Mixed Media

Sparshatt Dalzell is a collaboration between photographer James Sparshatt and painter Rachael Dalzell. The portrait was taken in 2003 on Plaza de la Catedral by James. Rachael’s ...

Vibrant colours and texture adorn the surfaces of each artists’ compositions. Dawn Beckles’ use of paint, print making and collage create bold depictions of the domestic: the exotic ...

Vibrant colours and texture adorn the surfaces of each artists’ compositions. Dawn Beckles’ use of paint, print making and collage create bold depictions of the domestic: the exotic ...

Made with passion and golden embroidery details, the Perfect Artdeco Gift! Miss Dirty Martini - horse - riding - dressage comes with certificate of authenticity signed by Artemisia. ...

’Flying’ By Yutaka Takayanagi. Medium - Relief and lithographic print Edition - 14/20 Signed - Yes Size - 790mm x 570mm Date - 1976 Condition - Excellent. 10 out of 10. Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year. During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers. Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums. In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist. Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks. Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints. Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...

Ando is half Japanese and half Russian American artist based in New York. She was raised in two worlds; among sword smiths turned Buddhist priests in a Buddhist temple in Okayama, Japan and in a redwood forest in Northern California. She is the descendent of sword maker Ando Masakatsu. Recently Ando’s artwork has been featured on CNN News...

Original Artwork created with spray paint and ink on deep-edge canvas Size 16 x 16 inches 1/1 Comes with a Certificate of Authenticity

Gardens Collage 34 x 24 My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do not find in other mediums. Wh...

discarded rope, indigo dyed organic cotton yarn ø 100 cm

Jo Jenkins Together Forever Large abstract painting, in mixed media on canvas, unframed . Deep stretcher painted in dark tone Size: H:122 cm x W:122 cm Please note that insitu images...

Discarded rope, organic silk yarn dyed with Indigo

Contemporary abstract painting made with oil, acrylics, and oil pastels on canvas by Swedish artist Elin Kereby. Her vibrant oil and mixed media paintings ...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

Landscape with beach chair or lawn chair in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

Judith Brenner Merlot 90 x120cm. Mixed Media on Watercolour Paper Unframed mixed media, contemporary, acrylic, pigment, metal powder, contemporary collage, work on paper Size: H:120 ...

Made with passion and golden embroidery details, the Perfect Artdeco Gift! Miss Burlesque Star - horse - riding - dressage comes with certificate of authenticity signed by Artemisia....

Information: Artist / painter / sculptor born in Paris in 1967, graduated from IPEDEC (School of decorative painting in Paris) and specialized in optical illusion painting, Alain Mimouni...

En Face, Agneta Hobin, mica and steel, 70" x 48", 2007. This 7-piece mica and steel hanging installation and sculpture is by Finnish artist, Agneta Hobin...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

Los Angeles artist Amber Goldhammer paints dramatic abstract compositions in acrylic on canvas featuring energetic brushstrokes. Goldhammer uses her contemporary paintings to express...

This artwork titled "Canyon Series 54" c.1980 in a monotype, mixed media with embossing on Arches paper by noted Canadian artist Janet Jones b.1952. It is hand signed and titled in pencil by the artist. The image is 36 x 26 inches, sheet size is 41.5 x 29.5 inches. It is in excellent condition, has never been framed. About the artist: Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold. Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba. Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits. A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts. Professor of Painting, Department of Visual Arts and Art History, AMPD, York University. EDUCATION 1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship. 1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award 1977 B.F.A. Honours, with Distinction, Concordia University SOLO EXHIBITIONS 2017 The Dream Machine, Patrick Mikhail Gallery, Montréal, Quebec, October - December, 2017 2016 Recent Acquisitions from DaDa Delirium, MacLaren Art Gallery, Barrie, ON. March – July 2015 Playtimes, Katzman Contemporary, Toronto, March-April 2015. 2013 DaDa Delirium, MacIntosh Gallery, University of Western ON. 2012 Joy Ride, Katzman Kamen Gallery, Toronto, ON September, 2012. 2012 DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May 2010 DaDa Delirium, MacLaren Art Centre, Barrie, ON. 2009 A Las Vegas State of Mind, Peak Gallery, Toronto, ON. 2009 DaDa Delirium, Curated by Stuart Reid, Tom Thompson Art...

Voluptuosidad 12, 2019 Edition of 25 Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His ...

From the series ‘On Distant Objects And Hungry Gods’, 2018 Pigments on paper 280 x 110 x 70cm

Oil plastic

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Ando is half Japanese and half Russian American artist based in New York. She was raised in two worlds; among sword smiths turned Buddhist priests in a Buddhist temple in Okayama, Japan and in a redwood forest in Northern California. She is the descendent of sword maker Ando Masakatsu. Recently Ando’s artwork has been featured on CNN News...

