected artist Alessandro Siviglia deconstructs everyday objects, landscapes, and human subjects into colorful geometric shapes in an attempt to represent their three-dimensional nature on a two-dimensional medium without using a naturalistic one-point perspective or shading. This technique translates into a visual language of perceiving the world around us with new emotions. Siviglia's cubist expressionist scenes often include people and small stray animals, which are used to reflect his concept of relativity with amalgams of time and place. This one-of-a-kind 27-inch high by 48-inch wide mixed media composition on canvas is stretched, wired, and ready to hang. The artist signed this original artwork on the front as well as on the back. The sides are painted and it does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Alessandro Siviglia was born in Salerno, Italy in 1982. He immersed himself in art from an early age. Siviglia was initially drawn to street art, where he was able to express his artistic interests by graffiti writing on large public spaces using the alias CROW. After a 15 year stretch of taking a bold, guerrilla approach to art Siviglia began to create works on canvas that combine his street art background with more traditional artistic conventions. Much of his transformative inspiration stemmed from regularly visiting the Filiberto Menna Art Institute in Salerno. His modernist artworks...

Mixed media collage Artist Angelo Ippolito (1922-2001) produced a body of oils on canvas, works on paper, and assemblages renowned for their lyrical color, light, and compositional ...

Urban abstract expressionism artist Tommy Lennartsson draws on the visual culture of street and pop art when creating his original vibrant mixed-media artworks. He employs a mix of abstract and figurative elements that give nods to neo-expressionism, faux-naїf, pop, and geometric abstraction schools of art. Lennartsson builds up his canvases with charcoal, acrylic, ink, and spray paint, and occasionally sews and stitches elements together to create striking scenes that ignite the viewer’s imagination. This one-of-a-kind 47-inch high by 58.5-inch wide original artwork is stretched, wired, and ready to hang. The sides of this artwork are painted and it does not require framing. The artist signs it on the back of the painting. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included. Color interactions and the interplay of light and darkness are important to Lennartsson. By combining materials such as found fabrics Lennartsson creates a patchwork with different elements for his expressionist canvases. The unique and playful compositions range from geometrical forms to figures, objects, and pop culture icons layered over fluid gestural expressions. Because of his intuitive style, no two works are the same, each exploring something fresh and exciting. “When I look at my paintings, I’m taken back to my childhood of endless doodling on my bedroom floor,” the artist describes. His work has been featured in the Spanish arts and culture magazine Lamono and was selected as the cover art for the Spring 2019 issue of New England Review. Lennartsson has exhibited extensively in both group and solo shows worldwide, including in the US, Canada, Europe, Japan, and China. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022 “The Comforting Familiar,” Artspace Warehouse, Los Angeles, USA 2021 Freshpaintartfair, Mika Gallery, Tel Aviv, Israel “Outside The Circle”, Artspace Warehouse, Los Angeles, USA 2020 The Lux Gallery, Portimao, Portugal DAM Gallery Miami, Florida, USA 2019 Mika Gallery, Tel Aviv, Israel Bill Lowe Gallery...

From the artist’s popular India series. Mixed media on paper. Well framed, behind glass and signed Framed 25.5" x 33". Image 17.75" x 25" Circa 2015

Kirsten Hawthorne received her MFA from the School of the Art Institute of Chicago, and she lives and works in New York City. Hawthorne is a master oil pastellist creating works on p...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Swedish artist Jonas Fisch’s imagery is vibrantly buzzing with colorful commentary on society - past and present - morphed into figures, words, and shapes. His heavily layered canvases are the foundations of a new visual dialogue. Fisch paints with a jazz-like spontaneity, expressing personal emotions, commenting on contemporary society, and exploring old mythologies. Formulating a galaxy of the unknown, Fisch’s textural paintings flood the mind with possibility. His process is instinctive and organic, the paintings energetic and vibrant, emerging from his subconscious without judgment. They are constructed by feelings trying to find harmony. Endless figures, messages, layers, and symbols move in and out of focus as the eye explores his puzzle pieces with varied solutions. Jonas Fisch created this large colorful 93-inch tall by 67-inch wide painting with mixed media. acrylic, and oil stick on canvas. This artwork is stretched and is ready to hang. It is signed by the artist on the back of the painting. This artwork does not require framing. Free delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. A certificate of authenticity issued by the art gallery is included with the artwork, ensuring that the piece is an authentic work of art from Jonas Fisch. Born in a small fisherman's village in southern Sweden, contemporary artist Jonas Fisch discovered his love for drawing and painting at a young age and was inspired to pursue his passion by renowned artist and grandmother Ann-Marie Sjögren. Fisch reflects, “As a fundamentally introspective person, I have an explosive need to express and communicate my innermost rays, reflections, and shadows. The canvas, the brush, and the paint allow me to act out, throw up, confront, and examine those innermost feelings. Painting becomes my outlet. At a certain moment, each shape, stroke, and color suddenly takes over and the painting reveals itself. It becomes an expressive personal collaboration of art." Fisch's artworks have been exhibited across the United States, Switzerland, and Hong Kong. His paintings can be found in private collections worldwide. REPRESENTATION: Artspace Warehouse, Los Angeles Exhibitions 2018 Artspace Warehouse Los Angeles, CA 2018 New York Affordable Art...

