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Allen JonesBritish Pop: Mail Order, for Culture Carriers Stamp Out Art (Lt Ed Signed stamp)1971
1971
About the Item
ALLEN JONES
Mail Order, for Culture Carriers Stamp Out Art, from The Collection of Art Critic Anthony Haden-Guest, 1971
Lithograph mounted on franked envelope of wove paper (Hand Signed)
6 × 9 inches
Edition of 250 (unnumbered)
Hand signed in blue ink by Allen Jones with his initials on the lower left of the lithographic stamp, affixed to the envelope.
Unframed
As a consequence of the prolonged strike by the Royal Mail postal workers in the United Kingdom, Allen Jones, along with a group of top British Pop artists of the era including David Hockney, Eduardo Paolozzi, Derek Boshier, the poet/activist Christopher Logue and Richard Hamilton, published ''Culture Carriers Stamp Out Art''to raise funds for the striking workers. The "stamps" were published in a limited edition of only 250 each (some artists, like Paolozzi and Allen Jones created more than one design), with the artists signing each by hand in blue ink with his initials on the lower right. Allen Jones "Mail Order" is an especially clever take on the project; it is at once a postage stamp (hence the title "Mail Order"), but it also refers to the popular mail order catalogues of the era. It was a particular preoccupation of Jones, who, separately, created a large lithograph called "Janet is Wearing" -- referring to his wife Janet, but playing upon the advertising jargon of the day, used in mail order catalogues. For this particular project - creating a stamp to raise money for mail carriers - Jones' MAIL ORDER double entendre could not be more apropos.
The stamp itself measures 3.75 inches (H) by 2.25 inches (w), and it is affixed to a franked (postmarked) envelope which measures 6 inches by 9 inches, bearing the stamped text "Culture Carriers 23 Feb 1971" on the top left, and the stamp "CULTURE CARRIERS STAMP OUT ART" on the lower left (front). and the stamp "STRIKE ISSUE" lower right front of the envelope. Very desirable as an ensemble. these were known as The Post Office Worker's Strike Commemoration Stamps. This particular piece has superb and interesting provenance, as it came from the private collection of the American art critic Anthony Haden-Guest. As additional provenance, we will furnish the buyer with a xerox copy of the receipt from Flair Magazine, and a list of buyers of the stamps -- as Haden-Guest was apparently tasked with collecting funds from collectors for their purchased works through Flair magazine.
The artwork consists not just of the signed, limited edition Allen Jones postage "stamp", but also the franked envelope, which it is affixed to, with the stamps as described above. The entire mixed media piece is far more desirable than the stamp alone.
This will look terrific when framed. An unusual and memorable gift for any Allen Jones fan - and a great piece of art historical ephemera - and a cool piece of 1970s British Pop (and Royal Mail) - history!
More about British Pop Artist Allen Jones:
Allen Jones (born 1 September 1937) is a British pop artist best known for his paintings, sculptures, and lithography. He was awarded the Prix des Jeunes Artistes at the 1963 Paris Biennale. He is a Senior Academician at the Royal Academy of Arts. In 2017 he returned to his home town to receive the award Honorary Doctor of Arts from Southampton Solent University
Jones has taught at the Hochschule für bildende Künste Hamburg, the University of South Florida, the University of California, the Banff Center School of Fine Arts in Canada, and the Berlin University of the Arts. His works reside in a number of collections; including the Tate, the Museum Ludwig, the Warwick Arts Centre and the Hirshhorn Museum. His best known work Hatstand, Table and Chair, involving fibreglass "fetish" mannequins, debuted to protests in 1970.
- Creator:Allen Jones (1937, British)
- Creation Year:1971
- Dimensions:Height: 6 in (15.24 cm)Width: 9 in (22.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good vintage condition; the stamp and envelope were franked (postmarked) - see photo.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745213633512
Allen Jones
British Pop artist Allen Jones is no stranger to controversy. In 1970, his group of erotic life-sized fiberglass sculptures Hatstand, Table and Chair — sexually suggestive hyperrealistic models of women transformed into pieces of furniture — made headlines, provoked outrage and was met with intense scrutiny by art critics. Despite the condemnation — or perhaps partly owing to it — his work has sold for millions of dollars at auction, and while Jones’s figurative paintings, prints and sculptures have courted negative publicity, there is no question that his work is provocative and coveted by some collectors.
Born in Southampton in 1937, Jones attended the Royal College of Art alongside classmates R. B. Kitaj and David Hockney. While the school expelled Jones after one year, his work was included in the “Young Contemporaries” exhibition of 1961 — regarded as the birth of the British Pop art movement. Then, in 1963, Jones won the Prix des Jeunes Artistes at the Paris Biennale.
After moving to New York in 1964, Jones began experimenting with sexual imagery and erotic figures. He endeavored to explore complex relationships between men and women, and placed a specific focus on the female form in his nude sculptures and abstract paintings. While the era gave way to works by Jones that were especially sexually charged, his body of work also came to include colorful lithographic prints that drew on fashion design and cabaret.
Jones’s works have been exhibited extensively throughout the U.K., Europe and elsewhere around the world, including shows in London, Zurich, Lisbon, Hong Kong, Shanghai and St. Louis. In 2015, the Royal College of Art staged a large retrospective of his work. Jones’s pieces are held in the collections of the Museum of Modern Art, the Tate, the National Portrait Gallery and the Whitney Museum of American Art.
On 1stDibs, find authentic Allen Jones prints, sculptures and other art.
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