Ando is half Japanese and half Russian American artist based in New York. She was raised in two worlds; among sword smiths turned Buddhist priests in a Buddhist temple in Okayama, Japan and in a redwood forest in Northern California. She is the descendent of sword maker Ando Masakatsu. Recently Ando’s artwork has been featured on CNN News...

Igusa straw top, recycled tea and pet bottle base, cotton edge and yarn 100 x 45 cm Edition of 10

Glazed Earthware

Senza Titolo Mosaico is a 2010 lithograph with mosaic elements by Mimmo Paladino. Senza Titolo Mosaico is from an edition of 25 plus artist and printers proofs. Senza Titolo is signe...

Oil Plastic

Discarded ropes, recycled PET yarn, rescued yarn

Clay, sand, wood, pigment, cotton, thyme, sodalite, mixed tumblestones. 188 x 80 x 110 cm

Jodi is a self-taught artist whose talent emerges in every piece she creates. Inspired by nature, she utilizes a process call “Oritatami Nendo: folding clay”. Her unique style resona...

Landscape with Sandwich Maker in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

This vibrant artwork is inspired by music I love that has come out of the Bronx. The push and pull of color, texture, and layers of metal creates a rich flow when experiencing this piece. Exposed to urban...

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Mixed media on canvas

Mixed media on canvas

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An original, fine art, abstract expressionist painting, "Withering on the Vine" combines abstracted floral motifs with gestural markings. Created in 2021 by a...

Newspaper with industrial lacquer on plexiglass frame

Glazed Pottery

Annick b. Cuadrado, a French artist, born and working in Paris, introduces in her works of art the most famous products of our consumer life. She has convinced the owners of the most...

Mix technique. Acrylic on canvas and collage.

Concrete, rubble, resin

Acrylics and clothes on wooden board

Chen Yu’s art started with lacquer painting. On this foundation, her materials experiments and conceptual extensions have developed in two directions; she is serious and measured, an...

Clay, coconut soil, sand, freshwater pearls, glass beads, brass, acrylic paint, polypropylene cord, nylon thread. 75 x 27 x 27 cm

From the Peak of Eternal Light series, 2018 Vapour deposited aluminium aerospace film, lunar regolith simulant 16 x 32 x 3cm

Carnivore Gouache and metallic ink on 1957 Encyclopedia page Feminist Art and Contemporary Feminist / Geometric Abstraction / Gestural Abstraction / Abstract Art / Minimalism and C...

Original work by Mary Early. Graphite, wax crayon, and sumi ink on Arches paper, 12.25 x 16". "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art practice, serving as an observation of time, materials, and space. The raw beeswax I use has taken its form at the end of a long series of natural processes followed by a manufacturing process, and once it is in my hands, the studio becomes a factory. I apply my own methods of transforming the material by casting the beeswax into three-dimensional forms. Once I have fixed both a place and a time in the future for a potential installation, I begin to determine how the beeswax lines will take their aggregated shape in that space and, simultaneously, how many lines might be manufactured for that particular space in the amount of time available." Mary Early (born 1975, Washington, DC) lives and works in Washington, DC. She studied visual art, film, and video at Bennington College, and her work has been exhibited at the United States Botanic Garden, Washington Project for the Arts, the Corcoran Gallery of Art, Second Street Gallery (Charlottesville, VA), Hemphill Fine Arts (Washington DC,) the Austrian Cultural Forum (Washington DC), Galerie Im Ersten (Vienna, Austria), Kloster Schloss Salem (Salem, Germany), Kunstlerbund Tubingen (Tubingen, Germany), and the American University Museum (Washington DC) among other regional and national galleries. Her early work incorporated formed concrete, tarpaper and paraffin wax, fabricated wood structures, and, increasingly over the years, surfaces coated with wax as a method of preserving or concealing an object within. Recent works have relied solely on solid forms cast in wax, abandoning the use of any permanent armature. Temporary installations are guided by schematic drawings and plans, which then serve as a permanent record. In 2014 she exhibited her first large-scale installation of wax lines at Second Street Gallery in Charlottesville, VA, followed by temporary installations in response to various historical sites in Salem, Germany (2016) and Tubingen Germany (2017). In 2017 she participated in the exhibition “Twist-Layer-Pour” at the American University Museum, which included Untitled [Curve], an installation of thousands of beeswax lines assembled on the floor of the museum. In spring 2018 she was commissioned to create a temporary installation at the Sun Valley Center for the Arts, Sun Valley Idaho. This work took the form of two intersecting curtains of hanging beeswax lines bisecting a 12’ foot x 18’ foot room, providing an immersive and enclosed viewing space. Early’s work is included in the collections of the US Department of State/Embassy of Panama, Kimpton Hotels, and the District of Columbia Art Bank among other public and private collections. She is a recipient of the Artist Fellowship Grant from the DC Commission on Arts & Humanities, Washington DC (2020, 2019, 2018, 2017, 2016, 2015, 2014, 2011, 2009, 2007). Early is the director of HEMPHILL Fine Arts, Washington, DC, and serves on the boards of Hamiltonian Artists and Washington Sculptors Group. She handles the work of contemporary artists and artist estates, including the work of William Christenberry, Colby Caldwell, Hedieh Javanshir Ilchi, Linling Lu, Mingering Mike, Robin Rose, Renée Stout...