Fish is a modern artwork realized in the early 20th Century. Mixed media on paper Includes frame: 18 x 22 cm

Non-objective artist AIMÉE FARNET SIEGEL works with color and line through the medium of found, hand-painted, and manipulated paper. Her works inhabit space outside the two-dimension...

Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been shown in...

Prequel-Middle of the Road is part of the “Path to Eminence” series by Meghan Wilbar. During the pandemic, the uncertainty and isolation led Wilbar on a new series of work depicting...

There is rarely any forward planning, materials and choices are made randomly, colors and mediums are selected in accordance with the needs of what transpires at the moment. At times...

Villa is a textile, installation and street artist. Her work primarily explores interconnection. Among her themes are the visionaries creating positive change throughout history, pop...

Swiss artist Marion Duschletta transforms luxury objects and urban landscapes from around the world into unique layered artworks. She combines an intriguing mixture of urban photogra...

ST Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity. (Unframed) His work has been shown in Reina Sofía...

Work on paper

An extraordinary work from an extraordinary mind expressed through unique imagery, poetry and calligraphy. Simon Lewty (1941-2021) Visions of a non-resident Signed and dated 1988 an...

Graphite, mineral pigments, flashe black and sienna on canvas

Vintage Keith Haring Record Cover Art: Set of 4: 1982 & 1987. Haring illustrations appear on front and back of each of the 4 record covers, as well as 2 inserts (see last 2 images). ...

Ragtime Piano Collage, 1969 Signed and dated '69 lower right Address stamp verso Provenance: Acquired from the artist Joseph M. Erdelac, friend and patron of the artist Stephen Longstreet (1907-2002) The artist’s own grandchildren attempt to fathom the real life and nature of Stephen Longstreet, prolific author, artist, screenplay writer, and jazz aficionado. Born Chauncy Weiner (sometimes spelled Wiener) in New York City in 1907, Longstreet reinvented himself on a regular basis. Changing his name first to “Henry,” then “Henri,” he started his career as a commercial artist for a department store. In various public biographies he claimed to have studied in New York, London, and Paris, and said he was a student of cartoonist Ralph Barton (1891-1931). Facts that can be documented are that he was art editor for Golfer and Sportsman magazines, and was a contributor to various other magazines including The New Yorker, Saturday Evening Post, Colliers, Life, and Hooey, among others. He wrote sketches for NBC radio and the Rudy Vallee Show. In the 1930s, Longstreet worked and wrote under the names Thomas Burton, David Ormsbee, and Paul Haggard before settling on the name Stephen Longstreet in 1939. He wrote 12 novels under this name as well as numerous screen plays, most notably The Jolson Story, The Greatest Show on Earth, and The Helen Morgan Story. Longstreet claimed to have been introduced to ragtime and jazz by no less a legend than singer Paul Robeson while Robeson was an All-American football player at Rutgers University. However it happened, the world of jazz was a constant theme throughout Longstreet’s life. He drew and painted such notables as Count Basie, Sarah Vaughan...

Acrylic wool, handmade, tufted rug. “Insomnia” is a wild rug of hand-tufted acrylic wool. This non-rectangular piece creates another in/side/out/side scene. ...

Martin Whatson The Giant Panda - Mini, 2021 11.8 x 11.8 in., 30 x 30 cm Mixed media on canvas Unique edition out of 10 COA included

Theda Sandiford, is a self-taught mixed media artist based in Jersey City, NJ. Though art is engrained in her psyche, Theda’s first creative endeavors were in the music business as a...

Colorado-based artist Zoa Ace creates oil-on-canvas paintings, watercolors, and collage work. She employs a mix of pop culture, animals, and nostalgic imagery in her scenes, often ca...

Watercolor and ink on paper of an abstract composition of brown, orange and blue shapes between black parallel lines throughout the the piece by Herbert Bayer (1900-1985). Presented in a custom black frame with all archival materials. Framed dimensions measure 17 ⅞ x 22 ⅝ x 1 inches. Image size is 10 ¼ x 15 ½ inches. Painting is clean and in very good condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the Artist: Herbert Bayer enjoyed a versatile sixty-year career spanning Europe and America that included abstract and surrealist painting, sculpture, environmental art, industrial design, architecture, murals, graphic design, lithography, photography and tapestry. He was one of the few “total artists” of the twentieth century, producing works that “expressed the needs of an industrial age as well as mirroring the advanced tendencies of the avant-garde.” One of four children of a tax revenue officer growing up in a village in the Austrian Salzkammergut Lake region, Bayer developed a love of nature and a life-long attachment to the mountains. A devotee of the Vienna Secession and the Vienna Workshops (Wiener Werkstätte) whose style influenced Bauhaus craftsmen in the 1920s, his dream of studying at the Academy of Art in Vienna was dashed at age seventeen by his father’s premature death. In 1919 Bayer began an apprenticeship with architect and designer, Georg Schmidthamer, where he produced his first typographic works. Later that same year he moved to Darmstadt, Germany, to work at the Mathildenhöhe Artists’ Colony with architect Emanuel Josef Margold of the Viennese School. As his working apprentice, Bayer first learned about the design of packages – something entirely new at the time – as well as the design of interiors and graphics of a decorative expressionist style, all of which later figured in his professional career. While at Darmstadt, he came across Wassily Kandinsky’s book, Concerning the Spiritual in Art, and learned of the new art school, the Weimar Bauhaus, in which he enrolled in 1921. He initially attended Johannes Itten’s preliminary course, followed by Wassily Kandinsky’s workshop on mural painting. Bayer later recalled, “The early years at the Bauhaus in Weimar became the formative experience of my subsequent work.” Following graduation in 1925, he was appointed head of the newly-created workshop for print and advertising at the Dessau Bauhaus that also produced the school’s own print works. During this time he designed the “Universal” typeface emphasizing legibility by removing the ornaments from letterforms (serifs). Three years later he left the Bauhaus to focus more on his own artwork, moving to Berlin where he worked as a graphic designer in advertising and as an artistic director of the Dorland Studio advertising agency. (Forty years later he designed a vast traveling exhibition, catalog and poster -- 50 Jahre Bauhaus -- shown in Germany, South America, Japan, Canada and the United States.) In pre-World War II Berlin he also pursued the design of exhibitions, painting, photography and photomontage, and was art director of Vogue magazine in Paris. On account of his previous association with the Bauhaus, the German Nazis removed his paintings from German museums and included him among the artists in a large exhibition entitled Degenerate Art (Entartete Kunst) that toured German and Austrian museums in 1937. His inclusion in that exhibition and the worsening political conditions in Nazi Germany prompted him to travel to New York that year with Marcel Breuer, meeting with former Bauhaus colleagues, Walter Gropius and László Moholy-Nagy to explore the possibilities of employment after immigration to the United States. In 1938 Bayer permanently relocated to the United States, settling in New York where he had a long and distinguished career in practically every aspect of the graphic arts, working for drug companies, magazines, department stores, and industrial corporations. In 1938 he arranged the exhibition, “Bauhaus 1919-1928” at the Museum of Modern Art, followed later by “Road to Victory” (1942, directed by Edward Steichen), “Airways to Peace” (1943) and “Art in Progress” (1944). Bayer’s designs for “Modern Art in Advertising” (1945), an exhibition of the Container Corporation of America (CAA) at the Art Institute of Chicago, earned him the support and friendship of Walter Paepcke, the corporation’s president and chairman of the board. Paepcke, whose embrace of modern currents and design changed the look of American advertising and industry, hired him to move to Aspen, Colorado, in 1946 as a design consultant transforming the moribund mountain town into a ski resort and a cultural center. Over