Ishoku Tatami Multicolor - Light Pink Igusa straw top, recycled tea and pet bottle base, cotton edge and yarn 120 x 90 cm Edition of 10

Selena Beaudry’s work is created by marking and cutting up drawings. This has led the artist to rediscovering her visual language. Her work consists of...

Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and spontaneity, a lyrical abstraction of frenzied marks, many of which previously lay hidden, buried beneath strong layers of self-taught expression. Those truths, first obscured and then obvious, aim to engage the viewer, allowing them to explore their own interpretation. His figurative abstract artworks are represented by Artspace Warehouse in Los Angeles and have been exhibited and collected worldwide, including London, New York, and Hong Kong. This original oil painting on canvas measures 14 inches high by 11 inches wide. It is wired and ready to hang. The sides of the artwork are painted black and it does not require framing. It is signed by the artist on the front of the artwork and titled on the back. Convenient local Los Angeles area shipping. Affordable U.S. and international shipping also available. A certificate of authenticity issued by Artplex Gallery is included. Mark Acetelli was born in Detroit into an artistic household. Mark’s mother herself was a painter and some of his earliest memories were the smell of turpentine and oil paints. Growing up surrounded by his mother's work, she inspired and encouraged him to become an artist. Acetelli’s paintings are inspired by the intensely personal introspective journey of life, from the ever-changing complexities of love, loss, birth, and death. The context of his work he describes as, “Absence and Presence” pertaining to how someone or something can be physically gone, but the essence still remains. Capturing the physical mixed with spirituality on canvas. His application of paint is an extension of that thought process. He works by continuously building up and tearing down, layer upon layer, adding and subtracting. A visceral dance between the conscious and the unconscious until the emotion is expressed. Acetelli’s paintings may go through multiple incarnations with the past lying just beneath the surface, adding to its overall dimension and depth. In his work, Acetelli seeks to evoke a feeling rather than depict a defined image. He uses primarily oils and encaustics to create thickly layered canvases with emotive bursts of color. Creating a world where imagination and reality come together. Acetelli’s works can be found in many private and corporate collections around the world, including Bill Withers, Lisa Colburn, Colburn School of Music, Raytheon Corp, Universal Studios, Warner Brothers, Michael Jordan, Stuart Beattie, Claire Forlani, Camryn Manheim, and Francine Maisler. EXHIBITIONS 2023 Solo show, “Mark Acetelli: Surface of a Dream”, Artplex Gallery, Los Angeles, CA 2022 Artplex Gallery, Los Angeles, CA, USA 2022 Brouhah Art. Country & Urban, Hong Kong 2022 There From Hear, LA Artcore, Los Angeles, CA 2022 LA Art Fair, Los Angeles, CA 2022 Morton Contemporary, Philadelphia, PA 2022 Bendix Night, Bendix Building, Los Angeles, CA 2021 Artplex Gallery, Los Angeles, CA 2020 Art Palm Springs, CA 2018 Art Palm Springs, CA 2018 Artspace Warehouse, Los Angeles, CA 2017 Affordable Art Fair Hong Kong 2017 Affordable Art Fair New York, NY 2017 Affordable Art Fair London, UK 2017 Art Palm Springs, CA 2017 Artspace Warehouse Los Angeles, CA 2016 Art Hamptons, NY 2016 Affordable Art Fair Hong Kong 2016 Affordable Art Fair New York, NY 2016 Palm Springs Fine Art Fair, CA 2015 Artspace Warehouse Los Angeles, CA 2015 Affordable Art Fair New York, NY 2014 Artspace Warehouse Los Angeles, CA 2014 Houston Fine Art Fair, TX 2013 Shadows and Light, Whole 9 Gallery, Culver City, CA 2013 Southside Art Gallery, Oxford, MS 2013 Affordable Art Fair New York, NY 2012 Art Palm Beach, MW Galleries, Chicago 2012 Affordable Art Fair Los Angeles, CA 2012 San Diego Fine Art Fair, Artspace Warehouse, CA 2012 Artspace Warehouse, Los Angeles, CA 2012 David Perry...