the next twenty-eight years he became an influential catalyst in the community as a painter, graphic designer, architect and landscape designer, also serving as a design consultant for the Aspen Cultural Center. In the summer of 1949 Bayer promoted through poster design and other design work Paepcke’s Goethe Bicentennial Convocation attended by 2,000 visitors to Aspen and highlighted by the participation of Albert Schweitzer, Arthur Rubenstein, Jose Ortega y Gasset and Thornton Wilder. The celebration, held in a tent designed by Finnish architect Eero Saarinen, led to the establishment that same year of the world-famous Aspen Music Festival and School regarded as one of the top classical music venues in the United States, and the Aspen Institute for Humanistic Studies in (now the Aspen Institute), promoting in Paepcke’s words “the cross fertilization of men’s minds.” In 1946 Bayer completed his first architecture design project in Aspen, the Sundeck Ski Restaurant, at an elevation of 11,300 feet on Ajax Mountain. Three years later he built his first studio on Red Mountain, followed by a home which he sold in 1953 to Robert O. Anderson, founder of the Atlantic Richfield Company who became very active in the Aspen Institute. Bayer later designed Anderson’s terrace home in Aspen (1962) and a private chapel for the Anderson family in Valley Hondo, New Mexico (1963). Transplanting German Bauhaus design to the Colorado Rockies, Bayer created along with associate architect, Fredric Benedict, a series of buildings for the modern Aspen Institute complex: Koch Seminar Building (1952), Aspen Meadows guest chalets and Center Building (both 1954), Health Center and Aspen Meadows Restaurant (Copper Kettle, both 1955). For the grounds of the Aspen Institute in 1955 Bayer executed the Marble Garden and conceived the Grass Mound, the first recorded “earthwork” environment In 1973-74 he completed Anderson Park for the Institute, a continuation of his fascination with environmental earth art. In 1961 he designed the Walter Paepcke Auditorium and Memorial Building, completing three years later his most ambitious and original design project – the Musical Festival Tent for the Music Associates of Aspen. (In 2000 the tent was replaced with a design by Harry Teague.) One of Bayer’s ambitious plans from the 1950s, unrealized due to Paepcke’s death in 1960, was an architectural village on the outskirts of the Aspen Institute, featuring seventeen of the world’s most notable architects – Walter Gropius, Marcel Breuer, I.M. Pei, Minoru Yamasaki, Edward Durrell Stone and Phillip Johnson – who accepted his offer to design and build houses. Concurrent with Bayer’s design and consultant work while based in Aspen for almost thirty years, he continued painting, printmaking, and mural work. Shortly after relocating to Colorado, he further developed his “Mountains and Convolutions” series begun in Vermont in 1944, exploring nature’s fury and repose. Seeing mountains as “simplified forms reduced to sculptural surface in motion,” he executed in 1948 a series of seven two-color lithographs (edition of 90) for the Colorado Springs Fine Arts Center. Colorado’s multi-planal typography similarly inspired Verdure, a large mural commissioned by Walter Gropius for the Harkness Commons Building at Harvard University (1950), and a large exterior sgraffito mural for the Koch Seminar Building at the Aspen Institute (1953). Having exhausted by that time the subject matter of “Mountains and Convulsions,” Bayer returned to geometric abstractions which he pursued over the next three decades. In 1954 he started the “Linear Structure” series containing a richly-colored balance format with bands of sticks of continuously modulated colors. That same year he did a small group of paintings, “Forces of Time,” expressionist abstractions exploring the temporal dimension of nature’s seasonal molting. He also debuted a “Moon and Structure” series in which constructed, architectural form served as the underpinning for the elaboration of color variations and transformations. Geometric abstraction likewise appeared his free-standing metal sculpture, Kaleidoscreen (1957), a large experimental project for ALCOA (Aluminum Corporation of America) installed as an outdoor space divider on the Aspen Meadows in the Aspen Institute complex. Composed of seven prefabricated, multi-colored and textured panels, they could be turned ninety degrees to intersect and form a continuous plane in which the panels recomposed like pieces of a jigsaw puzzle. He similarly used prefabricated elements for Articulated Wall, a very tall free-standing sculpture commissioned for the Olympic Games in Mexico...

Michele Brody, Nature in Absentia: Cattails Plucked Out, Handmade Cast Paper The essence of Michele Brody’s work thrives on the interaction with n...

This art piece is part of the series of unique sizable works called 'Home alone'. By using mixed media and expressive sketching techniques the artist Maris Abilevs manages to convey ...

Work on paper

This piece titled "STAY A LITTLE BIT LONGER" is an original artwork by Hyland Mather featuring a papercut slogan over found papers, collage, and screen printing This piece measures 1...

This piece titled "OUT ON THE RACETRACK" is an original artwork by Hyland Mather featuring a papercut slogan over found papers, collage, and screen printing This piece measures 16.5"...

People Speaking (2017), Mixed Media: Watercolor, Tempera, Acrylic on Paper Fabriano 600 g, 41,5x57,5 cm, by Italian contemporary artist Annemarie Ambro...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Mixed media on canvas Dark natural wood exterior frame Framed dimensions: 156 x 110 cm Signed front and back

A stylised mixed media piece showing a view of various London landmarks, including the London Exchange building. The artist has used a mix of relief and impasto media with the oil to...

Work on paper

Colorado-based artist Zoa Ace creates oil-on-canvas paintings, watercolors, and collage work. She employs a mix of pop culture, animals, and nostalgic imagery in her scenes, often carnival-like or theatrical. As a child growing up in Illinois, Ace loved to draw, and her favorite subject in school was Art. In the 1970s, Ace discovered Chicago’s Hairy Who...

The organic aesthetic and textures of Peter Kuttner’s original boho minimalist artworks are the result of patient layering and unique uses of media. Through a combination of collage and paint, Kuttner is able to find personal expression in the clear colors and contrasting soft textures he creates. This artwork is part of Kuttner's "Cut-Out" series where the artist uses a process, not unlike that of Matisse late in his career. The economy of design and the utilitarian simplicity therein allow for the creation of simple, archetypal pieces. This one-of-a-kind mixed media painting measures 30 inches square. It is wired and ready to hang. It is signed by the artist on the front and back. The sides of this artwork are painted and it does not require framing. Free local Los Angeles area delivery. Affordable Continental U.S. and International shipping available. This artwork comes with a Certificate of Authenticity issued by the gallery. Kuttner’s artworks have been featured in Architectural Digest Magazine as well as in popular films and television shows including Two and a Half Men, Californication, and Nashville. Presently, Kuttner’s work is on display in a large number of private, royal, museum, and corporate collections worldwide. REPRESENTATION Artplex Gallery, Los Angeles, USA SELECT EXHIBITIONS 2022 “Outlook of Entity”, Artplex Gallery, Los Angeles, CA Affordable Art Fair New York, NY Winter Salon, Chicago Art Source Gallery, Chicago, IL 2021 Artplex Gallery, Los Angeles, CA Studio E Gallery, Palm Beach Gardens, FL 2020 Grace Renee Gallery, Cave Creek, AZ 2018 McVarish Gallery, Portland, OR Chicago Art Source Gallery, Chicago, IL 2017 Susquehanna Art Museum, Harrisburg, PA Ormond Art Museum, Ormond Beach, FL Kelsey Michaels...

Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been shown in...

My friend friend Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been shown i...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...

David B. Smith Gallery is proud to present "Same but Different", a solo exhibition by Brooklyn-based artist David B. Smith. What started as a humorous recognition by gallerist and artist that they share the same name led to broader questions: What is a self? What if each of us contains and shares many selves? What if other worlds existed where we can observe these selves taking actions we never made, almost did, or never even considered? Translating these questions through textile-based, artistic processes—embroidery, soft sculpture, prints, tufted wall...

SUSANNAH MIRA Ripple Effect In Sandstone • yarn, cotton, fabric 15.50w x 15.50h x 4.00d in $560.00

Can be rotated and hung in any orientation. For inquiries use ASK THE SELLER button. keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials,...

Untitled is an original contemporary artwork realized by Domenico Bianchi in the 1980s. Beautiful mixed media painting on cardboard created by Domenico Bianchi. Includes frame. In...

Prokash Karmakar – Beach Series – 7.5 x 8 inches (unframed size) Mixed Media on paper , 2004 Inclusive of shipment in ready to hang form. Style : Legendary master artist...

Villa is a textile, installation and street artist. Her work primarily explores interconnection. Among her themes are the visionaries creating positive change throughout history, pop culture, social causes, and our reconnection with nature. Influenced by history, culture and human relationships in a fragmented post-digital world, the bold dynamism of her work is revealed in uncut thread. It lends a surreal and unfinished aesthetic that reflects the importance of acceptance of change, evolution and imperfection. Villa’s approach to textile is sensitive and intuitive. She draws inspiration from the craftsmanship and the textile traditions in Mexico and from across cultures, but uses textiles...

Original collage signed and dated by Aubrey Penny. Laws of Chance, Mind-Line Series 7-2841-Y, 1967 Aubrey Penny (American 1917-2000) was an innovative California abstract artist who...

“Using racial conflict as a starting point, I juxtaposes various fibers with a variety of found materials using free form weaving, coiling, knotting, wrapping and jewelry making techniques. Meticulously collected materials, transformed by their collective memory become “social fabric” weaving together contemporary issues and personal narratives. 100-foot extensions of rope, twine, and yarn impeccably wrapped, woven, tied and embellished with recycled beads, ribbon, lace, tape and bottle cap bobbles lures you into my hue-imbued, enmeshed installations symbolizing natural hair. These bold albeit whimsically twisted and locked forms gingerly invite the audience into off the-wall conversations about micro aggressions against black women and their hair. Community art making is also key to my process. Multi-disciplinary experiences pairing people, food, wine, music and art, create a safe space to explore themes such as equity & inclusion, sustainability and personal wellbeing.” -Theda Sandiford